History of Art, Architecture, and Archaeology Commons^™

Art Inquiries, Xviii:2-3, Full Issue

Art Inquiries

No abstract provided.

Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart

Art Inquiries

Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.

Back Matter

Art Inquiries

No abstract provided.

Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea

Art Inquiries

Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.

Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold

The Kennesaw Journal of Undergraduate Research

The Licensing Act egregiously hindered the English theatrical community when it was placed into effect by King George II in 1737. Strolling actors were thereby forbidden to perform in new plays for profit, forcing acting troupes to disband. This act was widely protested throughout England at the time, most notably by artist William Hogarth in his etching titled Strolling Actresses Dressing in a Barn. This etching cleverly protests the Licensing Act as well as a myriad of quandaries that plagued 18^th-century English society, namely, gender roles both on and off the stage. Yet, what exactly is the …

Glass Beadmaking And Enamel Lampwork In Paris, 1547-1610: Archival And Archaeological Data, Élise Vanriest

BEADS: Journal of the Society of Bead Researchers

This article presents beadmaking in Paris during the second half of the 16th century as seen through period documents and artifacts. Parisian archives document beadmaking by artisans called patenôtriers who made a wide range of glass buttons and jewelry, including beads. Records of the patenôtriers’ guild provide an idea of the number of artisans engaged in this activity, while notarial contracts and estate inventories reveal individual careers and the material dimension of beadmaking in Paris. Patenôtriers obtained their materials – soda glass and enamel supplied as tubes, rods, or ingots – from glassmakers in rural France, Altare in Italy, and …

A Chemical Comparison Of Black Glass Seed Beads From North America And Europe, Danielle L. Dadiego

BEADS: Journal of the Society of Bead Researchers

Analysis of the elemental composition of glass has gained traction over the past few decades. The growing interest and utilization of non-destructive and micro-destructive analytical techniques has allowed for a more in-depth understanding of glass production, distribution, and consumption. The analysis of glass trade beads in particular has led to the development of a chronological sequencing for non-diagnostic seed beads opacified with metal oxides as well as ore sourcing for cobalt-blue and red beads. There is deficient research on 18th-century glass bead composition, including black manganese-colored beads. This article explores the elemental composition of 162 black seed beads from three …

The Trade Beads Of Fort Rivière Tremblante, A North West Company Post On The Upper Assiniboine, Saskatchewan, Karlis Karklins

BEADS: Journal of the Society of Bead Researchers

The archaeological investigation of Fort Rivière Tremblante, a North West Company post that operated from 1791 to 1798 in what is now southeastern Saskatchewan, Canada, yielded 20,119 glass beads representing 63 varieties, as well as seven wampum. While the bulk of the collection is composed of drawn seed beads, it also contains an exceptional variety of fancy wound beads. A comparison with bead assemblages recovered from other contemporary fur trade sites in western Canada reveals that both the North West Company and the Hudson’s Bay Company carried much the same bead inventory in the region around the turn of the …

Erotic Fever In The Arquives: Imagining A Queer Porn Paradise In Cait Mckinney And Hazel Meyer’S Exhibition Tape Condition: Degraded, Genevieve Flavelle

Journal of Feminist Scholarship

Focusing on Cait McKinney and Hazel Meyer’s site-specific exhibition Tape Condition: degraded (2016) at the ArQuives: Canada’s LGBTQ+ Archives, this paper explores reparative and desire-driven approaches for working with partial and missing histories within archives. Focusing specifically on artists working as archivists, I consider how the limitations of evidence-based histories can be addressed through creative practice. The essay unfolds in two parts. The first examines a selection of objects from the exhibition to draw out the historical context of The ArQuives, grounding my analysis of the conditions that have created and perpetuated specific archival gaps; in this case, pornography made …

Text And Images Of Authority: The Inscribed Seals From The Persepolis Fortification Archive, Christina Chandler

Bryn Mawr College Dissertations and Theses

The Persepolis Fortification archive, a large archive of administrative tablets dating to the early years of Darius I (509-493 BCE), preserves impressions of over 4,000 distinct and legible seals. 174 of these approximately 4,000 seals carry both figural imagery and text in their designs. This dissertation presents the inscribed seals corpus from the Fortification archive for the first time, thus laying the groundwork for future studies on inscribed seals from Persepolis.

Inscribed seals offer myriad avenues of investigation. In the present study, we focus on three main features of inscribed seals: 1) the languages and formulae of the inscriptions; 2) …

Disabling The Abled Eye: Disability In Contemporary Art, Audrey Washuta

Honors Theses

In this thesis I examine the disability identity reflected in contemporary art history. This thesis utilizes theorists in disability studies to expose the lack of meaningful discourse regarding the disabled experience. By focusing on the need to dismantle the abled lens and highlighting disabled artists themselves, I bring to light the need for disability to be viewed as a social construct and not something to be fixed or eliminated. I highlight the importance of bringing disability to contemporary art as it fosters a space for the disabled narrative to come to light. I also highlight that the field of the …

The Body After Representation: Figuring Posthumanist Corporealities In Contemporary Art, Devon Ma

Scripps Senior Theses

This thesis discusses the use of bodily matter in contemporary art, identifying an emergent tendency in which artists manipulate the materiality of the body, often via experimental media, as a means of uncovering new modes of racial and gendered embodiment.

The Right To The City: San Francisco's Chinatown Before And After The 1906 Earthquake, Alexandra Hsu

Scripps Senior Theses

The development of San Francisco, much like many American cities, is deeply entwined with the spatial process of settler-colonialism. Fueled by White supremacist processes of appropriation, dispossession and exclusion, city officials and White San Franciscans legally, financially, and socially segregated Chinese immigrants who entered into the U.S. context to a dense and degraded ethnic enclave. Henri Lefebvre and David Harvey theorize on The Right to the City, the social production of space and the ways in which social processes can be concretized by space. This thesis applies these concepts to the racialized space of San Francisco’s Chinatown. An examination of …

Evaluating A Need For Somatic Access To Classical Objects In Public Museums, Jerod G. Peitsmeyer

Graduate Student Theses, Dissertations, & Professional Papers

Physical experiences with ancient art objects in museums are rare. Display paradigms in most public institutions continue to propagate systems of participant interaction that reinforces unequal power structures. The Montana Musuem of Art and Culture (MMAC) is the current custodian of an ancient, Rhodian wine amphora that provides an opportunity to examine a novel system of somatic participation. This proposal upends traditional gatekeeping practices and serves as a powerful and progressive, humanist touchstone; an olive branch extended to the general public from behind the walls of higher education and the ramparts of privileged scholarship. This study reimagines the amphora's future …

Robert Adam Interiors And Wakehurst's Yellow Drawing Room: Imported Period Rooms In The United States, Isabella Margi

Pell Scholars and Senior Theses

No abstract provided.

“Women Of Allah” And “The Book Of Kings:” Shirin Neshat’S Narratives Of Returning Home, Zahra Banyamerian

Dissertations and Theses

Using the framework of nostalgia defined by Svetlana Boym in The Future of Nostalgia, this thesis revisited the series “Women of Allah” and “The Book of Kings,” that Shirin Neshat created twenty years apart. It argues that the photographs of both series became the terrain through which Neshat narrates the relationship between her past, present, and future. She constructs her longing for home in “Women of Allah'' and she visualizes her homecoming in “The Book of Kings.” The central point to this research is Neshat’s personal relationship to an event that caused her a traumatic experience, the experience that interrupted …

Son Of Esther, Shah Of The Persian Empire: The Judeo-Islamic-Persian Tapestry Of Ardashirnameh’S Miniature Paintings, Gilad Bendavid

Dissertations and Theses

No abstract provided.

The Power And Attraction Of Transgression: John Martin's Depiction Of Lucifer, Kseniia Krivileva

Dissertations and Theses

No abstract provided.

Preliminary Report On The 2018 Season Of Excavations At Khirbat As-Safrā, Paul Z. Gregor, Constance E. Gane, Trisha Broy, Jacob A. Moody

Faculty Publications

No abstract provided.

Beyond The Social: Artist Project Spaces, 2003 To 2016., Clare L. Van Loenen

Theses and Dissertations

This research examines storefront project spaces in the early 2000s that offered alternative approaches to the programming, organizing, and archiving found in conventional museums. I propose that such sites impacted participatory visual culture by offering a reformulatory role for arts’ practices, one that organized itself across disciplinary boundaries, chose a collaborative rather than competitive approach, and processed the ideological implications of their group work. Focused on three specific sites—Machine Project in Los Angeles, Elsewhere in Greensboro, and Mess Hall in Chicago—this study details the museological, pedagogical, and archival challenges of these artist-convened organizations. My interdisciplinary investigation offers a reference point …