Gender Identity And Facebook: Social Conservatism And Saving Face,
2019
Faculty of Education, Monash University, Melbourne, Australia
Gender Identity And Facebook: Social Conservatism And Saving Face, Nastaran Khoshsabk, Jane Southcott
The Qualitative Report
People increasingly log on to Social Networking Websites to remain updated with the latest News and to share their thoughts and their significant life events. Their perception of their own and others’ identities influences their self-presentation on social media. There is a mental image of the audience on the mind of online users when they share content. The extent to which individuals reveal or conceal aspects of their identities within a socio-cultural context affects the presentation of their digital gender identity. We have explored Internet accessibility and use of social media relating to adult users for both Iranians living in …
Shifting Perspectives For Social Change: The Urban Art Of Jr,
2019
University of Arkansas Little Rock
Shifting Perspectives For Social Change: The Urban Art Of Jr, Jana E. Miller
Theses and Dissertations
French street artist JR (who prefers to keep his real name, birthdate, and other personal information private) raises awareness of world problems while crossing national borders, cultural boundaries, and language barriers. He promotes social change by altering the way people see each other through projects that connect, humanize, and enlighten with a combination of artistic storytelling and activism while taking advantage of technological advancement and globalization. JR gives hope that the world can change and that art can be the stimulus. He gives a voice to the marginalized, defends the oppressed, and continuously fights to unite the world’s population by …
[Cntrl] + [Alt] + [Esc] ? Virtual Platforms As Spaces Of Control And Contestation,
2019
Izmir University of Economics
[Cntrl] + [Alt] + [Esc] ? Virtual Platforms As Spaces Of Control And Contestation, Aras Ozgun
Markets, Globalization & Development Review
No abstract provided.
Recipe For Disaster,
2019
University of New Mexico
Recipe For Disaster, Zac Travis
MFA Thesis Exhibit Catalogs
Today’s rapid advances in algorithmic processes are creating and generating predictions through common applications, including speech recognition, natural language (text) generation, search engine prediction, social media personalization, and product recommendations. These algorithmic processes rapidly sort through streams of computational calculations and personal digital footprints to predict, make decisions, translate, and attempt to mimic human cognitive function as closely as possible. This is known as machine learning.
The project Recipe for Disaster was developed by exploring automation in technology, specifically through the use of machine learning and recurrent neural networks. These algorithmic models feed on large amounts of data as a …
在60、70年代之交香港文化雜誌的政治性視覺生產初覽,
2019
Lingnan University
在60、70年代之交香港文化雜誌的政治性視覺生產初覽, Kin Wah Lau
Lingnan Theses (MPhil & PhD)
香港社會在六、七十年代之交可算風起雲湧,先來六六、六七年兩場不同因由的騷動,接著又掀起了中文成為法定語文、保衛釣魚台等連串場的社會運動,及至反貪運動才稍告一段落。當時的文化雜誌不但投入關注,好些還會介入或參與運動。本研究選取了一九六六至七三年間,《大學生活》(1955-1971)、《盤古》(1967-78),以及《七O年代》(1970-76, 78)幾本各具代表性的雜誌作考察,追踪當時文化界出版物上的政治性視覺生產。
所謂「政治性視覺生產」(political visual production),意指視覺性元素與政治的連結發揮,將之應用在「文化雜誌」場域,主要指通過封面、插圖、排版等元素作視覺性的操作,介入社運或政治文化。文化雜誌作為印刷出版物,既是媒體,也是集合思想討論的平臺,當中接通的仝人網絡,更使其成為一個富政治性與視覺性交叉滲透誘因的文化實驗空間。
透過把雜誌中的政治性視覺生產置於社運的階段性發展來觀察,研究意圖呈示時代政治關鍵性的多重起承轉合如何與之扣連,同時微觀圖像生產遇上的美學政治。正視在香港這火紅的年代造就的政治性視覺生產,其實恰如同從去政治化的香港藝術史書寫中,試勾出被隱沒了的前衛藝術系譜,在探索其特質同時,更望能引動對於香港現當代藝術發展的認知作政治性的反思。
The Past Is Never Dead: Amorphous Time In Jean-Luc Godard's Notre Musique,
2019
CUNY Graduate Center
The Past Is Never Dead: Amorphous Time In Jean-Luc Godard's Notre Musique, Anthony E. Dominguez
Dissertations, Theses, and Capstone Projects
Jean-Luc Godard is undoubtedly one of the most central figures to cinema. A pioneer of the French New Wave, Godard’s style would go on to influence all realms of the artform. Despite continuing to make films beyond the French New Wave, however, Godard would eventually succumb to his own myth. Godard studies have largely remained focused on these early portions of his career that are so well remembered, ranging from 1960 to 1968. While in more recent times, Godard’s post-68 filmography has received more scholarly notice, there still exists a discrepancy of attention between Godard’s latest films and his earlier …
Jet Magazine: Celebrating Black Female Beauty,
2019
Xavier University of Louisiana
Jet Magazine: Celebrating Black Female Beauty, Jazmyn Shepherd
XULAneXUS
Once referred to as, “the Negro bible” by famed actor and comedian Redd Foxx[1], Jet has continued to be a pioneer in representing Black Americans as beyond the stereotypes to which they are so often relegated. The magazine has not only provided accurate coverage throughout momentous Black historical movements such as the Civil Rights Movement in the 1950s, the Black is Beautiful movement of the late 1960s, and the Natural Hair Movement of the 2000s, but it has also catered to the daily interests of Black Americans, such as fashion and beauty, lifestyle advice, dating advice, politics, health …
Rodcon, Program, 2019,
2019
University of Northern Iowa. Rod Library.
Rodcon, Program, 2019, University Of Northern Iowa. Rod Library.
RodCon Documents
Inside This Program:
--Rodcon: Free and open to the public
--Welcome to Rodcon
--Locations
--Schedule
--What's That?
--Artist Alley
--Food
--Sponsors
--Autographs
Rodcon, Flier, 2019,
2019
University of Northern Iowa. Rod Library.
Rodcon, Flier, 2019, University Of Northern Iowa. Rod Library.
RodCon Documents
Rodcon
Saturday April 13, 2019
10 a.m.-4 p.m.
Free and open to the public
Flier used in promotion of the event.
Comprehensiveness Of Product Placement Study In Hollywood And Bollywood Movies,
2019
Mississippi University for Women
Comprehensiveness Of Product Placement Study In Hollywood And Bollywood Movies, Nikita A. Subba
Merge
This research study is a detailed content analysis focused on finding a relationship between product placements found in Hollywood and Bollywood movies that share similar plotlines with one another from the year 2006 to 2015. The researcher examined twenty movies, ten movies from each movie industry. It was found that both Hollywood and Bollywood movies use a lot of brand integration as well as long durations of brand exposure. However, the detailed log produced through the coding sheet indicated that between the years of 2006 to 2015, Bollywood used a slightly higher number and duration of product placement than the …
Teaching Visual Literacies: The Case Of The Great American Dust Bowl,
2019
University of New Mexico
Teaching Visual Literacies: The Case Of The Great American Dust Bowl, Mary F. Rice, Ashley K. Dallacqua
SANE journal: Sequential Art Narrative in Education
Teachers and students require a range of tools to engage with visual texts. Using The Great American Dust Bowlby Don Brown (2013) as an exemplar text, we outline four conceptions of visual literacy: rhetorical, instructional, industrial and visuo-spatial and discuss their use in our literacy education practice. In addition, we provide a brief model of a second text, The Arrival (Tan, 2013) and a list of suggested texts for students at different levels (elementary, middle, and high school). We argue that these tools have the potential to deepen conceptions of visual literacies and empower teachers and students to understand …
Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age,
2019
Scripps College
Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age, Claire A. Pukszta
Scripps Senior Theses
This paper unpacks the franchise system and the often-tumultuous relationship between Producers and Consumers, especially around the release of new films by the Producers. Star Wars represents far more than just a corporate product. There is a thriving ecosystem around pieces that have touched fans lives personally.
The reaction of fans to new media texts in existing franchises is in constant flux. Tumultuous emotions of betrayal come in waves from fans immediately following the release of new content. Specifically focusing on reception to prequel films, Episode 1: The Phantom Menace (1999) and Solo: A Star Wars Story (2018), reveals …
(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material,
2019
Virginia Commonwealth University
(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner
Theses and Dissertations
(and i can’t stress this enough) in my mouth: Extradiegetic Affect as Material is a non-linear exploration into the structures of feeling that exist in relation to cinema in its role as a technology for generating subjectivity. In the development of this research, a proposal of cinema’s likeness to the ecological circulation of microplastics is drawn in order to illustrate cinema’s materiality and nearly invisible ubiquity. The notion of extradiegetic affect is outlined as a post-cinematic condition in which lived experience becomes secondary to cinematic representation and which, simultaneously, becomes directly shaped by engaging with these representations.
Encuentro Con La Precariedad: La Reaparición Del Gitano En El Cine Documental Español De La Crisis De 2008,
2019
University of Kentucky
Encuentro Con La Precariedad: La Reaparición Del Gitano En El Cine Documental Español De La Crisis De 2008, María Julia De León Hernández
Theses and Dissertations--Hispanic Studies
In 2008, Spain’s financial crisis had a great impact on the primary sector on which the nation’s ‘economic miracle’ was founded: housing.Land speculation, the increase in housing construction, and easy loans had become one of the hallmarks of twenty-first-century Spanish identity. The crisis del ladrillo (“brick crisis”) plunged the national economy into chaos and condemned many Spanish citizens to job insecurity, loss of earning power, threat of eviction, and put them at high risk of social marginalization. This dissertation studies the unusual proliferation of documentary films during the years surrounding this economic downturn about the ghettoization of the Spanish Gypsy …
Pathos, Winter 2019,
2019
Portland State University
Pathos, Winter 2019, Portland State University. Student Publications Board
Pathos
Editor: Sadie Jordan
Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four",
2019
Binghamton University--SUNY
Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four", Christopher Southward
Comparative Literature Faculty and Student Scholarship
Course Description:
Or a conjuncture of three moments in the dialectic of television as technical apparatus and cultural practice. In this course, we will read George Orwell’s 1984, view Michael Radford’s filmic adaptation of the novel, and consider a number of critical texts in order to think the psychological and social implications of television as an instrument of control, manipulation, and knowledge production. What, we ask, are the implications, in both 1984 and concrete experience, of light-speed communication capabilities for sense perception, consciousness, language, and awareness? In its dissemination of images and information, how does television impede and/or facilitate politics …
In Black And White: Richmond’S Monument Avenue Recontextualized Through The Photographic Archive,
2019
University of Kentucky
In Black And White: Richmond’S Monument Avenue Recontextualized Through The Photographic Archive, Charlsa Anne Hensley
Theses and Dissertations--Art and Visual Studies
The release of the Monument Avenue Commission Report in July, 2018 was the culmination of over one year of research and collaboration with community members of Richmond, Virginia on how the city should approach the contentious history of Monument Avenue’s five Confederate centerpieces. What the monuments have symbolized within the predominately rich, white neighborhood and outside of its confines has been a matter of debate ever since they were unveiled, but the recent publicity accorded to Confederate monuments has led to considerations by historians, city leaders, and the public regarding recontextualization of Confederate monuments.
Recontextualization of the monuments should not …
The Attention Crisis Of Digital Interfaces And How To Consume Media More Mindfully,
2019
Scripps College
The Attention Crisis Of Digital Interfaces And How To Consume Media More Mindfully, Kristen M. Liu
Scripps Senior Theses
Digital forms of media are monopolizing individuals' attention spans, utilizing visual strategies that demand our interactions. Throughout the history of media technology, mediums have become increasingly immersive, presenting more information than ever before. The user interface designs of digital platforms can damage our ability to focus and distribute attention in meaningful ways. Through analysis of our digital media consumption, this capstone project ultimately proposes mindful practices that help us lead more balanced lives and thrive in the digital age. The second half of this capstone project is a digital zine with digital illustrations, animations, and editorial-style articles. The digital zine …
Let Me Tell You A Story = 讓我說一個故事,
2019
Lingnan University
Let Me Tell You A Story = 讓我說一個故事, Sau Ping Adam Wong
Artists-in-Residence Programme : Exhibition Catalogues
"Let Me Tell You a Story" is a showcase of nine short films made by the students and a trailer of them edited by the Artist-in-Residence, Mr Adam WONG Sau Ping.
Wong’s films show a humanistic perspective and employ storytelling to reveal incidents and experiences of real people contemporary society. In the spring of 2019, he teaches the course VIS3298 Studio Practice with a theme on “The Art of Storytelling by Film and Video” and gave a seminar on “Adam Wong On His Filmmaking, from VHS to 4K” at Lingnan University on 25 March. In his course, Wong guides nineteen …
La Adaptación Y El Cine Teatralizado: Ordet De Kaj Munk Y Carl Theodor Dreyer,
2019
Universidad de Granada
La Adaptación Y El Cine Teatralizado: Ordet De Kaj Munk Y Carl Theodor Dreyer, Miguel Olea Romacho
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
El presente artículo aborda el estudio comparado del drama de Kaj Munk Ordet y la adaptación homónima al cine de Carl Th. Dreyer. El recurso al concepto de “reescritura fílmica” nos permite entender la relación de adaptación entre ambas obras de forma comprensiva, atendiendo a los procesos de remediación que llevan a la creación de un “cine teatralizado”. Igualmente, en la idea de reescritura se sostiene el análisis de las derivaciones ideológicas que abren el texto literario original al laicismo y a la ambigüedad poética en su versión cinematográfica.
