French and Francophone Literature Commons^™

Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith

Dissertations, Theses, and Capstone Projects

In its most common usage in the artistic context, collaboration refers to a practice of creation in which two artists work together to produce a single artwork or object. Collaboration Revisited: The Performative Art of Claude Cahun and Hannah Weiner focuses on the nexus of photography, writing, and performance in the work of six female avant-garde artists from the transatlantic twentieth century, informed by the important place of surrealism in that history, to reconsider this understanding of collaboration. Instead of the notion of collaboration as founded in the experience of two artists working together in each others’ presence, I examine …

Je Cuidoie Avoir Bien Fait: Saintré And The Rules Of The Game, Catherine Blunk

Medieval Feminist Forum: A Journal of Gender and Sexuality

In Antoine de La Sale’s fifteenth-century work Jehan de Saintré, a point of rupture in the amorous relationship between Madame des Belles Cousines and Saintré is initiated when this young knight decides to organize and participate in an emprise (a late medieval tournament) without notifying her or asking for permission from the king of France. In this article I will show that that by failing to secure royal authorization before organizing an emprise, Saintré commits a more serious error than often acknowledged in the scholarship about this text. This is important, because many scholars read this scene as …

The Semantics Of Suspicion In The Writings Of Desmoulins, Ivy Francisco José Gilbert

Electronic Theses and Dissertations

An exacting command of language in his employ, journalist Camille Desmoulins was arguably one of the most dangerous and cunning players in the political arena of revolutionary France. His work is a clear synthesis of linguistic and political theory but what, precisely, made it so effective? When his work is regarded collectively, a theme emerges wherein Desmoulins uses language designed to categorically perpetuate suspicion. Using the principles of lexical semantics, rhetoric, and connotation, this project seeks to examine the semantic undercurrents of Desmoulins’s works as they relate specifically to the public perception of suspicion, and to define the linguistic parameters …

Growth And Poverty Traps: Examples From Literature, Danielle Chaloux

Honors Scholar Theses

The writings of Charles Dickens, Emile Zola, Knut Hamsun, and Laura Ingalls Wilder capture humanity on the page. The characters in the works of these authors are confronted by realistic or autobiographical situations and make choices based on history, personal preferences, societal pressures, and economic constraints, just as real-life individuals do. They can thus serve as data for illustrating the implications of economic models, specifically poverty traps. To do so, I will draw from Great Expectations (1861) by Charles Dickens, The Fat and the Thin (1873) by Emile Zola, Hunger (1890) by Knut Hamsun, and The First Four Years (1971) …

"Some Things Grew No Less With Time:" Tracing Atu 510b From The Thirteenth To The Twentieth Century, Rachel L. Maynard

Electronic Theses and Dissertations

This thesis provides a comparative analysis of seven different variants of the fairy tale commonly known as “Donkeyskin,” classified in the Aarne-Thompson-Uther folktale motif index as ATU 510B. By comparing so many different iterations of one fairy tale, it is easier to recognize the inherent attitudes concerning women and their place in society contained in this tale. Additionally, reading multiple variants from different centuries lends a perspective on the way that these attitudes changed over the centuries. Each of the thirteenth century texts considered end with their heroines trapped in loveless marriages, much like the seventeenth-century fairy tale, “Donkeyskin,” their …

La Femme Noire Âgée Dans Le Roman Francophone: Entre Mouroir Et Miroir, Valentin Duquet

Vernacular: New Connections in Language, Literature, & Culture

No abstract provided.

L’Espace Indicible De L’Ontario Francophone Dans Un Vent Se Lève Qui Éparpille De Jean-Marc Dalpé, Julien Defraeye

Vernacular: New Connections in Language, Literature, & Culture

No abstract provided.

Beauty In The Beast: A Book Review Of Marie Darrieussecq’S Truismes, Ruby Kite

Vernacular: New Connections in Language, Literature, & Culture

No abstract provided.

God, Nature, And Man In Justine, Kayley R. Roberson

Georgia College Student Research Events

In the French Enlightenment writer the Marquis de Sade’s best-known novel, Justine, issues surrounding God, nature, and humankind pose significant problems for the protagonist of the story. Sade’s materialist philosophical work affirms his belief that nature is the most influential factor in the lives of humans and that God does not exist. Sade states that violence, immorality, and vice derive from nature and exist as the basic instincts of man. He argues that these temptations must be praised rather than forbidden. While Justine, the virtuous title character, faces corruption at every turn, she refuses to concede victory to the depravities …

Franco Memory Through Song: Les Troubadours Of Lewiston, Maine, Colby College Mu493

Theatre Programs and Songbooks

Songbook, including lyrics in both French and English and sheet music, of the repertoire of Les Troubadours, an all-women's Franco-American choir based in Lewiston, Maine. Songs included are primarily those representative of day-to-day life, such as lullabies and children's songs. Also includes biographical sketches of three members of Les Troubadours: Aliette Couturier, Irene Mercier, and Jeannine Doucette.

Compiled in Spring 2017 by students from Professor Natalie Zelensky's MU493 class at Colby College.

Twenty-First Century Representations Of Albert Camus’S “L’Hôte”, Roland R. Buchta

UNO Student Research and Creative Activity Fair

Albert Camus, an Algerian-born French writer, philosopher, and winner of the 1957 Nobel Prize in literature, had a significant impact on 20^th-century world literature and philosophical thought. Even today, Camus’s essays, novels, plays, and short stories remain relevant and compelling. More recent adaptations of his work incorporate such important themes as the meaning of life and death, French colonialism and practices, and basic human rights. This presentation examines the short story L’Hôte (Eng. The Guest) (1957) from Camus’s the Exile and the Kingdom collection, as well as the graphic novel L’Hôte (2009) by Jacques Ferrandez, and the …

Review Of: Falaky, Fayçal. Social Contract, Masochistic Contract: Aesthetics Of Freedom 252 And Submission In Rousseau., Olivier M. Delers

Languages, Literatures, and Cultures Faculty Publications

"The strength of this work resides in the fact that it is not just an important contribution to the fields of Rousseau studies. As the title indicates, the book is a reflection on the masochistic tendencies that can be detected in all of Rousseau’s important texts."

Introduction, Peter Schulman

World Languages and Cultures Faculty Publications

[First paragraph] An Excusion at Sea, The Thousand and Second Night, La Guimard ... For over a hundred and fifty years, these plays languished in Jules Verne's desk and then on the dusty shelves of the Nantes Municipal Library before Christian Robin was able to publish them in 2005, in honor of the centenary of Verne's death. That anniversary triggered a plethora of commemorations, new editions of Verne's works, events, and conferences, among many different activities and endeavors. Robin's remarkable collection included all of Verne's previously unpublished plays in a volume titled Theâtre inédit, issued by the …

Flora Tristan’S Plural Identities In "Peregrinaciones De Una Paria": Challenging And Reproducing Existing Power Structures, Nancy Tille-Victorica

The Coastal Review

This article analyses the ways in which Franco-Peruvian author Flora Tristan crosses the border of her plural identities in her famous travel book Peregrinaciones de una paria (1837). It especially looks at how she performs as a male in certain situations and how these are generally associated with her French identity. It also considers her identification as a woman and how it is linked to her Peruvian identity. These examinations reveal how Tristan actually redefines herself as a pariah and how her definition differs from that of outcast imposed on her in France prior to her departure for Peru.

Ginsberg's Translations Of Apollinaire And Genet In The Development Of His Poetics Of "Open Secrecy", Véronique Lane

CLCWeb: Comparative Literature and Culture

In her article "Ginsberg's Translations of Apollinaire and Genet in the Development of his Poetics of 'Open Secrecy'" Véronique Lane analyzes the extent to which the journals, letters and poems of Allen Ginsberg are marked by constant reference to literary models that give just as much weight to French as to American writers. Focusing on his long involvement with Guillaume Apollinaire and Jean Genet's works, Lane argues that Ginsberg meticulously constructed the genealogy of his poetry through a threefold strategy of literary quotation, translation and encryption. Uncovering this strategy through analysis of "Howl," "At Apollinaire's Grave," and "Death to Van …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Postcolonial Writing In France Before And Beyond The 2007 Littérature-Monde Manifesto, Myriam Louviot

CLCWeb: Comparative Literature and Culture

In her article "Postcolonial Writing in France before and beyond the 2007 Littérature-monde Manifesto" Myriam Louviot discusses the evolution of postcolonial writing in France. She argues that postcolonial writers often face great difficulty in achieving recognition as legitimate French authors. Louviot suggests that restrictive boundaries of categorization have started to become blurred but that it is still too early to rejoice, partly due to the continuing cultural ghettoization of many of these writers and the traditional differentiation of their work from French literature. Louviot discusses in detail the 2007 Pour une "littérature-monde" en français initiated by Michel Le Bris and …

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

Traversing The Borders Of Écriture Migrante And Transnational Writing In Québec, Catherine Khordoc

CLCWeb: Comparative Literature and Culture

In "Traversing the Borders of écriture migrante and Transnational Writing in Québec" Catherine Khordoc questions the relevance of the term écriture migrante, which has become a type of ghetto for writers who have immigrated, creating an implicit expectation that immigrant writers write exclusively about experiences of immigration and exile. She proposes a transnational approach as an alternative way of considering contemporary Québécois writing, examining works written by immigrants alongside works by non-immigrants. She discusses four novels, two by authors who have immigrated to Québec (Émile Ollivier and Dany Laferrière), and two by authors who were born and raised in …