Towards Active Learning Practice: A Theory To Practice-Led Model. Part 3: Engagement, Motivation And Classroom Management,
2025
SAE University College
Towards Active Learning Practice: A Theory To Practice-Led Model. Part 3: Engagement, Motivation And Classroom Management, Strutts Psyridis
Staff Scholarship - Australia & Dubai
Part 3 of this continuing series on Active Learning examines engagement, motivation, and classroom management within active learning environments, arguing that meaningful engagement is performative, designed, and context-dependent. Drawing on creative industries, intrinsic motivation theory, flipped classroom models, and digital pedagogies, it proposes that effective teaching integrates facilitation, structure, and adaptive strategies to sustain learner agency, participation, and deep learning.
Dead Lover,
2025
Truman State University
Dead Lover, Dereck Daschke
Journal of Religion & Film
This is a film review of Dead Lover (2025), directed by Grace Glowicki.
Touch Me,
2025
Truman State University
Touch Me, Dereck Daschke
Journal of Religion & Film
This is a film review of Touch Me (2025), directed by Addison Heimann.
Mola: A Tibetan Tale Of Love And Loss,
2025
Truman State University
Mola: A Tibetan Tale Of Love And Loss, Dereck Daschke
Journal of Religion & Film
This is a film review of Mola: A Tibetan Tale of Love and Loss (2025), dir. Martin and Yangzom Brauen.
Glorious Summer,
2025
Truman State University
Glorious Summer, Dereck Daschke
Journal of Religion & Film
This is a film review of Glorious Summer (2025), directed by Helena Ganjalyan and Bartosz Szpak.
Your Higher Self (Le Plein Potentiel),
2025
Truman State University
Your Higher Self (Le Plein Potentiel), Dereck Daschke
Journal of Religion & Film
This is a film review of Your Higher Self (Le Plein Potentiel) (2025) directed by Annie St-Pierre.
Mermaid,
2025
Truman State University
Mermaid, Dereck Daschke
Journal of Religion & Film
This is a film review of Mermaid (2025), directed by Tyler Cornack.
Protracting The Immediate: Time As Form In Contemporary Horror,
2025
University of South Florida
Protracting The Immediate: Time As Form In Contemporary Horror, Kennedy Kelley
USF Tampa Graduate Theses and Dissertations
This thesis examines the expression and experience of temporality in horror films of the last decade. Whereas early twenty-first century horror was characterized by high-octane jump scares, current horror is marked by contemplative slowness. I argue that the elongated duration of recent horror extends an experience of indeterminate anxiety that attunes us to an expansive relationality, offering a corrective not only to contemporary logics of immediacy, but also to the frequently constricting nature of embodiment as a theoretical concept. Recent horror scholarship tends to center sensuous propinquity in response to a long history of gaze theory’s disembodied passivity. While these …
The Manosphere’S Reception Of The Women Auteurs Behind The ‘Man-Eating’ Jennifer’S Body (2009) And ‘Man-Hating’ Barbie (2023),
2025
University of South Florida
The Manosphere’S Reception Of The Women Auteurs Behind The ‘Man-Eating’ Jennifer’S Body (2009) And ‘Man-Hating’ Barbie (2023), Hilda Sheridan-Hewlett
USF Tampa Graduate Theses and Dissertations
Scholarship on women filmmakers has not significantly emphasized the burden women auteurs carry when bracing themselves for the reception from misogynistic community discourse online, the manosphere. Director Greta Gerwig and screenwriter Diablo Cody are not simply perceived as filmmakers but as birth mothers of their work: Barbie (2023) and Jennifer’s Body (2009) which convey inherently popular feminist narratives. I argue Cody and Gerwig faced the wrath of the men online because they are inextricably linked to their productions, the feminization of their work in the eyes of the manosphere equals personalization. Despite Cody having the freedom to write any film …
Contributors,
2025
California Polytechnic State University, San Luis Obispo
'Scatter' & 'Divine',
2025
California Polytechnic State University, San Luis Obispo
'Scatter' & 'Divine', Victoria Dai, Margaret Mallow
.RAW Journal of Art and Design
No abstract provided.
'Can't Feel Me'; 'Bodies In Nature'; & 'Chypre',
2025
California Polytechnic State University, San Luis Obispo
'Can't Feel Me'; 'Bodies In Nature'; & 'Chypre', Owen Isachsen, Joie Rahn, Jaclyn Brodersen
.RAW Journal of Art and Design
No abstract provided.
'Nazare, Portugal' & 'Fingered',
2025
California Polytechnic State University, San Luis Obispo
'Nazare, Portugal' & 'Fingered', Tasman Fruhauf, Olivia Pye
.RAW Journal of Art and Design
No abstract provided.
'Visual Control'; 'What Lurks'; & 'Whispers Of My Roots',
2025
California Polytechnic State University, San Luis Obispo
'Visual Control'; 'What Lurks'; & 'Whispers Of My Roots', Nick Degeorge, Samarra Sanders, Shrishti Dutta
.RAW Journal of Art and Design
No abstract provided.
'The Deception Of Elegance' & 'Submarine Cinema',
2025
California Polytechnic State University, San Luis Obispo
'The Deception Of Elegance' & 'Submarine Cinema', Maya Benham, Lucas Vergara
.RAW Journal of Art and Design
No abstract provided.
'Picking Up The Pieces' & 'Show Me The Way',
2025
California Polytechnic State University, San Luis Obispo
'Picking Up The Pieces' & 'Show Me The Way', Liliana Monge, Lorelai Samuel
.RAW Journal of Art and Design
No abstract provided.
'Pink Party' & 'West',
2025
California Polytechnic State University, San Luis Obispo
'Pink Party' & 'West', Kelli Ayon, Kennedy Ray
.RAW Journal of Art and Design
No abstract provided.
'Mio- Branding' & 'Pillow Book',
2025
California Polytechnic State University, San Luis Obispo
'Mio- Branding' & 'Pillow Book', Jenni Martinez, Itzel Camarillo-Gonzalez
.RAW Journal of Art and Design
No abstract provided.
'Veiled In Luminance'; 'Herd'; & 'Preservation',
2025
California Polytechnic State University, San Luis Obispo
'Veiled In Luminance'; 'Herd'; & 'Preservation', Victorine Philippe, Zoe Shaikh, Jolina Chen
.RAW Journal of Art and Design
No abstract provided.
'Sinner' & 'Feel The Music',
2025
California Polytechnic State University, San Luis Obispo
'Sinner' & 'Feel The Music', Gillian Crow-Juarez, Josh Hakman
.RAW Journal of Art and Design
No abstract provided.
