Asian Art and Architecture Commons^™

Art From My Culture Alternative Project: Zine, Yan Yang

Open Educational Resources

An assignment where students created Zines to teach the class about an object of significance from their culture.

Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du

Masters Theses

Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …

Jadughar: The House Of Magic, Dhruvi A. Shah

Masters Theses

Jadughar or the House of Magic is what people call a 'museum' in parts of South Asia. The practice of museum making, at its origin, is the act of collecting, preserving, interpreting and representing a culture’s tangible and intangible heritage to make it accessible to diverse audiences. Since the early 19th century such practices have been performed at various kala bhandars (art centers) in India, without the need of a formal or institutional organisation. The British introduced the model of a ‘museum’ in South Asia, with the aim of not only preserving ethnographic collections, but also showcasing their power and …

Somatic Prosthetics For Planetary Resonance, Disha Dharesh Kumar R

Masters Theses

This thesis investigates how industrial design can transcend extractive technological paradigms in favor of relational interfaces that foster planetary attunement. Framing the climate crisis as a 'crisis of imagination', the research challenges the Western bifurcation of nature and culture by drawing on Indic cosmologies- which recognize stones, plants, and ecosystems as conscious at different levels and participants in a shared cosmic field. By synthesizing research in Biosemiotics, Quantum Information Pansycishm, and Neuroscience, the project redefines intelligence as a distributed, more-than-human phenomenon.

The research materializes as a speculative design artifact: a device that functions as a somatic prosthetic for planetary resonance. …

A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He

Dissertations, 2020-current

This research presents a new path in the development of Chinese music by aiming to incorporate both modern Western and ancient Chinese influences in form, texture, tonality, topic, and other dimensions of style and structure. Two Chinese composers whose recent compositions for the piano share similar characteristics: Zhao Zhang (b. 1964; Nature no. 2, 2013) and Xiaoxuan Xu (b. 1990; An Unusual Feast of East, 2022). The research will discuss how Zhao Zhang and Xiaoxuan Xu accomplish this fusion of old and new in their recent piano works Nature no. 2, (2013) and An Unusual Feast of East, 2022. …

An Introduction To East Asian Art In Three Journeys, Victoria Weston

OER Textbooks

Please Note: This is the full version of this record. For individual tour guides, visit the following links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/ Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. Students learn methods of visual analysis while also exploring …

Maa’: An Analysis From The May Weber Ethnographic Study Collection, Claire T. Chilla

Department of Anthropology

An analysis of Maa’ textiles from Sulawesi Indonesia. Discusses both the artistic symbolism, possible physical creation, and the spiritual connection of the textile for the Torajans. Informs through the lens of globalization, colonization, and funerary practices from the country of origin.

Candi Perwara Pada Percandian Ijo, Plaosan Lor, Dan Plaosan Kidul: Sebuah Kajian Arsitektur Dan Tinjauan Inskripsi, Dwi Ratna Sylvia Widyahastuti, Agus Aris Munandar

Paradigma: Jurnal Kajian Budaya

Temple or Candi are sacred Hindu and Buddhist buildings constructed in accordance with the prescriptions of the Vāstuśāstra, including subsidiary temple or candi perwara. This study examines the candi perwara of the Ijo, Plaosan Lor, and Plaosan Kidul Temple Complex to analyze their technical aspects, religious functions, and chronological positions within their respective temple complexes. Employing a descriptive-comparative method and a historical-archaeological approach supported by epigraphical review, the research identifies similarities in the roof forms and ornamental reliefs. Differences are observed in ground plans, stone materials, construction systems, vestibule, base forms, body variations, …

Western Mansions In The Gardens Of Perfect Brightness, Another History Of High Qing Sino-European Exchanges, Nicolas Woreth

Swarthmore Undergraduate History Journal

The Gardens of Perfect Brightness, the favorite residence of Chinese Emperors in the High Qing era (1683-1799), held mysteries that will remain forever concealed from the public eye after French and British imperialist forces looted it and burned it beyond repair during the Second Opium War (1856-1860). Behind the doors of the secret garden, scarcely open to anyone but the emperor, his wives, and servants, worked European artists and scientists. Most of them were Jesuit missionaries who served the emperor in the hope of gaining his favor and support for the spread of Christianity in China.

This paper aims to …

Within Boundaries: Collecting And Exhibiting Chinese Contemporary Art In M+, Hong Kong, Lei April Liu

Masters Theses

This thesis investigates how M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture, collects and exhibits Chinese contemporary art under political and institutional constraint. It argues that M+ operates through adaptive autonomy, a condition in which curatorial and educational strategies transform limitation into method. By analyzing the museum’s formation, exhibition practices, and comparison with other Asian institutions such as the Asia Culture Center in South Korea, the Power Station of Art in China, and the National Gallery Singapore, the study reveals how M+ sustains visibility of Chinese contemporary art with political sensitive topic through 绥靖 (Sui Jing; subtle appeasement) …

From Monasteries To The Market: The Legal And Spiritual Economies Of Himalayan Art In China, Hengshi An

MA Theses

In recent years, the Himalayan art market in China has shown a remarkable transformation, emerging as one of the most dynamic segments within the broader Asian art economy. While much of the global and domestic art market has stagnated, Tibetan and Himalayan artworks have achieved sustainable growth and high auction price with major collections been published, showing structural strength rather than speculative enthusiasm. This paper examines the drivers behind this phenomenon through a qualitative analysis of auction data, dealer networks, and collector behavior across key hubs in China such as Beijing, Chengdu, Shanghai, and Hong Kong. The findings suggest that …

From Fear To Familiarity: Folkloric Creatures And Cultural Identity In Contemporary Japanese And Filipino Art, Mariel Yulo Asuncion

MA Theses

Mythological and folkloric creatures have evolved beyond their traditional contexts to serve as tools through which contemporary artists reinterpret and express colonial memory, cultural experiences, and social anxieties. Both Japan and the Philippines mobilize their folkloric monsters as forms of commentary on modern conditions; however, they do so in distinct ways shaped by their differing cultural histories and belief systems. This study aims to analyze and compare how Japanese and Filipino contemporary artists reinterpret folkloric creatures within modern contexts. Employing a qualitative, comparative cultural analysis alongside a sociohistorical framework, this research investigates the contemporary reinterpretation of mythological creatures in both …

From Otherness To Agency: Reframing Eurocentric And Orientalist Representations In Contemporary Middle Eastern Art, Violette Wolter

MA in Contemporary Art Dissertations

This essay examines how contemporary artists from the Middle East challenge Eurocentric frameworks of representation embedded in Orientalism by proposing alternative narratives of identity, history, and resistance. This study, which draws on postcolonial theory, particularly Edward Said's Orientalism (1978), Dipesh Chakrabarty's Provincialising Europe (2000), and Hamid Dabashi's Post-Orientalism (2009), explores how artistic practices dismantle the inherited hierarchies of Orientalist knowledge and visual power. Orientalism, which generated a discourse that constructs the Orient as Europe's ‘Other,’ still fuels neo-Orientalist narratives that portray the Middle East as irrational, violent, or static. Through a close analysis of the artistic practices of artists Shirin …

Gender, Feminism, And Market Dynamics: Examining Gender And Feminism In The Art Market Through Two Female Chinese Artists, Hung Liu (劉虹) And Yu Hong (喻红), Amelia Campbell-Breeden

MA in Art Business Dissertations

This dissertation examines the articulation of feminist expression in contemporary Chinese women’s oil painting and its positioning and valuation within the art market. A focus is placed on Yu Hong and Hung Liu, analysing the interaction of gender, race, and censorship within both domestic and global frameworks. The study employs Grounded Theory to integrate qualitative and quantitative evidence from literature, exhibitions, market reports, rankings, and auction data, aiming to develop a theory from under-explored material instead of applying Western feminist beliefs.

Research suggests that recent advancements in female visibility are often driven by positive discrimination and curatorial “translation”, which uses …

How Do Female Artists In The Middle East Navigate Art Market Legitimacy, And How Do Experiences Differ Between The Levant And Gulf Regions?, Noura Alzaim

MA in Art Business Dissertations

This dissertation examines the journeys and challenges faced by female artists in the Middle East as they strive for recognition and legitimacy within the region’s evolving art markets. By comparing the lived experiences of artists from the Levant, where creativity often flourishes in grassroots and diaspora circles, to those cultivating their careers amid the state-driven, rapidly expanding cultural landscape of the Gulf, the research brings distinct artistic perspectives into conversation. Combining interviews, theoretical inquiry, and analysis of press releases, essays, and market data, the study highlights how history, political context, and institutional structures shape opportunities and obstacles. Central chapters show …

Changing Art Market Trends And Collector Preferences In India’S Metropolitan Hubs Amid Economic Growth, Gauri Minocha

MA in Art Business Dissertations

The dissertation aims to explore how India’s post-liberalisation economic rise has shaped the structure, buying trends, and consumer behaviour within the urban art market, with the focus being on the country’s two main hubs- Delhi and Mumbai. It investigates the role of economic liberalisation, demographic shifts, globalisation, digitisation, and regulatory frameworks in reshaping the market. A mixed-method approach, combined with site visits, studying existing research, and conducting semi-structured interviews with key market players- gallerists, collectors, advisors, and fair directors, was employed. The findings reveal that the Indian market followed a ‘boom-bust-boom’ cycle post liberalisation, with the pandemic serving as a …

Contemporary Art And Cultural Identity In Post-Soviet Kazakhstan, Dinara Saduakassova

MA in Art Business Dissertations

This dissertation explores the development of contemporary Kazakhstani art after 1991, arguing that the independent nation’s international cultural visibility is defined by artists rather than institutions. Operating without state infrastructure, Said Atabekov, the Kyzyl Tractor collective, Almagul Menlibayeva, Saule Suleimenova, and Yerbossyn Meldibekov gained international recognition via biennales, exhibitions, and transnational networks. Their practices challenge state narratives of heroic nationalism and Western expectations. Case studies, interviews, and analysis of Rukhani Zhangyru and new institutions like Tselinny, enable this dissertation to argue that Kazakhstan’s position in global art history is artist driven.

Censorship In The Indian Art Market: Legal, Institutional, And Commercial Implications, Kritika Salhotra

MA in Art Business Dissertations

This dissertation examines censorship of art in an Indian context, focusing on artistic production, exhibition practices, and the commercial viability of dissenting art. Drawing on case studies from institutional controversies, legal judgments, and interviews with practitioners, the study analyses how censorship operates not only through law but also through institutional gatekeeping and market mechanisms. The research finds that while Indian courts, particularly at the higher levels, have shown slow progress towards becoming liberal, the persistence of vague obscenity provisions and inconsistent jurisprudence sustains a climate of legal ambiguity. Extralegal pressures often shape curatorial decisions, leading art organisations to retreat or …

Representation Of Beauty- The Evolution Of Female Imagery In Renaissance Italy And Ming Dynasty Of China, Yitong He

MA in Fine and Decorative Art and Design Dissertations

This thesis examines the representation of female imagery in Renaissance Italy (c.1500–1620) and Ming China (c.1480–1644), asking why two contemporaneous cultures diverged so sharply in their visual constructions of femininity. In Italy, artists such as Titian, Moroni, and Lavinia Fontana depicted women as embodiments of dynastic virtue, sensuality, and intellectual agency. In contrast, Ming female images—ranging from ancestor portraits and court beauties to works by Tang Yin, Qiu Ying, Cui Zizhong, and Ma Shouzhen—were framed by Confucian morality and literati aesthetics, privileging symbolic virtue over individuality.

The study employs Bourdieu’s theory of cultural capital, Barthes’s semiotics of myth, and Mulvey’s …

Oral Religious Mediation And Transmission Of Islamic Discourse In The Kazakh Steppe: Case Of Syrdarya Poets, Nurzhan Darkulov

Occasional Papers on Religion in Eastern Europe

This article investigates the role of Syr Darya poets as mediators of Islamic ethical and religious discourse in the nineteenth- and early twentieth-century Kazakh steppe. The analysis demonstrates that these poets occupied an intermediary position between broader Islamic traditions and local communities, translating ethical teachings, theological ideas, spiritual reflection, and social criticism into culturally accessible forms of oral expression. Their influence extended beyond literary activity, functioning as a socially recognized mode of religious mediation within a decentralized religious environment. The study argues that oral poetic performance constituted an important mechanism through which Islamic knowledge, moral norms, and religious values were …

An Imperial Pivot: How The Qing Court Shaped The Kapāla And Its Global Value, Haiyi Wang

MA in Art Business Dissertations

This thesis examines the journey of the kapāla, a Tibetan Buddhist ritual skull cup, from a sacred implement to a global commodity. It argues that the modern identity, display, and commercial value of the kapāla in the Western world are not a natural extension of its original religious meaning but are fundamentally a product of its aesthetic and political re-creation by the Qing imperial court. This study posits the Qing court's intervention as the "decisive pivot" that systematically replaced the object's native "religious value system," based on ritual efficacy, with a new "imperial value system" rooted in craftsmanship, precious materials, …

Photo Essay: Two Fates Of The Statue Of Peace, Nogin Chung

Asia Pacific Perspectives

This photo essay examines the contested cultural and political landscapes surrounding the Statue of Peace, a bronze sculpture by Kim Seo- kyung and Kim Eun-sung that commemorates the victims of wartime sexual slavery,commonly referred to as the“comfort women.”Better known to South Koreans as the “Statue of a Girl,” this public art piece has served more than a memorial as it has become a flashpoint of grassroots activism, vandalism, and international controversy. Through visual analyses of multiple iterations of the sculpture, the essay traces its divergent trajectories—both as a target of iconoclastic threats and as a focal point of civic engagement.

Retelling A Tale In Pictures: A Fusion Of The Arts In A Medieval Emaki Of The Japanese Court Romance Geni Npo Monogatori "Tale Of Genji", Sheena Woods

The Ozark Historical Review

The Genji no monoga ta ri 源氏の物語, the Tale of Genji, b y the Japanese court lady Murasak i Shi kibu 紫式部 ( c . 9 7 3 – c . 1014), thought to have been completed around the year 1008, is one literary masterpiece of the Heian 平安 period (794–1185) that has been adapted for retelling many times. A little over one hundred years after its conception it had been adapted and lavishly illustrated as an emaki 絵 or “ picture scroll." This paper provides a discussion on the importance of the emaki to the representation of this early …

Reverse-Chinoiserie: Qing Imperial Porcelain And The Reappropriation Of European Rococo, Yifan (Mia) Ye

Theses and Dissertations

This thesis introduces “reverse-chinoiserie” to describe the Qing court’s reappropriation of European Rococo aesthetics in imperial porcelain. Through case studies of 18th-century ceramic diplomacy and design, it reveals how cultural imitation was reengineered into visual sovereignty. It examines how China responded to, absorbed, and redirected European fantasies of empire.

Kusamakura And Bunchō, Natsume Sōseki, Umeji Sasaki, Hyakusui Hirafuku, Paul Royster

Zea E-Books Collection

Kusamakura—literally “grass pillow”—is a Japanese expression for being “on the road,” away from home, relying on the hospitality of others. Natsume Sōseki’s novel concerns a painter-artist on holiday at a hot springs hotel where he is the lone guest. His encounters with the locals—including a tea-shop matron, a drunken barber, a wood-gatherer, an abbot of a Zen monastery, the hotel proprietor, and, most intriguingly, his lovely enigmatic divorced daughter—prompt reflections and musings on the nature of art and its relation to real life. How can one experience life and still represent it in literature or art? Doesn’t art require …

Buddha, Resituated, Min Sun

Masters Theses

The Asian Arts Room at the Metropolitan Museum of Art presents significant cultural artifacts in a minimalist, neutral environment that disconnects them from their original historical and spatial contexts. By proposing display techniques that emphasize the origin and background of objects, it asks whether audiences from diverse cultural backgrounds can be enabled to connect empathetically with and learn from the heritage represented by these objects displayed out of context.

This thesis explores how exhibition design can reframe decontextualized artifacts to restore cultural meaning. By unpacking the room chronologically and geographically, and drawing from the spatial language of the Yungang Grottoes, …

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

Trans-Pacific Connections: Chinese Porcelain And Aztec Motifs In Colonial Mexico, Natalia Ramirez

Departmental Honors & Graduate Capstone Projects

This research explores artworks within the Global Baroque as visual and ideological evidence through which colonial power, trade, and cross-cultural influence shaped the material culture of the early modern world. Centering on blue and white ceramics as a key medium of transcultural and trans-local exchange, the study analyzes how global motifs, particularly those drawn from Aztec and Chinese traditions, were reinterpreted, aestheticized, and circulated in Aztec and Novohispanic artistic practices.

Through a close observational comparison of Aztec and Chinese decorative systems, the study recognizes contrasting systems of cultural documentation embedded within similar visual forms. Aztec motifs, rooted in ritual, calendrical, …

Hemispheres Of Faith: Mapping The Global Journey Of An Ivory Rosary Bead At The Metropolitan Museum Of Art, Mary M. Thompson

Theses and Dissertations

Hemispheres of Faith reattributes a carved ivory rosary bead in the Metropolitan Museum of Art to the Quito School in 18th-century Ecuador. Through examining the trade history of the Manila Galleons, material analysis, and iconographic study, Hemispheres of Faith challenges the bead's European origins and reveals the object as a product of global exchange, devotional practice, and colonial artistic collaboration within the Spanish Empire.