History of Art, Architecture, and Archaeology Commons^™

Usc South Campus: A Last Look At Modernism, Lydia M. Brandt, Paul Haynes, Andrew Nester, Robert Wertz, Ana Gibson, Margaret Mcelveen, John Benton, Adam Bradway, Hatara Tyson, Caley Pennington, Carly Simendinger

Faculty Publications

This is a class project from ARTH 542: American Architecture taught at the University of South Carolina by Lydia Mattice Brandt in Spring 2016.

With more Americans attending college than ever before; urban renewal; racial integration; the expansion of coeducation; and the architecture community’s advocacy for holistic relationship between planning, architecture, and landscape architecture, the American college campus developed rapidly and dramatically in the mid twentieth century. Using the University of South Carolina’s Columbia Campus as a case study, this project explores the history of American architecture in the mid-twentieth century.

The Women Of Helamb: Life After The 2015 Earthquake, Emma Squier

Independent Study Project (ISP) Collection

Disasters exacerbate inequalities that are already present in the society, put particular groups of individuals at risk, specifically women. The vulnerabilities of women shape the way they experience disasters as well as their ability to recover from them. Although it has now been over a year since the earthquake that occurred in Nepal on April 25, 2015, the recovery has been slow, and the destruction that it has caused is still greatly visible. For this project, women in the Helambu region of Nepla were interviewed to learn about how their lives were affected by the earthquake and the challenges that …

Interweaving Visual Language Of The Spiritual And The Secular: Goya, Spanish Spiritualism, And The Sublime, Stirling Cushman Goulart

Institute for the Humanities Theses

This thesis explores how Francisco Goya adapted traditional methods of representing religious subjects to create a modern visual language that addressed contemporary themes while maintaining continuity with the past and Spanish identity. The methods used to investigate this topic center on primary and secondary literary sources along with visual comparisons and analysis of selected works. Through this method, it is established that Goya formed a modern innovation of traditional religious style in order to confront and discuss secular and current social issues.

The Art Of Death: Murder According To Poe, Hitchcock, And De Quincey, Jeanine Bee

Criterion: A Journal of Literary Criticism

This paper examines the works of both Edgar Allan Poe and Alfred Hitchcock in light of Thomas De Quincey’s series of essays entitled “On Murder Considered as One of the Fine Arts.” In his essays, De Quincey presents murder as an art form that can be criticized and appreciated just as any other fine art. While De Quincey’s essays faced some negative reaction when they were originally published, both Edgar Allan Poe and Alfred Hitchcock seem to have found something worthwhile in De Quincey’s ideas about the art of murder; Poe and Hitchcock both present murder as an art form …

Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley

Student Publications

Niki de Saint Phalle had a fearless approach in her representation of women and her invitation of audience interaction. Born in 1930, she lived through the years of very male dominated areas of art: Abstract Expressionism, Pop Art, and Neo-Dada. Niki de Saint Phalle provided a unique treatment of the female figure through drawing, painting, writing, found object sculpture, large public sculpture, and installation. One of the pieces I will primarily focus on embodies her fascination with audience interaction and the portrayal of the female figure: her controversial and temporary installation of 1966, ‘SHE – a cathedral.' In comparison to …

The Art Of Exile: A Narrative For Social Justice In A Modern World, Dakota D. Homsey

Student Publications

In this paper I will illustrate what exile art is, how it is influenced on a global platform, and the change it engenders. My research reveals a central theme of globalization in the exchange, mix, and clash of cultures and political views that accompany it as well as the spread of art and ideas. In my research I illustrate how political circumstance, and sense of responsibility to share a political narrative, propelled exile art from a personal to a political narrative. My research illustrates how, as displaced people stripped of a homeland, exiled artists have surfaced as a voice of …

Capstone 2016 Art And Art History Senior Projects, Art And Art History Department

Student Publications

This booklet profiles Art Senior Projects by Maura B. Conley, Caroline G. Cress, Carolyn E. McBrady, Alesha R. Miller, Emma S. Shaw, Eleanor E. Soule, Katherine G. Warwick, and Rebecca T. Wiest.

This booklet profiles Art History Senior Projects by Deirdre E. D'Amico, Rebecca S. Duffy, Megan R. Haugh, Molly R. Lindberg, Kelly A.B. Maguire, and Lucy K. Riley.

Past Meets Future: Combining Gis, 3d Technologies, And Legacy Data To Reanalyze Ceramics At Copan, Honduras, Stephanie Sterling, Heather Richards-Rissetto, René Viel

UCARE: Research Products

The archaeological site of Copán—a UNESCO World Heritage Site in Honduras—was a primary center for cultural and economic exchange in the Maya world from the fifth to ninth centuries. Our research investigates the sociopolitical climate of the city immediately preceding this collapse. This poster presents the results of a pilot study intended to evaluate the potential of using a combination of digital technologies and legacy data to reanalyze a subset of diagnostic ceramics from select sites outside of Copan’s urban core. Our methods involved:

(1) Applying photogrammetry to generate 3D models for approximately 30 potentially temporally-diagnostic ceramic types

(2) Digitizing, …

Art For The People: Wpa Prints And Textiles From The Permanent Collection, Antje K. Gamble, T. Michael Martin

Faculty & Staff Research and Creative Activity

As the first major, nationalized support system for artistic production in the United States, the New Deal’s Federal Art Project (F.A.P.) strove to create a holistic vision of art for the American people. Debates among art historians and political pundits alike pointed to the perceived-lack of a truly-American modern art. Cultural critic Lewis Mumford articulated that, opposed to European Modernism, “[w]hat American taste recognizes [is] that there is more aesthetic promise in a McAn shoe store front, or in a Blue Kitchen sandwich palace than there is in the most sumptuous showroom of antiques…” In accordance, the F.A.P. supported artists’ …

Explorer: Muheb Esmat Sees Museum Open Doors To History, Pat Sims

Colby Magazine

Muheb Esmat ’17 made a significant discovery when he came to Colby. Actually, he made more than one.

Explorer: Muheb Esmat Sees Museum Open Doors To History, Pat Sims

Colby Magazine

Muheb Esmat ’17 made a significant discovery when he came to Colby.

Art School: Margaret Aiken Strengthens Connections Between Museum And Community

Colby Magazine

She studied art at Yale and museum education at Tufts, then worked at the Center for Engineering Education and Outreach at Tufts, the Great Lakes Science Center, and the Science Museum of Minnesota. Now, as the Linde Family Foundation Coordinator of School and Family Programs, Aiken has set her sights on the already robust outreach efforts at the Colby College Museum of Art

Biotopes And Ecotones: Slippery Images On The Edge Of The French Atlantic, Maura Coughlin

Landscapes: the Journal of the International Centre for Landscape and Language

Looking outside canonical late nineteenth- and early twentieth-century modernist images of the French Atlantic coast, this essay examines usually discrete fields of landscape painting, botanical visual culture and nascent intertidal natural history to articulate an ecological realism of the ecotone. In a survey of peasant gleaning practices, popular natural science of the shore as well as amateur marine botany, the ecological visual literacy of viewers of this era is speculatively assembled. Works by artists such as Elodie La Villete, Charles Cottet, André Dauchez and Mathurin Méheut who lived long term on the coast are put into dialogue with the pressed …

Understanding Identity Through Ceramic Analysis At The Crystal River And Roberts Island Sites, Rachel Elizabeth Thompson

USF Tampa Graduate Theses and Dissertations

The ceramic assemblage from previous excavations at Crystal River (8CI1), a Woodland period mound center on Florida’s west-central coast, exhibits variation in temper and surface treatments indicative of distinct pottery traditions and, perhaps, social groups. I analyzed ceramics from recent, better controlled excavations at Crystal River and the neighboring and partially contemporaneous site of Roberts Island (8CI41), using the theoretical framework of communities of practice to evaluate this claim.

Analysis suggests that while some degree of diversity in paste was maintained through all four phases, there was greater homogeneity of paste, as well as more mixing of paste categories, during …

An Alternative Ancien Régime? Elisabeth Vigée-Lebrun In Russia, Erin Elizabeth Wilson

USF Tampa Graduate Theses and Dissertations

In the last few decades interest in the life and work of Elisabeth Vigée-Lebrun has increased significantly, with numerous publications and a retrospective exhibition dedicated to her oeuvre. Yet, while much new and valuable information has been introduced, very little of it deals specifically with the period from 1795-1800 when she lived as an émigré in Saint Petersburg, Russia.

In this thesis I analyze two Russian portraits by Elisabeth Vigée-Lebrun, in relation to two earlier works she painted in Paris, the duchesse d’Orleans (1789) and Marie Antoinette, Queen of France (1783), elucidating the overt similarities to her earlier portraiture …

Investigating Alternative Subsistence Strategies Among The Homeless Near Tampa, Florida, Matthew Peter Rooney

USF Tampa Graduate Theses and Dissertations

Modern homelessness is one of the most pressing social and political problems of our time. Several hundred thousand people experience homelessness in the United States each year, and the U.S. Department of Housing, which attempts to count those people, has admitted that their statistics are conservative estimates at best. A recent archaeological study (Zimmerman et al 2010) examining material culture associated with homeless communities in Indianapolis has suggested that those who are considered chronically homeless have generally abandoned wage labor and are instead pursuing urban foraging as a subsistence strategy. In order to better understand the structures of homeless communities, …

Archaeology Of Silver Springs State Park, Marion County, Florida, Rudy J. Westerman

USF Tampa Graduate Theses and Dissertations

An archaeological survey was conducted of the Silver Springs State Park in Ocala, Florida, between August 2014 and December 2015. The project goals were to relocate and assess the previously recorded archaeological sites in the park and attempt to discover new sites. Background research, archaeological fieldwork including surface collection, shovel testing, and informant interview were conducted with this aim. Each site is described and addressed, and most were relocated; twelve new resources were added to the inventory. The Silver Springs and Silver River watershed have been occupied from the Paleo-Indian period at least 13,000 years ago through the twentieth century. …

Incongruous Conceptions: Owen Jones’S Plans, Elevations, Sections And Details Of The Alhambra And British Views Of Spain, Andrea Marie Johnson

USF Tampa Graduate Theses and Dissertations

This thesis analyzes Plans, Elevations, Sections, and Details of the Alhambra (1836-1842) by British Architect Owen Jones in relation to British conceptions of Spain in the nineteenth century. Although modern scholars often view Jones’s work as an accurate visual account of the Alhambra, I argue that his work is not only interested in accuracy, but it is also a re-presentation of the fourteen-century monument based on Jones’s ideologies and creative faculties. Instead of viewing the Alhambra through a culturally sensitive, historical lens, Jones treated it as an Imaginary Geography, as Edward Said called it, through which he could promote his …

Woodland Period Rockshelter Use In The Upper Great Lakes: A Multiscalar Perspective From Grand Island, Michigan, Kelsey Hanson

Theses and Dissertations

Despite the integral role that caves and rockshelters have traditionally played in archaeological inquiry throughout North America, they have largely been neglected as a focus of study and recorded examples have been poorly integrated into regional discourse in the Upper Great Lakes region. Most rockshelters in the Upper Great Lakes region formed as sea caves during higher lake level stages and became increasingly terrestrial as lake levels receded, resulting in an abundance of rockshelters and other shoreline features that are now inland from the current shoreline, very few of which have been subjected to archaeological investigation.

To address this disparity, …

Venetian Cartography And The Globes Of The Tommaso Rangone Monument In San Giuliano, Venice, Jill E. Carrington

Faculty Publications

Highly-specific reliefs of a terrestrial and a celestial globe flank the statue of physician and university professor Tommaso Rangone in his funerary monument on the facade of San Giuliano in Venice (1554-1557, installed c. 1558). The essay is the first to examine the strikingly specific imagery of the globes; it compares them to actual maps and globes, argues that the features of the globes were inspired by contemporary maps and globes owned by Rangone himself, relates the globes to the emergence of globe paris and situates them within the thriving production of maps, atlases and treatises at the time they …