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A Fortunate Alignment Of The Spheres: Overcoming The Problems Of Integrating 3d Into Daily Practice, Anthony Masinton 2017 Kenyon College

A Fortunate Alignment Of The Spheres: Overcoming The Problems Of Integrating 3d Into Daily Practice, Anthony Masinton

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Direct Radiocarbon Dating Of Fish Otoliths From Mulloway (Argyrosomus Japonicus) And Black Bream (Acanthopagrus Butcheri) From Long Point, Coorong, South Australia, M Disspain, L Wallis, S Fallon, M Sumner, C St George, C Wilson, D Wright, B Gillanders, S Ulm 2017 The University of Notre Dame Australia

Direct Radiocarbon Dating Of Fish Otoliths From Mulloway (Argyrosomus Japonicus) And Black Bream (Acanthopagrus Butcheri) From Long Point, Coorong, South Australia, M Disspain, L Wallis, S Fallon, M Sumner, C St George, C Wilson, D Wright, B Gillanders, S Ulm

Arts Papers and Journal Articles

Accelerator Mass Spectrometry (AMS) radiocarbon dates (n=20) determined on fish otoliths from mulloway (Argyrosomus japonicus) and black bream (Acanthopagrus butcheri) are reported from five sites at Long Point, Coorong, South Australia. The dates range from 2938–2529 to 326–1 cal. BP, extending the known period of occupation of Long Point. Previous dating at the sites indicated intensive occupation of the area from 2455–2134 cal. BP. Results provide a detailed local chronology for the region, contributing to a more comprehensive understanding of Aboriginal use of Ngarrindjeri lands and waters. This study validates the use of fish otoliths for …


Windows To The Divine: The Development Of Byzantine Art, Sam Klein 2017 Harding University

Windows To The Divine: The Development Of Byzantine Art, Sam Klein

Tenor of Our Times

Byzantine art took significant inspiration form its Greco-Roman heritage but then distinguished itself through a shift in focus away from Hellenic realism and towards formal abstractions of Christian motifs. These conventions developed alongside political and theological turbulence to eventually influence a vast area of Asia Minor and Eastern Europe.


Metamorphosis Of Love: Eros As Agent In Revolutionary And Post-Revolutionary France, Jennifer N. Laffick 2017 University of Central Florida

Metamorphosis Of Love: Eros As Agent In Revolutionary And Post-Revolutionary France, Jennifer N. Laffick

Honors Undergraduate Theses

This thesis chronicles the god of love, Eros, and the shifts of function and imagery associated with him. Between the French Revolution and the fall of Napoleon, Eros’s portrayals shift from the Rococo’s mischievous infant revealer of love to a beautiful adolescent in love, more specifically, in love with Psyche. In the 1790s, with Neoclassicism in full force, the literature of antiquity was widely read by the upper class. Ancient Greek texts reveal an important facet of the god of desire; the fact that he is an agent, if not the patron, for homosexual, homoerotic love. This aspect of Eros …


Subjects Of The Gaze: Rubens And His Female Portraits, Gabrielle C. van Ravenswaay 2017 University of Central Florida

Subjects Of The Gaze: Rubens And His Female Portraits, Gabrielle C. Van Ravenswaay

Honors Undergraduate Theses

My paper investigates Peter Paul Rubens’ female portraits in terms of the male and female gaze, psychoanalytic analysis, and historical context. My research will support the idea that Rubens painted women in a sexualized manner based on what Foucault coins the male gaze.[1] The paintings evaluated in this project include portraits of Rubens’ wives, Isabella Brandt and Helene Fourment, and portraits of wealthy patrons such as Marchesa Brigida Spinola Doria, Anne of Austria, and Marie de’ Medici. It is incorrect to view these paintings as pure, complete depictions of identity because women in this time were always defined and …


Welcome To The Autumn 2017 Issue Of Peregrinations: Journal Of Medieval Art & Architecture, Sarah Blick, Brad Hostetler 2017 Kenyon College

Welcome To The Autumn 2017 Issue Of Peregrinations: Journal Of Medieval Art & Architecture, Sarah Blick, Brad Hostetler

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Digital Tools And The Pedagogy Of Early Medieval Visual Culture, Kaelin Jewell 2017 Kenyon College

Digital Tools And The Pedagogy Of Early Medieval Visual Culture, Kaelin Jewell

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Remembrance Of Things Past: Recreating The Lost World Of Medieval Pilgrimage To St. Thomas Becket In Canterbury And The Use Of Digital Media In Public Access, Louise Hampson 2017 Kenyon College

Remembrance Of Things Past: Recreating The Lost World Of Medieval Pilgrimage To St. Thomas Becket In Canterbury And The Use Of Digital Media In Public Access, Louise Hampson

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Modeling The Norwich Cathedral Cloister Bosses: Sculpture, Photogrammetry And The Mobile Spectator, Robert Hawkins 2017 Kenyon College

Modeling The Norwich Cathedral Cloister Bosses: Sculpture, Photogrammetry And The Mobile Spectator, Robert Hawkins

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Book Review: Heidi C. Gearhart, Theophilus And The Theory And Practice Of Medieval Art (University Park, Pa: The Pennsylvania State University Press, 2017), Laurence Terrier Aliferis 2017 Kenyon College

Book Review: Heidi C. Gearhart, Theophilus And The Theory And Practice Of Medieval Art (University Park, Pa: The Pennsylvania State University Press, 2017), Laurence Terrier Aliferis

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Book Review: Karen C. Pinto, Medieval Islamic Maps: An Exploration (Chicago: University Of Chicago Press, 2016), Marina Tolmacheva 2017 Kenyon College

Book Review: Karen C. Pinto, Medieval Islamic Maps: An Exploration (Chicago: University Of Chicago Press, 2016), Marina Tolmacheva

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Book Review: Glyn Davies And Eleanor Townsend, Eds., A Reservoir Of Ideas: Essays In Honour Of Paul Williamson (London: Paul Holberton Publishing, 2017), Katherine Sedovic 2017 Kenyon College

Book Review: Glyn Davies And Eleanor Townsend, Eds., A Reservoir Of Ideas: Essays In Honour Of Paul Williamson (London: Paul Holberton Publishing, 2017), Katherine Sedovic

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Teacher/Student: Technology As A Basis For Centrifugal Learning That “Goes Both Ways,” Part 1, Mickey Abel 2017 Kenyon College

Teacher/Student: Technology As A Basis For Centrifugal Learning That “Goes Both Ways,” Part 1, Mickey Abel

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


The Byzantine Scholar’S Digital Portfolio, A.L. McMichael 2017 Kenyon College

The Byzantine Scholar’S Digital Portfolio, A.L. Mcmichael

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


The Digital Pilgrim Project: 3d Modeling And Gis Mapping Medieval Badges At The British Museum, Amy Jeffs, Gabriel Byng 2017 Kenyon College

The Digital Pilgrim Project: 3d Modeling And Gis Mapping Medieval Badges At The British Museum, Amy Jeffs, Gabriel Byng

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Book Review: Elina Gertsman, Worlds Within: Opening The Medieval Shrine Madonna (University Park, Pa: The Pennsylvania State University Press, 2015), Julia Perratore 2017 Kenyon College

Book Review: Elina Gertsman, Worlds Within: Opening The Medieval Shrine Madonna (University Park, Pa: The Pennsylvania State University Press, 2015), Julia Perratore

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Book Review: John Marciani, Ed., Hans Memling: Portraiture, Piety, And A Reunited Altarpiece (London: The Flemish Research Centre For The Arts In The Burgundian Netherlands, Musea Brugge, And The Morgan Library & Museum, New York In Association With Paul Holberton Publishing, 2016), Jeanne Nuechterlein 2017 Kenyon College

Book Review: John Marciani, Ed., Hans Memling: Portraiture, Piety, And A Reunited Altarpiece (London: The Flemish Research Centre For The Arts In The Burgundian Netherlands, Musea Brugge, And The Morgan Library & Museum, New York In Association With Paul Holberton Publishing, 2016), Jeanne Nuechterlein

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Discoveries, Clara Pinchbeck 2017 Kenyon College

Discoveries, Clara Pinchbeck

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Lost & Found, Owen Gottlieb, Ian Schreiber, Kelly Murdoch-Kitt 2017 Rochester Institute of Technology

Lost & Found, Owen Gottlieb, Ian Schreiber, Kelly Murdoch-Kitt

Presentations and other scholarship

Lost & Found is a strategy card-to-mobile game series that teaches medieval religious legal systems with attention to period accuracy and cultural and historical context.

The Lost & Found games project seeks to expand the discourse around religious legal systems, to enrich public conversations in a variety of communities, and to promote greater understanding of the religious traditions that build the fabric of the United States. Comparative religious literacy can build bridges between and within communities and prepare learners to be responsible citizens in our pluralist democracy.

The first game in the series is a strategy game called Lost & …


The Crisis Of Jackson Pollock’S Mural As A Painting, Michael Schreyach 2017 Trinity University

The Crisis Of Jackson Pollock’S Mural As A Painting, Michael Schreyach

Art and Art History Faculty Research

Critics frequently describe Pollock’s allover painted fields, especially those he began producing after 1947, as absorbing or engulfing the viewer, occasioning a sensation of being immersed within an all-encompassing visual environment. His paintings are said to establish so powerful a continuity between viewer and painting that the distinction between them collapses, generating a feeling of what the psychologist Anton Ehrenzweig notoriously described as “undifferentiated oceanic envelopment.”1 Pollock’s works, he continued, “enveloped the spectator inside the picture plane,” producing a “manic experience of mystic oneness.”2 In them, “pictorial space advances and engulfs [the viewer] in a multi-dimensional unity where …


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