History of Art, Architecture, and Archaeology Commons^™

L'Histoire De L'Art Au Défi De La Mondialisation: Une Position Critique, Paula Barreiro López

Artl@s Bulletin

Le défi de la mondialisation et de la “décolonisation” de nos pensées est désormais une préoccupation quotidienne pour la majorité des chercheurs en histoire de l’art. Il est trop tôt pour faire le bilan du fameux « Global turn », tournant d’autant plus timide qu’il se concrétise plus lentement dans les collections publiques et dans l’opinion que dans les livres. Mais nous avons voulu interroger, un peu partout dans le monde, des acteurs à l’écoute des nouvelles pratiques mondiales en histoire de l’art. Issus de milieux culturels et de traditions universitaires variées, de générations diverses, ils ont accepté de répondre …

Art History And The Global Challenge: A Critical Perspective, Patrick D. Flores

Artl@s Bulletin

The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …

Art History And The Global Challenge: A Critical Perspective, Jonathan Harris

Artl@s Bulletin

The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …

Art History And The Global Challenge: A Critical Perspective, Atreyee Gupta

Artl@s Bulletin

The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …

Art History And The Global Challenge: A Critical Perspective, Nuria Rodríguez Ortega

Artl@s Bulletin

The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …

Art History And The Global Challenge: A Critical Perspective, Sven Spieker

Artl@s Bulletin

The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …

L’Histoire Mondiale De L’Art, Au Défi D’Un Grand Récit, Béatrice Joyeux-Prunel

Artl@s Bulletin

Pour proposer une « histoire mondiale », et pour faire honneur à toutes les productions issues de tous les continents, en particulier ceux qu’on avait méprisés, l’idéal serait d’articuler un récit lui-même mondial. Il nous faut un récit émancipé non seulement des hiérarchies propres au canon (ancien/moderne, beaux-arts/décoration, kitsch / classique), mais aussi un récit qui aille plus loin que la production de hiérarchies dont même le récit postcolonial a du mal à sortir (dominants/dominés). Comment produire un récit qui, en outre, connecte des collections « locales » et des collections « internationales » en gardant du lien entre les …

South Shore Wants To Give Landmark A Home, Jeremy Wells

Indian Head Rock Project

An article published in the Ironton Tribune on the efforts to create a permanent exhibit for the Indian Head Rock from April 14, 2017.

"Between The Rock And The Commonwealth", Tyler York

Indian Head Rock Project

Article published in the Morehead State Trial Blazer on the release of Steve Middleton's documentary "Between the Rock and the Commonwealth" from April 14, 2017.

Woman In Stone: Yearning An Despair At Boscotrecase, Russ Nelson

Research Horizons Day Posters

No abstract provided.

Councilor, Combatant, Least Of All Cleric: Bishop Odo's Vanity And The Bayeux Tapestry, Jennifer Wright

Research Horizons Day Posters

No abstract provided.

Sheela-Na-Gigs: The Forgotten Daughters Of The Ancient Goddess, Brittany Newby

Research Horizons Day Posters

No abstract provided.

Theological And Political Influences On The Triumphal Arch Mosaics Of Santa Maria Maggiore, Robin H. Flachbart

Research Horizons Day Posters

No abstract provided.

Foliage And The Horn Of Healing Found In The Unicorn Tapestries, Kailey Franks

Research Horizons Day Posters

No abstract provided.

Yinka Shonibare Mbe's Critiques Of Empire And His Reception In Four Transnational Case Studies, Johanna Wild

Art & Art History ETDs

In the wake of art history’s “global turn”, the installation art of Yinka Shonibare MBE has obtained vast visibility in the established centers of contemporary cultural practice in Europe and beyond. Shonibare is best known for his installations of mannequins that reenact canonized paintings and historical events culled from European modernity. Dressed in deceptively “African” Dutch Wax fabrics, Shonibare’s phenotypically ambiguous and headless mannequins ensnare audiences with a semblance of “exotic” difference, but ultimately resist the fixity of national, cultural, racial and, in some cases, gendered categorization through an incessant semiotic slippage. In his book, The Culture Game (2001), Olu …

Spirituality: Take Me To A Higher Place, Kane Stanglin, Alexandra Mendez, Laura A. Eads, Kyle Crosslin

Collin College Undergraduate Interdisciplinary Student Research Conference

Panel Chair: Marta Moore

Papers Presented:

"The Acceptance of Fate from a Man of God" by Alexandra Mendez

"Acceptance Is Peace" by Kane Stanglin

"Hindu Beliefs in Bhagavad-Gita" by Laura A Eads

"Analysis of 'The Sovereignty of Goodness of God'" by Kyle Crosslin

The Eternal Hero: A Study Of The Evolution Of The Literary Character Throughout History, James Simms

Undergraduate Distinction Papers

The Literary character has always existed, and I intend to show how he or she has changed the times, and, in turn, been changed by the times. Literature is a powerful force of culture and morality, liberalism and conservatism, engines of fate, and forces of chaos. As each era has its own values, so each character reflects those values (and might even go against some in order to convey the authors’ understanding of them). The characters, if powerful enough, often cause social change, defining major thoughts of various eras. Literature can both define a period, but can also be the …

Displays Of Power In English Tudor Painting (1485-1603), Laura Meisner

Student Scholar Showcase

English painting between 1485 and 1603 shaped and was shaped by a myriad of cultural influences. Art historians generally agree that because England did not produce much of its own art until the 18^th century, it had a relatively slight impact on the development of Western art. A cursory history lesson of this time frame likely omits English art apart from the appearance of Hans Holbein the Younger as court painter under Henry VIII and Nicholas Hilliard during Elizabeth I’s reign. However, a study of English paintings throughout the entire Tudor period reflects its importance not only to England’s …

Shattered Ceilings: Roof Tile Analysis On Survey Archaeology Projects, Rebecca Salem

School of Art, Art History, and Design: Theses and Student Creative Work

Finding a roof tile on an archaeological survey demonstrates that a structure had previously stood nearby. Rarely found in their entirety, tiles are fabricated from terracotta, which, while durable when in its proper place, breaks when falling from a roof. The nature of these fragmentary finds has made tile analysis limited and tiles are often not included in publications or only a select few are included with ceramic finds. Additionally, unlike pottery with its typographic chronology, roof tiles have restricted dating potential. However, there are several specific types of tile that can greatly help with dating. Though limited, some of …

Alternative Process Photography: Beyond Digital And Film, Laura Michaud

Senior Honors Projects

The first permanent photograph was created in 1826 by Joseph Nicéphore Niépce. To do this, he coated light sensitive chemicals on a metal plate and exposed it in a camera obscura (a box with a small hole; a “pinhole camera”). Once the plate was properly exposed to light, he used more chemicals to stop the plate from being light sensitive and make the image permanent on the plate. Throughout the years, many photographers and chemists used many different chemicals, materials, and procedures to create permanent and beautiful images (i.e. Daguerreotypes, Calotypes, Heliographs, etc). With each new process, the previous processes …