History of Art, Architecture, and Archaeology Commons^™

From The Outside, Looking In: Reflections On The Complex Infrastructures Of African Art History, Joanna Gardner-Huggett

Artl@s Bulletin

This essay engages with the five articles featured in this issue from the perspective of a non-specialist. Each contribution considers challenges facing scholars of African arts when confronted with incomplete and not always reliable historical evidence. The author contends that given the escalating demands for the repatriation of African objects, all art historians— not only art historians focused on African arts—should better understand the important strategies proposed by contributors to this issue. These interventions encourage the development of a more critical audience for African arts and also model ethical research, a slow critical archival practice, and sustainable provenance and digital …

Art And Evidence In Totems Of Uganda (2014), Margaret Nagawa, Taga F. Nuwagaba

Artl@s Bulletin

In his painting and book project, Totems of Uganda: Buganda Edition (2014), Ugandan artist Taga Nuwagaba asks: What is the function of a totem? In Buganda, the historical kingdom in current-day Uganda, totems serve as unique identifiers for fifty-two distinct patrilineal descent groups designated as clans, or ebika in the Luganda language, forming the primary scheme of social and political organization. Yet, totems also serve as a conservation practice. In this 2022 interview, Nuwagaba discussed his art and the evidence he relies upon to create his images, demonstrating that identities and knowledges are complex.

Munna Uganda Taga Nuwagaba abuuza nti: …

You Cannot See It: Navigating Yorùbá Religious Artistic Materials, Stephen A. Fọlárànmí

Artl@s Bulletin

My research spanning two decades in Ọ̀yọ́ Palace generated series of questions about access to artistic materials in site-locational spaces, archives and private collections. I probe how scholars have navigated and negotiated these terrains, especially artworks created for religious functions. I explore alternatives to resolve field challenges and consider the effects of such hindrances in art historical research. Drawing on the concept of ọ̀gbẹ̀rì, anecdotes and personal scholarly experiences, I interrogate research access and propose approaches based on personal experience on the importance of Yoruba religion, and practice of initiation.

Iṣẹ́ ìwádì mi fún bíi ogún ọdún sẹ́yìn lórí ààfin …

Shaky Foundations: Cultural Classifications In Museum Collections Management Systems And The Endurance Of Colonial-Era Terminology, Carlee S. Forbes, Erica P. Jones

Artl@s Bulletin

This article uses two musical instruments with attached ancestral remains and labeled as “Asante” from the Fowler Museum at UCLA to consider effects of style-based cultural classifications that appear in museum databases today. We highlight the sway of past classifications over our current understanding of objects that is prolonged by the problem of confirmation-bias in museum collections management systems. We then indicate how working across disciplines stimulated a more nuanced understanding about the complexities of artistic styles for musical instruments with attached human remains in the Akan-speaking region of West Africa.

Cet article étudie deux instruments de musique incorporant des …

Shifting Approaches, Innovative Methods: Collection Histories As A Tool To Move Beyond William Fagg’S ‘Lower Niger Bronze Industry Mystery’, Imogen Coulson, Julie Hudson, Sam Nixon

Artl@s Bulletin

At the end of 2019, the British Museum launched a new research project focusing on copper alloy objects associated with the Lower Niger Bronze Industry. The aim was to increase knowledge of these objects through a combination of provenance and collection history research and scientific analysis. This paper will outline the earlier art historical-focused approach to the Lower Niger Bronzes corpus and will then describe the new research and its methodology. Initial findings will be presented through a case study of objects from the Forcados River in the Niger Delta region of present-day Nigeria. In doing so, we aim to …

Making Absences Present: The Process Of Visualizing Knowledge Production In Museum Records, Caitlin Glosser

Artl@s Bulletin

In this paper, I evaluate the development of data visualizations as an art historical approach. By visualizing data for Senufo-labeled objects in the Musée Africain de Lyon’s collection, I demonstrate how the museum’s knowledge infrastructure privileges European collectors over African makers. I use Tableau visualizations to decenter this narrative by making silences present in a more impactful manner than through text alone. The visualizations also reveal the complex role that one maker, Bèma Coulibaly, played in the life of the collection. The addition of the individual narrative to the data was necessary to bring a human element into view.

Nous …

Technologies Of Recovery And Discovery: The Poetics Of “Artefacts”, Kathryn Simpson

Artl@s Bulletin

This article discusses the ways that objects, specifically personal belongings, held in British collections have their stories muted to become imperial signifiers. Using two pieces of jewellery acquired in 1859 by David Livingstone, British missionary and traveller (1813-1873), a lip ring from a Mang’anja woman in present day Malawi and a bracelet from the Kafue valley in present day Zambia, this article evidences how digital tools can be used to layer, in a palimpsestic way, the information available about colonially collected objects, to locate them physically, in the space they inhabit, and narratively, in the space they create.

En este …

What Does It Mean To Keep Kissing-Close To The Evidence, And Why Might It Matter?, Susan Elizabeth Gagliardi, Constantine Petridis

Artl@s Bulletin

African art specialists often lack detailed information to assess the original meanings, uses, and contexts of so-called historical or traditional arts of Africa, and they rely on indirect evidence to interpret the works. Thus, claims about African arts often reflect speculation rather than irrefutable details. When specific documentation for an object does exist, the circumstances of its creation require careful evaluation as well. The assessment of the quality and reliability of any claim is of particular importance in attempts to determine an object’s place of origin in the ongoing debates about restitution.

Seminoles, Soldiers, And Settlers: Identity And Power On The Florida Frontier, Jean Louise Lammie

USF Tampa Graduate Theses and Dissertations

This project uses an historical archaeological approach to analyze the processes of cultural negotiation between disparate social groups living in a remote borderland in the early to mid-nineteenth centuries. Florida, first colonized by the Spanish in the 1500s was passed to the United States in 1821 as part of the young nation’s nascent Manifest Destiny. The Seminoles experienced multiple colonial conflicts, dealt with new diseases, and selected aspects of European culture to incorporate into their daily practices of lifeways.

Archaeological studies of culture change tend to focus on the product of colonial interactions rather than the processes of change that …

Chateaus Of France: A Study Of Historic Architecture, Kameron Mabbutt

Student Research Symposium

This research project delves into the realm of historical architecture, focusing specifically on the opulent and elegant French Chateau style. The primary aim of this study is to engage in the practice of recreating historically accurate architecture and designs from the French Chateau era, spanning from the Renaissance to the 18th century. Through this endeavor, the project seeks to gain a deeper understanding of period-specific architectural elements that defined the aesthetic of this iconic style.

The research methodology involves a comprehensive examination of archival materials, historical documents, and scholarly publications related to French Chateau architecture. Additionally, hands-on exploration and experimentation …

Building The Church Of San Vitale In Ravenna, Italy, Sally S. Morgan

LSU Master's Theses

This thesis uses the evidence concerning the design and building of the Church of San Vitale in Ravenna to reconstruct, as far as it is possible, the sequence of decisions, activities, and methods that led to the construction of the church, made of bricks and mortar, and whose interiors are covered by glorious colored mosaics and marbles. The historiography on the Church of San Vitale begins with the historian Agnellus, who wrote the Liber pontificalis ecclesiae Ravennatis in the 830s to 840s. According to Agnellus and other sources, the Church of San Vitale was founded by Bishop Ecclesius around 525, …

Artistic Identities In Japan And The United States In The 19th-20th Centuries, Mutsumi Yuki

2024 Student Academic Showcase

This project explores artistic identities in Japan and the United States in the 19th and 20th centuries. The main foci of this study are motifs and methodologies seen in paintings. In the 1800s, both countries transitioned to open their gates to the world, which greatly influenced their respective artistic cultures. Around this time, Japan continued to preserve its traditional techniques while actively adopting and trading styles and artifacts internationally. Meanwhile, in the United States, American realism and landscape paintings were established and advanced by paying homage to the natural environment of the country. My comparative study aims to deepen our …

Passage Of Time- The Evolution Of Art And Technology Through The Ages, Mina Ferrante

Master of Liberal Studies Projects

Passage of Time

The Evolution of Art and Technology Through the Ages

Abstract

"Passage of Time" explores the intersection of art and technological evolution through a series of portraits that transition from youth to old age, arranged sequentially from left to right. As each head turns, the face ages accordingly. These portraits illustrate the evolution of art styles throughout history, each representing a significant art movement and cultural context, pairing visual art with concurrent technological milestones.

The portrait series is presented on a background panel with a drawing depicting the evolution of technology from ancient times to the present, which …

From Mountains To Cities: East Asian Landscapes, Catherine Haley, Conrad Martens, Cyndy Basil, Emma Wylam, Isobel Debenham, Katherine M. Tyson, Lenna Kouzoujian, Miriam Glatfelter, Molly Griffith, Noelle Muni, Yan Sun

Schmucker Art Catalogs

Under the direction of Prof. Yan Sun, student curators examine diverse depictions of landscapes from China and Japan. The selected works, including paintings on silk, ornate carvings in lapis lazuli, and prints, among others, offer meditations on nature and industrialization. Students consider the historical, material, aesthetic, and environmental significance of the works on display.

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

[Archive] Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Art And Propaganda :The Formation Of Habsburg Absolutism, Emily B. Suter

Student Publications

Habsburgian propaganda is most often understood within the context of the 17th and 18th centuries, during the monarchy's period of baroque absolutism, causing earlier attempts at propaganda and centralization to be seen as ineffective in comparison. However, through analyzing royal, propagandistic art in the 16th century empire, produced by monarchs beginning as early as Maximilian I, it becomes clear that a unified foundation of an absolutist policy was developed and fostered within this era, one which was a necessity in the success of the absolutist ideologies two centuries later. Through analyzing trends of royal, propagandistic art in the 16th century …

Borglum’S Horse Flies: The Early Opposition To Mount Rushmore, Riley Merritt

Honors College Theses

This thesis explores the evolution of opposition to Mount Rushmore from 1923-1927—the period before carving began. The resistance was led by a group of preservationists who were concerned about the potential ecological and societal impacts of the project. While much of the existing scholarship has focused on the relationship between the local Indigenous community and the monument, I argue that the preservationists, who opposed the site for their own reasons, deserve similar attention. I aim to reframe the Mount Rushmore controversy within the broader context of the conservation movement, thereby contributing to wider environmental and historical debates. I also emphasize …

Catherine Opie And Sally Mann’S Exploration Of Motherhood And The Domestic Sphere, Krista Rose Frohling

Theses

This paper analyzes the work of Catherine Opie and Sally Mann, white, contemporary artist mothers. Using the narrative and auto-ethnographic research methodologies and applying feminist theory, queer theory, and mother studies, this paper will investigate how contemporary photography is confronted with the work of artist mothers that utilize their mothering roles and status of mothers as a muse into their photographic work. The concept of truth in photography is explored in its role of playing into the visualization of the discomforts of representation within the work of the unseen mother in Sally Mann’s Immediate Family series and dismantling of stereotyped …

V.1 Spring 2024, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2024 issue contains articles on rewilding in Southern Africa, digital folklore, the RISD Musem exhibition on Nancy Elizabeth Prophet "I Will Not Bend an Inch," student musings on Indian identity, queering domesticity and gender in China and Taiwan, interviews of RISD students, the second Black Biennial, displaced ceremonial objects, the defunct student club RISD Quickies and interdisciplinarity at RISD, a student's queer identity, and flirting with GPTs, along with student creative writing.

Identidad Bajo Amenaza En Chinchero, Perú: El Megaproyecto Del Aeropuerto Internacional Plantea La Cuestión: ¿Cuál Es Más Importante Para El Estado Peruano—El Turismo O El Patrimonio?, Celeste Funari Muse

Independent Study Project (ISP) Collection

El megaproyecto del Aeropuerto Internacional de Chinchero inicialmente fue propuesto hace 46 años, así que ha sido un símbolo del futuro del distrito durante casi cinco décadas. Ubicado a sólo una hora de distancia de la ciudad de Cusco, el pueblo de Chinchero es conocido por su hermoso paisaje, tradición e impresionantes ruinas incas. De todo el mundo, los turistas desembarcan en el aeropuerto de Cusco y pasan por Chinchero de camino al valle sagrado y Machu Picchu. Desde el inicio de la construcción en 2017, el sitio del nuevo aeropuerto es visible desde casi cualquier lugar de Chinchero, como …