The Villa Baizeau And The Casa O’Gorman: The Modern House In 1929 Through Two Case Studies,
2019
CUNY Hunter College
The Villa Baizeau And The Casa O’Gorman: The Modern House In 1929 Through Two Case Studies, Nora L. Boyd
Theses and Dissertations
Using as case studies two houses designed and built in the years 1928-1931 in Mexico City and Tunis, which early scholars connected to the Swiss architect Le Corbusier, this study illuminates inherent biases in architectural history and proposes a more historically rigorous framework, reoriented around individual buildings rather than architects.
Kiddush Levana, The Moon Is Your Handheld Mirror,
2019
CUNY Hunter College
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Theses and Dissertations
Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.
Liable To Change,
2019
University of Arkansas, Fayetteville
Liable To Change, Jody Travis Thompson
Graduate Theses and Dissertations
Liable to Change is a body of paintings in which I explore diverse approaches to the representation of visual space. Depictions of space and movement change throughout the pictures by combining various artistic conventions, such as trompe l’oeil realism and non-objective, geometric abstraction. Oil paint, resin, beeswax, and other materials create built-up surfaces which contain the history of their making. Interaction between various finishes and light on these surfaces changes based on the viewers' proximity to the painting. Images of monkey bars, lattice, golden ratio and flower of life patterns provide a structure through which line, form, and space are …
Good Dyke Art,
2019
University of Arkansas, Fayetteville
Good Dyke Art, Sam M. Mack
Graduate Theses and Dissertations
The work in good dyke art visually expands upon conversations about institutional critique and its contradictions, specifically questioning who dictates the boundaries between institutions and bodies: how divisions are made between them and who enacts or receives force. One’s participation in this critique, however, indicates a participation in the problematics of the institution and by extension, a desire to critique may also be considered a desire to participate in that system.
Ceramic, glaze, and found objects manifest an allegorical formalism that utilizes coded languages of institutional spaces, traditions of queer-coding, and charged word-play. The ceramic vessel forms reference the Ancient …
Keith Haring: Silence = Death,
2019
Chapman University
Keith Haring: Silence = Death, Nellie Jalalian
Student Scholar Symposium Abstracts and Posters
The American aids crisis is one of the most important epidemics of the contemporary world, yet many americans do not know the severity of the crisis or the true lasting effects on recent society. In my project I will go over personal accounts of individuals directly affected by the illness, like famed artist Keith Haring, to give it a more human perspective. I will also reflect on the art that was created at the time, and how that was reflective on the people affected. Aids is an immunodeficiency virus that has been proven difficult to diagnose in the early on …
Authorship And Attribution: Forgery And The Power Of Names,
2019
Chapman University
Authorship And Attribution: Forgery And The Power Of Names, Elise Jacobsen
Student Scholar Symposium Abstracts and Posters
The individualistic culture of the Western art world places a great deal of emphasis on the power of names, whether it be artists or art experts. This creates a unique environment for forgery to occur, even flourish, as demonstrated by the career of Wolfgang Beltracchi, and by the commonality of Russian Avant-Garde fakes. In my research I investigate the phenomenon of art forgery and authentication, its effects on the professional art world and the perception of art, and the particular cultural factors, such as the emphasis on authorship and the importance of originality, that make forgery both possible and popular.
Framing The City: Photography And The Construction Of São Paulo, 1930–1955,
2019
CUNY Graduate Center
Framing The City: Photography And The Construction Of São Paulo, 1930–1955, Danielle J. Stewart
Dissertations, Theses, and Capstone Projects
Between 1930 and 1955 São Paulo, Brazil experienced a period of accelerated growth as the population nearly quadrupled from 550,000 to two million. In response, the municipal government undertook an aggressive public works program and commercial building boomed. Photographic representations of the cityscape were essential in directing modern São Paulo’s physical evolution because they reflected both the real—a chaotically growing megacity—and the ideal—a literally new, modernized space. This dissertation centers on four case studies of artists practicing different photographic modalities in order to analyze the symbiotic relationship between São Paulo's urban development and its photographic representation.
Construction sites, scaffolding, and …
Trace.,
2019
University of Louisville
Trace., Kcj Szwedzinski
Electronic Theses and Dissertations
Trace utilizes autoethnography to investigate aspects of Judaism to discover how one decides what to embrace, embody, or deny from inherited legacies. Autoethnography attempts to combine quantitative and qualitative data in order to systematically analyze and describe personal experience. The artist acting as Ba’alei Kushiah, or question bearer, uses Talmudic philosophy as a methodology and approach to art making. This research is self-referential; using Jewish thought to ask questions about Judaism. Judaism, often existing in an in between place with outward characteristics that reflect regional influences, facilitates a dialogue about whether there are relative or absolute delineations within and between …
Between And Beyond,
2019
Macalester College
Between And Beyond, Noah F. Heil
Art and Art History Honors Projects
Between and Beyond is a series of handbuilt and wheel-thrown ceramic objects which explore intimate queer relationships through the human figure. I assemble slabs of clay to create openings and negative spaces within the sculptures, implying the ways in which the human form also acts as a vessel. The sculptures as well as the figures themselves remain open and vulnerable, literally and metaphorically. The body is depicted through fragmented sections, alluding to the ways in which society and culture break up gender and sexuality into limiting binaries. These intimate, private moments are meant to conjure an imagined future free of …
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948),
2019
CUNY Graduate Center
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dissertations, Theses, and Capstone Projects
This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …
Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies,
2019
University of Plymouth
Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies, Joel Merriner
Journal of Tolkien Research
Intertextuality and Iconography in Sergei Iukhimov’s Illustrations for The Lord of the Rings: Five Case Studies
Abstract
J.R.R. Tolkien once remarked in a letter to his publisher that his friends had been so impressed by Pauline Baynes’ illustrations for Farmer Giles of Ham that they labelled his text a “commentary on the drawings”. This apparently light-hearted anecdote conceals an interesting truth: the relationship between text and image can be problematic and the reading of an illustration depends largely on the culturally acquired discursive precedents which an individual viewer brings to the act of looking. This situation may be further …
Enchantment: A Teleology,
2019
Liberty University
Enchantment: A Teleology, Nathanael S. Toth
Senior Honors Theses
Despite the highly developed nature of his fictional world, Middle-earth, Tolkien never formally laid out a tabulated magic system for his fantasy creation. Nevertheless, unlike many stories by others in the fantasy genre, the magic he does include is far from just a shallow, world-building mechanism. Instead, it encapsulates the core theme of his fiction and the purposes which Ilúvatar (the God of Middle-earth) has given to the story’s many characters.
This paper will examine the nature and function of this magic from many angles: the identification of good magic with art and evil magic with domination; the delineation between …
Reworking The White-Masculine Ideal,
2019
Southern Methodist University
Reworking The White-Masculine Ideal, Steven H. Gonzalez
Art Theses and Dissertations
This text functions as an exploration of self through artistic practice, a designated space for reflection on contemporary Queer experience. In looking specifically at the permeation of the idealized-white-masculine figure as found within Western visual culture, social media and gay pornography become isolated as sites where these figures are commonly found. This line of inquiry defines how the ideal is reified through these differing digital platforms and the social implications the homogenized male form has on raced individuals. In addition to determining the image of the perfect masculine physique through research, this text expands on how its' imaged representation becomes …
Thesis/Thesis Document 2,
2019
Southern Methodist University
Thesis/Thesis Document 2, Jessamyn Plotts
Art Theses and Dissertations
Thesis/thesis document 2 explores the subversive power of the painted image, made by a physical performative act. Such acts are not confined to the production of the art object, but expand across the landscape, involving the minds, bodies, and things of culture adjacent to the making process. Following the thinking of Maurice-Merleau Ponty, Thesis/thesis document 2 understands painting not as the container of a finite, legible message, but as a physical platform for the conveyance of perceptual, personal, and experiential ambiguity. Made in this way, painted images offer a powerful alternative to the proliferation of propaganda and advertisement …
Everything We Touch Is Touching Us,
2019
Illinois State University
Everything We Touch Is Touching Us, Molly Markow
Theses and Dissertations
EVERYTHING WE TOUCH IS TOUCHING US
MOLLY MARKOW
22 Pages
Images shape both personal and collective experiences of place in the Anthropocene. I am interested in the relationship of landscape and representation to purity politics, longing, and escape. I am critical of the role of idealized depictions of “nature” and question how images shape our notions of paradise, desire, and fantasy. Who benefits from notions of paradise, and who doesn’t? I ask these questions while searching for a way to embrace impurity and the beauty in contamination. How might we come to an understanding of the post-pure that leaves room …
Futurism In Fashion: What Does That Mean?,
2019
University of Nebraska at Omaha
Futurism In Fashion: What Does That Mean?, Jonathan Orozco
UNO Student Research and Creative Activity Fair
In fashion, the term ‘futuristic’ is often used to describe avant-garde clothing designs. It could refer to several things, such as the clothing’s method of production, the materials used, or the garment’s design. Futurism can even refer to the 20th century Italian art movement, and indeed, this movement addressed the problem of designing fashion for the 20th century. We would learn much by examining Futurist fashions in order to understand its legacy in relation to contemporary fashion designers viewed as futuristic today. This paper will review this legacy by looking at five specific examples—Italian Futurists and their contribution …
Constraint And Control,
2019
CUNY Hunter College
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
Capitalism As Readymade: 5.5 Case Studies,
2019
CUNY Hunter College
Capitalism As Readymade: 5.5 Case Studies, Nathan S. Rayman
Theses and Dissertations
Rayman makes an argument to repurpose capitalist systems as readymade artworks to shift the existing flow of capital from speculator to art producer.
The Case Of New Institutionalism: Maria Lind At The Kunstverein München, 2002–2004.,
2019
CUNY Hunter College
The Case Of New Institutionalism: Maria Lind At The Kunstverein München, 2002–2004., Olga Tykhonova
Theses and Dissertations
The thesis focuses on a particular moment in the history of Kunstverein München - the directorship and curatorial practice of Maria Lind from 2002 to 2004, referred to as exemplary of the New Institutionalism. I analyze Lind’s directorship through the lens of the director-curator concept and institution as an “agonistic space.”
Deconstructing The Image Of Woman: Video Portraiture And Women’S Performance For The Camera 1972-1980,
2019
CUNY Hunter College
Deconstructing The Image Of Woman: Video Portraiture And Women’S Performance For The Camera 1972-1980, Olivia Gauthier
Theses and Dissertations
This thesis examines key examples of video portraiture, a subgenre of 1970s video art in the United States. Through the examples three aesthetic categories are defined: mirroring, masquerade, and disrupting the male gaze. Video portrait works are framed by goals of the Women’s Liberation Movement and Second Wave Feminism.
