History of Art, Architecture, and Archaeology Commons^™

Leveraging Data Analytics To Study The Impacts Of State Budget Cuts On Public Higher Education Institutions In The United States, Praveen Kumar Guraja

All-Inclusive List of Electronic Theses and Dissertations

Public higher education in the United States (US) is funded through two primary forms: one is through state higher education appropriation funds, and the other is student financial aid that is directly given to students. Increasing postsecondary full-time equivalent (FTE) enrollment and graduation rate are becoming a crucial economic priority in the US. However, only a limited study is available about whether state investment in higher education and increasing tuition charges can impact FTE student enrollment (FTEE) and graduation rate (GR) at 4-year public universities in the US. A systematic literature review was conducted for the present research to comprehend …

Norman Lewis & Philip Guston: From Modernist Margins To Postmodernism, Joette Deanna James

Theses

This thesis examines the ways in which the African American painter Norman Lewis (1909-1979) and Canadian American Jewish painter Philip Guston (1913-1980) deviated from the dogma of Abstract Expressionism and presaged Postmodernism. The modernist Abstract Expressionist movement placed value on the heroic nature of the painter, the denial of the social and political milieu outside of the work of art, and the formalist quality of the work above all. This paper argues that both Guston and Lewis, in their penchant for experimentation and stylistic fluidity, were prevented from attaining the level of commercial success and popularity of their much better …

Ryan Hitt Collection, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

University Archives Finding Aids

The Ryan Hitt Collection (800 C.E. - 1600 C.E.; 2 linear feet) is a collection of pottery shards, points, and plumbs found by the donor hunting for artifacts in fields and woods.

Mound-Summit Practices At Cockroach Key (8hi2) Through The Lens Of Practice Theory, Chandler O. Burchfield

USF Tampa Graduate Theses and Dissertations

Cockroach Key (100-1000 CE) has one of the tallest platform mounds (Mound A) in Tampa Bay and all of prehistoric Florida; however, little is known about what the surface was used for. This research uses a forward-looking approach (following the ideas of Pauketat and Kassabaum) of interpreting mound-summit practices to avoid pre-Mississippian platform mound misconceptions of surfaces serving primarily as elite residences. Recent GPR investigations on the mound-summit revealed a circular pattern of anomalies hypothesized as a structure. These results are tested by the sampling of artifacts from a small diameter auger (18 auger samples) and elemental distributions based on …

A Tale Of Two And A Half Mummies: An Intrusive Burial From The Tomb Of Karabasken (Tt 391), Hayley Ruth Goddard

Theses and Dissertations

In 2014, the South Asasif Conservation Project, directed by Elena Pischikova, discovered a previously unknown side chamber in the tomb of Karabasken (TT 391), a proto-Kushite tomb located in the South Asasif. Designated as Side Chamber 1A, it contained an intact burial assemblage. The contents of the tomb, all of which had suffered damage caused by repeated flooding, included three coffins which each contained a mummy. One of the mummies was most unusual, consisting of just the upper half of the body of a young man which was truncated at the waist.

This study is the first to assess and …

“A Sick Eagle” And “I Am”: Hymns To Sculpture By Keats And Rilke, Ya-Feng Wu

CLCWeb: Comparative Literature and Culture

At the turn of eighteenth and nineteenth, nineteenth and twentieth centuries, sculpture came to serve as an emblem of humanity’s response to the challenges of the times. John Keats and Rainer Maria Rilke, felt compelled at their encounters with ancient Greek sculpture in the museum to reflect upon their vocation in an age disrupted by political upheaval and rampant commercialization respectively. Keats’s sonnet, “On Seeing the Elgin Marbles” (1817), registers an intimation of his latent grandeur in the form of a “sick eagle,” confronting “a shadow of a magnitude.” To overcome this experience, Keats made attempts at epic on the …

The Mystery Of The Location Of The City Of Iram, The Atlantis Of Arabia, Mohammad Izdiyan Muttaqin, Ahmad Dardiri Dardiri

Journal Of Middle East and Islamic Studies

This study aims to discuss the characteristics of the Land of the 'Ad whose country is usually called the Land of Iram, and opinions about the location of its existence. This research is a library study that takes information from various sources. The author reached the conclusion that there are 4 characteristics of the Land of the 'Ad mentioned in the Qur'an, among them are: 1) there is a desert in it, 2) it has high buildings and pillars, 3) the buildings are visible and can be seen by people around them, 4) there is spring in it. The author …

Artemisia Gentileschi: A Deeper Look Into Burghley House Susanna, Emma M. Rochlin

University Honors Theses

In this article Emma Rochlin investigates the debated topic amongst art historians regarding Artemisia Gentileschi's Susanna and the Elders of 1622. References to the research of Mary Garrard, stated in her book Artemisia Gentileschi Around 1622 encouraged this discussion. Rochlin examines expressions, landscapes, and signatures while referencing other paintings during this period of Gentileschi's career, along with the discoveries of Garrard, in order to decipher the authenticity of this painting.

Disinheritance As Critique: The Paintings Of Lynette Yiadom-Boakye, Sabo Kpade

Masters Theses

Artistic influence can either be overbearing or liberating for the impressionable artist who is determined to arrive at an individualized artistic identity. One key strategy deployed by the artist is disinheritance as a means by which identity and meaning are created. In her paintings and etchings, British-Ghanaian painter Lynette Yiadom-Boakye has demonstrated several modalities of disinheritance by which she has arrived at a distinct approach to portraiture. Broadly, they come under two categories of major and minor disinheritance, each of which is conditioned by a variety of factors that range from aesthetic to philosophical, personal to political. They signify points …

"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson

Dissertations, Theses, and Capstone Projects

This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …

After The Renaissance: Art And Harlem In The 1960s, Maya Harakawa

Dissertations, Theses, and Capstone Projects

For almost a century, Harlem has carried a symbolic weight that transcends the physical confines of upper Manhattan. In 1925, the philosopher and critic Alain Locke dubbed Harlem a “mecca,” a spiritual home that attracted people of African descent from around the world. Locke dubbed the cultural movement he chronicled in Harlem a “renaissance”—a term that describes both the “rebirth” of Black people as modern subjects and the resulting artistic effluence. In so doing, he cemented the neighborhood’s indelible connection to racial progress and artistic experimentation. Even as Harlem’s reputation has oscillated between the twined discourses of “mecca” and “ghetto,” …

North Of The Grid: The Black Experience Of 17th -19th Century Rural New York City, Stephanie E. Barnes

Dissertations, Theses, and Capstone Projects

In the United States, transatlantic slavery was a racial project and template for race-making which created a country that relied on institutions that were organized and performed through social stratification. Today, the nation still operates on systemically racist institutions that have benefited whites while disadvantaging ‘others.’ The narratives presented in American history are rooted in whiteness and benefit the white community while marginalizing nonwhites. Over two hundred years of slavery history in this country has been purposely manipulated and left out. My research focuses on using an historical archaeological framework to research and share the lives of free and enslaved …

How Can Biomimicry Inform A Sustainable, Ethical Future In Architecture And Design?, Chloe Hanf

University Honors Theses

This publication traces effects of systems theory and assemblage thinking on American architecture and design since the 1960's in relation to contemporary ecological thought and biological discoveries. Building upon these observations, the author concludes that biomimicry belongs at the forefront of contemporary theory and praxis in architecture and design.

The Gendered Optics Of Bridget Riley's "Op Art": Her Artistic Dismissal And Influence On The 1960s Mod Era, Anna S. Kienberger

University Honors Theses

The English painter Bridget Riley (1931-) is widely regarded as one of Britain's most successful international contemporary artists. The progression of her career to reach such acclaim, however, has been marked by consistent misperceptions, the greatest of which arose during the beginning of her ascent when she was pointedly positioned as a leading figure of both Optical Art and United Kingdom Mod fashion. The critical reception of Bridget Riley's early work (1961-67) and its appropriation by Mod fashion retailers provide interesting case studies of (1) the commercialization of art before the establishment of US copyright law and (2) the conversations …

Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta

Dissertations, Theses, and Capstone Projects

“Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980” argues that the British art school became a training ground for underground musicians in the 1960s and the 1970s because of changes in art school pedagogy and policy in the post-war period. New educational philosophies propagated during the late 1950s and 1960s, above all Basic Design and Behaviorism, redefined the artist as an intermedial experimenter, collapsed distinctions between fine art and design, and theorized the art object as a dynamic and interactive matrix between the maker and viewer. These initiatives, which evolved from art school reforms that began …

The Beehive, The Favela, The Castle, And The Ministry: Race And Modern Architecture In Rio De Janeiro, 1811–1945, Luisa Valle

Dissertations, Theses, and Capstone Projects

This dissertation deploys a multidisciplinary and decolonial framework to investigate the architecture of cortiços, the Favela Hill, the Castelo Hill, and the Ministry of Education and Public Health (MES) building as constitutive of the history of modernization and modernity in the Centro (city center) of Rio de Janeiro, 1811-1945. The first three chapters investigate the distinct geographies, formal and material qualities, and populations of cortiços, the Favela Hill, and the Castelo Hill, as well as their racialization and essentialization by the “unsanitary” and “degenerate” labels bestowed upon these landscapes by the state. Traditional narratives and practices of modern architecture and …

Un-Done: The Historiographical Dialogue Between Past And Present, Rachel Cobler Wollert

Masters Theses

Art critic for The Nation and professor of at Columbia, Arthur C. Danto led the charge with his essay “The End of Art” in 1984 to declare the end of art. Thirty-eight years later, the awareness of colonial problematics in the elite institutionalism of art history today warrants a reanalysis of art historical ontologies of progress (and their ties to colonialism), which have seemingly disbanded in the discipline’s current rhetoric. Because Danto’s historical framework to end art focuses on progress through artistic means, does it fall short or even negate itself by missing the deconstruction of colonial afterlives still present …

The Ephemerality Of The Living And The Persistence Of The Inanimate, Erin Johnston

MFA in Visual Art

I create fragile, sculptural works with paper. Either cast from pre-existing objects or constructed forms, my three-dimensional works ultimately become pure paper objects. I use the visual language of absence, memory, ruin and ephemerality to present modern artifacts and address the now. I am interested in how the manufactured crumbs we leave behind as a species reveal our collective desires, and our relationship to the body and mortality. I am fascinated with, and even enchanted by, the proliferation of material objects and their tendency to surpass the lifespan of any single human. Perhaps this behavior of producing lasting creations is …

“By Order Of The Commandant General”: Eighteenth-Century Bourbon Reforms And The Architecture Of Mission San Francisco De La Espada, San Antonio, Texas, James E. Ivey

Art & Art History ETDs

The effects of Bourbon reforms on mission architecture of the northern frontier of New Spain have not been examined in the surprisingly limited historiography of the San Antonio, Texas missions. The few existing architectural studies overlook major structural and developmental changes at the missions. Using the construction history of Mission San Francisco de la Espada, I argue that most of these changes are the result of the application of the Bourbon-revised mission administrative method, the método nuevo, made possible by the Patronato Real Universal of 1753 that gave the King of Spain temporal control over the Catholic Church within …

Textiles And The Portrayal Of Power: Figuring European-Ottoman Relations, 16th-17th Centuries, Kathryn A. Krocheski

University Scholar Projects

The exploration of the complex relationship between Tudor England and the Ottoman Empire in the sixteenth-century through Turkish textiles and motifs present in Tudor portraiture.