Cross Country: The Power Of Place In American Art, 1915-1950,
2017
Auburn University at Montgomery
Cross Country: The Power Of Place In American Art, 1915-1950, Naomi Slipp
Art Inquiries
No abstract provided.
The West Virginia New Deal: Blanche Lazzell’S Mural In Morgantown,
2017
Cape Fear Community College
The West Virginia New Deal: Blanche Lazzell’S Mural In Morgantown, Kendall J. Martin
Art Inquiries
No abstract provided.
Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction,
2017
University of Tennessee-Chattanooga
Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction, Jordan Amirkhani
Art Inquiries
No abstract provided.
Drawings For Paintings In The Age Of Rembrandt,
2017
Colby College
Drawings For Paintings In The Age Of Rembrandt, Saskia Beranek
Art Inquiries
No abstract provided.
Insecurities: Tracing Displacement And Shelter,
2017
City University of New York (CUNY)
Insecurities: Tracing Displacement And Shelter, Elizabeth Berkowitz
Art Inquiries
No abstract provided.
Arts: A Guide For Conservators, Curators, And The Curious,
2017
National Gallery of Art
Arts: A Guide For Conservators, Curators, And The Curious, Kari Rayner
Art Inquiries
Book review of Arts: A Guide for Conservators, Curators, and the Curious, by Roy S. Berns.
Artemisia Gentileschi E Il Suo Tempo (Artemisia Gentileschi And Her Times),
2017
University of Mary Washington
Artemisia Gentileschi E Il Suo Tempo (Artemisia Gentileschi And Her Times), Marjorie Och
Art Inquiries
No abstract provided.
Marilyn Minter: Pretty/Dirty,
2017
Georgia State University
Dispatches,
2017
University of North Carolina Greensboro
Shattered Landscapes: Revolutionary Ruins In The Virginian Watercolors Of Benjamin Henry Latrobe,
2017
Roanoke College
Shattered Landscapes: Revolutionary Ruins In The Virginian Watercolors Of Benjamin Henry Latrobe, Julia A. Sienkewicz
Art Inquiries
No abstract provided.
An Interview With Eloisa Guanlao,
2017
Virginia Commonwealth University
Architecture And Memory In Jacques-Louis David’S Sabine Women,
2017
Hope College
Architecture And Memory In Jacques-Louis David’S Sabine Women, Heidi E. Kraus
Art Inquiries
No abstract provided.
Back Matter,
2017
Virginia Commonwealth University
American Women Artists, 1935-1970: Gender, Culture, And Politics,
2017
University of Alabama
American Women Artists, 1935-1970: Gender, Culture, And Politics, Lucy Curzon
Art Inquiries
Book review of American Women Artists, 1935-1970: Gender, Culture, and Politics, edited by Helen Langa and Paula Wisotzki.
After Caravaggio; Caravaggio And The Creation Of Modernity,
2017
Virginia Commonwealth University
After Caravaggio; Caravaggio And The Creation Of Modernity, Donald Schrader
Art Inquiries
Book review of After Caravaggio, by Michael Fried, and of Caravaggio and the Creation of Modernity, by Troy Thomas.
Art Inquiries, Xvii:2, Full Issue,
2017
Virginia Commonwealth University
Spreading Seeds: Ai Weiwei's Sunflower Seeds And His Performative Personality Received In The West,
2017
Scripps College
Spreading Seeds: Ai Weiwei's Sunflower Seeds And His Performative Personality Received In The West, Wei Wu
Scripps Senior Theses
In 2010, Ai Weiwei's Sunflower Seeds made its debut in Tate Modern, which promoted Ai to be one of the most famous and respected contemporary Chinese artists. This Conceptual art work has multiple layers of meanings, which all corresponds to the Western expectations for a successful contemporary Chinese artist. In fact, the Western art world has long held bias and stereotypes towards international artists. Ai chose to perform his personality to conform to the expectations and Western ideologies, which brought him international fame. On the other hand, other Chinese artists, including Cai Guo-Qiang and Zhou Chunya, don't totally agree with …
Public Art Between Authoritarianism And Democracy (The Case Of The Maidan Protest In Ukraine),
2017
CUNY City College
Public Art Between Authoritarianism And Democracy (The Case Of The Maidan Protest In Ukraine), Asia Bazdyrieva
Dissertations and Theses
This thesis explores the spatial organization and public art of Kyiv’s Independence Square to address broader social and political realities after the Maidan protests of 2013-14. Using theories of power and ideology, this study demonstrates how the discourse on public art reflects the political situation of post-revolutionary Ukraine, and how public engagement with urban space signals a paradigmatic shift in the developing country’s process of self-identification. The purpose of this thesis is threefold: first, to identify the Soviet ideological approach embedded in the spatial organization of Kyiv’s administrative center (including the Maidan); second, to examine artistic interventions at the site …
Iain Muirhead,
2016
Claremont Colleges
Iain Muirhead, Iain Muirhead
CGU MFA Theses
Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création,
2016
Chapman University
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
