French and Francophone Language and Literature Commons^™

Reconnaissance De L'Autre Et Métissage Culturel À Travers Les Littératures Et Paralittératures De La Polynésie Française Et De La Novelle-Calédonie: Contextes Et Textes, Didier Lenglare

LSU Doctoral Dissertations

French Polynesia and New Caledonia are facing an identity crisis in which the lack of recognition of otherness represents a serious risk to the sociopolitical cohesion of these fragile multiethnic and multicultural societies. In order to avoid self-destructive conflicts and to build harmony in the midst of ethnic diversity, an endogenous inclusive redefinition of cultural identities has become necessary. Within this context, this research had a double objective. First, it aimed to ascertain how this quest for recognition of the Other is represented in the emerging literature of French speaking Oceania. Secondly, its purpose was to understand the social and …

RéCits De Filiation : ÉTude De Trois Perspectives Dans La LittéRature QuéBéCoise Contemporaine, Danielle Jouet-Pastre

Legacy Theses & Dissertations (2009 - 2024)

La littérature québécoise se transforme de manière significative entre les années 1960-80 avec la présence d'écrivains de souche étrangère, ce qui élargit considérablement la thématique, le style et les horizons culturels d'une littérature autrefois monoculturelle.

A Tour Of Paris, Jennifer Ivy

A with Honors Projects

A paper in French about the culture and famous sites of Paris.

Imperial Performativity: The Life, Transgressions, And Writings Of Isabelle Eberhardt Under The Lens Of Queer Theory, Kelsey Deforest

Undergraduate Research Awards

An examination of Isabelle Eberhardt's life and writings with regard to gender norms and imperialist expectations in French-controlled Algeria. The PDF includes the author's entry submission essay for the 2011 Undergraduate Research Awards.

Le Minaret Des Sovenirs: Representations Litteraires, Visuelles Et Cinematographiques De L'Identite Pied-Noir, Jean X. Brager

LSU Doctoral Dissertations

This dissertation explores the graphic, literary and cinematic representations of the Pieds-Noirs, the French citizens of various origins who lived in French Algeria before independence. Rather than focusing on the War for Independence (1954-1962), the extensive study of which has failed to faithfully render the heterogeneous soul of Pieds-Noirs, this work aims at showing the multi-faceted aspects of a community that has always been considered by mainland France to be borderline, Mediterranean rather than French, and, overall, estranged both physically and emotionally, not only from its African roots, but also from its theoretical allegiance to the motherland. By tracing back …

Visions Of Odalisques: Orientalism And Conspicuous Consumption In Leila Sebbar's "Le Peintre Et Son Modele" (2007), Alexandra Gueydan-Turek

French & Francophone Studies Faculty Works

Many Algerian writers (Alloula, Djebar, Boudjedra) have revisited the representational politics of colonial iconography despite awareness that this endeavor is at risk of renewing exoticism. This article examines how Leïla Sebbar's "Le peintre et son modèle" reproduces such a problematic stance through the inclusion of a photograph by Joel Leick inline with her short story. Whereas Sebbar attempts to deconstruct the photograph's orientalism by placing it outside the realm of the aesthetic and resituating it within the sexual exploitation of women in the former French colonies, I intend to demonstrate how this photograph reintroduces the very inequalities that her text …

Claude De France, Mere/Mer De Verueuse Memoire, Lidia Radi

Languages, Literatures, and Cultures Faculty Publications

En 1517, Pierre Gringore met en scène Ies spectacles de rue pour l'Entree de la royne [Claude] de France a Paris faicte le mardy XII. jour du mays de May. L'an de grace mil cinq cens et XVII.² Un an plus tard Guillaume Michel, dit de Tours,³ reprend Ia plupart des personnages représentés dans Ies spectacles de Gringore et Ies fait défiler dans son Soulas de Noblesse sus le coronnement de la Rayne de France Claude (1518), qui est Ia dernière pièce de son Penser de Royal Memoire, ouvrage à visée politique et religieuse, dédié …

Une Nouvelle Voix Narrative À La Recherche De Son « Moi », Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

Trente ans après les crises d'indépendances, l'Afrique a connu des secousses particulièrement paralysantes dont le prix en vies humaines se mesure au nombre élevé de personnes décimées par des fléaux tels que la famine, les épurations ethniques, les guerres, les génocides et la mauvaise gouvernance. Devant cette tragique situation, l'art, en tant qu'expression du beau, se vide de son attrait sous la pesanteur de l'anormal (l'horreur) qui nécessite, sinon une réparation imminente, tout au moins une dénonciation immédiate. Se sentant abandonnée à son propre sort - l'élite a misérablement échoué - le petit personnage issu du peuple, le délinquant, le …

Ferdinand Oyono, Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

Ferdinand Oyono was a Cameroonian statesman and a Francophone novelist of the first generation of African writers who became active after World War II. He entered the literary scene at a time when writers such as his fellow Cameroonian Mongo Beti and the Senegalese Sembene Ousmane and Leopold Sedar Senghor were at their peak. Oyono and Mongo Beti are known as "the forefathers of modern African Identity" for their anticolonial novels.

Nonverbal Communication Among Pointe Coupee Creoles, Elsie Angelique Bergeron Gardner

LSU Doctoral Dissertations

Interactions are understood through the filter of language and culture. Because of this when people of different cultures interact, miscommunications often result. As both verbal and nonverbal aspects of communication are culturally specific, this paper examines trends in the nonverbal communication patterns of generations of Pointe Coupee Creoles undergoing language shift from Creole French in the older generation to English in the younger. The data demonstrate that nonverbal patterns are decoupled from verbal language to some extent in the degree to which they are maintained down the observable generations of Pointe Coupee Creole participants. This study analyzes videos of naturally …

Hombre Cero, Julio César Pérez Méndez

Open Access Theses & Dissertations

Hombre Cero es una tragicomedia protagonizada por una mujer con rostro de payaso y un hombre sin personalidad. Ambos, junto a un par de indigentes llamados Clocló y Silla Coja, se ven envueltos en una serie de aventuras en las que la violencia política y el arte contemporáneo juegan un rol principal.

Comparative Literature: Theory, Method, Application, Steven Tötösy De Zepetnek

CLCWeb Library

Tötösy de Zepetnek, Steven. Comparative Literature: Theory, Method, Application. Amsterdam: Rodopi, 1998. ISBN 90-420-0534-3 299 pages, bibliography, index. Steven Tötösy de Zepetnek presents a framework of comparative literature based on a contextual (systemic and empirical) approach for the study of culture and literature and applies the framework in audience studies, film and literature, women's literature, translation studies, new media and scholarship in the humanities and in the analyses of English, French, German, Austrian, Hungarian, Romanian, and English-Canadian modern, contemporary, and ethnic minority texts. Copyright release to the author in 2006.

Transnational Languages: Beyond Nation And Empire? An Introduction, José Del Valle

Publications and Research

This article discusses changes in the conditions under which linguistic repertoires are conceptualized as nationalist paradigms come to co-exist with post-nationalist ones. It discusses the persistence and demise of linguistic nationalism, linguistic imperialism and linguistic commodification.

L’Autre Exotique Et Le Moi Curieux Dans Les Lettres Persanes De Montesquieu Et L’Immoraliste D’André Gide, Alexandra Nazari

CMC Senior Theses

A look into representations of the Orient in the work of Montesquieu and Gide.

On lit pour connaître des autres mondes ; quelque chose qui est au même temps loin et tout près de la vie ordinaire. Il y a des épopées qui nous emportent aux endroits inconnus et des romans qui révèlent les petits moments de pathos caché sous l’événement les plus quotidiens. Pour moi, la littérature française servit comme la meilleure moyenne de comprise ce beau lange et histoire intellectuelle. Toutefois, l’histoire de la littérature française s’enrichit par les influences prononce du monde oriental. Par exemple, la longueur …

La Déformalisation De La Restauration, Trevor Felch

CMC Senior Theses

Le restaurant traditionnel suit une formule sur laquelle les dîneurs peuvent toujours compter pour leur repas. Les dîneurs entrent dans la salle à manger, souvent avec une réservation, et le maître d’hôtes leur montre la table. Puis ils regardent la carte et commandent les plats qu’ils veulent au serveur. Les convives à table discutent de la vie ou du travail pour le reste du repas. Le restaurant décoré et arrangé selon un thème qui crée une ambiance dans la salle. Il y a des serveurs et des serveuses pour faciliter le rapport entre les chefs et les personnes à table …

Review Of Zazie Dans Le Metro, Michael Adams

Publications and Research

Review of Louis Malle's 1960 French New Wave film.

The Hegemony Of Language - Literary Writing And The Quest For Subjectivity In The Works Of Michel De Montaigne And Charles Ferdinand Ramuz, Carla Bota Vance

LSU Doctoral Dissertations

Starting from the premise that one’s identity is first and foremost construed in language, this dissertation argues that language is the fundamental site of resistance for writers who define themselves through linguistic difference. Recognizing also that language and literary production frequently fall under the control of complex authorities, this thesis examines literature as a site where confrontation is played out aesthetically. Literary writing, in other words, is exposed as a point of intersection between writers whose language draws its sources from a peripheral location and the centers of authority that regulate and dictate what is accepted as artistically and culturally …

Marriage In Seventeenth-Century French Theater, Adam Michael Babin

LSU Master's Theses

In seventeenth-century France, social and political confusion abounded. Absolute monarchy, which was principally created by Richelieu and glorified by Louis XIV, began gradually replacing the medieval feudalism that remained popular among the nobles. Likewise, préciosité, a proto-feminist literary and cultural movement that was not in line with official political ideals, emerged in France during this century. The institution of marriage was an important element of the complicated sociopolitical tapestry of seventeenth-century France. Through the depiction of marriage in Pierre Corneille’s Le Cid (1636), Jean-Baptiste Poquelin de Molière’s L’École des femmes (1662), and Jean Racine’s Andromaque (1667), three works of the …

The Opening And The Ending Of Paul Valéry's "Fragments Of The 'Narcissus'": A Case Study For Translators, David Elder

Research outputs 2011

This paper will concentrate on what I recently called the formal content of the text for translators. Translation is an incomparable school of writing, and poetry in particular requires the development of specific linguistic skills in an essentially bicultural framework. A brief introduction to Valéry’s poetics will be followed by a study of the complex interactions between form and meaning in the opening and closing lines of his “Fragments of the “Narcissus’” with special reference to certain pages from his notebooks and other manuscripts. The objective here is to highlight some of his key aesthetic preoccupations before embarking on the …

Féminitude Et Négritude : Discours De Genre Et Discours Culturel Dans L’Oeuvre De Calixthe Beyala, Christina Angelfors

Présence Francophone: Revue internationale de langue et de littérature

This article examines how Calixthe Beyala, by using two key concepts, féminitude and négritude, engages in a dialogue with different European or Occidental feminist movements on the one side and the myths and traditions of the African continent on the other side. She addresses, one could say, Simone de Beauvoir’s question, “What is a women?”, as well as the question asked by the négritude writers, “What is a negro?”. The analysis of the opposition between the universal and the particular will show the complexity of the question of identity in Calixthe Beyala’s work.