Inventing Christine De Pizan: Art And Authorship In Late Medieval France,
2020
The College of Wooster
Inventing Christine De Pizan: Art And Authorship In Late Medieval France, Adria Leigh Woodruff
Senior Independent Study Theses
The Book of the Queen (Harley 4431) is one of the most exquisite and fascinating manuscripts of late medieval France. Compiled for Queen Isabeau of Bavaria between 1411 and 1415 by Christine de Pizan and her small workshop, the codex is one of the largest and most illuminated of Christine’s works. While the literature on the poems of the book is vast, the miniatures have received significantly less attention. I endeavor to contribute to the literature on Christine de Pizan’s illuminations, as they serve as important amplifications of her allegories. Therefore, it is necessary to examine her miniatures in order …
Textiles And Jewelry At Fag El-Gamous,
2020
Brigham Young University - Provo
Textiles And Jewelry At Fag El-Gamous, Joyce Smith, Kerry Muhlestein, Brian Christensen
Faculty Publications
Elsewhere in this volume we discuss extensively the burial practices of the common man as represented in the Fag el-Gamous sand cemetery. While these burials must represent the common, or poorer, people of the area due to their large numbers, they are remarkable in regards to the amount of resources used for a common burial.1 The two most frequently used types of goods associated with these burials, and probably the most expensive, are textiles and jewelry. In order to better understand these burials and the requisite resources marshaled by the deceased during their life and their loved ones after their …
They’Ll Never Be Royals: The “Purple” Textiles Of Fag El-Gamous,
2020
Brigham Young University - Provo
They’Ll Never Be Royals: The “Purple” Textiles Of Fag El-Gamous, Bethany Jenson, R. Paul Evans, Kerry Muhlestein
Faculty Publications
Excavations at the Fag el-Gamous necropolis have unearthed a unique collection of textile fragments, among which are some beautifully dyed pieces, including several featuring purple threads. The purple threads used in the textiles come in a variety of hues, suggesting different dye sources for the threads. In the ancient world, the source for true, enduring purple dye came from the sea snail, Murex. This dye was highly prized, very expensive, and was frequently used for royal garments. Because of its desirable nature, purple dye was frequently imitated with mixtures of blue and red dyes, such as indigo (plant genus Indigofera) …
Cartographier L’Essor D’Un Modèle : Le Chapiteau Ionique De Michel-Ange De L’Invention Au Début Du Xviie Siècle,
2019
Université de Lausanne
Cartographier L’Essor D’Un Modèle : Le Chapiteau Ionique De Michel-Ange De L’Invention Au Début Du Xviie Siècle, Federica Vermot
Artl@s Bulletin
This study proposes to map the propagation of an alternative type of ionic capital invented by Michelangelo in 1563. We proceed to a comparative analysis of the new buildings erected in Rome from the invention of the new capital to the beginning of the 17th century, in order to highlight spatial and temporal correlations peculiar to its diffusion. The study of this issue allows to understand the perception of the capital that the next generation of roman architects developed, which is a less known aspect of Michelangelo's reception. Overall, it invites to shape the stylistic evolution of an architectural motif.
Analysis Of Jacques-Louis David's "Cupid And Psyche" 1817,
2019
Cleveland State University
Analysis Of Jacques-Louis David's "Cupid And Psyche" 1817, Regina Bellian
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
This paper analyzes the painting Cupid and Psyche 1817 by Jacques-Louis David. The visual details and appearance of the painting is discussed in form and design and further elaborated with symbolism and interpretation of the artist's work.
The Fearsome Femme: A Psychoanalytic Interpretation Of Lorenzo Sabatini's Giuditta Con La Testa Di Oloferne,
2019
University of Texas at Tyler
The Fearsome Femme: A Psychoanalytic Interpretation Of Lorenzo Sabatini's Giuditta Con La Testa Di Oloferne, Brant J. Bellatti
Art and Art History Theses
Lorenzo Sabatini (c. 1530-1576), an Italian artist working in the Mannerist period of art, created a revolutionary bloody rendering of the biblical story of Judith decapitating Holofernes. The Bolognese artist, and his painting Giuditta con la testa di Oloferne (Judith with the head of Holofernes), has not been extensively written on by scholars, therefore, this study suggests an original interpretation of the artwork. Lorenzo Sabatini would likely have borne witness to a number of decapitations in Bologna, because they were typically executed in public urban courtyards. Maturing in this sort of environment can impact an artist’s life. Through Lorenzo Sabatini’s …
Book Review: Marcia Kupfer, Art And Optics In The Hereford Map: An English Mappa Mundi, C. 1300 (New Haven And London: Yale University Press, 2016),
2019
University of Iceland
Book Review: Marcia Kupfer, Art And Optics In The Hereford Map: An English Mappa Mundi, C. 1300 (New Haven And London: Yale University Press, 2016), Dale Kewards
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Virtuous Franciscans Vs. Immoral, Idolatrous Saracens: The Messages Embodied In The Statuettes Of Ambrogio Lorenzetti’S Martyrdom Of The Franciscans,
2019
Nazareth College, Rochester, New York
Virtuous Franciscans Vs. Immoral, Idolatrous Saracens: The Messages Embodied In The Statuettes Of Ambrogio Lorenzetti’S Martyrdom Of The Franciscans, Doot Bokelman
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: An Insular Odyssey. Manuscript Culture In Early Christian Ireland And Beyond. Edited By Rachel Moss, Felicity O’Mahony, And Jane Maxwell (Dublin: Four Courts Press, 2017),
2019
Washington College, Chestertown, Maryland
Book Review: An Insular Odyssey. Manuscript Culture In Early Christian Ireland And Beyond. Edited By Rachel Moss, Felicity O’Mahony, And Jane Maxwell (Dublin: Four Courts Press, 2017), Benjamin C. Tilghman
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Antony Eastmond And Myrto Hatzaki (Eds.), The Mosaics Of Thessaloniki Revisited: Papers From The 2014 Symposium At The Courtauld Institute Of Art (Athens: Kapon Editions, 2017),
2019
The Barnes Foundation
Book Review: Antony Eastmond And Myrto Hatzaki (Eds.), The Mosaics Of Thessaloniki Revisited: Papers From The 2014 Symposium At The Courtauld Institute Of Art (Athens: Kapon Editions, 2017), Kaelin Jewell
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Review Of Richard K. Emmerson, Apocalypse Illuminated: The Visual Exegesis Of Revelation In Medieval Illuminated Manuscripts (University Park, Pa: Pennsylvania State University Press, 2018),
2019
Tel Aviv University
Review Of Richard K. Emmerson, Apocalypse Illuminated: The Visual Exegesis Of Revelation In Medieval Illuminated Manuscripts (University Park, Pa: Pennsylvania State University Press, 2018), Renana Bartal
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: The European Fortune Of The Roman Veronica In The Middle Ages, Edited By Amanda Murphy, Herbert L. Kessler, Marco Petoletti, Eamon Duffy & Guido Milanese, With The Collaboration Of Veronika Tvrzniková, Brno, Masaryk University (Turnhout, Brepols, 2017), Andrea Nicolotti
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Kim Woods, Cut In Alabaster. A Material Of Sculpture And Its European Traditions, 1350–1550, Distinguished Contributions To The Study Of The Arts In The Burgundian Netherlands, 3 (Turnhout: Brepols/Harvey Miller, 2018),
2019
School of Art History, University of St Andrews (U.K.)
Book Review: Kim Woods, Cut In Alabaster. A Material Of Sculpture And Its European Traditions, 1350–1550, Distinguished Contributions To The Study Of The Arts In The Burgundian Netherlands, 3 (Turnhout: Brepols/Harvey Miller, 2018), Sophie Oosterwijk
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Shared Language: Vernacular Manuscripts Of The Middle Ages. Text Manuscripts 7. Text By Laura Light, With An Introduction By Christopher De Hamel, And Essays By Dennis Dutschke, Stephen Mossman, Emily Runde, John Van Engen, And Mary Beth Winn. (Paris: Les Enluminures: 2018),
2019
University of St Andrews, Scotland
Book Review: Shared Language: Vernacular Manuscripts Of The Middle Ages. Text Manuscripts 7. Text By Laura Light, With An Introduction By Christopher De Hamel, And Essays By Dennis Dutschke, Stephen Mossman, Emily Runde, John Van Engen, And Mary Beth Winn. (Paris: Les Enluminures: 2018), Emily Savage
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Discoveries,
2019
Kenyon College
Discoveries
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Alessia Bauer, Elise Kleivane And Terje Spurkland Ed., Epigraphy In An Intermedial Context (Portland: Four Courts Press, 2018),
2019
CNRS/Centre d’Etudes Supérieures de Civilisation Médiévale, Université de Poitiers
Book Review: Alessia Bauer, Elise Kleivane And Terje Spurkland Ed., Epigraphy In An Intermedial Context (Portland: Four Courts Press, 2018), Estelle Ingrand Varenne
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Four Remarkable Manuscripts From The Middle Ages By Christopher De Hamel (London: Paul Holberton Publishing, 2018),
2019
Case Western Reserve University
Book Review: Four Remarkable Manuscripts From The Middle Ages By Christopher De Hamel (London: Paul Holberton Publishing, 2018), Alexandra Kaczenski
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Rosamund Garrett And Matthew Reeves. Late Medieval And Renaissance Textiles (London: Sam Fogg, 2018),
2019
University of San Diego
Book Review: Rosamund Garrett And Matthew Reeves. Late Medieval And Renaissance Textiles (London: Sam Fogg, 2018), Kate Dimatrova
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Martin Renshaw, Abc Of A Medieval Church (Syston, Leicestershire, Great Britain: Anchorprint, 2018),
2019
Sacred Music Institute, Columbus, Ohio
Book Review: Martin Renshaw, Abc Of A Medieval Church (Syston, Leicestershire, Great Britain: Anchorprint, 2018), Rebecca Abbott
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
The Holy Land In Paris. Embroidering, Depicting, And Stamping The Passion In A Fifteenth-Century Book Of Hours (Paris, Bibliothèque De L’Arsenal, Ms 1176 A Rés.),
2019
Scuola del Libro, Urbino, Italy
The Holy Land In Paris. Embroidering, Depicting, And Stamping The Passion In A Fifteenth-Century Book Of Hours (Paris, Bibliothèque De L’Arsenal, Ms 1176 A Rés.), Loretta Vandi
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
