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899 full-text articles. Page 26 of 39.

Art Inquiries, Xvii:3, Full Issue, 2018 Virginia Commonwealth University

Art Inquiries, Xvii:3, Full Issue

Art Inquiries

No abstract provided.


Takashi Murakami: Lineage Of Eccentrics, Yumi Park Huntington 2018 Framingham State University

Takashi Murakami: Lineage Of Eccentrics, Yumi Park Huntington

Art Inquiries

No abstract provided.


The Sylvan Blindspot: The Archaeological Value Of Surface Vegetation And A Critique Of Its Documentation, John S. Harris 2018 The University Of Montana

The Sylvan Blindspot: The Archaeological Value Of Surface Vegetation And A Critique Of Its Documentation, John S. Harris

Graduate Student Theses, Dissertations, & Professional Papers

Surface vegetation at archaeological sites is a resource overlooked in cultural resource management. Drawing upon comparative documentary surveys of site forms and human surveys of 161 archaeologists in 12 U.S. states, this thesis explores why surface vegetation offers archaeological data potential; how archaeological documentation is an artifact of archaeologists, shaped by various subjectivities; and how improvements can be made for vegetal description in cultural inventory site forms. The surveys offer a critique on how the site form records are a product of disciplinary training oversights, differing work background experience, cultural bias, limitations in botanical knowledge, regional differences in U.S. archaeological …


Bayou Bohemia: Early Modernism In Houston, Susan J. Baker, Randy Tibbits 2018 University of Houston-Downtown

Bayou Bohemia: Early Modernism In Houston, Susan J. Baker, Randy Tibbits

Art Inquiries

No abstract provided.


Front Matter, 2018 Virginia Commonwealth University

Front Matter

Art Inquiries

No abstract provided.


Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond 2018 University of Virginia

Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond

Art Inquiries

Review of Manet: A Symbolic Revolution, by Pierre Bourdieu.


Boredom, Mysoon Rizk 2018 University of Toledo

Boredom, Mysoon Rizk

Art Inquiries

Review of Boredom, edited by Tom McDonough.


No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman 2018 University of North Carolina Greensboro

No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman

Art Inquiries

No abstract provided.


Back Matter, 2018 Virginia Commonwealth University

Back Matter

Art Inquiries

No abstract provided.


Subsistence To Agribusiness: American Farmstead Imagery In The Nineteenth Century, Eileen Yanoviak 2018 Carnegie Center for Art and History

Subsistence To Agribusiness: American Farmstead Imagery In The Nineteenth Century, Eileen Yanoviak

Art Inquiries

No abstract provided.


An Interview With Stacey M. Holloway, Kerr Houston 2018 Maryland Institute College of Art (MICA)

An Interview With Stacey M. Holloway, Kerr Houston

Art Inquiries

No abstract provided.


Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick 2018 Lamar University

Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick

Art Inquiries

No abstract provided.


Facing The Real: Arman’S Accumulations, Jennifer Watson Wester 2018 Notre Dame of Maryland University

Facing The Real: Arman’S Accumulations, Jennifer Watson Wester

Art Inquiries

No abstract provided.


Rodin: The Human Experience, Arthur J. DiFuria 2018 Savannah College of Art and Design

Rodin: The Human Experience, Arthur J. Difuria

Art Inquiries

No abstract provided.


Howardena Pindell: What Remains To Be Seen, Alyssa Bralower 2018 University of Illinois, Urbana-Champaign

Howardena Pindell: What Remains To Be Seen, Alyssa Bralower

Art Inquiries

No abstract provided.


Michelangelo: Divine Draftsman & Designer, Marjorie Och 2018 University of Mary Washington

Michelangelo: Divine Draftsman & Designer, Marjorie Och

Art Inquiries

No abstract provided.


Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco 2018 University of Pittsburgh

Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco

Art Inquiries

No abstract provided.


Stasi Brainwashing In The Gdr 1957 - 1990, Jacob H. Solbrig, Jacob Hagen Solbrig 2017 Jacob H. Solbrig

Stasi Brainwashing In The Gdr 1957 - 1990, Jacob H. Solbrig, Jacob Hagen Solbrig

LSU New Orleans Theses and Dissertations

This thesis examines the methods used by the Ministerium für Staatssicherheit (MfS), more commonly known as the Stasi, or East German secret police, for extraction of information from citizens of the German Democratic Republic for the purpose of espionage and covert operations inside East Germany, as it pertains to the deliberate brainwashing of East German citizens. As one of the most efficient intelligence agencies to ever exist, the Stasi’s main purpose was to monitor the population, gather intelligence, and collect or turn informants. They used brainwashing techniques to control the people of the GDR, keeping the populace paralyzed with fear …


Franz Roh And Visual Juxtaposition In Foto-Auge, Irini Zervas 2017 City University of New York (CUNY)

Franz Roh And Visual Juxtaposition In Foto-Auge, Irini Zervas

Theses and Dissertations

This study of Foto-Auge (1929) is grounded on the approach of Franz Roh and aims to unlock the book’s meaning through an analysis of layout and visual sequence. This thesis also demonstrates how Foto-Auge proclaims photography’s ability not merely to record, but to disrupt any sense of reality in images.


Invisible Invisibility, Eugina Song 2017 CUNY Hunter College

Invisible Invisibility, Eugina Song

Theses and Dissertations

White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.


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