History of Art, Architecture, and Archaeology Commons^™

No Need Of Styles: Building Up Architectural Historiography, Carmen Popescu

Artl@s Bulletin

If styles lost impetus within the methodology of art historiography, in the (parallel) field of architecture, they were firmly rejected one century ago. One might consider that this more radical positioning (particularly in terms of epistemological tools) constituted the very reason for the undeclared but yet consumed divorce between the two disciplines. Attempting to define its specificity but also the autonomy of the discipline, architectural historiography followed a path less directly preoccupied with aesthetics and closer to functionality and technicity. My paper analyses how architectural historiography built up its idiosyncrasy.

Si les styles en tant que catégorie ont perdu de …

Copy, Style, And Art Historians Scrutiny: A Journey From Aby Warburg Back To C.F. Rumohr, Marco Jalla

Artl@s Bulletin

This article examines J. A. Ramboux’s watercolor copies after Italian Renaissance artworks and their critical reception by art historians. Initially valued for documenting original masterpieces, Ramboux’s copies later drew criticism for stylistic deviations. The analysis reveals the subjective nature of stylistic interpretation and its varying significance in art history, from Rumohr to Warburg. By questioning the criteria for assessing fidelity and authenticity in copy paintings, the article encourages readers to rethink traditional stylistic evaluations and to consider how evolving perspectives shape our understanding of style in art replication.

Cet article examine les copies à l’aquarelle de J. A. Ramboux d’oeuvres …

Manufacturing National Boundaries? The Notion Of Style Between Identity Constructions And Spatial Approaches, Michela Passini

Artl@s Bulletin

Art historians have long been preoccupied by art’s geographical inscription. But it was during the interwar period that research on the geography of art really took off and was recognized as a field of study in its own right. This is evidenced by the organization of an international congress of art history (Stockholm, September 1933) specifically devoted to art geography.

What was the field covered in 1933 by artistic geography? How did it define its objects? And how an art history marked at the time by an extremely present methodological nationalism did shape geographical approaches?

Depuis les débuts de la …

The Inner Form Of Style: On Heinrich Wölfflin’S “Tactical” Formalism, Rémi Mermet

Artl@s Bulletin

In this article, I examine the enduring relevance of Heinrich Wölfflin’s approach to style, in light of the renewed interest in it among “postformalist” art historians. By delving into the theoretical foundations of the Principles of Art History, I explore Wölfflin’s Goethean interpretation of Kantian epistemology, revealing a conception of style characterized by its dynamic and symbolic “inner form” rather than mere static formalism. This analysis not only highlights affinities with Max Weber’s thought but also uncovers a previously overlooked connection to Wilhelm von Humboldt, offering valuable insights for current discussions on style.

Dans cet article, j’étudie la pertinence …

Style Revisited, Béatrice Joyeux-Prunel, Catherine Dossin, Nicola Carboni

Artl@s Bulletin

The resurgence of the concept of 'style' within the realm of artificial intelligence, particularly in the fields of image classification and style transfer, reignites age-old discussions in art history. Despite the success of algorithmic methods, this revival has been met with significant criticism from art historians. A thorough exploration of the history of the concept of style, its evolution, inherent ambiguities, and diverse applications underscores the challenges art history faces in integrating new computational approaches that aim to describe and analyze styles. This is the central theme of this issue of the Artl@s Bulletin, for which we invited a diverse …

Body As Instrument: Crafting A Spatial Representational Language For The Dancer's Body, Avery Boland

Architecture Undergraduate Honors Theses

This project explored the intersection of dance and architecture using choreography, photography, and architectural principles through the development and application of a graphic notation system. Focused on the works of modern dance pioneer Martha Graham and photographer Barbara Morgan, the study tested the representation of the body in space through the use of Graham's choreography as captured by Morgan.

The results of the study demonstrated the effectiveness of the representational language in capturing the spatial dynamics of the human body in Martha Graham's choreography through the notation of “frame” and “plane”. Through a comparative analysis of the selected dances, the …

Trevor Paglen: Visible Through The Invisible, Kailey Agoo

Global Contemporary Artist Analysis Archive

Trevor Paglen is a practicing artist, geographer, and photographer. Paglen investigates our relationship with the evergrowing advancements in technology and surveillance. By examining the “invisible through the visible” with multidisciplinary practices and image-making, Trevor Paglen explores the fragments of Artificial Intelligence and mass surveillance to understand the underlying forces of the systems we live in.

Jenna Gribbon: Queer Identity And The History Of The Nude, Taylor Sampson

Global Contemporary Artist Analysis Archive

Jenna Gribbon(b. 1978, Knoxville, TN) is an artist working primarily within the medium of painting. Her paintings challenge the sanctity of the private, while melding a queer and feminist critique of art history's representation of the nude figure.

73 | ‘Akko Iii: The 1991–1998 Excavations: The Late Periods Part 2: The Knights’ Hotel Site, The Messika Plot And Miscellaneous Studies, Danny Syon, Ayelet Tatcher

IAA Reports—Monograph Series of the Israel Antiquities Authority

Akko III: The Late Periods comprises two parts (IAA Reports 72 and 73), the third and fourth volumes in a series publishing the results of four excavations that took place within and just outside of the Old City of ‘Akko between 1991 and 1998. These two volumes present the archaeological finds from the Early Islamic to Ottoman periods, concentrating on the architecture and small finds from the Crusader period.

The present volume (Part 2; IAA Reports 73) presents the excavations in the Knights’ Hotel Site, which yielded a wealth of small items of daily use, including glass finds, lead ampullae, …

The Private Libraries Of Charleston, 1780-1860, Winter Hein

All Theses

The scope of this thesis examines the private libraries inventoried in Charleston, South Carolina. The thesis answers the question about the prevalence of private book collections and rooms called the “Library” between 1780 and 1860, as seen in probate inventories. Additionally, this thesis explores the character of the private collections during this study period in a case study manner. This includes the size of the collections, location (urban vs. rural), where collections are stored, and in which rooms they are found. Of the 4,476 Charleston County probate inventories between 1780 and 1860 available through FamilySearch online, a total of 903 …

Postermania: The French Advertising Poster Of The Fin-De-Siècle: An Art History Course, Erin Quirk

Theses

This project presents a comprehensive exploration of illustrated advertising posters at the fin de siècle highlighting their multifaceted role as artistic works, commercial media, and cultural artifacts. Designed as a three part course for a museum education department, the study integrates art history, visual culture, and social history to analyze the impact of these posters on the modernizing city of Paris. Focusing on artists like Jules Chéret, Henri de Toulouse-Lautrec, and Alphonse Mucha, the project traces the aesthetic evolution of the poster that blurred the lines between fine art and mass culture. The course examines the broader socio-historical context, exploring …

Breaking The Grid: Metamorphosis And Materiality In Meret Oppenheim’S An Evening In The Year 1910, Jacklyn Meyer

Theses

This paper analyzes Meret Oppenheim’s painting An Evening in the Year 1910 from 1972 and its exploration of the theme of metamorphosis and materiality. Looking at certain biographical information about the artist’s crisis period and time spent with the Surrealist group is crucial in understanding what can be discerned from viewing this work. Other works with the theme of metamorphosis within her oeuvre are studied as they provide further context for Oppenheim’s artistic philosophy and her penchant for revisiting themes repeatedly. Other works with the theme of metamorphosis are studied as they provide further context for Oppenheim’s artistic philosophy and …

Project-Based Learning In Art History: Course Curriculum, Katelyn Baltes

Theses

The course entitled “Project-Based Learning in Art History” is a rigorous curriculum that introduces students to art history but creates a better understanding of how materials and techniques were used throughout time. Students in 11-12th grade will be able to apply their knowledge and learning through projects integrated within each unit to develop a stronger understanding of the content. Students will be able to apply the design elements and principles of design within their artwork and recognize the different characteristics of various periods and cultures. There will be the use of two-dimensional and three-dimensional art within each unit, and students …

Beauty Beyond Barbed Wire: Chiura Obata’S Perspective Of The Horizon, Bri Carlson

Theses

Depictions of the environment are an integral part of American art history because they convey cultural relationships of all who inhabited the land. The environment is often a stagnant force that harbors lifetimes of human history. One of these histories is the incarceration of about 120,000 Japanese immigrants and American citizens in 1942 after the bombing of Pearl Harbor. They were forced to evacuate their homes, lives, and families to live in detention centers and prison camps where living conditions were subpar. Many turned to art making to cope, and some artists used their work to silently protest and visually …

Jacqueline Marval: Référence Sans Révérence Art History Lecture And Activity Series, Michelle Erickson

Theses

The painting Les Odalisques (1902-03) anchors the investigation of French artist Jacqueline Marval’s presence and contribution to the modernist art narrative. The painting is composed of five women who share a face and features, set in a private female space. The canvas is complete with bold strokes of color, and their skin is painted in the unrealistic tones that Fauvists will embrace, yet naturally – these women are still fully and complexly human. From a distance, they are sculptural.

This project is intended as a Club de Lecture series for adult learners of French culture and language at the Alliance …

Reframing The Canon: Black Contemporary Artist Shaping The Western Narrative, Elaysha A. Bazil

Theses

Reframing the Canon is an exhibition and thesis project that centers on Black Contemporary artists and their pivotal contributions to the Western art canon. Curated by Art BaziL, the exhibit challenges traditional narratives and biases, creating a space where Black art is celebrated as integral rather than supplemental. Through a collection of multi-medium works—from abstract paintings to digital art and handcrafted jewelry—the exhibit invites viewers to experience Black creativity beyond themes of struggle, highlighting resilience, innovation, and beauty. This project responds to the historical exclusion of Black voices within mainstream art institutions, advocating for a more inclusive and representative canon. …

Contemplating Glaciers - A Dialogue, Jessica Elizabeth Turner

Theses

This project investigates the evolving relationship between art, climate education, and audience engagement. It explores how the visual arts serve as a medium for fostering awareness and dialogue about climate change while inspiring climate resilience through artistic and curatorial intervention. The exhibition Contemplating Glaciers – A Dialogue showcases the work of Canadian artist Jan Kabatoff, whose practice incorporates multisensory experiences, including paintings, sculptures, photographs, VR, and soundscapes to engage viewers with the ongoing degradation of glaciers. The exhibition bridges the gap between scientific knowledge and artistic expression within a gallery space designed to encourage participation and reflection. It seeks to …

Stratigraphic Setting And Lithology Of Mount Scopus Chalk Quarry Cave, Amos Frumkin, Ze’Ev Lewy

'Atiqot

This article describes the geological setting of the Mount Scopus chalk-vessel production and quarry cave. This artificial cave was manually quarried in chalk of the middle of Menuḥa Formation, which consists of tiny calcitic skeletons of micro-organisms living in the open sea. Due to its clay content, this rock unit was easier for quarrying, but also caused stability problems and the breakage of stone vessels during manufacture.

The Pottery Assemblage From The Mount Scopus Chalk-Vessel Production Cave, Débora Sandhaus

'Atiqot

The pottery from the Mount Scopus chalk-vessel production cave comprises mostly cooking wares, with some storage and table wares, and knife-pared lamps, dating from the first century BCE to 70 CE. A few types continue up to 132 CE, the period between the First and Second Revolts.

A Second-Temple Period Chalk Quarry And Vessel- Production Cave Complex On Mount Scopus, Jerusalem, Jon Seligman, David Amit, Irina Zilberbod

'Atiqot

From the latter half of the first century BCE, an increased observance of Jewish purity laws is evidenced in Judea, focusing on Jerusalem and the Temple. This is further attested by the flourishing chalk-vessel industry, producing vessels for storage and table use, which according to Halakha did not contract impurity. This article is the final report of the chalk-quarry and vessel-production cave complex uncovered on the eastern slope of Mount Scopus, dated by pottery and coins to the first century CE, including a reconstruction of the technology for producing chalk vessels and quantification of vessel types. A few pottery vessels …