Memorias | Electronic Literature + Live Coding Performance,
2020
McMaster University
Memorias | Electronic Literature + Live Coding Performance, Jessica A. Rodriguez Miss, Rolando Rodriguez, Alejandro Brianza, Luis M. Guzman
Electronic Literature Organization Conference 2020
Memorias is a web-based artistic project by Jessica Rodríguez developed through the Estuary platform —an online platform to host live coding languages. It is based in six autobiographical writings connected to the way she “hears”, “writes”, “watches”, “reads”, “sees” and “listens” to the word. Through these texts, six code works were designed and programmed, hybridizing natural and computing languages by parsing three existing live coding languages: Tidal Cycles, Punctual, and CineCer0.
Together, Memorias’ languages collide different materialities as well as visual and sonic approaches, going from voices in English, Spanish, Cello and Paetzold samples, audio and visual synthesis, and pre-recorded …
De La Novela Picaresca A El Chavo Del 8,
2020
CUNY City College
De La Novela Picaresca A El Chavo Del 8, Carlos Aguasaco
Publications and Research
Los albores de la modernidad[i] coincidieron con la emergencia de la novela picaresca en la que temas como la niñez, la educación, la pobreza agravada por el hambre extrema, y la idea de la movilidad social, aparecieron representados en obras muy populares como El Lazarillo de Tormes (1554), El Buscón (1626), El Periquillo Sarniento (1819) y La vida inútil de Pito Pérez (1938). La popularidad de la novela picaresca emanaba de su novedosos realismo social y urbano, sumados a la disponibilidad de copias hecha posible gracias a la imprenta de Gutenberg. El Chavo del 8 (1971-1980) ha tenido una …
Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media,
2020
Pontificia Universidad Catolica del Peru
Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado
Electronic Literature Organization Conference 2020
Since the first decades of the twentieth century, Peruvian poetic tradition has been characterized by experimental uses of language. Among these possibilities, some records tensioned this medium from the link with the plastic arts, as in the case of the poetry of José María Eguren, while others opted for the playing with the spatiality and visuality of the blank sheet, such as in the case of the work of Carlos Oquendo de Amat. However, it is not until the appearance of the poetry of César Vallejo, specifically with a poems like Trilce in 1922, that these breakages force us to …
Productive Misreading In Intermedia Art: Four Approaches By A Musician,
2020
Texas A&M University
Productive Misreading In Intermedia Art: Four Approaches By A Musician, Jeff Morris, Elisabeth Blair
Electronic Literature Organization Conference 2020
This discussion examines the evolution and lessons of four artistic performance works that engage with text and imagery with the mindset of a composer, rather than as an author or visual artist. The works involve computer music, improvisation, video art, generative art techniques, and challenging aesthetics. An analytical discussion reveals that different forms and mechanisms of reading are manifest in the artworks, and reflections upon these elucidate the intermedial nature of reading and the productive, expressive potential of interfering with these processes.
New Flesh Cinema: Japanese Cyberpunk-Body Horror And Cinema As Catharsis In The Age Of Technology,
2020
University of Arkansas, Fayetteville
New Flesh Cinema: Japanese Cyberpunk-Body Horror And Cinema As Catharsis In The Age Of Technology, Sarah Henry
Graduate Theses and Dissertations
This thesis provides a critical analysis of a specific group of films that combine the subgenres of cyberpunk and body horror which I call New Flesh Cinema. Films of this subgenre counter fears and anxieties of technological advancements by re-imagining the rise of technology and its societal effects as a transitional process through the illustration of literal and visceral depictions of the necessary alterations people will have to undergo in order to transition successfully into the new world. To contradict apocalyptic fears of advancing technology, these films offer a vision of a “New Flesh.” I argue the films share three …
I Am Fascinated By What Is Beautiful, Strong, Healthy” Leni Riefenstahl, Gender, And Absolved Guilt,
2020
Bowling Green State University
I Am Fascinated By What Is Beautiful, Strong, Healthy” Leni Riefenstahl, Gender, And Absolved Guilt, Karmann Ludwig
International ResearchScape Journal
Public discourse around the Nazi regime is typically surrounded by its doctrine of hatred and violence; traditional gender roles and these traits have rendered fascism a decidedly masculine pursuit—which Nazi doctrine wholeheartedly supported. Many men are to blame for the atrocities of the Holocaust and are rightfully criticized and despised for their actions; however, though a major contributor to the fascist ideology through her propaganda, filmmaker Leni Riefenstahl has remained extremely controversial. While scholars and critics have criticized Leni Riefenstahl’s films as emblemizing a fascist aesthetic, many have nonetheless praised her as an innovative artist, arguing for a separation from …
Promoting The Consumer Citizen: Seals, Spectacles, And The Gendered Consumer In Depression-Era America,
2020
CUNY Graduate Center
Promoting The Consumer Citizen: Seals, Spectacles, And The Gendered Consumer In Depression-Era America, Danielle B. Wetmore
Dissertations, Theses, and Capstone Projects
This thesis will argue that New Deal legislation accounted for increased importance placed on consumers and the articulation of consumer citizenship as female during the Great Depression. Once New Deal programs and legislation determined and legitimized the consumer citizen, the consumer citizen exercised influence though purchasing power. Analyzing the ways the federal government defined women as consumer citizens through programs like the National Recovery Administration’s Blue Eagle Campaign offers important insight into who was considered to have a voice. Notions of citizenship define groups by who has the necessary attributes and qualifications—in this case the means to purchase goods—to be …
Queer Baroque: Sarduy, Perlongher, Lemebel,
2020
CUNY Graduate Center
Queer Baroque: Sarduy, Perlongher, Lemebel, Huber David Jaramillo Gil
Dissertations, Theses, and Capstone Projects
This dissertation analyzes the ways in which queer and trans people have been understood through verbal and visual baroque forms of representation in the social and cultural imaginary of Latin America, despite the various structural forces that have attempted to make them invisible and exclude them from the national narrative. My dissertation analyzes the differences between Severo Sarduy’s Neobaroque, Néstor Perlongher’s Neobarroso, and Pedro Lemebel’s Neobarrocho, while exploring their individual limitations and potentialities for voicing the joys and pains of being queer and trans in an exclusionary society. As I analyze the literary works of each artist, …
Death Positivity: A New Genre Of Death And The Genre Function Of Memento Mori,
2020
California State University, San Bernardino
Death Positivity: A New Genre Of Death And The Genre Function Of Memento Mori, Melony Elsie Del Real
Electronic Theses, Projects, and Dissertations
This article explores Caitlin Doughty’s “death positivity” as an evolved form of the medieval memento mori, and how this medieval genre serves as a genre function for current day thanatophobic audiences. This is specifically done by analyzing Doughty’s book titled Smoke Gets in Your Eyes, as well as some of her other death positivity mediums. By modeling her rhetoric of death positivity after memento mori, Doughty can effectively deliver her anti-death fearing message to the very audiences that fear death.
Furthermore, analyzing Doughty’s rhetoric as operating within the genre function, a concept put forth by Anis Bawarshi, …
“I’M Real I Thought I Told Ya”: Developing Critical Media Literacy Through U.S. Latinx Digital Media Representations,
2020
CUNY Graduate Center
“I’M Real I Thought I Told Ya”: Developing Critical Media Literacy Through U.S. Latinx Digital Media Representations, Solange T. Castellar
Dissertations, Theses, and Capstone Projects
This thesis explores how audiences engage with U.S. Latinx media representations through the practice of critical media literacy. I interrogate how media consumers construct critical media literacy through interacting with U.S. Latinx figures on digital media platforms, particularly on the social-media app, Twitter, and the user-generated video content platform, YouTube. Throughout this thesis, I argue that users on these platforms who engage with U.S. Latinx pop culture figures, like Jennifer Lopez and Belcalis Almanzar (Cardi B), read, digest, and comprehend a variety of multimedia images, texts, or videos, and that this engagement becomes an accessible form of critical media literacy, …
Fact And Fiction In Mexican Film: 1970s, 2000s,
2020
CUNY Graduate Center
Fact And Fiction In Mexican Film: 1970s, 2000s, Lily M. Ryan
Dissertations, Theses, and Capstone Projects
This dissertation aims to address generic preoccupations between fiction and documentary film, while also providing a historical analysis of two decades in Mexican cinema, the 1970s and the 2000s. It looks at nine Mexican fiction films that rely on the conventions of documentary in both form and content. Whether through a fictionalized historical recreation, a “mockumentary style,” or a clear interest in the reality of everyday life, each one of these films plays with the boundaries of documentary and fiction. While the influence of documentary is quite evident in some, in others, this influence remains subtle. In my examination of …
Queer Displacements: Minorities, Mobilities, And Mobilizations In French And Francophone Literature,
2020
CUNY Graduate Center
Queer Displacements: Minorities, Mobilities, And Mobilizations In French And Francophone Literature, Thomas Muzart
Dissertations, Theses, and Capstone Projects
Focusing on the work of Virginie Despentes, Jean Genet, Guy Hocquenghem, and Abdellah Taïa, this dissertation challenges the antisocial turn taken in queer theory, by means of a parallel study of the authors’ geographical and intellectual itineraries. While critics like Leo Bersani and Lee Edelman have suggested that the revolutionary potential in queer identity lies in its opposition to romanticized forms of community, I argue, along with José Esteban Muñoz, that their praising of singularity and negativity is similarly extreme. Alternatively, my study shows how the geographical displacements both experienced and imagined by my primary authors can illuminate the passage …
The World’S Greatest Hero: An Examination Of Superhero Tropes In My Hero Academia,
2020
The University of San Francisco
The World’S Greatest Hero: An Examination Of Superhero Tropes In My Hero Academia, Jerry Waller
Master's Projects and Capstones
In this paper the author explores the cross-cultural transmission of genre archetypes in illustrated media. Specifically, the representation of the archetype of American superheroes as represented in the Japanese manga and anime series, My Hero Academia. Through examination of the extant corpus of manga chapters and anime episodes for the franchise, the author draws comparison between characters and situations in the manga series with examples from American comic books by Marvel Comics and DC Comics. By skillfully incorporating foundational themes of American superhero comics into the shonen manga genre, My Hero Academia joins a growing collection of media that draws …
Time Machine Research And Approach,
2020
CUNY Hunter College
Time Machine Research And Approach, Tarek Bouraque
Theses and Dissertations
Time Machine is a hybrid documentary that explores the logics of enslavement, colonialism, eurocentrism and their interconnectedness in our globalized world. Mustapha Azemmouri, born in 1502, undertakes a journey to the 21st century to recount his own story of enslavement and exploration, and reflects on a collective puzzle of 500 years of hidden history.
Green Book (2018) And Blackkklansman (2018): An Analysis Of White And Black Perspectives In Contemporary Films Using Critical Race Theory,
2020
Georgia Southern University
Green Book (2018) And Blackkklansman (2018): An Analysis Of White And Black Perspectives In Contemporary Films Using Critical Race Theory, Kelsie E. Posey
Honors College Theses
This research analyzes two films, Green Book (2018) and BlacKKKlansman (2018), to uncover the connections between diverse racial representation off-screen, and the presentation of non-white perspectives on-screen. This study uses CRT to frame the effects of diverse source materials and production teams on the films' narratives.
Little Magazines, Postwar Internationalism, And The Construction Of World Cinema,
2020
University of Central Florida
Little Magazines, Postwar Internationalism, And The Construction Of World Cinema, Louise Kane
Faculty Scholarship and Creative Works
This essay explores how two interwar film magazines, Close Up (1927-33) and Experimental Cinema (1930-4), pioneered early forms of world cinema as part of wider postwar attempts to forge transnationalism, improved international relations, and humanistic dialogue among people and nations. I argue that both magazines presented the cinema as a form of global community through their establishment of film societies and clubs, inclusive contributor policies, turn toward Russian cinema, and staunch rejection of Hollywood cinema’s commercialism. These strategies enabled the construction of a shared, albeit idealistic, vision of world cinema centered on comparative approaches, anti-imperialism, and the preservation and documentation …
The Object Memory Palace,
2020
CUNY Hunter College
The Object Memory Palace, Amra Causevic
Theses and Dissertations
I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.
The Invisible Professional: Visual Culture Of Successful Black Women,
2020
Nova Southeastern University
The Invisible Professional: Visual Culture Of Successful Black Women, Sophonie Gaspard
All HCAS Student Capstones, Theses, and Dissertations
Black women in the United States have been arguably the most underrepresented, stereotyped, and hypersexualized groups in society; their contributions in the workplace often reduced in significance. Similarly, the perceived values of the white majority have historically dictated the images of minorities in the media. In their research on visual culture, Keifer-Boyd, Amburgy & Knight (2007) suggest that those with social, political, and economic power define how groups without power are represented and stereotyped, illuminating the privileges of having visible positive portrayals. As contemporary American society shifts towards greater inclusion and participation from black women, the media is encouraged to …
Cat & Mouse,
2020
Southern Methodist University
Cat & Mouse, Leah Flook
Art Theses and Dissertations
An early and pervasive paranormal experience cements my interest in the invisible link between predator, prey, and bait. My sculptural installations and drawings create spaces to evade, lure, misdirect, and trap my elusive phantom. I divide my research into three sections; The Stadium, The Players, and The Game. The Stadium is a separate world, one that holds different laws and physics. Here, I explore the correlation between Slapstick Comedy and Horror genres and their ability to bend reality in order to create a story arch. The Players references tropes played out within these genres, Ophelia and the Final Girl, and …
Dunidedcudigunadie,
2020
East Tennessee State University
Dunidedcudigunadie, Lawrence Reid
Electronic Theses and Dissertations
The artist discusses his Master of Fine Arts exhibit, titled DUNIDEDCUDIGUNADIE. The exhibit is to be held at the Tipton Gallery in downtown Johnson City, TN, from April 2nd to April 10th, 2020. A live reception will be held the evening of April 3rd, featuring a performance with the work, titled Look at You!
The following thesis explores the artist’s formative years – investigating how childhood experiences combine with artistic and theoretical influences to inform his art-making process.
