Visual Studies Commons^™

Media’S Portrayal Of Women And Its Impact On Body Image And Self-Esteem, Hannah Bareis

Marketing Undergraduate Honors Theses

This project addresses the portrayal of women in media and its damaging effects on body image and self-esteem. It raises two critical questions: What negative impact is media creating on women? What can be done to combat these destructive effects?

According to a study done by Common Sense Media, "American teens use an average of 9 hours of media daily, not including for school and homework" (Common Sense Media, 2015). This data, along with many others, shows the severity of media exposure to teens. This has brought a valuable discussion to the table. How has this impacted female body image, …

Beautiful People: The Past, Present, And Future Of The Fashion Industry's Thin Ideal, Shane White

Graduate Theses and Dissertations

Negative body image among women has become an extremely relevant topic in the last decade. The “ideal” female body image and what a person should look like according to marketing and advertising has become a highly controversial issue. This project seeks to show how the fashion industry has, over centuries, shaped how people think they need to look and in today’s time and show how it has been a root cause of issues like body image complexes leading to negative self-perception, eating disorders, mental illnesses like anxiety, depression and addiction, and even suicide. Over the last three to four decades, …

Personification In Advertising: A Rhetorical Analysis Of Digital Video Ads In The Insurance Industry, Dorm Kpedor

Electronic Theses and Dissertations

Major companies in the insurance industry—notably Allstate, Progressive, and Farmers—often employ personification as a creative rhetorical tool in digital video advertisements. By leveraging brand characters in various ways, these companies seek to establish trust and engender emotional impact in customers. Allstate ascribes destructive characteristics that are associated with house cats to its Mayhem character; in doing so they evoke the desired emotional responses of humor and fear. Progressive creates and deploys the Motaur character, a visual personification and play on the Centaur; in this case, the company’s rhetorical strategy is to evoke humor and nostalgia that resonate with motorcycle owners. …

Understanding Spaces Of Abandonment Through Virtual Frameworks In Landscape Architecture, Aus Perez

Honors Program: Senior Projects (Public)

In recent years, design professionals have implemented many contemporary landscape architecture projects across the United States. With a primary goal of returning nature to urban environments, contemporary landscape architects and other transdisciplinary partners work diligently to sculpt physical spaces that reflect the human-living experience. However, a leap into the world of video game design could allow landscape architects and urban planners to more freely create virtual social environments to address rising issues of abandonment in today’s urban and rural spaces. Video game mechanics and methodologies can be used extensively in the disciplines of design that value participatory processes, like landscape …

The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet

Visual Arts Publications

From the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque. Further, the retablos are connected by the inclusion of caryatid framing devices that establishes a strong affinity among the works. Two of the retablos are located in Mani: the Retablo of San Antonio de Padua and the Retablo of Nuestra Señora de Soledad (or sometimes called the Dolores Retablo). At Teabo is the Retablo de Santa …

How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali

Artl@s Bulletin

What role did UNESCO play in the art world of the post-war era? This article makes use of published and archival sources in order to clarify the utopia of a “World Art” that shaped UNESCO and led to the “Archives of Colour Reproductions of Works of Art”, a project of worldwide collect and diffusion of images of “masterworks” inspired by Malraux’s “Museum without walls”. This case study focuses on one particular aspect of the project, the “UNESCO Prize”, conceived by the Brazilian art critic and Marxist intellectual Mario Pedrosa for the 1953 São Paulo Biennial.

The Copy & The Real Thing: Changing Perceptions Between The Rubens Centennials In 1877 And 1977, Griet Bonne

Artl@s Bulletin

In this paper I examine the changing relationship between mechanical reproductions and the original artwork in the context of the Rubens centennials in 1877 and 1977. Drawing on theorists such as Walter Benjamin, Dean MacCannell, Hans Belting and Boris Groys, I argue that the mechanism of copying generates a double logic of image perception: a simultaneous centrifugal and centripetal circulation of images that affects how people perceive art in modern society. I explore this perception dynamic by looking at two photo-exhibitions during the Rubens centennials.

This Must Be The Place: A Short Film, Reagan Shull

Honors Projects

This Must Be The Place is a short film categorized as a Coming of Age Mystery with strong narrative ties to Magical Realism set in the heart of small town America. The key thematic ideas are identity, female relationships, isolation, friendship, and loss. This story emphasizes each person’s struggle for identity, and the isolation that can be brought upon themselves when they do not know who they are. Further, the difficulties regarding the search for one’s dreams without a strong sense of identity are also discussed in this narrative. Ultimately, this story is about dealing with isolation as we grow …

Pathos, Spring 2021, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell

Looking While Reading I, Ii, Iii, Sarah Minor

Journal of Creative Writing Studies

This article introduces the term “visual essay” by tracing the genre’s history through the concrete poetry movement and the rise of the lyric essay. In describing the aims of visual essays, Minor distinguishes between “illustrative” and “non-illustrative” shaped texts, and suggests connections between “non-illustrative” examples and the aims of “Intersectional Form,” a term coined by scholar Jen Soriano.

Using Visual Resources To Teach Primary Source Literacy, Daniel Davis

Journal of Western Archives

Historic photographs provide an excellent teaching tool for promoting primary source literacy. People like to look at photographs, we all take them, and they illustrate the strengths and limitations of analyzing and interpreting primary sources. In 2019 I spent six months on sabbatical taking a “deep dive” into the new primary source literacy standards as well as the literature for teaching with primary sources. I then created a lesson plan, “Exploring the West in the Golden Age of Photography,” that focused on teaching primary source literacy through historic images. While this lesson plan was aimed at instructors teaching U.S. West …

The Writing For Healing And Transformation Project, Heather Elizabeth Osborn

Education Doctorate Dissertations

As a qualitative action research study, the purpose of The Writing for Healing and Transformation Project was to facilitate more inclusive writing strategies and to promote individual and collective healing on issues of social suffering and oppression (Kleinman, Das, & Lock, 1997; Pennebaker & Smyth, 2016) for diverse students at a community college located in the northeastern United States. The 18 participants in the study included students in my English II literature and composition course. The theoretical framework encompassed Pennebaker’s (2016) “writing for healing” paradigm, advocating the use of expressivist writing and “social suffering theory,” examining how power structures affect …

Selections From Divinatio Diver, Sculptural Antipathia In Atonement Transcendo, And Mechanika Momento: Creatio Forecaster, Antonie Frankie Aquino

Far West Popular Culture Association Annual Conference

It is fated inspiration which penetrates the heart, satisfies the collective soul, and offers its spirit to the vastness of ceremonial vision. Vision becomes sound and sound forms a poetic voice displaced— this displacement radiates a mythologized poetic voice serving as a lyrical object, theogonic lyre, and the genealogical muse. Selected poems from Divinatio Diver, Sculptural Antipathia: In Atonement Transcendo and Mechanika Momento: Creatio Forerunner, the collected poems orchestrate a tryptic voice that dismantles the outward magnitude of the self by subverting the antithetical self through spiritual and organic sensualness.This mythopoeic tripartism simultaneously interconnects with religion, theology, and metaphysics which …

Influential Storytelling At Its Finest: Why The Postwar West Took Notice Of Yasujirō Ozu’S Tokyo Story, Abigail Deveney

Japanese Society and Culture

Tokyo Story (1953) came to fame in 1958, when Yasujiro Ozu’s postwar film about a fragmenting family won the Sutherland prize at the London Film Festival – or so cinematic scholarship suggests. There is, however, a much more complex tale to be told. In fact, director Ozu’s shomingeki-genre film was being discussed and promoted internationally long before what is considered that watershed moment.

This dissertation explores why the western world took note. It argues that Tokyo Story’s nuanced and humanist narrative was a unique form of soft power, attracting and persuading decades before that concept was formally articulated. Tokyo Story’s …

Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal

Dissertations, Theses, and Capstone Projects

This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Morkovcha [Korean Carrot Salad], Lidiya A. Kan

Theses and Dissertations

Morkovcha, Korean Carrot Salad is a short documentary that tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with my mother, personal stories, fragmented memories, and my family photo archive. This very personal film is my attempt to revisit the 160-year history of the Russian Korean diaspora and to record and preserve our unique fusion of cultures in the melting pot that is the United States. Its purpose is to help to process and accept the tragic past of my …

Kevin Macleod Documentary, Thomas E. Seymour

Theses and Dissertations

Kevin MacLeod is a film composer with over 2,000 songs that anyone can use for free in their films and projects as long as credit is provided to MacLeod. For over twenty years his music has been available to the public.

Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia

Languages and Cultures Publications

The article draws up an inventory of, and compares strategies for, the theoretical and critical treatment of the absence–presence interplay at stake in the literary and visual representations of absence. This brings to our attention a multiplicity of heterogeneous and, to a greater or lesser degree, marginal signify-ing phenomena that have in common patterns of disrupting and deviating from the standard conventions of creating and conveying meaning through figures of absence. Lacking a name for these disparate yet similar instances where meaning is created from empty signifiers, we have chosen to call them figural voids. This attempt to produce a …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …