Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Painting And Performing The Past: Representation Of A Historical Marriage In Eighteenth-Century Peru, Xena Fitzgerald

Art History Theses and Dissertations

This thesis establishes the connection between painting and performance as crucial for understanding eighteenth-century representations of the historic marriage of the Inca ñusta (princess) Beatriz Clara Sairitupac and her Spanish husband Martín García Óñez de Loyola. During the eighteenth-century, the marriage was repeatedly commemorated through both paint and theatrical performance as part of the mythologization of the early history of the Viceroyalty of Peru. My study addresses the only two paintings known to remain in their original locations: the Compañía de Jesús in Cuzco and the Beaterio de Nuestra Señora de Copacabana in Lima. I analyze both paintings in conjunction …

Titian’S Poesie: The Visual Allegories Of Morality And Religion, Holli M. Turner

Institute for the Humanities Theses

Venetian painter Tiziano Vecellio, more commonly referred to as Titian, created a cycle of mythological paintings based on scenes from Ovid’s Metamorphoses for King Philip II of Spain. These works are often viewed through an eroticized lens due to this inclusion of nude mortals and goddesses. This thesis argues for the cycle’s moral and religious significance for Philip by utilizing comparative iconography, scholarly texts, and translated allegorical material.

Sex On The Walls: The Art Program Of The Suburban Baths In Pompeii, Jennifer Wright

Research Horizons Day Posters

No abstract provided.

Patronage, Audience And Ownership Of The Psalter Of Blanche Of Castile, Blair C. Gallon

LSU Master's Theses

The so-called Psalter of Blanche of Castile (Psautier latin dit de saint Louis et de Blanche de Castille, Bibliothèque nationale de France, Bibliothèque de l’Arsenal, Paris, MS 1186 réserve) is a well-preserved illuminated manuscript made in Paris in the first half of the thirteenth century. As a devotional book, it witnesses the concerns of a thirteenth century individual of high rank, most likely a woman. As its modern name indicates, scholars link its existence to the Queen of France Blanche of Castile (4 March 1188 – 27 November 1252; r. 1226-34, 1248-52). No firm documentation, however, attests to the circumstances …

Virgilian Imagery And Meaning On A Carolingian Flabellum: Contradiction Or Continuity?, Carol Long

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Medallion Portraits Of Ariadne And Theodora On The Consular Diptychs Of Clementinus And Justinus: Finding Traces Of Helena, Pulcheria, Verina, And The Theotokos, Marguerite B. Lee

Theses and Dissertations

This thesis investigates the 513 Clementinus Diptych and the 540 Justinus Diptych and their disruption of the secular and masculine character of consular diptychs through the inclusion of Christian symbolism, a cross and an image of Christ, and medallion portraits of the empresses Ariadne and Theodora, respectively.

The Chôra Of Dionisy’S Wall-Painting (1500-1502) At The Nativity Of The Mother Of God Sobor, Ferapontovo Monastery, Maria M. Shevelkina

Theses and Dissertations

The structure, spatiality, and wall-paintings of the Nativity church together emulated the Platonist Chôra through transparency, fluidity, circular movement, veils, and Marian imagery. Dionisy’s wall-paintings are studied through a phenomenological lens, considering the process as a reflection of hesychast thought in the post-Byzantine Russian north.

Women At The Dawn Of History, Agnete Wisti Lassen, Klaus Wagensonner

Occasional Publications

This lavishly illustrated volume gives a voice to women who lived millennia ago in Mesopotamia, present-day Iraq, Syria and Turkey, and explores their roles, representations and contributions to society.

Tens of thousands of cuneiform texts, monumental sculptures, and images on terracotta reliefs and cylinder seals cast light on the fates of women at the dawn of history, from queens to female slaves. In the patriarchal world of ancient Mesopotamia, women were often represented in their relation to men—as mothers, daughters, or wives—giving the impression that a woman’s place was in the home. But, as we explore in this volume, they …

The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla

Extra-Textual Elements

The frontispiece image in the PSU codex is in the tradition of ‘the education of the prince,’ a popular choice for early printed works, particularly historical chronicles and similar manuscripts related to ancient times.

A portal with columns provides an entrance into the book, and also encloses and protects its contents. This shape, echoing the triumphal arches of classical antiquity, was a popular motif in renaissance publishing. Along with the king’s crown worn on top of a turban-like head wrap, the columns and arches suggest a connection to classical antiquity. Although most images do not reference an artist, making it …

Review Of: The Locus Of Meaning In Medieval Art: Iconography, Iconology, And Interpreting The Visual Imagery Of The Middle Ages., Gerald B. Guest

2020 Faculty Bibliography

No abstract provided.

De Alcalá De Henares A Ciudad De México: Ciudades, Universidades Y Preservación Del Patrimono Histórico, Juan Fernandez Cantero

Theses and Dissertations--Hispanic Studies

This dissertation explores the relationship between the city of Alcalá de Henares, Spain and Mexico City, Mexico, in terms of the colonization-decolonization processes of the latter. First, Alcalá de Henares and a few years later, Mexico City, suffered profound urban transformations that led to the construction of the so-called City of God (Civitas Dei). The City of God was a utopia: an urban, philosophical and educational model conceived during the first stages of the early modern period. By following Saint Agustine’s precepts, in his book, The City of God Against the Pagans, cardinal Francisco Ximénez de Cisneros created …

Lost & Found: New Harvest, Owen Gottlieb, Ian Schreiber

Presentations and other scholarship

Lost & Found is a strategy card-to-mobile game series that teaches medieval religious legal systems with attention to period accuracy and cultural and historical context.

Set in Fustat (Old Cairo) in the 12th century, a great crossroads of Islam, Judaism, and Christianity. The Lost & Found games project seeks to expand the discourse around religious legal systems, to enrich public conversations in a variety of communities, and to promote greater understanding of the religious traditions that build the fabric of the United States. Comparative religious literacy can build bridges between and within communities and prepare learners to be responsible citizens …

Reappraising The Rococo : The Enduring Relevance Of Eighteenth-Century French Painting, Emma M. Woodberry

MA Theses

Often regarded as purely decorative, obsolete, and inconsequential, the rococo paintings of eighteenth-century France acquire historical significance and contemporary resonance once interpreted with fresh eyes. After the French Revolution, rococo paintings were associated with the politics and aristocracy of the ancien régime, a conflation that has colored aesthetic reputation of frivolity and artifice over the course of its history. This research centers on the claim that the rococo survived the Revolution, and continues to be called upon by contemporary artists as a productive artistic idiom. First, the cultural and aesthetic significance of eighteenth-century French rococo paintings will be considered with …

The Crown Jewel Of Divinity : Examining How A Coronation Crown Transforms The Virgin Into The Queen, Sara Sims Wilbanks

MA Theses

Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. By utilizing specific images as examples, the paper will be heavily weighted in visual evidence to support my speculative investigations. It is my aim to examine the relation, if at all, between the physical value of crowns and their symbolic meaning in fine art to distinguish …

Terrible Beauty : The Many Faces Of Helen Of Troy In Painting From Antiquity To The Nineteenth Century, Lindsay M. Taylor

MA Theses

Helen of Troy is one of the most complex and enigmatic characters from Greek mythology. For nearly two thousand years, her story has consistently been retold, reshaped, and reinterpreted in a rich variety of narratives produced in different contexts for different audiences. In the absence of a canonical version Helen’s tale, philosophers, poets, playwrights, novelists, musicians, filmmakers, and artists in every period have interpreted, modified, and embellished her character in disparate and contradictory terms. Consequently, she has played a significant role in Western artistic canon in a way no other figure from Greek mythology has been able to accomplish; she …

Appalling Aftermath : The Idealization Of Sympathy In Battle Paintings Of The Great Siege Of Gibraltar, Sean F. Galvin

MA Theses

The failed siege attempt by French and Spanish forces on the British stronghold at Gibraltar from 1779 to 1783 provided several episodes of national commemoration for the defenders. This thesis focuses on three such paintings which take place at the end of their respective battles. In the first chapter, Gibraltar relieved by Sir George Rodney, 1780 by Dominic Serres idealizes victorious British might personified by the commander George Rodney. It serves to assure the possibility of British victory under competent command at a moment during the uncertain time of war. The second chapter focuses on John Singleton Copley’s Destruction of …

For Those In Peril On The Sea : The Motivations Of Nineteenth Century European Artists To Create Shipwreck Paintings, Calvin Liepins

MA Theses

This thesis will be an examination of the motivations of nineteenth century European artists to create paintings portraying shipwrecks. I have identified four main motivations, Nature over Man, Man over Nature, Political Position, and Personal Upheaval, and will analyze various works in order to view how each motivation relates to the other. Each work analyzed falls into one or more of these categories and by studying them side by side I hope to gain a better understanding of these works unique place in art history. Additionally I will be taking a look at how depictions of shipwrecks were politicized by …

Sacred Flame: Meditative Mysticism In The Works Of Georges De La Tour, Elizabeth Carleton

Scripps Senior Theses

Georges de La Tour is famous for his Mary Magdalene paintings, but he remains one of the most mysterious figures in 17th Century French art. In my thesis, I elaborate the ways in which La Tour's unique painting style was impacted by Counter-Reformation meditation theology and contemporary French mystical literature. While La Tour's artistic inspirations include Caravaggio, the Caravaggisti, and French and Lorrainese Mannerists, his late-career nocturne style is a striking departure from his early career, demonstrating an intense, reflective spirituality. In his use of light and flame to symbolize holiness, La Tour positions himself as spiritual intercessor to the …

The Casemate Wall System Of Khirbat Safra, Elizabeth Anne Emswiler

Master's Theses

Problem

A casemate wall system was found at Khirbat Safra in 2018 and 2019, which has been dated to early Iron Age I. However, no comprehensive study of Iron Age I casemate wall systems in Transjordan has been conducted. Therefore, this thesis will present and compare the findings from Kh. Safra and four other sites in Transjordan which have casemate wall systems dating to Iron Age I.

Method

A short study on the history of fortifications, casemate wall systems, and siege warfare was conducted for this thesis. The ruins from Fields A, B, C, and D at Kh. Safra were …

Acts Of Meaning, Resource Diagrams, And Essential Learning Behaviors: The Design Evolution Of Lost & Found, Owen Gottlieb, Ian Schreiber

Articles

Lost & Found is a tabletop-to-mobile game series designed for teaching medieval religious legal systems. The long-term goals of the project are to change the discourse around religious laws, such as foregrounding the prosocial aspects of religious law such as collaboration, cooperation, and communal sustainability. This design case focuses on the evolution of the design of the mechanics and core systems in the first two tabletop games in the series, informed by over three and a half years’ worth of design notes, playable prototypes, outside design consultations, internal design reviews, playtests, and interviews.