Between The Cracks: From Squatting To Tactical Media Art In The Netherlands, 1979–1993,
2019
CUNY Graduate Center
Between The Cracks: From Squatting To Tactical Media Art In The Netherlands, 1979–1993, Amanda S. Wasielewski
Dissertations, Theses, and Capstone Projects
In the early 1980s, Amsterdam was a battleground. During this time, conflicts between squatters, property owners, and the police frequently escalated into full-scale riots. Although the practice of squatting was legally protected in the Netherlands, the formation of a social movement around squatting in the mid- to late ’70s brought about a turbulent period exacerbated by economic hardship and widespread youth unemployment. Those active in the squatters’ movement sought to carve out new spaces in the fabric of the city, guided by anarchist politics and a desire for autonomy. These cracks, or temporary autonomous zones, in the established order created …
Cultural Heritage Preservation In The Context Of Climate Change Adaptation Or Relocation: Barbuda As A Case Study,
2019
CUNY Graduate Center
Cultural Heritage Preservation In The Context Of Climate Change Adaptation Or Relocation: Barbuda As A Case Study, Martha B. Lerski
Dissertations, Theses, and Capstone Projects
This case study introduces an arts camp methodology of engaging communities in identifying their key cultural heritage features, thus serving as a meta study. It presents original research based on field studies on the climate-vulnerable Caribbean island of Barbuda during 2017 and 2018. Its Valued Cultural Elements survey, enabling precise identification of key tangible and intangible art forms and biocultural practices, may serve as a basis for further studies. Such approaches may facilitate future research or planning as climate-vulnerable communities harness Local or Indigenous Knowledge for purposes of biocultural heritage preservation, or towards adaptation or relocation. I report on findings …
Raman And Surface Enhanced Raman Spectroscopy For Forensic Analysis: Case Studies On The Identification Of Illicit Substances And Artist Pigments,
2019
CUNY Graduate Center
Raman And Surface Enhanced Raman Spectroscopy For Forensic Analysis: Case Studies On The Identification Of Illicit Substances And Artist Pigments, Abed Haddad
Dissertations, Theses, and Capstone Projects
Raman spectroscopy is an effective tool for detecting trace amounts of material by fingerprint-like vibrational spectra. At times, the weak intensity of Raman scattering can make it difficult to distinguish trace materials. This shortcoming is addressed by surface‐enhanced Raman spectroscopy (SERS), which produces strong signal enhancements when target compounds are near metal nanoparticles. For the first part of this thesis, the identification of fentanyl and carfentanil, main culprits in the opioid epidemic, was done using normal Raman and the SERS spectroscopy. As an aid in the assignment of the spectral lines, a computational model was built using Density Functional Theory …
The Evolution Of The Centaur In Italian Renaissance Art: Monster, Healer, Mentor, And Constellation,
2019
CUNY Graduate Center
The Evolution Of The Centaur In Italian Renaissance Art: Monster, Healer, Mentor, And Constellation, Trinity Martinez
Dissertations, Theses, and Capstone Projects
Monsters, hybrid beasts, and animals in Renaissance art have, until recently, received little iconographic attention. This dissertation examines the unprecedented transformation of centaur imagery in Italian Renaissance art. The centaur, a mythological beast half-man and half-horse, was ascribed a savage nature from antiquity through the Middle Ages and into the Renaissance. Although negative representations of this creature were never entirely eradicated, the years 1480 to 1535 witnessed a dramatic shift in centaur iconography from savage to civilized beast. My study argues that the centaur’s transmutation resulted from the thriving humanist culture of Renaissance Italy and widespread interest in the philosophy …
Treasure Hunters, Adventurers, Sport Divers, And Archaeologists: Influences On Early Underwater Archaeology,
2019
University of Connecticut
Treasure Hunters, Adventurers, Sport Divers, And Archaeologists: Influences On Early Underwater Archaeology, Henry Kennell
Honors Scholar Theses
This thesis shall explore the role treasure hunters and academic archaeologists played in developing the field of underwater archaeology in the 1950s and 1960s and the relationships they had with each other. The phrase “treasure hunters” refers to amateur divers and salvagers who took an interest in uncovering underwater archaeological artifacts while having no official academic qualifications for archaeology. On the contrary, the phrase “academic archaeologists” refers to those who received professional degrees in archaeology through the traditional academic methods as well as those working for various research institutions. While treasure hunting has and continues to be a hindrance on …
Trace.,
2019
University of Louisville
Trace., Kcj Szwedzinski
Electronic Theses and Dissertations
Trace utilizes autoethnography to investigate aspects of Judaism to discover how one decides what to embrace, embody, or deny from inherited legacies. Autoethnography attempts to combine quantitative and qualitative data in order to systematically analyze and describe personal experience. The artist acting as Ba’alei Kushiah, or question bearer, uses Talmudic philosophy as a methodology and approach to art making. This research is self-referential; using Jewish thought to ask questions about Judaism. Judaism, often existing in an in between place with outward characteristics that reflect regional influences, facilitates a dialogue about whether there are relative or absolute delineations within and between …
Between And Beyond,
2019
Macalester College
Between And Beyond, Noah F. Heil
Art and Art History Honors Projects
Between and Beyond is a series of handbuilt and wheel-thrown ceramic objects which explore intimate queer relationships through the human figure. I assemble slabs of clay to create openings and negative spaces within the sculptures, implying the ways in which the human form also acts as a vessel. The sculptures as well as the figures themselves remain open and vulnerable, literally and metaphorically. The body is depicted through fragmented sections, alluding to the ways in which society and culture break up gender and sexuality into limiting binaries. These intimate, private moments are meant to conjure an imagined future free of …
Keith Haring: Silence = Death,
2019
Chapman University
Keith Haring: Silence = Death, Nellie Jalalian
Student Scholar Symposium Abstracts and Posters
The American aids crisis is one of the most important epidemics of the contemporary world, yet many americans do not know the severity of the crisis or the true lasting effects on recent society. In my project I will go over personal accounts of individuals directly affected by the illness, like famed artist Keith Haring, to give it a more human perspective. I will also reflect on the art that was created at the time, and how that was reflective on the people affected. Aids is an immunodeficiency virus that has been proven difficult to diagnose in the early on …
Rediscovering Brazil: The Marajoara Style In Modernist Art And Design,
2019
Chapman University
Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, Alyson Brandes
Student Scholar Symposium Abstracts and Posters
During the Portuguese rule of Dom Pedro II until 1889, through the years of the First Brazilian Republic (1889-1930) and into the First Vargas Regime (1930-1945), Brazil struggled to solidify a strong national identity that would finally unify the country and legitimize its rich cultural heritage. The discovery and excavation of Marajó Island in the 1870s provided evidence of a great, ancient civilization, and inspired Brazilian Art Deco and early Modernist artists. Polychrome ceramic urns, vessels, and tangas (female pubic covers) were among the most abundant archaeological finds, many with zoomorphic and geometric motifs that show the cultural importance of …
Authorship And Attribution: Forgery And The Power Of Names,
2019
Chapman University
Authorship And Attribution: Forgery And The Power Of Names, Elise Jacobsen
Student Scholar Symposium Abstracts and Posters
The individualistic culture of the Western art world places a great deal of emphasis on the power of names, whether it be artists or art experts. This creates a unique environment for forgery to occur, even flourish, as demonstrated by the career of Wolfgang Beltracchi, and by the commonality of Russian Avant-Garde fakes. In my research I investigate the phenomenon of art forgery and authentication, its effects on the professional art world and the perception of art, and the particular cultural factors, such as the emphasis on authorship and the importance of originality, that make forgery both possible and popular.
The Impossible Tasks,
2019
Washington University in St. Louis
The Impossible Tasks, Rachel Kalman
Graduate School of Art Theses
In this thesis I unpack the still life genre and its relation to my painting practice, examining the ways in which banal objects project influence and disrupt the notion of a linear, narrative history. Through the contextual lenses of close observation, propagandistic agendas, and the transgressive history of pattern, I explore the inherent contradiction contained within still life painting; working to balance an empathic respect for objects, as such, with my deeply seated desire to metaphorically interpret and empower visual imagery. I am fascinated by the impossible tasks we ask of weak, inanimate, decorative objects and work to generate still …
Mechanical Kingdoms: Sound Technologies And The Avant-Garde, 1928–1933,
2019
CUNY Graduate Center
Mechanical Kingdoms: Sound Technologies And The Avant-Garde, 1928–1933, Lauren Rosati
Dissertations, Theses, and Capstone Projects
Against accepted histories of the historical avant-garde, which have elevated artistic production in traditional media while suppressing sonic practices, this dissertation argues that artist-engineers working across Europe and the United States independently, if simultaneously, turned their attention to emerging sound technologies as new media for creative experimentation by the early 1930s. This spectrum of activity demonstrates the significance of sound in avant-garde practice, and indicates a wide-ranging artistic engagement with technological devices intended for mass audiences. While the common understanding of the relation between art and technology in this period amounts to one of mere enthusiasm for the novel formal …
The Poetic Function Of Imagination: The Parallel Process Of Poiêsis,
2019
Lesley University
The Poetic Function Of Imagination: The Parallel Process Of Poiêsis, Angela Carlson
Expressive Therapies Capstone Theses
In the advent of Postmodernism, modern approaches to understanding the nature of things is being put into question. As the gap between objective and subjective realms of experiences is narrowing, there is an increased need for a more artful approach to science. This paper serves as my attempt to promote the field of Expressive Arts Therapy (ExATh) as a mode of poetic science for understanding the experience of ‘Being’ in the world. Through a critical review of the semantic development of the ancient Greek concepts poiêsis, noêsis, and aisthêsis, the imagination is identified as a function of alêthaic revealing, …
Vincent Van Gogh's Self-Portraits,
2019
University of Mary Washington
Vincent Van Gogh's Self-Portraits, Mary Novitsky
Departmental Honors & Graduate Capstone Projects
This paper analysis the correlation of Vincent van Gogh’s mental and physical state with his application and choice of color in his self-portraits. His life before art held a heavy influence over his self-perception throughout his artistic career. Van Gogh could not escape his sense of guilt from failing his family, and constantly felt like a burden on his brother, Theo, who sponsored his artistic endeavors. Through Theo’s encouragement and work as an art dealer, van Gogh developed his own artistic style and met other popular artists from his time. His friendships along with his developing mental issues lead to …
From Lace To Chains. The Making Of A Print,
2019
University of Nebraska-Lincoln
From Lace To Chains. The Making Of A Print, Alison G. Stewart
Zea E-Books Collection
How have printed works of art changed over time? Do printmakers today work with the same materials and techniques that printmakers used centuries ago? And does printmaking involve the same motivations, concerns, or methods of distribution today as it did in the past?
These were questions asked by University of Nebraska–Lincoln students in a history of prints class in the School of Art, Art History & Design taught by Hixson-Lied Professor of Art History Alison Stewart during fall semester 2018. For this curatorial project, students selected one set of old master prints (pre-1850) and one modern (post-1850) print from Sheldon’s …
Pamela Colman Smith: The Untold Story By Stuart R. Kaplan With Mary K. Greer, Elizabeth Foley O'Connor, And Melinda Boyd Parsons,
2019
Independent Scholar
Pamela Colman Smith: The Untold Story By Stuart R. Kaplan With Mary K. Greer, Elizabeth Foley O'Connor, And Melinda Boyd Parsons, Emily E. Auger
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
No abstract provided.
Understanding Community: Microwear Analysis Of Blades At The Mound House Site,
2019
Illinois State University
Understanding Community: Microwear Analysis Of Blades At The Mound House Site, Silas Levi Chapman
Theses and Dissertations
Understanding Middle Woodland period sites has been of considerable interest for North American archaeologists since early on in the discipline. Various Middle Woodland period (50 BCE-400CE) cultures participated in shared ideas and behaviors, such as constructing mounds and earthworks and importing exotic materials to make objects for ceremony and for interring with the dead. These shared behaviors and ideas are termed by archaeologists as “Hopewell”. The Mound House site is a floodplain mound group thought to have served as a “ritual aggregation center”, a place for the dispersed Middle Woodland communities to congregate at certain times of year to reinforce …
Shawn Hunt's Transformation Mask: The Intersection Of Contemporary And Traditional Heiltsuk Art,
2019
University of New Mexico
Shawn Hunt's Transformation Mask: The Intersection Of Contemporary And Traditional Heiltsuk Art, Terese R. Lukey
Art & Art History ETDs
Shawn Hunt is an artist of Heiltsuk (Bella Bella), French, and Scottish Canadian ancestry who is at the forefront of contemporary Northwest Coast art in the Vancouver area. Historic artworks of his community have been often overlooked in scholarly literature due to the seeming willingness of the people to adapt to colonization. Viewed as a “tainted” culture, the Heiltsuk have been noticeably ignored in the art historical realm. However, their masks are some of the best examples of traditional regalia that are found in museums across Canada and the United States. Contemporary native artists of the Northwest Coast continue to …
The Rockbridge Group: Masters Along The Maury,
2019
University of Lynchburg
The Rockbridge Group: Masters Along The Maury, Teresa Gunter, Whitney M. Grim, Emma E. Noe, Grace Ragansky, William R. Tharp, Christine L. Moore
Student Scholar Showcase
For the last eight decades Rockbridge County, Virginia has served as an influential center for modern art. Neighbored by the capricious Maury River and nestled against the backdrop of the Blue Ridge Mountains, Rockbridge Baths significantly impacted the lives of four distinguished modern artists. Connected by ties of friendship or kin, the Rockbridge Group—Pierre Daura, Jean Hélion, Cy Twombly, and Sally Mann—drew inspiration and support from each other and from the people and places of the Rockbridge area.
In 1928, Catalan modernist Pierre Daura (1896-1976) married Louise Blair, a Virginian studying in Paris. His friend, the French painter Jean Hélion …
Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies,
2019
University of Plymouth
Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies, Joel Merriner
Journal of Tolkien Research
Intertextuality and Iconography in Sergei Iukhimov’s Illustrations for The Lord of the Rings: Five Case Studies
Abstract
J.R.R. Tolkien once remarked in a letter to his publisher that his friends had been so impressed by Pauline Baynes’ illustrations for Farmer Giles of Ham that they labelled his text a “commentary on the drawings”. This apparently light-hearted anecdote conceals an interesting truth: the relationship between text and image can be problematic and the reading of an illustration depends largely on the culturally acquired discursive precedents which an individual viewer brings to the act of looking. This situation may be further …
