History of Art, Architecture, and Archaeology Commons^™

Rhyme Or Reason:That Is The Question?, Jim Roche

Articles

Noting that “the aesthetic should not be limited merely to the way things look” the organisers of this conference sought “in part to address the discursive limitation in architecture and related subjects by broadening the aesthetic discourse beyond questions relating to purely visual phenomena in order to include those derived from all facets of human experience”.

So where does etchics come in? Well, the introductory brochure noted that most philosophical trained aestheticians will say that “the aesthetic is everything” hinting perhaps of the necessity for a more haptic experience of architecture. It also drew on Wittgenstein’s quote that “ethics and …

The Lismullin Enclosure: Design Beyond The Obvious In The Iron Age, Frank Prendergast

Book/Book Chapter

No abstract provided.

The Performance Of Art: Picasso, Léger, And Modern Dance, 1917-1925, Amanda Holly Beresford

All Theses and Dissertations (ETDs)

This thesis examines the phenomenon of easel painters designing for ballet companies in Paris in the 1910s and 1920s. It focuses on the work of Picasso for Diaghilev's Ballets Russes and Léger for De Maré's Ballets Suédois between 1917 and 1925, and considers the consequences for these artists' studio practice of their involvement in dance theatre. Their work is situated in the historical context of Wagner’s influential notion of the Gesamtkunstwerk—total theatre synthesizing all the arts, including painting—and its reinterpretation by avant-garde theatre practitioners from the mid-nineteenth into the early twentieth century. Picasso’s and Léger’s stage designs reveal the dynamic …

Raphael's School Of Athens: A Theorem In A Painting?, Robert Haas

Journal of Humanistic Mathematics

Raphael's famous painting The School of Athens includes a geometer, presumably Euclid himself, demonstrating a construction to his fascinated students. But what theorem are they all studying? This article first introduces the painting, and describes Raphael's lifelong friendship with the eminent mathematician Paulus of Middelburg. It then presents several conjectured explanations, notably a theorem about a hexagram (Fichtner), or alternatively that the construction may be architecturally symbolic (Valtieri). The author finally offers his own "null hypothesis": that the scene does not show any actual mathematics, but simply the fascination, excitement, and joy of mathematicians at their work.

A Study Of A Thirteenth-Century Vernacular Moralized Bible: Vienna 2554 And Its Royal Audience, Jessica Wright

Theses and Dissertations

Codex Vindobonensis 2554, Vienna, Österreichische Nationalbibliothek (hereafter labeled Vienna 2554) is the only thirteenth-century moralized bible written in vernacular French and was intended for a royal audience. This bible provides a moralizing gloss on contemporary political and religious issues by juxtaposing scenes from the Old and New Testaments. Placing the manuscript in the historical context of Blanche of Castile's regency and her desire to instill devout faith in her young son, Louis IX of France, the manuscript serves as a mirror that reflects contemporary relations between church and state. Moreover, the illuminated depictions of kingship of this medieval bible are …

The Early Works Of Velázquez Through A Phenomenological Lens, Elyse June Cosma

USF Tampa Graduate Theses and Dissertations

The purpose of this thesis is to question the art historical notion of influences, specifically in the case of the seventeenth century Spanish Baroque artist Diego Velázquez. His work is often seen as an extension of the realist movements in Flanders and Italy at the turn of the seventeenth century, but that view is extremely reductive. Velázquez strove to depict the world around him as he saw it, attempting to incorporate the transient nature of the scenes before him into his works. The city of Seville, in which Velázquez lived and worked, provided the setting and cultural elements that would …

'Not Unworthy Of His Hand': Crossing Borders In Benjamin West's A Drayman Drinking, Lauren K. Lessing, Terri Sabatos

Faculty Scholarship

In May 1797, Benjamin West—President of the Royal Academy, Historical Painter to the Court of King George III, and Surveyor of the King's Pictures—exhibited a small genre painting titled A Drayman Drinking at the annual exhibition of the Royal Academy in London. It was one of seven paintings West exhibited that year, and the only one overlooked by the reviewer for the Times. The critic's oversight may have stemmed from the unprecedented number of paintings on view (nearly twelve hundred, four hundred more than were hung the previous year) and the resulting overcrowding of the principle exhibition room. Through his …

Archeological Site Assesments And Survey At Aquilla Lake, Hill County, Texas, Aaron R. Norment, Karl W. Kibler, Amy E. Dase

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

Personnel from Prewitt and Associates, Inc., conducted archeological site assessments and survey at Aquilla Lake from November to December 2010 in preparation for a pool raise planned by the U.S. Army Corps of Engineers, Fort Worth District. The proposed pool raise could potentially raise the conservation pool level of the lake by 6.5 ft. Field investigations revisited and reevaluated 41 previously recorded sites and surveyed 10 previously unsurveyed areas (180 total acres) within the confines of the proposed 6.5-ft conservation pool raise. The investigations consolidated 8 of the 41 previously recorded sites into 3, therefore reassessments are given for 36 …

Quilting: An Examination Of Harriet Powers And Elizabeth Hobbs Keckley, Jennifer J. Moreland

Art & Art History ETDs

African American quilting exhibits a long and rich history in antebellum and post-bellum America. Although hindered by their social status as slaves, African Americans were adroit artisans adept at producing exceptional quilts for personal use as well as for the plantation household. In the few surviving examples, slave quilts demonstrate a range of geometric improvisation, decorative patterning, and asymmetrical ornamentation. African American quilts are unique in their ability to articulate personal histories and narratives, religious ideologies, and communicate messages through color, pattern, and emblematic imagery. A close investigation of African and Euro-American design aesthetics is crucial to understanding the hybrid …

Three Rivers As Transitional Zone: Considering A Collective Metanarrative In Pueblo Prehistory, Heather Kline

Art & Art History ETDs

The Three Rivers petroglyph site in what is presently south central New Mexico represents important concepts for the study of southwestern prehistory. This site has been studied to a limited degree from the perspective of archaeological site surveys that have categorically classified the motifs represented on the petroglyphs, but at this point very little is known about the cultures that lived and created art in the Three Rivers area. The iconography of these images is remarkably similar to that represented on ceramics at both Mimbres during the Classic period (ca. AD 1000-1150), as well as Casas Grandes during the Medio …

From Ruhlmann To Rohde: How French Art Deco Became American, Lily K. Meehan '14

Summer Research Program

The American art deco designers of the 1930s were truly innovators, inventors and artists. They were not, however, the only ones creating “a modern world” during this time. In fact, America was one of the last countries to embrace the art deco style which was thriving in Germany, Austria, and France. There was a strong connection between the French art décoratifs movement and early 20th century American industrial designs. This paper investigates how the International Exposition of Modern Industrial and Decorative Arts held in Paris in 1925 heavily influenced the start of the American art deco movement.

The Socialist Design: Urban Dilemmas In Postwar Europe And The Soviet Union, Elidor Mehilli

Publications and Research

Taking a cue from two books—Stephen Bittner’s account of the “many lives” of the Soviet Thaw and Greg Castillo’s study of the Cold War as a series of battles in design and the domestic sphere—as well as a recent explosion of interest among historians in the Khrushchev era, “spatial history,” material culture, and East–West exchanges, this article addresses the paradoxes of the Thaw as exemplified in urban form. It argues for the interconnected nature of domestic, international, and Eastern bloc- level dynamics by viewing processes of the Thaw simultaneously from the angles of neighborhood, city, and empire. These angles capture …

Subversion Through Inversion: Kent Monkman's "The Triumph Of Mischief", Monique Thérèse Belitz

Art & Art History ETDs

Monkmans acrylic painting The Triumph of Mischief is the central subject of this investigation which includes its relationship to other paintings and objects in the installation The Triumph of Mischief. By applying Mieke Bal's narratology theory, the principles of carnivals as proposed by Mikhail Bahktin, the four dichotomies underlying Western movies, Monkman's appropriation of older art work, his use of various binary opposites and his inclusion of iconographic details from various art history epochs are explained. Investigating the painting from a postcolonial and postmodern theoretical angle demonstrates that several iconic images from Western art history are decolonized by mocking and …

Stone In The Center, Amy Lubke

All Student Theses and Dissertations

Before the rise of the Incan Empire, there was an ancient civilization living throughout the Andes that thrived for several years. This civilization inhabited the region near the basin of Lake Titicaca known as the city of Tiahuanaco, presently in modern day Bolivia. Located at the site are many remnants of architectural structures and artwork made of stone. Little definitive knowledge is known about the peoples that created these enigmatic works.

This study is an examination of the stonework at the site of Tiahuanaco. These structures display the exquisite masonry skills and artistic capabilities that the ancient civilization attained. Each …

Framing Cultural Capitalism: William Wilson Corcoran And Alice Walton As Patrons Of The American Art Museum, Kelsey E. Tyler

School of Art, Art History, and Design: Theses and Student Creative Work

In 2011, Alice Walton opened what is now considered to be among the most important American art collections in the country, in a museum called Crystal Bridges, in Bentonville, Arkansas. What is remarkable is not only the exorbitant amount of money spent to open the museum - over $800 million dollars - but also that she was the primary financier. William Wilson Corcoran, a mid-nineteenth-century banker, in many ways is a better comparison than Morgan or Gardner, as like Walton he intended to found a museum dedicated specifically to American art. His museum, which he hoped would become a national …

Ritual, Culture, And Power: Politics And The Shrine Of Notre-Dame De Cambron, 1322-1329, Benjamin Wright

The Hilltop Review

Does religious ritual transform political identities? Political identities often rise out of culture; and cultures in turn are shaped by the countless manifestations of religious ritual. It should come as no surprise that this triangle of ritual, culture, and power is used as a tool for the construction of the homogeneous political identities upon which nation states are created. The case study of the religious cult center of Notre-Dame de Cambron, a 14th century pilgrimage shrine in Belgium a few miles from the French border, provides one example of this triangularity. In the midst of its bicultural region, Cambron's shrine …

Castle Rushen, Valerie Dawn Hampton

The Hilltop Review

This picture features Castle Rushen, the royal seat of the Kingdom of Man on the Isle of Man, UK, during the 12th-15th centuries. The Isle of Man is also home to the internationally renown TT races. The motorcyclist rounding the curve of Castle Rushen links a "modern knight" on mount with armor in a very historic setting.

Model Of A Funerary Boat, Risd Museum, Peter Dean, Peter Johnson

Channel

During the funeral, the deceased took a last earthly journey, traveling by boat to the cemetaries on the west bank of the Nile. The next voyage then began: a spiritual pilgrimmage to Abydos, the religious center and burial place of the god Osiris. For this reason, wooden model boats were often placed within tombs as substitutes for large-scale vessels in the afterlife. This model boat mimicked papyrus funerary barks. The wedjat-eyes painted on the hull were meant to guide the vessel safely through the perilous journey to the afterlife. 2100-1900 BCE

Franz Marc As An Ethologist, Jean Carey

USF Tampa Graduate Theses and Dissertations

Keywords: Animalisierung, Einfühlung, Ethology,

Expressionism, Painting, German Modernism

In this study I deploy the perspective of ethology to examine Franz Marc's paintings of animals. To perceive animals ethologically means acknowledging that animals feel, think, experience, and imagine the world. Ethology has come to include interpretive pursuits as well as traditional field studies, and as I show, Marc's practice encompassed both aspects of this evolving discipline. To establish the presence of ethology in the humanities I give a "case study" of what I call "retroactive ethology" in the work of J.M. Coetzee. I present an account of Marc's deep …

Vision And Insight: Portraits Of The Aged Woman Artist, 1600-1800, Julia K. Dabbs

Art History Publications

No abstract provided.