Theory and Criticism Commons^™

Disgust Of The Body: Feminist Theories Through Indigenous Examples, Meyli Barrera

Art 525/Art History 5290 Papers

No abstract provided.

Contemporary Video Games: A Bad Precedent For Female Beauty?, Jamie Eloise Rodrigo

Art 525/Art History 5290 Papers

No abstract provided.

Where Do Women In Art Stand Now?, Cari Bruno

Art 525/Art History 5290 Papers

No abstract provided.

The Women Of Edo, Andrea Rojas

Art 525/Art History 5290 Papers

No abstract provided.

Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The purpose of this thesis is to document the design processes of the University of Nebraska Lincoln’s production of Stop Kiss by Diana Son, produced March 1-9, 2023, in partnership with the Nebraska Repertory Theatre. Documented is a complete representation of a scenic design process including discussion of practices and design methodologies, research plates, supporting analytical paperwork, preliminary sketches, digital renderings, and 1/4” scale model photos, a full set of drafting, painter’s elevations and a corresponding props and dressing list. Performance photos follow as an archive of the production process and performance photos.

Advisor: Joshua David Madsen

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …

Evaluating The Efficacy Of The Christian Reformational Transcendental Model Of Art Criticism As A Literary Theory Through Albert Camus’S The Stranger, Elizabeth Miller

Electronic Theses and Dissertations

The subfield of art criticism and theory within Christian reformational philosophy, a descendent of the neo-Calvinist theology developed through the work of Dutch Reformer Abraham Kuyper and others, is becoming increasingly diverse. Recently, scholars such as Leland Ryken, Glenda Faye Mathes, and Philip Graham Ryken have built upon twentieth-century theologian Francis Schaeffer’s worldview approach by popularizing a transcendental model of art criticism, an approach that applies the transcendentals of truth, goodness, and beauty to works of art. However, the transcendentals, while widely discussed in the fields of philosophy, theology, and, to a lesser extent, art theory, have not been explicitly …

The Well-Tempered Android: Philosophical Posthumanism In Science Fiction Cinema., Cody Gault

Electronic Theses and Dissertations

This dissertation examines philosophical posthumanism as a means for critical analysis of the interaction between humans and nonhuman androids in select science fiction cinematic universes. The interaction is analyzed through several facets, notably the interactions between humans and nonhuman androids, particularly as interactions between the human and nonhuman are often sites of violence. Chapter one is an introduction. Chapter two describes the development of philosophical posthumanism from humanism, also including an analysis of philosophical posthumanism, and how it can be used as a critical lens. Chapter three begins an analysis of science fiction cinema by examining the Blade Runner films …

Dorian And The Double: Repressed Homosexual Desire In The Picture Of Dorian Gray, Alexandra Wohlford

Student Research Submissions

Written for Dr. Chris Foss’s English 478 Seminar on Oscar Wilde, “Dorian and the Double: Repressed Homosexual Desire in The Picture of Dorian Gray” examines one of Wilde’s most infamous and beloved works through the lens of both psychoanalytic and queer theory. Drawing on the Romantic and Gothic traditions’ concept of the “literary double,” this research paper explores the dynamic portrait of Dorian Gray as a double for multiple characters in the text, serving as a representation of their repressed homosexual desire. Namely, Basil Hallward and Dorian Gray himself emerge as the primary focus of this analysis. In addition, …

The Artist's Arsenal: Hiv+ Women Artists, The ‘War On Aids’, And Reclaiming Illness Narratives, Mekha Varghese

Art and Art History Honors Papers

This work uses the methodologies of both art history and medical sociology through the ‘syndemic’ framework to engage in close readings of two selected artworks, Exit (1997) by Nancer LeMoins and Violation of Africa (1984) by Affrekka Jefferson. An interdisciplinary approach to these works enables consideration of how multiple marginalized identities—i.e., living with a stigmatized illness, being a woman, being LGBTQIA+, being a person of color—appear in visual art and shape illness experience; these ideas are investigated through a formal and iconographic reading of the selected artworks. Placing art as the foundation of this analysis reveals its astounding impact and …

Menetekel: Ishmael's Black Whale And The Semiotics Of Doom, Todd Tyner Cronkhite

English Language and Literature ETDs

This study employs the narrator of Moby Dick, Ishmael, as a focal critic to interpret several potential examples of ominous writing on the wall, or menetekel. It concludes that the message of such writing, owing primarily to its irrevocably deictic relationship with the surface it is written on, is fundamentally apocalyptic in nature, regardless of its explicit content. The physical walls of the “kingdom” are incorporated into the grammar of the menetekel as object, so that its elemental message, “I was here,” becomes not only an admission of criminal trespass, but also a direct threat to the current order and …

Something “Transcendentally Stimulating”: Resistance And Antidote To Empiricist British Culture In Sir Arthur Conan Doyle’S Sherlock Holmes, Crissy Preston, Crissy M. Preston

Master of Arts in Classical Studies

Sherlock Holmes is a name synonymous with detective and perhaps more familiar to households than his creator Sir Arthur Conan Doyle. His lasting impact as a literary figure is indisputable, but the curiosity surrounding the reasons for his longevity in popularity remain an enigma to many scholars and critics. In my thesis, I will discuss some of the reasons Holmes relates to readers from various time periods, age groups, and nationalities for more than a century. The first section of this project will establish the empiricist culture surrounding the decadent late 1800s, which compose the setting for most of Doyle’s …

Raising The Iron Curtain: Healing Collective Oppression Through Literature, Alisa Chirkova-Holland

Student Works

One Day in the Life of Ivan Denisovich, by former gulag prisoner Alexander Solzhenitsyn, is a short novel that entails an ordinary day for a prisoner, Shukhov, in a Siberian gulag. Although the work is a typical skaz, a traditional Russian narrative form, the novel was well-received by Russians at the time of publishing in 1962. This paper will explore the reason for such acclamation, understanding how Solzhenitsyn’s innovations to the skaz allowed readers to connect with their past. The paper also mentions theories such as Traumatic Realism to comprehend how such a bleak novel positively impacted post-Stalinist readers. …

(Un)Orthodox Orient, Su Ergeneli

MA Projects

The term Orient was born from a Western-created body of knowledge, or rather discourse, with the authority of the West over the East. This paper, through historical and political analysis of the Orient, questions the reasoning and accuracy of the institutionalized Western knowledge of classical cultural archetypes of the East. Orientalism is a product of the West discovering the Orient and dominating and restructuring the Orient. Hence, it is represented by the dominating
frameworks. By taking the Orient out of the ideological discourse, this paper emphasizes Orient as an individual and evaluates the Near Eastern art market’s transformation as its …

The Artist As Surveillant: The Use Of Surveillance Technology In Contemporary Art, Claire O'Neill

MA Theses

Artists have long been called observers, voyeurs, and watchers, and with a
particular interest in human behavior and society, they frequently use unknowing
passersby as their subjects for works. Curators and scholars explored how artists put citizens under surveillance with photography and videography, which dates back to the early 1900s, years before governments deployed surveillance systems. Since the 1980s, artists have explicitly explored surveillance technology and theory to alert viewers to the rise of surveillance. Today, this genre is called artveillance, a term coined by Andrea Mubi Brighenti in 2010 to categorize art that explicitly deals with surveillance. This genre …

Critical Exhibition Methods In Museums, Jaimie Davis Ms

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Art and anthropology are intimately intertwined as art is an extension of culture which falls under the purview of anthropology. Utilizing interdisciplinary methodology that incorporates both anthropology's considerations for culture and art's consideration of aesthetic creates the best possible methodology for exhibition in museums. Art museums have enough aesthetic and could benefit from the considerations an anthropology's school of thought.

Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby

Theses and Dissertations

Laying out a Space: Spectral Geographies, Fictions of the Soul, arises out of my artistic practice, and thoughts behind my current project and MFA exhibition, Spectral Geographies.

Linking the problem of the world ‘out there’ or external space, to inner experience through painting as both medium and practice, my work expresses what I call inner geographies, spaces where intimate immensities, folding inside and outside, find expression. I think of my paintings as beginning with this gesture of laying out a between-space where the intimacies of waking dreams and visions are opened by, and grow into, actual places, …

Andy & Edie, Warhol & Sedgwick, Sabine Paris

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

The Familiarity Of Hapticity Overrides The Rationality Of Sight: 'Hair Aesthetics' And Photographic Seeing, Diana Ferrell Mccready

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

Create Space–Create Communal Change: An Exploration Of Tactics Used By Augusta Savage And Theaster Gates, Ardel'paschal P. Sampson

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.