Visual Studies Commons^™

El Quijote En Alcalá De Henares: Graffiti, Arte Urbano Y Autorrepresentación, Juan Fernandez Cantero

Vernacular: New Connections in Language, Literature, & Culture

En el presente trabajo se realizará un estudio de los procesos culturales existentes en la ciudad de Alcalá de Henares en la actualidad a través del arte urbano. Concretamente, se analizarán las representaciones del Quijote, personaje universal de Miguel de Cervantes, en el casco antiguo y en los barrios periféricos de la urbe. Se demostrará cómo la figura del Quijote es un medio para la autorrepresentación de la ciudad. Más allá de las decisiones políticas sobre el arte urbano en el centro histórico de la ciudad, se verá cómo la iconografía del Quijote se consolida como un elemento cohesivo para …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Alexis Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Pathos, Spring 2020, Portland State University. Student Publications Board

Pathos

Editor: Claire Miller

Drawing Under Construction, Nathalie V. Alfonso

Art Theses and Dissertations

Abstract

The thesis, Drawing Under Construction navigates notions of invisible labor, repetition, and endurance. I explore aspects of labor and movement through the use of drawing, installation, performance, and video. Unseen work, an exercise of emotional control, is central to this investigation, transforming notions of invisibility and visibility into tools to explore three concepts; "Unfolding the Line,", "The Line Under Construction," and "Locating the Line." It is through these three areas of study that I further analyze “my hand” versus “the universal hand” and “my body” versus “the universal body” and create a system where my body and work live …

The Exchange Happens Here: Net Art's Alternative Currencies, April Riddle

Art History Theses and Dissertations

This thesis examines three installation pieces from the New Museum and Rhizome’s 2019 exhibition “The Art Happens Here: Net Art’s Archival Poetics.” Throughout, I question if net art can act as an alternative currency itself, if different projects can interfere with existing economic systems, and, if so, what they can reveal about changing economic structures.

Ultimately, I explore how Cory Arcangel’s Arcangel Surfware, a lifestyle brand offering products for web-surfing, is representative of works that play with accessibility and inaccessibility and alternative patronage systems in relation to social currency; how Shu Lea Cheang’s Garlic=Rich Air, a browser-based and physical garlic …

Living Stillness, Nunzio Paci

Artists-in-Residence Programme : Exhibition Catalogues

The artist-in-residence in the Fall of 2019-2020 was Mr Nunzio Paci, an Italian artist whose paintings and drawings bring out unexpected connections between human or animal anatomy on the one hand, and plants and flowers on the other hand. The intertwining of the human form with other natural forms is a motif in Art Nouveau art, but Paci’s drawing style seems to owe more to Renaissance anatomical and botanical drawings such as Leonardo da Vinci’s.

Moreover, like Leonardo, Paci relies on close observation, for example, of anatomical wax models and even genuine human corpses. In other words, he draws from …

Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright

Journal of Religion & Film

John Ford’s The Grapes of Wrath (1940) visualizes conventions of the apocalypse genre to represent not simply a particular historical setting, the Great Depression, but also a vision of history to be interpreted in terms of eschatology. Expressionistic photography transforms the characters’ experiences into enigmatic visions that invite and guide interpretation. A comparison of montage sequences in Ford’s The Grapes of Wrath and Pare Lorentz’s The Plow That Broke The Plains (1936), a Farm Security Administration documentary, clarifies how Ford’s narrative film aligns spectators within and outside the mise-en-scène.

The Gaze And A Sufi Ethics Of Vision In Majidi’S The Willow Tree: Form, Meaning, And The Real, Cyrus A. Zargar

Journal of Religion & Film

In his 2005 film The Willow Tree (Bīd-i Majnūn), Majid Majidi offers a complex moral commentary on the faculty of sight. To do so, the filmmaker draws from Sufi theories of gazing, in which desire must be for ultimate meaning (maʿnā), as conveyed through the vehicle of perceivable form (ṣūra), a distinction with both metaphysical and ethical implications. Majidi presents sight, when devoid of contemplation, as a sort of voyeurism, especially in contrast to the privacy and immediacy of speech and especially within the context of the modern city. Moreover, his use of a …

Review Of Aesthetics, Ethics And Trauma In The Cinema Of Pedro Almodóvar, Kelli Fuery

Film and Media Arts Faculty Articles and Research

A book review of Julián Daniel Gutiérrez-Albilla's Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar.

Terre Brûlée : Une Éco-Poétique Du Vide, Pierre Taminiaux

20th and 21st Century French and Francophone Studies International Colloquium

Au XXIe siècle, les sociétés occidentales sont confrontées à de nouvelles formes de chaos. Celui-ci comporte plusieurs dimensions, à la fois sociales, culturelles et écologiques. L’art doit dès lors prendre en considération cette situation d’une manière ou d’une autre. C’est ce qui m’autorise à parler ici de mes images photographiques rassemblées sous le titre de Terre brûlée.

Celles-ci ont été prises à l’automne 2017, au Portugal, près de la ville de Leiria, dans une forêt de bord de mer (une pinède, plus exactement) qui fut longtemps considérée dans l’histoire de ce pays comme un domaine royal. Cette saison fut …

La Strada, Federico Pacchioni

World Languages and Cultures Faculty Books and Book Chapters

"Released in 1954, La strada was the third solo directorial work of Federico Fellini and followed the critical and commercial success of I vitelloni (1953). Together with the films that preceded La dolce vita (1960), La strada represented a more traditional narrative and sober visual style that contrasted with Fellini's later experimental work. It is also an important film for understanding Fellini's reputation and evolution as an auteur director, especially in the light of the debate that it triggered among the Italian and French critics of the time regarding the true 'calling' of Italian neorealism. The idea for La strada …

"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins

Copley Library Undergraduate Research Awards

A frightening truth remains that within horror-thriller films the experience of women is at the heart of the horrifying. This project analyses the effects of film media on the construction, fetishization, and destruction of female figures and engages with feminist critical concepts, such as Laura Mulvey’s “male gaze” and Linda Williams’ “body horror,” to evaluate Alfred Hitchcock’s film Vertigo (1958) and Satoshi Kon’s anime Perfect Blue (1997). Importantly, this essay critiques the misogynistic inner-workings of the horror-thriller genre typified in Vertigo—that evokes visual pleasure from objectification, victimization, and physical, often sexual, violence—and contrasts it with Kon’s anime. This paper finds …

The Road To Revolt: Existentialism And Transcendental Style In Two-Lane Blacktop, Garrett Strpko

Bouwsma Paper Contest

Paul Schrader’s Transcendental Style in Film, since its release in the 1970s, has been an indispensable resource for studying the sacred or spiritual in the realm of cinematic art in a way that ties form to phenomenology.It has opened the door to many similar studies and discussions aboutthe possibility of material expression of an immaterial reality, especially as it concerns the particularly material medium of film. Little discussion, however, has seemed to emerge about the opposite.

Annual Report 2019-2020, Depaul University College Of Computing And Digital Media

CDM Annual Reports

LETTER FROM THE DEAN

As I write this letter wrapping up the 2019-20 academic year, we remain in a global pandemic that has profoundly altered our lives. While many things have changed, some stayed the same: our CDM community worked hard, showed up for one another, and continued to advance their respective fields. A year that began like many others changed swiftly on March 11th when the University announced that spring classes would run remotely. By March 28th, the first day of spring quarter, we had moved 500 CDM courses online thanks to the diligent work of our faculty, staff, …

Barrier-Breaking Women In Indian Cinema, Paulina Sobczak

Communication Student Works

During the last 100 years, Indian Cinema has played a major role in the influence of certain attitudes toward women in Indian society. Early on, women were portrayed as evil temptresses, sex symbols, and/or damsels in distress. These roles went against equality and were far more challenging for the women in Indian films. In 1954, a group of about 13,000 women petitioned the prime minister that these character types were unacceptable. They believed these films were having a negative effect on society, especially for the generations to come. This short documentary showcases the journey of the women who began this …

Nosthetics: Instagram Poetry And The Convergence Of Digital Media And Literature, Tanja Grubnic

Department of English Publications

This article considers the proliferation of nostalgic aesthetics in Instagram poetry (‘instapoetry’). Though often overlooked, the relationship between the platform and the poetry itself is a vibrant entry point into debates about the handwritten, analogue and vintage styles of instapoetry. Connecting modernist and postmodernist arguments about nostalgia, this article aims to form a critical and conceptual lens with which to analyze the visual aspects of nostalgic aesthetics—referred to as ‘nosthetics’—characteristic of Instapoetry, investigating how and why the genre impersonates the pre-digital, analogue past. By examining scholarship on platforms, nostalgia and instapoetry, this article shows how the concept of nosthetics can …

Escaping Suburbia: A Study In Film Auteur Pertaining To Tim Burton And The Coen Brothers, Morgan Bedard

Undergraduate Honors Theses

This project will focus on the concept of “Auteur Theory” which is a particular film theory branch that emphasizes the filmmaker as the “author” of their work. “Auteur” is a French word meaning “author” in the sense of a person holding complete creative control. Studying Auteur Theory allows for viewers to better understand the filmmaker as a person by connecting visual patterns to the auteurs’ own life. The “filmmaker” in Auteur Theory is defined as the director and they must exercise almost or complete control of all aspects of a film. Distinct visual characteristics as well as repeated casting of …

Hear Me Roar, Abigail R. Seethoff

Graduate Student Theses, Dissertations, & Professional Papers

Hear Me Roar, a compilation of personal essays interspersed with short forms, grapples with the nuances of compliance versus autonomy in the context of the male gaze, beauty standards, and pop culture. The collection also explores what it means to treasure something—another person, an object—and how to express and deepen that affection.

Pathos, Winter 2020, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan

2020 Icrcc Proceedings Table Of Contents, Conference Organizers

International Crisis and Risk Communication Conference

These proceedings are a representative sample of the presentations given by professional practitioners and academic scholars at the 2020 International Crisis and Risk Communication Conference (ICRCC) held March 9-11, 2020. The ICRCC is an annual event that takes place the second week in March in beautiful sunny Orlando, Florida. The conference hosts are faculty and staff from the Nicholson School of Communication and Media. The goal of the ICRCC is to bring together prominent professional practitioners and academic scholars that work directly with crisis and risk communication on a daily basis. We define crisis and risk broadly to include, for …