"The Chinese Animation Industry: From The Mao Era To The Digital Age",
2019
The University of San Francisco
"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones
Master's Projects and Capstones
Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s and early 1960’s was one of freedom, fantasy, and creativity. With the success of “Heroic Little Sisters of the Grassland”/草原英雄小姐妹(1965), the government administration, namely Jiang Qing of the “Gang of Four”, demanded that all animation should follow specific guidelines based on Social Realism guidelines. This in turn, ushered in a new national style of animation during the Cultural Revolution(1966-1976). During this ten-year period government policies imposed strict restrictions on animators and cause a drain of creative …
Seen And Unseen: Visualizing Contradictions In Postwar Japan, 1950s–1960s,
2019
CUNY Hunter College
Seen And Unseen: Visualizing Contradictions In Postwar Japan, 1950s–1960s, Christina Lai
Theses and Dissertations
This thesis offers a comparative study on how photography visualizes the political dynamics, ideological and psychological contradictions in postwar Japan. The discussion includes the exhibition The Family of Man in Tokyo (1956), Werner Bischof and Robert Capa’s photographs of Japan, and local photographers Ken Domon and Shomei Tomatsu.
The Tale Of The Tokugawa Artifacts: Japanese Funerary Lanterns At The Penn Museum,
2019
Gettysburg College
The Tale Of The Tokugawa Artifacts: Japanese Funerary Lanterns At The Penn Museum, Yoko Nishimura
East Asian Studies Faculty Publications
That previously stood at the back of the quiet inner courtyard of the Penn Museum waited many years for its significance to be rediscovered. It is one of the Tokugawa lanterns that long illuminated the shogunate family’s grand mausoleums during the Edo period (1603–1868 CE) in the Zōjōji temple in Tokyo, Japan. Photographs taken around 1930 show the lanterns flanking the Museum entrance in the Stoner Courtyard. The prominent placement of these objects suggests that, in those days, the Museum acknowledged the significance of the lanterns. One of the lanterns was subsequently moved to Museum storage after suffering damage from …
How Is Global Postmodernism Globalized? Lee Seung-Taek’S Conceptual Art As The Methodology Of Survival For The Unrepresentable,
2019
CUNY Hunter College
How Is Global Postmodernism Globalized? Lee Seung-Taek’S Conceptual Art As The Methodology Of Survival For The Unrepresentable, Mi Hyun Oh
Theses and Dissertations
This thesis takes a comprehensive look at the integrated social context of South Korean artist Lee Seung-taek’s (b.1932) biography. I look at the ways in which Lee’s life experiences and practices capture the essential and critical influence of postwar South Korea’s strong anticommunist stance and his precarious status as a North Korean refugee in South Korea on the formation and development of his conceptual sculpture and performance work.
Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art,
2019
Binghamton University--SUNY
Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art, Christopher Southward
Comparative Literature Faculty and Student Scholarship
Translation of 「陶芸家を志す者のために：芸術における人と作品の関係について」、北大路魯山人著—a speech delivered by Japanese potter, painter, lacquer artist, and restaurateur Kitaōji Rosanjin at Alfred State University, NY in April 1954. Part of a noncommissioned work in progress: Kitaōji Rosanjin: Reflections on Pottery, Travel, and Culinary Life All rights reserved, Christopher Southward (2019). Source, Aozora Bunko (a digital archive of Japanese-language literary work in the public domain): General website: https://www.aozora.gr.jp/ Current text: https://www.aozora.gr.jp/cards/001403/files/55081_54778.html
Deities And Devotion In Mongolian Buddhist Art,
2019
Hope College
Deities And Devotion In Mongolian Buddhist Art, Charles Mason, Andie Near, Tom Wagner
Kruizenga Art Museum Exhibition Catalogs
Design by Tom Wagner. Produced by Storming the Castle Pictures (StCP) as a catalog for the Kruizenga Art Museum exhibition “Deities and Devotion in Mongolian Buddhist Art,” August 30 – December 14, 2019.
Ichimatsu Boy And The Historical Impact On Ichimatsu Ningyo,
2019
Old Dominion University
Ichimatsu Boy And The Historical Impact On Ichimatsu Ningyo, Sherelle Rodgers
OUR Journal: ODU Undergraduate Research Journal
This article discusses the historical research found on the Ichimatsu Ningyo boy doll by Takizawa Koryusai II. This doll is housed by the Barry Arts Museum and is an example of the Japanese Ichimatsu Ningyo art style. The purpose of this project was to discover why and how the doll was created due to the lack of provenance. This investigation will first address the make and style of the doll as well as the symbolism that lies well within its image. Second, it will address the historical significance and future of the Japanese Ningyo doll. By comparing how the doll …
Calligraphy, Aesthetics, And Character In "The Tale Of Genji",
2019
Swarthmore College
Calligraphy, Aesthetics, And Character In "The Tale Of Genji", Tomoko Sakomura
Art & Art History Faculty Works
No abstract provided.
From Micro To Marco: Jade Snuff Bottles In Qianlong Era,
2019
Sotheby's Institute of Art
From Micro To Marco: Jade Snuff Bottles In Qianlong Era, Jinpeng Wang
MA Theses
Emperor Qianlong, whose original name is Aisin Gioro Hongli, was the sixth emperor of the Qing Dynasty. Qianlong was one of the most famous emperors in Chinese history. As the word “Qianlong” means in Manchu, he was truly blessed by the god: the Qing Empire was already very strong when Qianlong came into power; meanwhile, Qianlong had a relatively stable outside environment. It allows Qianlong to be able to focus on pushing his own governing policy. Qianlong’s policy of agricultural development and tax reduction was very effective, under sixty years of reign, the empire has expanded its territory, and the …
Market Value Analysis Of Takashi Murakami's Artwork Under Howard Becker's Theory,
2019
Sotheby's Institute of Art
Market Value Analysis Of Takashi Murakami's Artwork Under Howard Becker's Theory, Liu Yi-Ding
MA Theses
This paper is an analysis about the artist Takashi Murakami. As a representative of the corporate artist, he is favored by the Art business world while being criticized by many people. This paper adopts American sociologist Howard Becker's art world theory as a research tool to observe that the construction of Murakami and his art market is not the growth of genius, but the result of collective cooperation. Based on two decades of data on the art trade, Murakami has made his unique brand of ultra-flat theory and otaku work. These labels, along with internalization and external marketing, eventually gave …
Japanese Influence On Western Impressionists: The Reciprocal Exchange Of Artiistic Techniques,
2019
Parkland College
Japanese Influence On Western Impressionists: The Reciprocal Exchange Of Artiistic Techniques, Emma Wise
A with Honors Projects
In 1853, Commodore Perry reopened Japanese ports to the rest of the world. Japanese products made their way into Western markets (Ives). Products like fans, kimonos, lacquers, and other products became popular. This created the movement of Japanism, which is characterized by the influence of Japanese culture. For artists, there was a focus on Japanese art. Western artists looked at the techniques, compositional methods, and subject matter common in woodblock prints. Woodblock prints, from the Edo period, became an influence for the Impressionist movement in Paris during the nineteenth century. Similarly, the Western influence on Japan affected art during the …
Building An Image: Japanese Influence On The Perception Of Western Countries, A Study Of The 1904 St. Louis World’S Fair,
2019
West Virginia University
Building An Image: Japanese Influence On The Perception Of Western Countries, A Study Of The 1904 St. Louis World’S Fair, Andrea M. Fowler
Graduate Theses, Dissertations, and Problem Reports (ETD)
In this thesis, I argue that the Japanese government has utilized art and artistic expression to influence the perception that Western countries had of its nation and culture. This phenomenon is examined through a case study of Japanese participation at the 1904 St. Louis World’s Fair, and the exhibits that they presented. These exhibits are examined utilizing both reception and post-colonial theory, and then applying these theories to primary source material from the 1904 World’s Fair. These materials include guidebooks and photographs from both the United States and Japanese authors, to showcase differences between how the East and West interpreted …
Masks: A New Face For The Theatre,
2018
James Madison University
Masks: A New Face For The Theatre, Alexi Michael Siegel
James Madison Undergraduate Research Journal (JMURJ)
This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out of …
Idolizing Sans Idol: Buddhist Art And Its Reception During The Meiji Period,
2018
Providence College
Idolizing Sans Idol: Buddhist Art And Its Reception During The Meiji Period, Joan Miller
Art Journal
No abstract provided.
Medieval Japanese Zen: Catalyst For Symbol System Formation,
2018
Dominican University of California
Medieval Japanese Zen: Catalyst For Symbol System Formation, Kendall Ann Roper
Dissertations, Masters Theses, Capstones, and Culminating Projects
Post-modernism asserts that the world as we know it does not exist independently from the symbolic interpretations we formulate about it. This symbolic and ever unfolding interpretation of reality applies to our understanding of science as well as philosophy, to religion as well as art. In striving to describe religious experiences, various cultures have developed complex symbolic languages whose purpose is to reference a culturally understood version of sacred reality as presented through religion. Religions contribute to shaping these cultural perceptions of reality by utilizing symbolic acts, objects, events, qualities, or concepts to express otherwise inexpressible elements of a culture’s …
Shadows Of Empire: The Mughal And British Colonial Heritage Of Lahore,
2018
CUNY Graduate Center
Shadows Of Empire: The Mughal And British Colonial Heritage Of Lahore, Naeem U. Din
Dissertations, Theses, and Capstone Projects
The Pakistani city of Lahore is the capital of the Punjab province. The city itself has existed for over a thousand years. In 1947 the British rule in the Indian subcontinent ended, resulting in the partition of British India into the modern states of India and Pakistan. At the time the Punjab province was also partitioned, with the western half (including Lahore) going to Pakistan and the eastern half being awarded to India. Prior to partition, Lahore served as an important administrative and commercial center under the Mughal Empire (1526–1799), the Sikh Empire (1799–1849), the British East India Company (1849–1858), …
How To Be The Perfect Asian Wife!,
2018
Macalester College
How To Be The Perfect Asian Wife!, Sophia Hill
Art and Art History Honors Projects
“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.
Text Mining In Chinese Ancient Attires,
2018
Western University
Text Mining In Chinese Ancient Attires, Lu Wang
Western Research Forum
Starting from the Shang Dynasty (1600-1046 BCE) when writing system appeared in China, clothing was recorded as symbols to denote social statuses. The hierarchical signification of clothing remained in the following dynasties until the end of imperial China in 1911. The imperial period produced twenty-five official dynastic histories with rich corpuses on the subject of attire, documenting regulations and prohibitions of detailed dress code, a subject being scarcely studied and treated with assumptions today. This research will use text mining tools to identify descriptive words of clothing that reflect Chinese hierarchal ideology from the twenty-five histories. The method is to …
The Claremont Colleges Asian Studies Faculty Research Practices,
2018
The Claremont Colleges Library
The Claremont Colleges Asian Studies Faculty Research Practices, Xiuying Zou, Carrie Marsh
Library Staff Publications and Research
A study on research practice and needs for library resource and service support of Asian studies faculty at The Claremont Colleges.
Flora And Fauna In East Asian Art,
2018
Gettysburg College
Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles
Schmucker Art Catalogs
Flora and Fauna in East Asian Art is the fourth annual exhibition curated by students enrolled in the Art History Methods course. This exhibition highlights the academic achievements of six student curators: Samantha Frisoli ’18, Daniella Snyder ’18, Gabriella Bucci ’19, Melissa Casale ’19, Keira Koch ’19, and Paige Deschapelles ’20. The selection of artworks in this exhibition considers how East Asian artists portrayed similar subjects of flora and fauna in different media including painting, prints, embroidery, jade, and porcelain. This exhibition intends to reveal the hidden meanings behind various representations of flora and fauna in East Asian art by …
