History of Art, Architecture, and Archaeology Commons^™

Early Chinese Faience And Glass Beads And Pendants, Simon Kwan

BEADS: Journal of the Society of Bead Researchers

The earliest Chinese beads and pendants were composed of faience and appeared during the early Western Zhou period, around the 11th Century B.C. True glass began to be made about the time of the Spring and Autumn period (771-467 B.C.). An amazing variety of beautiful "dragonfly-eye beads" appeared in China during the Warring States period (475-221 B.C.), but these were imported and not local products. The complex eye beads were replaced during the Han dynasty (206 B.C.-A.D. 220) by small, plain glass beads generally intended to be strung together. Perforated glass ear spools were also popular during this period and …

Chinese Bead Curtains, Past And Present, Valerie Hector

BEADS: Journal of the Society of Bead Researchers

Relatively little is known about how beads were combined to form larger structures in China. To address this situation, this paper focuses on Chinese bead curtains. Adopting an approach that is broad rather than deep and empirical rather than theoretical, it collates evidence from the textual, material, oral, and pictorial records to consider bead curtains from various perspectives. To begin, this study defines bead curtains as textiles, door and window ornaments, screens, and types of beadwork. It then discusses bead curtains of the imperial era (221 B.C.-A.D. 1911) as they are referenced in the Chinese textual record from the 4th …

Captions And Color Plates (V. 25, 2013)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Beads From The Hudson's Bay Company's Principal Depot, York Factory, Manitoba, Canada, Karlis Karklins, Gary F. Adams

BEADS: Journal of the Society of Bead Researchers

There is no other North American fur trade establishment whose longevity and historical significance can rival that of York Factory. Located in northern Manitoba, Canada, at the base of Hudson Bay, it was the Hudson's Bay Company's principal Bay-side trading post and depot for over 250 years. The existing site of York Factory is the last of a series of three posts, the first of which was erected in 1684. Completed in 1792, York Factory III functioned as the principal depot and administrative center for the great Northern Department until the 1860s when its importance began to wane. It then …

Beads: Journal Of The Society Of Bead Researchers - Volume 25 (Complete)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

“Rationalization Takes Command: Zeilenbau And The Politics Of Ciam,” Excerpt From Building Culture: Ernst May And The New Frankfurt Initiative, 1926-1931, Susan R. Henderson

School of Architecture - All Scholarship

Chapter seven, of Building Culture,"Rationalization Takes Command: Zeilenbau and the Politics of CIAM," addresses the New Frankfurt housing and settlement initiative at the onset of the depression of 1929. The shift into decline, saw some initiatives completed, others stifled, and new ones emerge. Thus the 1929 CIAM Congress held in Frankfurt began with performances of experimental music, poetry and dance, and ended with the consecration of the existence minimum as the new housing standard. Meanwhile, Ernst May pushed forward with a revised housing strategy based on the minimal dwelling, the existence minimum, and the superblock (Zeilenbau). The CIAM Congress …

The Marwani Musalla In Jerusalem: New Findings, Beatrice St. Laurent, Isam Awwad

Art and Art History Faculty Publications

Shortly after Caliph ‘Umar ibn al-Khattab’s (579-644, caliph 634-644) arrival in Jerusalem in 638, he is said to have constructed a rudimentary mosque or prayer space south of the historical Rock now contained within the Dome of the Rock (completed 691) on the former Temple Mount or Bayt al-Maqdis known popularly since Mamluk and Ottoman times as the Haram al-Sharif. Though later textual evidence indicates that ‘Umar prayed somewhere south of the “rock” and later scholars suggest that he constructed a rudimentary prayer space on the site, there is no surviving physical evidence of that initial structure. After his appointment …

The Imperial Museum Of Antiquities In Jerusalem, 1890-1930: An Alternative Narrative, Beatrice St. Laurent, Himmet Taskömür

Art and Art History Faculty Publications

The creation of the first Museum of Antiquities in Jerusalem during the late Ottoman period is a fascinating story of archaeological pursuits in the region by both Ottoman government officialdom in Istanbul and foreign archaeologists working in Palestine for the British Palestine Exploration Fund. The Ottoman Museum called the Muze-I Humayun in Turkish or Imperial Museum (1901-1917) and its collection is continuous with the British Palestine Museum of Antiquities (1921-1930) and the Palestine Archaeological Museum. The construction of the last began in 1930 and was completed in 1935, but the museum, now known as the Rockefeller Museum, did not open …

Civis Romanus. Richard Krautheimer, Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Book Review: The Lupa Romana: An Antique Monument Falls From Her Pedestal, Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

Zhongguo gudai zhuzi (Chinese Ancient Beads), by Zhu Xiaoli, reviewed by Valerie Hector

Journal: Borneo International Beads Conference 2013, edited by Heidi Munan and Kay Margaret Lyons, reviewed by Karlis Karklins

Glass Beads: Selections from The Corning Museum of Glass, by Adrienne V. Gennett, reviewed by Gretchen Dunn.

Singular Spaces: Spanish Art Environments., Jo Farb Hernandez

Faculty Publications

No abstract provided.

Moments Of Freedom: Revolutionary Art From China, South Africa And Tunisia, Ikram Lakhdhar

Self-Designed Majors Honors Papers

No abstract provided.

Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott

Conference Papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

Religious Images Through Protestant Eyes, Julia Laplaca

Beets Paper Contest

No abstract provided.

Korbel Sawmill Research Notes, Susie Van Kirk

Susie Van Kirk Papers

No abstract provided.

Wallpaper Mania, Ellen Corrigan

Faculty & Staff Research & Creative Activity

Text panels from "Wallpaper Mania," a local exhibit in support of the Booth Library installation of the National Library of Medicine traveling exhibition The Literature of Prescription: Charlotte Perkins Gilman and "The Yellow Wall-Paper," on display September 23-November 2, 2013.

The Aesthetic Unconscious, Roland K. Végső

Department of English: Faculty Publications

Within the context of recent European history, examines the phrase "aesthetic ideology" and attendant conceptual considerations. Discusses Jacques Rancière’s work and his unequivocal rejection of what he calls “this great anti-aesthetic consensus,” and the central category of the “distribution of the sensible” (le partage du sensible). Rancière calls some level of political engagement “primary aesthetics” and opposes it to actual “aesthetic practices.”

Further, considers Alain Badiou’s critique of Rancière’s Disagreement. Badiou summarizes Rancière’s argument by calling it “a democratic anti-philosophy that identifies the axiom of equality, and is founded on a negative ontology of the collective that sublates the …

Engendering Modern China: Visual Representations Of The Prc, Jennifer Lee

East Asian Languages and Cultures Department Honors Papers

Propaganda posters have been one of many forms of political media used by modern governments such as the United States, Russia, England, and China, to spread a message across a large area to a wide audience. The popularity of the use of propaganda posters has sparked an interest in the study of posters. China has a long and varied history of the use of posters and propaganda posters. Pre-1949 propaganda posters, especially during the revolutionary period, used woodblock prints with stark lines and deep bright colors. Woodblock prints often employed yellow and red backgrounds to accent the black figures in …

New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski

Data and Test Instruments

What does fear look like? What can photography reveal of the unconscious dimensions of terror? Working with the largest photographic archive devoted to the 9/11 terrorist attacks on New York City, this chapter studies the visual inscription of terror in the bodily gestures of eyewitness, gestures that were captured by citizen photographers.