History of Art, Architecture, and Archaeology Commons^™

Marian Bleeke, Motherhood And Meaning In Medieval Sculpture: Representations From France, C. 1100-1500, Boydell Studies In Medieval Art And Architecture (Boydell & Brewer, 2017), 216 Pages, 4 Color, 43 Black & White Illustrations., Janet Snyder

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Anja Selinger And Willy Piron (Eds.), Choir Stalls And Their Workshops: Proceedings Of The Misericordia International Colloquium 2016 (Cambridge Scholars Publishing, 2017), Betsy Chunko-Dominguez

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Stephen N. Fliegel And Elina Gertsman, Myth And Mystique: Cleveland’S Gothic Table Fountain, Cleveland Masterwork Series 3 (Cleveland: The Cleveland Museum Of Art In Association With D Giles Limited, 2016), Sophie Ong

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Discoveries

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Traditions Of Geometrical Representation And The Rise Of Local Mapmaking In The Pontifical City Of Avignon (14th-15th Centuries), Paul Fermon

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Producing And Reproducing Local Maps: The Example Of Amiens, Margriet Hoogvliet

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Evidence: Photographic Image, Fact, Document Syllabus, Ellen Handy

Open Educational Resources

Syllabus for an interdiscilpinary undergraduate course on Photography and Evidence.

Fusing Both Arts To An Inseparable Unity: Frank O'Hara As A Visual Artist, Daniella M. Snyder

Student Publications

Frank O’Hara, a curator at the Museum of Modern Art in New York and a published poet in the 1950s and 60s, was an exemplary yet enigmatic figure in both the literary and art worlds. While he published poetry, wrote art criticism, and curated exhibitions—on Franz Kline, Robert Motherwell, and Jackson Pollock—he also collaborated on numerous projects with visual artists, including Larry Rivers, Michael Goldberg, Grace Hartigan, Joe Brainard, Jane Freilicher, and Norman Bluhm. Scholars who study O’Hara fail to recognize his work with the aforementioned visual artists, only considering him a “Painterly Poet” or a “Poet Among Painters,” but …

The Influence Of Politics On Modern Art: A Curated Exhibit Of Art Reflecting The 2016 Presidential Election, Naama Malomet

Senior Honors Projects

This project explores the ways in which recent politics in America has inspired contemporary artists to engage in the current political climate and use art as a means of expressing political ideals. Art has been, and always will be, used as one of the ways artists express opinions and ideas. Art engages individuals in visual dialogue, creating conversations between the artist and viewer. It has the power to influence and inspire viewers, directing them towards new ideas and opinions as well as new perspectives on social and political issues. Throughout the history of art, politics and social issues have inspired …

Perspectives Of Italian Fresco: Creation And Conservation, Sarah Linder

Mahurin Honors College Capstone Experience/Thesis Projects

The purpose of this study is to survey the history of Italian fresco technique and tradition and modern conservation practices employed to preserve works. Fresco, a medium used by masters, such as Michelangelo, is a method of painting directly onto wet plaster. This method incorporates pigment and surface as one. This project analyzes the most prevalent examples of traditional fresco found in Pompeii and nearby villas in Boscoreale, Italy. Since their discovery, these locations have undergone and continue to exist under varying conservation projects. In order to further the study of modern conservation techniques, I attended the Ortolan Studio in …

[Review Of The Book Pollock's Modernism, By M. Schreyach], Eileen Costello

Art and Art History Faculty Research

In 1950, on one of the few occasions that Jackson Pollock publicly discussed his approach to painting, he remarked that 'technique is just a means of arriving at a statement'. Given Pollock's revolutionary method and unprecedented formal achievements, this declaration has generated an enormous amount of critical attention over the past sixty-five years. The book under review is the most recent contribution, yet it stands apart from earlier studies.

Rattled, Manya Jacobson

Art and Art History Honors Projects

No abstract provided.

Arh 141 Introduction To The History Of Modern Art, Sharon L. Jordan

Open Educational Resources

A study of the principles of art applied to visual forms, with emphasis on modern art of the nineteenth and twentieth centuries in Europe and the United States.

The full course site is available at https://arh141.commons.gc.cuny.edu/.

Canonical Poses And The Gaze, Sarah Oakley

Bachelor of Fine Arts Senior Papers

My work deals with the nude female form and the various depictions that it has taken on. From the early oil paintings from masters like Ingres and Titian, through Playboy centerfolds of the 50s-70s, and continuing all the way up to the contemporary nude iPhone selfie, I explore questions of the gaze, ownership, and commodification of the female form. Starting with my painted Selfie Series and ending with my embroidered pillows, I touch on a variety of framing devices for the female nude and its representation of sexuality in modern culture.

The Beholder, Allan Lake

Landscapes: the Journal of the International Centre for Landscape and Language

A poem on the effect of landscape on the emotions.

Shifting Rurality American Gothic, Iowa Nice, Biotech And Political Expectations In Rural America, William D. Nichols 890252

Landscapes: the Journal of the International Centre for Landscape and Language

This paper traces the linkage between heritage landscape within the context of the election of Donal Trump. Trump's invocations of heritage riled certain regions of the US which had a distinct connection to Regionalism, both as a political idea and as an aesthetic practice. Focusing on Iowa, home to the quintessential American painting, American Gothic, the paper looks at modernity and agriculture, and how the two categories seem to rely on (but also negate) heritage. By examining what a genetically modified landscape might mean in relation to the historical image of the pastoral/provincial farmer, a network of frictions and …

On The Wire, Sarah F. Lumba

Landscapes: the Journal of the International Centre for Landscape and Language

“On the Wire” is a work of creative non-fiction that weaves together a local myth and actual events to describe the devastating effects of Typhoon Ketsana, which struck Marikina, a small but progressive city in the Philippines, on September 2009. It explores how colonial subjugation has erased a people’s memory of their collective soul and has severed their strong ties to the land, thus putting the lives of future generations in jeopardy.

Poetry Of Roe 8, Nandi Chinna

Landscapes: the Journal of the International Centre for Landscape and Language

Poetry of Roe 8

The occasion for the writing of these poems was activism surrounding the controversial highway known as the Roe 8 extension in the areas of Cockburn and Fremantle in Western Australia. Planned in the 1950s, Roe 8 is contentious for a number of reasons, including extraordinary political deals over funding, undue process regarding environmental reporting, lack of a business case, inadequate noise and traffic modelling, erasure of Indigenous heritage sites, and clearing of the sensitive Beeliar wetlands and Coolbellup banksia woodlands which were designated a Threatened Ecological Community in 2016. During the summer of 2016/2017 contractors started …

Socially Engaged Practice: Three Artists, Susan Ashbrook

Lesley University Community of Scholars Day

In recent years many artists have turned to ‘socially engaged practice,’ striving to effect social or political change through community-based or participatory projects outside of traditional gallery spaces. In my presentation I will review projects by three contemporary artists who work with underserved communities to develop creative responses to social injustices they face and to help them develop powerful tools to impact their lives

Suzanne Lacy, one of the original California feminists of the 1970s, is well-known for her performance pieces and installations that engage with social issues through conversation within communities. Rape and violence against women have been …

Good Catholic, Bad Catholic: Emil Antonucci, Vito Acconci, And The Incarnational Conscious, Ciaran Freeman

Helene Lafrance Library Undergraduate Research Award

The redefinition of what can be considered religious art in a contemporary society is at the forefront of conversation in the art world. In May 2018, the Met Costume Institute opened its Summer Blockbuster exhibition “Heavenly Bodies: Fashion and the Catholic Imagination.” Although current, this conversation is not new. Like all art, religious art has always been and always will be in a state of constant evolution. So what is the Catholic imagination? How has it made itself manifest in visual art? In “Postmodern Heretics” art historian Eleanor Heartney argues that the Catholic Imagination is uniquely informed by what she …