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Film and Media Studies Commons

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9,063 full-text articles. Page 47 of 391.

'Sinner' & 'Feel The Music', Gillian Crow-Juarez, Josh Hakman 2025 California Polytechnic State University, San Luis Obispo

'Sinner' & 'Feel The Music', Gillian Crow-Juarez, Josh Hakman

.RAW Journal of Art and Design

No abstract provided.


'Eva'; 'Lone Road'; & 'Mi Mama', Frankie Grosser, Amelie Sandoval, Tiffany Orellana 2025 California Polytechnic State University, San Luis Obispo

'Eva'; 'Lone Road'; & 'Mi Mama', Frankie Grosser, Amelie Sandoval, Tiffany Orellana

.RAW Journal of Art and Design

No abstract provided.


'Leprawn James'; 'Longing'; & 'The Alchemists', Kyra Oh, Emily La Puma, Lillie Turinsky 2025 California Polytechnic State University, San Luis Obispo

'Leprawn James'; 'Longing'; & 'The Alchemists', Kyra Oh, Emily La Puma, Lillie Turinsky

.RAW Journal of Art and Design

No abstract provided.


'Culture In Couture' & 'Decapitated Darling', Cooper Mortensen, Maneli Mianji 2025 California Polytechnic State University, San Luis Obispo

'Culture In Couture' & 'Decapitated Darling', Cooper Mortensen, Maneli Mianji

.RAW Journal of Art and Design

No abstract provided.


'An Irreversible Flame' & 'Tuned To The Moment', Christianna Gatti, Michaela Velleno 2025 California Polytechnic State University, San Luis Obispo

'An Irreversible Flame' & 'Tuned To The Moment', Christianna Gatti, Michaela Velleno

.RAW Journal of Art and Design

No abstract provided.


'Starfishin'' & 'Neighborhood Threads', Chloe Krome, Riley Williamson 2025 California Polytechnic State University, San Luis Obispo

'Starfishin'' & 'Neighborhood Threads', Chloe Krome, Riley Williamson

.RAW Journal of Art and Design

No abstract provided.


'08.04.24 Skyline' & 'Port', Aviv Kesar, Tyler Deal 2025 California Polytechnic State University, San Luis Obispo

'08.04.24 Skyline' & 'Port', Aviv Kesar, Tyler Deal

.RAW Journal of Art and Design

No abstract provided.


'Wish You Were Here'; 'A Collection Of Webkinz Puppies'; & 'Welcome Slome', Ava Donaldson, Erin Robinson, Celeste Ibarra 2025 California Polytechnic State University, San Luis Obispo

'Wish You Were Here'; 'A Collection Of Webkinz Puppies'; & 'Welcome Slome', Ava Donaldson, Erin Robinson, Celeste Ibarra

.RAW Journal of Art and Design

No abstract provided.


'All Bottled Up' & 'Young Cowboy', Amanda Keith, Claire Hughes 2025 California Polytechnic State University, San Luis Obispo

'All Bottled Up' & 'Young Cowboy', Amanda Keith, Claire Hughes

.RAW Journal of Art and Design

No abstract provided.


Table Of Contents, Emily La Puma 2025 California Polytechnic State University, San Luis Obispo

Table Of Contents, Emily La Puma

.RAW Journal of Art and Design

No abstract provided.


Opening, Itzel Camarillo-Gonzalez 2025 California Polytechnic State University, San Luis Obispo

Opening, Itzel Camarillo-Gonzalez

.RAW Journal of Art and Design

No abstract provided.


Cover, Celeste Ibarra 2025 California Polytechnic State University, San Luis Obispo

Cover, Celeste Ibarra

.RAW Journal of Art and Design

No abstract provided.


Full Issue, Erin Robinson, Michaela Velleno 2025 California Polytechnic State University San Luis Obispo

Full Issue, Erin Robinson, Michaela Velleno

.RAW Journal of Art and Design

No abstract provided.


The Great Cherokee Grandmother, William L. Blizek, Monica Blizek 2025 University of Nebraska at Omaha

The Great Cherokee Grandmother, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a review of the short film, The Great Cherokee Grandmother (2025), directed by Anthony Sneed. Sneed is a part of the Eastern Band of Cherokee Indians in North Carolina.


Nipu Utaiamun (The Voice Of Water), Monica Blizek 2025 University of Nebraska Omaha

Nipu Utaiamun (The Voice Of Water), Monica Blizek

Journal of Religion & Film

This is a review of the short film Nipu utaiamun (The Voice of Water), directed by Uapukun (Flower) Mestokosho McKenzie.


My Omaha, John C. Lyden 2025 University of Nebraska Omaha

My Omaha, John C. Lyden

Journal of Religion & Film

This is a film review of My Omaha (2025), directed by Nick Beaulieu.


“Time Is Our Only Ally!”: Indigenous Heroism And Native Slipstream In Turok, Son Of Stone, Justin Wigard 2025 University of North Dakota

“Time Is Our Only Ally!”: Indigenous Heroism And Native Slipstream In Turok, Son Of Stone, Justin Wigard

Heroism Science

In this article, I draw on Frederick Luis Aldama’s framework of Graphic Indigeneity to revisit the long history of an Indigenous hero figure in comics: Turok, a pre-Columbian Mandan warrior lost in a prehistoric space known as the Lost Valley. First appearing in Dell’s Four Color Comics #596 (1954), Turok has appeared throughout comics history for nearly 70 years, primarily written and drawn by white creative teams, yet a visually, narratively prominent Indigenous hero in the comics page, one who has periodically been a top-selling popular character in the comics industry. To this end, I argue that Turok is a …


I Am Grass, Sheila Nayar 2025 University of Utah

I Am Grass, Sheila Nayar

Journal of Religion & Film

This is a review of the short film, I am grass (2024), directed by Abhi Indrekar.


Silent Trees, William L. Blizek 2025 University of Nebraska at Omaha

Silent Trees, William L. Blizek

Journal of Religion & Film

This is a review of Silent Trees (2024), directed by Agnieszka Zwiefka.


Haptic Processing: How The Shutter Button Shapes Photography, Sean Scanlan 2025 CUNY New York City College of Technology

Haptic Processing: How The Shutter Button Shapes Photography, Sean Scanlan

Publications and Research

The goal of this essay is to explore the haptics of taking photographs in the digital age. More specifically, I examine the evolving relationship between the body and imaging technologies. The body must, somehow, interact with the camera shutter, whether the shutter is a simple mechanical door or an electrical timing network switch. Human intention has to activate the switch via a button, even if this intention is complicated: since 2012, mobile phones can take photos using voice commands, relieving the need to physically touch the shutter button. One does not necessarily need to use the fundamental levers often associated …


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