Theory and Criticism Commons^™

Art Inquiries, Xvii:4, Full Issue

Art Inquiries

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Back Matter

Art Inquiries

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How Art Works: A Psychological Exploration, Julia A. Sienkewicz

Art Inquiries

Book review of How Art Works: A Psychological Exploration, by Ellen Winner.

The Noisemakers: Estridentismo, Vanguardism, And Social Action In Postrevolutionary Mexico, Andrea Lepage

Art Inquiries

Book review of The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico, by Lynda Klich.

Leonardo: Discoveries From Verrocchio’S Studio, Lindsay Alberts

Art Inquiries

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An Interview With Karen Graffeo, Sonja Rieger, And Carolyn Sherer, Kerr Houston

Art Inquiries

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Wicked, Hard And Supple: An Examination Of Suzanne Valadon’S Nude Drawings Of Young Maurice, Courtney Hunt

Art Inquiries

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Where You Come From Is Gone: Reinhabiting The Ruins Of The Native South, Catherine Wilkins

Art Inquiries

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The Settlement In The Salt Meadow: Housing In Steinway Village, 1873–1890, Anne Vuagniaux

Art Inquiries

No abstract provided.

The Revolt Against Mourning: Woolf, Joyce, Faulkner, And Beyond, Andrew Leo Beutel

Theses and Dissertations--English

The Revolt against Mourning calls into question the widespread critical alignment of literary modernism with Freudian melancholia. Focusing instead on “mourning,” through close readings of Virginia Woolf’s Mrs. Dalloway, James Joyce’s Ulysses, and William Faulkner’s The Sound and the Fury, I demonstrate how their depictions of this notion overturn both its traditional and contemporary understandings. Whereas Freud conceives mourning as a psychic labor that the subject slowly and painfully carries out, Woolf, Joyce, and Faulkner convey it as a destabilizing, subversive, and transformative force to which the subject is radically passive. For Freud, mourning is a matter …

Assemblage Theory: Recording The Archaeological Record: Second Response, William Caraher

History Faculty Publications

This piece is a response to Reinhard’s Assemblage Theory: Recording the Archaeological Record.

Building An Image: Japanese Influence On The Perception Of Western Countries, A Study Of The 1904 St. Louis World’S Fair, Andrea M. Fowler

Graduate Theses, Dissertations, and Problem Reports (ETD)

In this thesis, I argue that the Japanese government has utilized art and artistic expression to influence the perception that Western countries had of its nation and culture. This phenomenon is examined through a case study of Japanese participation at the 1904 St. Louis World’s Fair, and the exhibits that they presented. These exhibits are examined utilizing both reception and post-colonial theory, and then applying these theories to primary source material from the 1904 World’s Fair. These materials include guidebooks and photographs from both the United States and Japanese authors, to showcase differences between how the East and West interpreted …

Laughing Out Loud: American Indian Comedy As A Force For Social Change, Jacob M. Ward

College of Graduate Studies: Theses & Dissertations

Activism entails not only individuals overtly campaigning for changes in public spheres, but in other ways and strategies as well. One of these other avenues is the use of political satire and humor. Comedy publicizes frustrations of American issues, just as sit-ins, walk-outs, or marches do. For the most part, scholars fail to address the importance of humor. This work researches not only the comedic works of Charlie Hill, the 1491s, and other American Indian comedians, but also how their craft possibly alters stances and opinions. These comedians have a voice, and, therefore, deserve examination. This work shows the influence …

Lifetime, Emily E. Kuchenbecker

Theses and Dissertations

Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities.

I do not fear death.

The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am.

But what am I? Am I my body- or is it much deeper?

Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through …

The Wild Beasts, Peter Cochrane

Theses and Dissertations

The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the character of each friend and also to …

Nigga Is Historical: This Is Not An Invitation For White People To Say Nigga, Sandy Williams Iv

Theses and Dissertations

Over the past several years I have been on a quest to locate a world beyond the one I’ve been presented. I am interested in the history of atomic particles - like everything that radiates off of a monument (both literally and those things that are metaphorically reified) - invisible things, and the ways in which these things insect beyond our knowledge systems. This inquiry takes many forms. Mine is a conceptually based practice linked to record keeping and time, and the ways in which these concepts find plurality within our culture; or more pointedly, the importance that we attach …

Toward Liveness: The Polytemporality Of Performance Objects, Tracy Stonestreet

Theses and Dissertations

In this dissertation, I examine the temporal and material connections between component parts of hybrid artworks, specifically between live events / acts of performance and the long-lasting sculptural elements that those events / performances produce. I propose a re-orientation of the temporal gaze of performance art history, from one oriented to the past to one focused on the continually unfolding present. Such a re-orientation requires a nonlinear approach to art making that complicates set boundaries of past and present, liveness and record, and presence and absence, and disrupts in potentially corrective ways our historically normative systems of looking, categorizing, and …

Esthétique Environnementale : Art, Écologie Et Politique, Alexandre Melay

The Goose

Loin de « l’idée » romantique de la nature, l’artiste Olafur Eliasson produit des « environnements environnés » à grande échelle mettant en scène les éléments naturels. L’être humain et l’expérience humaine sont au centre de ses installations, invitant le visiteur à expérimenter la spatialité et la temporalité. Eliasson utilise son art pour sensibiliser l’homme avec l’environnement et interroger sa position en tant que sujet phénoménologique. À l’activisme traditionnel, Eliasson propose une autre vision en rapport avec les mutations contemporaines et les enjeux écologiques liés au réchauffement de la planète, tout en préconisant un retour à la nature comme une …

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out of …

Community, Preservation, And Street Art: A Proposal For San Francisco’S Mission District, Marissa Nadeau

Master's Projects and Capstones

The Latinx community is an integral part of San Francisco’s rich history. From Mexican missions in the late 1700s to an influx of immigrants from various Latin countries starting in the early 1900s, the Mission District (‘the Mission’) of San Francisco has served as a hub for this mix of residents, fondly called “Raza,” emphasizing the people of a community rather than the country they have come from. Wars and issues dealt in their homelands were close to the hearts of the entirety of the Latinx population of the Mission, and their voices and opinions were heard through a type …