Reflections On The Significance Of Images In Genocide Studies: Some Methodological Considerations,
2018
Universidad Nacional de Tres de Febrero
Reflections On The Significance Of Images In Genocide Studies: Some Methodological Considerations, Lior Zylberman, Vicente Sánchez-Biosca
Genocide Studies and Prevention: An International Journal
This is the editors' introduction to the special issue: "Images And Collective Violence: Function, Use And Memory."
“You Could See Rage”: Visual Testimony In Post-Genocide Guatemala,
2018
University of Southern California
“You Could See Rage”: Visual Testimony In Post-Genocide Guatemala, Lacey M. Schauwecker
Genocide Studies and Prevention: An International Journal
Since the Guatemalan genocide against Maya populations (1981-1983), domestic and international human rights groups have organized truth commissions, forensic exhumations, and legal cases. These efforts to secure justice have achieved minimal success, prompting a reconsideration of the relationship among narrative testimony, visual testimony, and institutional standards of truth. Engaging the ideas of visual studies scholar, Nicholas Mirzoeff, I argue for the political importance of testimony that is critical of such standards, including those enforced by human rights’ legal paradigm. Following Mirzoeff’s understandings of “visuality” and “countervisuality,” I analyze “visual testimony” as that which acknowledges the dynamic interplay between word and …
Challenging Old And New Images Representing The Cambodian Genocide: The Missing Picture (Rithy Panh, 2013),
2018
University of Valencia
Challenging Old And New Images Representing The Cambodian Genocide: The Missing Picture (Rithy Panh, 2013), Vicente Sánchez-Biosca
Genocide Studies and Prevention: An International Journal
This article focuses on the images used over four decades to represent the Cambodian genocide in photography, cinema, visual arts and the media as the basis for analyzing the documentary-memoir directed by Rithy Panh, The Missing Picture. First, there is a paucity of images which depict, evoke or allude to the crimes perpetrated by the Khmer Rouge (1975-1979); second, scholars raise objections about whether any image can adequately depict a catastrophic event such as genocide. This article begins by categorizing the Cambodian genocide iconography according to the modality of the visual production. After briefly classifying this visual output in four …
Pathos, Fall 2018,
2018
Portland State University
Pathos, Fall 2018, Portland State University. Student Publications Board
Pathos
Editor: Sadie Jordan
Wukongism: Monkey King, Kungfu/Jazz, And Asian/American Performance,
2018
CUNY Graduate Center
Wukongism: Monkey King, Kungfu/Jazz, And Asian/American Performance, Sissi Liu
Dissertations, Theses, and Capstone Projects
Wukongism offers one of the first non-western epistemic frameworks to examine theatre and performance that traverse beyond the shifting taxonomies of national, cultural, racial boundaries, and in particular, Asian/American theatre and performance. Wukongism, or shapeshifter consciousness, is built on the narrative of Sun Wukong the Monkey King, a supernatural shapeshifting character from the 16th century classic Chinese novel Journey to the West. Juxtaposing physical shapeshifting (plastic surgery and performing of the racialized face) with institutional shapeshifting (reinventing and eliminating invisible and hypervisible boundaries), this dissertation project posits Wukongism as a means to examine the varying, fluid, and precarious …
The South Korean “Meta-Avant-Garde,” 1961–1993: Subterfuge As Radical Agency,
2018
CUNY Graduate Center
The South Korean “Meta-Avant-Garde,” 1961–1993: Subterfuge As Radical Agency, Sooran Choi
Dissertations, Theses, and Capstone Projects
My dissertation examines South Korean performance and conceptual art from 1961 to 1993 during the Cold War military dictatorship, and focuses on the dynamics of socio-political tension between the military dictatorship and the opposition of political dissidents comprised mostly of artists, students, and intellectuals, who defined themselves as “avant-garde artists.” Censored and suppressed by both the authoritarian government and the complacent art establishment, these art movements were omitted from conventional South Korean art history, and oftentimes dismissed as derivatives of Western art. My dissertation offers a critical revision of these activities by framing them instead as forms of radical dissent. …
Making It Pay To Be A Fan: The Political Economy Of Digital Sports Fandom And The Sports Media Industry,
2018
CUNY Graduate Center
Making It Pay To Be A Fan: The Political Economy Of Digital Sports Fandom And The Sports Media Industry, Andrew Mckinney
Dissertations, Theses, and Capstone Projects
This dissertation is a series of case studies and sociological examinations of the role that the sports media industry and mediated sport fandom plays in the political economy of the Internet. The Internet has structurally changed the way that sport fans access sport and accelerated the processes through which the capitalist actors in the sports media industry have been able to subsume them. The three case studies examined in this dissertation are examples of how digital media technologies have both helped fans become more active producers and consumers of sports and made the sports media industry an integral and vanguard …
That's So Gay!: Queer Texts In The U.S.,
2018
CUNY City College
That's So Gay!: Queer Texts In The U.S., Jesse S. Rice-Evans, Andrea Stella
Open Educational Resources
Gender is facing an identity crisis: queer identities in the new era of gender and genre are subverting paradigms of communication and genre by working with language and narrative in new ways. Queer biography and autobiography mark an important turn in contemporary literature and poetics: the shift from a male-dominant gaze towards a kaleidoscopic perspective on queer embodiment, trans and non-binary narrative, and speculative writing about other worlds & possibilities, which offer us as readers new opportunities for storytelling and thinking about writing. These forms also make space for other identities traditionally excluded from mainstream cultural narrative spaces, and we’re …
That's So Gay!: Queer Texts In The U.S.,
2018
CUNY City College
That's So Gay!: Queer Texts In The U.S., Andréa Stella, Jesse Rice-Evans
Open Educational Resources
Gender is facing an identity crisis: queer identities in the new era of gender and genre are subverting paradigms of communication and genre by working with language and narrative in new ways. Queer biography and autobiography mark an important turn in contemporary literature and poetics: the shift from a male-dominant gaze towards a kaleidoscopic perspective on queer embodiment, trans and non-binary narrative, and speculative writing about other worlds & possibilities, which offer us as readers new opportunities for storytelling and thinking about writing. These forms also make space for other identities traditionally excluded from mainstream cultural narrative spaces, and we’re …
Illusions Of "Blackness" In Contemporary Visual Culture,
2018
Lesley University College of Art and Design
Illusions Of "Blackness" In Contemporary Visual Culture, Michaël Dorn
MFA in Visual Arts Theses
My thesis begins with a primer of the historical concept of “black(ness)” and the roots of its racialization. Intertwined throughout my discussion in Section I, I will highlight a few of my research findings and discuss some of the installation images that I created as I studied the work of contemporary artists who use lexical and literal figurative “blackness” in their work—in particular, the oeuvre of Kerry James Marshall as featured in his retrospective exhibition Mastry. My discourse unfolds with a brief etymological review of both the English word “black” and its precedent conceptual forms in Section II. Section …
The Revolution Of Plastic,
2018
CUNY Hunter College
The Revolution Of Plastic, Marine Brun-Franzetti
Theses and Dissertations
The Revolution Of Plastic is a fiction film about the overconsumption of plastic in our everyday lives. Leo, a ten year-old girl who loves dolphins, rebels against her father Mister Risso, the Manager of Detergents at Willy Supermarket.
Performing The Quality Of Imperceptible Interactions Between Individuals: A Technological Challenge Regarding The Collective,
2018
Université du Québec à Montréal
Performing The Quality Of Imperceptible Interactions Between Individuals: A Technological Challenge Regarding The Collective, Marine Theunissen
Proceedings from the Document Academy
Contemporary technologies allow incredible possibilities of capturing individuals, but a problem arises when it comes to capturing a chorus, that is to say a "collective body" in motion. This proposal will address the problem of the sensitive capture of the quality of the interrelations between individuals, and of their refined interpretation through algorithms to "output” them in other forms. We will address two questions on the subject: how to capture the relations between individuals within a collective? How to create a circular-causal loop, whose artistic material (the digital data) is the interrelations of a collective, without engendering redundancy in their …
Review Of Chris Ware: Conversations,
2018
Emily Carr University of Art + Design
Review Of Chris Ware: Conversations, Carly Diab
SANE journal: Sequential Art Narrative in Education
No abstract provided.
Review Of Pioneering Cartoonists Of Color,
2018
Emily Carr University of Art + Design
Review Of Pioneering Cartoonists Of Color, Carly Diab
SANE journal: Sequential Art Narrative in Education
No abstract provided.
Sharing Identity: Indexing Cultural Perspectives Through Writing Responses To Graphic Novels,
2018
Monmouth University
Sharing Identity: Indexing Cultural Perspectives Through Writing Responses To Graphic Novels, Alex Romagnoli
SANE journal: Sequential Art Narrative in Education
Indexing identity through writing responses among ELL students in response to a graphic novel helps provide insight into how writing responses represent people and how graphic novels can aid in that process of self-discovery through their inherent multimodalities. This study takes looks at four students in an ELL class at an urban high school in southern Pennsylvania as they responded in writing to a portion of Will Eisner's New York: Life in the Big City (2006). All of the participants took events from the portion of the graphic novel provided to them and indexed their urban, cultural perspectives through their …
Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers,
2018
Georgia State University
Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers, Ewa Mcgrail, Alicja Rieger, Gina M. Doepker, Samantha Mcgeorge
SANE journal: Sequential Art Narrative in Education
The study presented in this article examines the use of comic books, specifically the TOON comic books during guided reading instruction. The instruction was provided to struggling readers by the Literacy Center at a comprehensive university in southeastern United States. What most pre-service teachers in this study agreed upon was that comic books served as an effective tool for getting their students interested in reading. Reading comic books with tutors as partners in conversation with the struggling readers in this study was also a powerful medium for facilitating students’ literacy skills development, particularly in the areas of reading fluency and …
Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis,
2018
University of New South Wales
Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette
The Qualitative Report
Visual representations can contribute to shaping how the general public perceives and engages with issues of forced migration. In 2015, thousands of Rohingya became stranded in the Bay of Bengal when smugglers abandoned them on unseaworthy boats and regional governments refused their disembarkation. Their ordeal made headlines across the globe and photographs documenting the crisis were widely disseminated. This paper applies visual-social semiotics to four of these photographs from an Agence France-Presse public exhibition. Our analysis suggests that the features in the photographs transcend the conventional “threat versus victim” dualism that typically characterizes such representations, to capture both the suffering …
Murmur/Murmuro,
2018
CUNY Hunter College
Murmur/Murmuro, Paola M. Di Tolla
Theses and Dissertations
By using repetition or misplacing intonations and accents, etc. one can imitate the slipperiness of spoken language. However, it is the accidental slippage that I find most revealing and exciting because it allows for two conversations to exist in one. Once spoken language is transcribed as text, it is put through another filter and the risk of [accidental] slippage increases by a different measure. Fingers don’t keep up or autocorrect insists on taking matters into its own hands.
“After-Ozymandias”: The Colonization Of Symbols And The American Monument,
2018
CUNY Hunter College
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
Theses and Dissertations
After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.
Strange Woods,
2018
Washington University in St. Louis
Strange Woods, Song Park
Graduate School of Art Theses
I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own …
