Film and Media Studies Commons^™

Teaching Video Composition And Digital Rhetoric In The Youtube Era: Analysis And Research Of Academic Video Essays In The College Composition Classroom, Carmen Ollila

All NMU Master's Theses

As video-based communication has gained popularity across sites like YouTube, it is essential to represent this type of rhetorical communication within the college composition classroom. Using video and filmmaking to communicate information in the classroom is not new, as academics have explored such media as aids to writing since the 1970s, following the popularity of news broadcasting in the 1950s. In the 21st Century, teaching students video composition and digital rhetoric in an era where a platform such as YouTube has made it easier to share information to a large audience. The freshman college composition classroom should provide the tools …

Stop Looking Away: On The Zone Of Interest And Palestine, Trevor J. Matteson

Augustana Center for the Study of Ethics Essay Contest

Jonathan Glazer’s The Zone of Interest is a radical interrogation of complicity, silence, and the carefully curated distance that enables atrocity to unfold in full view. Through a cinematic language defined by absence - of violence, of sentimentality, of conventional storytelling - Glazer collapses the walls between the viewer and the horror we are trained to ignore. The film’s haunting sound design, unflinching cinematography, and alienating formal strategies construct a domestic world nestled against a genocide, daring us to recognize our own proximity to suffering. By situating the Hoss family’s banal cruelty alongside the ongoing genocide in Gaza, the essay …

A Score For The Outdoors: A Study Of Hayao Miyazaki's Environmentalism And Joe Hisaishi's Score In Princess Mononoke, Jasper E. Vasilevskis

Senior Theses

This honors thesis explores the role of composer Joe Hisaishi’s score in relation to director Hayao Miyazaki’s environmental perspective in Princess Mononoke (1997). Miyazaki’s belief that, regardless of the target audience, a story cannot be told without presenting “the ecological issues”[1] leads to the production of films that have rhetoric in support of environmental appreciation and conservation embedded throughout. When read through an environmentalist lens, Princess Mononoke becomes a critique of “human-centric” thinking, instead supporting an ideology similar to “deep ecology,” which considers humans to be intrinsically linked to nature. Despite Hisaishi and Miyazaki’s close collaboration that leads to …

Come To Jesus, Christopher Cunningham

LMU Theses and Dissertations

"Come to Jesus" is a comedy feature screenplay. With a tonal comp being "Superbad in sunday school", it follows a young evangelical boy named Toby, who attends his final Vacation Bible School camp at church before graduating high school. His lifelong dream of winning a bible college scholarship through his church is put in flux as his biggest rival, Shadrach, returns unexpectedly from his few years away in New York. Possessing all of the natural charisma and charm in the world, Toby sees the writing on the wall - he has no chance of winning this scholarship. That's when he …

Tartans: Weaving A Warped History With Myths, Heritage And A Whole Lot Of Heather., Bethany Sassen

LSU Master's Theses

Scotland has many tartans throughout the whole of the country. Each has a different meaning and is used for different clans and purposes. Tartans are the plaids that are seen throughout the Highlands and the patterns and colors have a wide range depending on where and when the tartan was created. The purpose of this research is to investigate the history of the tartans and how they interact with our current culture. I also built two outfits to show how tartan is still being used. One a more traditional outfit and the other more avant garde. Tartans have a long …

Pathos, Spring 2025, Portland State University. Student Publications Board

Pathos

Editor: Adriana Stanzione

State Of Women In The Media: A Look At Kenya, Tanzania, And Uganda - Policy Brief 2025, Hesbon Owilla, Nancy Achieng' Booker, George Nyabuga, Shitemi Khamadi, Alykhan Peermohamed, Clare Mogere, Pauline Muriuki

Graduate School of Media and Communications

In 2023, Aga Khan University’s Graduate School of Media and Communications (AKU-GSMC) undertook a study examining the representation of women in East African news media organisations with a focus on the coverage and portrayal of women in prominent newspapers, television, and digital news platforms across Kenya, Uganda, and Tanzania. The study specifically sought to assess gender representation within the media workforce, the distribution of leadership roles and responsibilities in media companies, and the way women are covered and portrayed in the media. Using content analysis, the study reveals that women are frequently underreported in news stories and disproportionately portrayed in …

The Roles Of Literature And Film In Shaping Culture: An Examination Of All Quiet On The Western Front And The German Lesson, Charles Hansen

Senior Theses

This paper examines the cultural impacts of All Quiet on the Western Front (Im Westen nichts Neues) and The German Lesson (Deutschstunde). More specifically, it examines the impacts of the works through the shaping of German identity and public memory following World War I and World War II, as well as any long-term impacts that have lasted into the present day. These two works of literature, as well as their respective film adaptations, can serve as vehicles for national reflection, education, and confrontation of the past. This paper will examine the key themes of All Quiet …

“Plenty Of Heart And Plenty Of Hope”: An Analysis Of Social And Historical Implications In Post-Wwii Western Musical Films, Katelyn N. Lister

Selected Honors Theses

World War II had a profound and significant impact on American life and culture. Hollywood and film production was one area that was notably different after the war with themes and settings that promoted patriotism and American values being seen more frequently. Film lends itself to analysis due to its recorded and preserved nature that allows audiences today to view the same thing that audiences in the early 1950s were seeing, albeit with a different worldview. Western movies made in the late 1940s and early 1950s perfectly encapsulate the feelings of most Americans during the postwar period. Additionally, a new …

The Tragic Outlaw Hero In Modern Egyptian Fiction: A Case Study On Naguib Mahfouz’S "The Thief And The Dogs", Manar Ellethy

Regards

This article examines the outlaw figure in modern Egyptian fiction

through the lens of the conceptual framework of social banditry and classical

tragedy. It offers a unique angle of analysis of one of Mahfouz’s most prolific

works that emerges in times of growing political anxiety following the Egyptian

Revolution of 1952. Reading the 1962 film adaptation of Naguib Mahfouz’s The

Thief and the Dogs directed by Kamal El-Sheikh as a projection of the socio-

political uncertainty of the post-revolution Nasser era, this paper considers the

outlaw figure within the condition of social alienation. Using the conceptual

borders set by Eric …

A Polyphonic Adaptation: Noir Sensibilities In Naguib Mahfouz And Salah Abu Seif’S Take On Émile Zola’S "Thérèse Raquin", Fadi Awad Elsaid

Regards

In 1951, Salah Abu-Seif directed Lak Yūm yā ẓālim (Your Day Is Coming) – scripted by Naguib Mahfouz – adapting Émile Zola’s Thérèse Raquin (1867). In their third collaboration, Abu-Seif and Mahfouz went beyond merely adapting Zola’s novel – they also incorporated traits and techniques from film noir, creating what this article terms a “polyphonic adaptation” that draws from multiple sources. While their partnership is often credited with pioneering realism in Egyptian cinema, this article argues that the film’s crime-thriller elements invite a reassessment of that narrative. Although adapting French novels was common in pre-1952 Egyptian cinema, their …

The 1953 Codes: Rayyā And Sakīna On Screen (1953-2005), Elena Chiti

Regards

This paper examines on-screen representations of female criminals. It focuses on Rayyā and Sakīna, two sisters who were arrested in Egypt in 1920 and executed in 1921. Since 1953, the sisters have inspired movies and TV series that have entrenched their myth in popular culture. Rayyā and Sakīna are at the core of narratives that bear moral imperatives on societal issues, such as the place of women in society and the relation of the nation to its margins. I will argue that, until a recent off-screen resignification, Rayyā and Sakīna have not been deeply resignified in Egyptian movies. Instead, they …

Review Of Sudan, Remember Us, Esther Sprague

The Journal of Social Encounters

No abstract provided.

Awful, Yet Awe-Full: The Sublime Dystopia Of Blade Runner 2049, Charles E. Butt

USF Tampa Graduate Theses and Dissertations

Blockbuster dystopian sci-fi features stories of environmental collapse, authoritarian governments, out of control corporations, unbounded consumerism, and other awful possibilities. Scholars of science fiction broadly agree that this genre explores collective fears, anxieties, and speculations about the present and future. At the same time, film scholars have established that dystopian sci-fi cinema is compelling, and audiences respond to their effects-driven visuals, photorealistic mise-en-scene, and dramatic narratives. This creates an apparent paradox: Blockbuster cinematic aesthetics portray undesirable worlds desirably. I resolve this paradox by arguing that the worldbuilding of spectacle-driven, dystopian sci-fi cinema is Romanticized. That is, the provocative style of …

Redux Redux, Dereck Daschke

Journal of Religion & Film

This is a film review of Redux Redux (2025), dir. Kevin McManus and Matthew McManus.

The True Beauty Of Being Bitten By A Tick, Dereck Daschke

Journal of Religion & Film

This is a film review of The True Beauty of Being Bitten by a Tick (2025), directed by Pete Ohs.

The Infinite Husk, Dereck Daschke

Journal of Religion & Film

This is a film review of The Infinite Husk (2025), directed by Aaron Silverstein.

We Bury The Dead, Dereck Daschke

Journal of Religion & Film

This is a film review of We Bury the Dead (2024), directed by Zak Hilditch.

Beyond The Battle: Historical, Religio-Philosophical, And Literary Depths Of Demon Slayer: Mugen Train, Ronald S. Green

Philosophy and Religious Studies

This paper argues that Demon Slayer: Mugen Train is not merely an animated cinematic phenomenon but a multifaceted narrative that intricately weaves together diverse elements of Japanese cultural heritage. It offers a unique lens through which to examine some of the complexities of Japan's sociocultural and philosophical landscapes and conversely, the impact of these on the film. It makes this argument in three sections: (1) The Importance of the Historical Setting in Demon Slayer, (2) Shintō, Buddhism, and Confucianism in Demon Slayer: Mugen Train, and (3) Relations to Antecedent Representations of Dreaming in Japanese Literature and Anime.

This article was …

Peace Engagement And Non-Negotiable Commitment Through An In-Depth Lens (P.E.N.C.I.L) Theory: A Film Perspective On Un’S Conflict Resolution, Edward Moses Sam Selvaraj

Graduate Research Conference (GSIS)

This paper introduces the P.E.N.C.I.L. Theory—Peace Engagement and Non-negotiable Commitment through an In-depth Lens—as a metaphorical and analytical framework for understanding the United Nations Security Council’s role in conflict resolution. Using the symbolic structure of a pencil, the theory critiques the Council’s decision-making power ("the lead") and its human consequences ("the eraser"), highlighting how failures in peacekeeping and diplomacy disproportionately affect civilian populations. Drawing on constructivist theory, the paper argues that norms and social narratives, especially those shaped by cinema, are critical in holding international institutions accountable. Through close analysis of films such as Hotel Rwanda, Sometimes in April, and …