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Infinite Plane: Metaphysical Architecture + Digital Space, Isabella Ruggiero 2024 Rhode Island School of Design

Infinite Plane: Metaphysical Architecture + Digital Space, Isabella Ruggiero

Masters Theses

In her book, The Pearly Gates of Cyberspace: A History of Space from Dante to The Internet (1999) science writer/artist Margaret Wertheim posits that cosmology is fundamentally based on how humans interpret space and situate themselves within it. Today's scientific view portrays the fabric of the universe as ubiquitous and undifferentiated in its substance, effectively a single space. In contrast, the medieval perspective delineated space into discrete entities with defined properties—in the case of Christian cosmology, through Heaven, Hell and Purgatory, separate planes with distinct material and metaphysical conditions. However, in the digital age, a new spatial cosmology has emerged, …


Unconditioning Air, Weijia Deng 2024 Rhode Island School of Design

Unconditioning Air, Weijia Deng

Masters Theses

Unconditioning Air rethinks the boundaries contrived through environmental control. For more than a century, HVAC (heating, ventilation, and air conditioning) defined the boundaries of interior air. The regime and tools of mechanical conditioning promise stability and manageability of indoor air quality at the expense of external phenomena, and by extension, any complexity or fluctuation in the environment. As a result, air conditioning premises that ideal interior comfort is “bubble-like”, requiring increasingly standardized and highly regimented regulatory tools. The plethora of patent drawings, duct specifications, and ASHRAE comfort codes produce an oppressively tightening grip over indoor air and comfort, rendering both …


Timeless Teachings & Unbridled Possibilities, Ruijie TAI 2024 Rhode Island School of Design

Timeless Teachings & Unbridled Possibilities, Ruijie Tai

Masters Theses

I am looking at is process of TRANSLATING AND BRIDGING.

Qi, traditionally understood as the vital force that flows through and animates living beings and the environment, lies at the edge of our perceptual capabilities.

The notion that what we cannot "see" holds significant influence over our world suggests that there are aspects of reality and forces at play beyond our direct sensory experience. AI, with its capacity for analyzing vast amounts of data and recognizing patterns beyond human capability, offers a unique tool for exploring these unseen forces.

The potential of AI to perceive and understand Qi could open …


Frontier: Land, Architecture, And Abstraction, Jacob Boatman 2024 Rhode Island School of Design

Frontier: Land, Architecture, And Abstraction, Jacob Boatman

Masters Theses

The abstraction of land is a colonial process by which physical land is transformed into a conceptual or symbolic entity. This transformation occurs through various economic, architectural, and cultural practices that imbue land with abstract values, meanings, and functions beyond its physicality. This includes the division of land into parcels for economic transactions, the design and construction of built environments that shape human interactions with the land, and the cultural narratives and representations that ascribe significance to particular landscapes. Through abstraction, colonial powers devalue indigenous perspectives and relationships to the land, reducing them to mere obstacles in the path of …


Industrial Tenderness, Elbert Girón 2024 Rhode Island School of Design

Industrial Tenderness, Elbert Girón

Masters Theses

Industrial Tenderness surveys the relationship between visual language, cultural expression, and diasporic practices through the design of functional sculptures. These designed objects seek to communicate cultural legibility, or intuitive cultural belonging, to Mexican-American peoples by challenging legacy notions of design language. Through a proposed design language framework and designed objects, Industrial Tenderness seeks to affirm a pluriversal practice of industrial design.

Legacy industrial design confines design language to a heavily prescriptive canon, resulting in a stark monocultural language that is unrepresentative of perspectives outside of a legacy dominant white eurocentricity founded in thinking from the Bauhaus and Ulm schools. Through …


Winter Solstice, Jingwen Cao 2024 Rhode Island School of Design

Winter Solstice, Jingwen Cao

Masters Theses

For a long time, I have been thinking about what contemporary photography is, what its position is, and what the relationship is between artists and audiences. At the same time, I was developing my concepts and photographic directions and trying to make my work and my perspective on photography relevant. Winter Solstice includes a series of essays that locate my thinking and my work. Its title references the longest night of the year.

The position of photography has changed significantly over the past few decades. The way people read photos is also changing. Perhaps because of reverence for art and …


The Mounted Warrior: An Investigation Into An Unpublished Coptic Textile Featuring Equestrian Imagery, Elizabeth Hines 2024 Portland State University

The Mounted Warrior: An Investigation Into An Unpublished Coptic Textile Featuring Equestrian Imagery, Elizabeth Hines

University Honors Theses

The warrior on horseback visual motif has existed for millenia. Such equestrian imagery was widely distributed in the visual arts and material culture, including that of textiles. This scholarly exploration centers on an unpublished Coptic Egyptian textile fragment portraying a warrior atop a horse in motion, presenting an analysis of its symbolic significance and potential cultural functions. Through an intricate examination of the artifact and comparative study with contemporaneous first millennium CE eastern Mediterranean material culture, this extraordinary equestrian motif and its implications for understanding ancient visual narratives is realized. By situating the textile fragment within its historical and cultural …


Forbidden Fruit: Mary Cassatt’S Mural Of “Modern Woman” At The World’S Columbian Exposition, Chicago 1893, Tricia Cusack 2024 Independent Scholar

Forbidden Fruit: Mary Cassatt’S Mural Of “Modern Woman” At The World’S Columbian Exposition, Chicago 1893, Tricia Cusack

Dublin Gastronomy Symposium

This paper considers a large mural of “The Modern Woman” painted in France by the American artist Mary Cassatt for the Woman’s Building at the World’s Columbian Exposition in Chicago in 1893. It focuses in particular on the large central panel of the mural titled Young Women Plucking the Fruits of Knowledge or Science that depicts women and girls apple-picking. Cassatt’s mural drew on various traditions and myths. Apple harvesting was a common sight in America. Cassatt’s title though points to the story of Eve and forbidden fruit, in which Eve seeks knowledge, but is severely punished for it. Cassatt …


The Influence Of Western Music And The Wind Band In The Republic Of Korea, Mark Reimer 2024 Christopher Newport University, Virginia, USA

The Influence Of Western Music And The Wind Band In The Republic Of Korea, Mark Reimer

Journal of Global Awareness

Beginning with the arrival of American missionaries in 1885, the music of South Korea continues to reflect Western tonality, aesthetics, education, and popular taste. Through this musical and historical evolution, however, the country has not forsaken its traditions, musical imprint, and cultural identity, as will be discussed in the examination of select composers and music compositions.


Dr. Scott Montgomery Faculty Spotlight, Elijah Kruger 2024 University of Denver

Dr. Scott Montgomery Faculty Spotlight, Elijah Kruger

DU Undergraduate Research Journal Archive

An interview with Dr. Scott Montgomery of the University of Denver's School of Art and Art History.


Medieval German Christian Women’S Religious Experience, Elliot Knell 2024 University of Mary Washington

Medieval German Christian Women’S Religious Experience, Elliot Knell

Departmental Honors & Graduate Capstone Projects

In the medieval period, both professed women and laywomen were deeply involved in manuscript production, and the use of books was often a vital part of their religious practices. In order to fully understand the value that manuscripts held for medieval women it is important to understand the medical and philosophical understandings of sex that permeated medieval society in order to better understand gendered experiences within Christian spaces. Additionally, examining how vision was understood as both a physical and spiritual process allows for a deeper understanding of how visual art is used in religious contexts. In the medieval period, understandings …


The Diorama Of Coexistence Hypnagogia: The Liminal Space Between Dream And Reality, Yunseok Song 2024 University of San Francisco

The Diorama Of Coexistence Hypnagogia: The Liminal Space Between Dream And Reality, Yunseok Song

Master's Theses

The “Diorama of Coexistence” explores the imagined spaces where humans and animals share the same environments, blurring the lines between reality and fantasy. This year-long photographic project is inspired by my Christian faith and the Genesis creation narrative, where the world was originally harmonious and unspoiled. Through my work, I aim to reimagine the natural world, not as it is, but as it could be a place where animals and humans coexist peacefully.

In researching human development and its impact on nature, I found that animals are often confined to spaces like zoo, far from their natural habitats. This led …


Knowledge Production And The Unthinkable: Weaving Stories Of Art, Gender, And Land, Christin Huntsman 2024 University of San Francisco

Knowledge Production And The Unthinkable: Weaving Stories Of Art, Gender, And Land, Christin Huntsman

Master's Theses

Colonialism is deeply and violently embedded in Western knowledge formation—dominant power structures produce epistemes that uphold and perpetuate colonial narratives. This kind of knowledge production forecloses other possibilities. Western discourse of truth becomes universalized to the point that other worldviews, other knowledges that do not conform to hegemonic norms, are suppressed or silenced. This thesis examines three areas of hegemony and erasure: art, gender, and land. First, the history of art clearly marks a delineation between Western elitist artistic masterpieces and non-Western ethnographic artifacts. Eurocentrism of art in the academy determines what counts as art and how art is categorized. …


More Than Historical Artifacts: Classical Chinese Gardens And How They Affect Human Perception Of Nature, Ningjing Xin 2024 University of San Francisco

More Than Historical Artifacts: Classical Chinese Gardens And How They Affect Human Perception Of Nature, Ningjing Xin

Master's Projects and Capstones

Under the influence of industrialization and urbanization, urban people nowadays are increasingly alienated from nature. Manipulated by algorithms, more and more urban people immerse themselves in the online world rather than paying attention to the offline environment that surrounds them. What’s worse, in such a process, they are becoming increasingly indifferent to their senses and bodies. Many pre-modern cultures have an attitude of closeness to nature, and such an attitude is reflected in some cultural heritages that have survived to this day, such as classical gardens. The design of classical Chinese gardens is deeply influenced by traditional Buddhist and Daoist …


The Art World Of Isabella Gardner And Fenway Court, Ivy Kolkana 2024 Kennesaw State University

The Art World Of Isabella Gardner And Fenway Court, Ivy Kolkana

Symposium of Student Scholars

"The Art World of Isabella Gardner and Fenway Court" presents a comprehensive examination of the influential cultural milieu created by Isabella Stewart Gardner, focusing on the inception and evolution of Fenway Court, now the Isabella Stewart Gardner Museum. This paper delved into the intricate tapestry of Gardner's relationships with prominent artists such as John Singer Sargent, Anders Leonard Zorn, James Abbott McNeill Whistler, Denis Bunker, and several other female artists, illuminating her pivotal role as a patron and tastemaker in the late 19th and early 20th century America.

Beginning with the genesis of the museum, the paper traces Gardner's vision …


Embodied Visions: Interactive Installations That Reimagine Bodily Presence In Digital Imaging Apparatuses As Shadows, Yunzi Shi 2024 Dartmouth College

Embodied Visions: Interactive Installations That Reimagine Bodily Presence In Digital Imaging Apparatuses As Shadows, Yunzi Shi

Dartmouth College Master’s Theses

Contextualized within a history of technological development, the evolution of imaging devices and technologies is accompanied by the abstraction of spatial relationships between the body of the observer, the apparatus, and physical reality, which leads to disembodying experiences for the observing subject. Compared with devices and interactive experiences, critical reflection on the epistemological impact of digital imaging devices has less priority in computational imaging and human-computer interaction research. Taking an artistic approach, this thesis describes Embodied Visions, an exhibition featuring three interactive installations exploring the technical infrastructure for imaging and reflecting on the (dis)embodied experiences in the digital age. …


Eng 155: Introduction To Literary Studies, Joseph Donica 2024 City University of New York (CUNY)

Eng 155: Introduction To Literary Studies, Joseph Donica

Open Educational Resources

An OER syllabus covering the ways humans have read and continue to read literature from a variety of critical and theoretical perspectives. An emphasis is placed on the application of critical thought to writing expository essays and responding to readings.


Queerform/Ing, Matthew Solon-Lee Weimer 2024 Southern Methodist University

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …


Texas Gothic, Taryn Uribe Turner 2024 Southern Methodist University

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …


Fragmented Bodies, Lauren Careese Alexander 2024 Southern Methodist University

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …


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