Film and Media Studies Commons^™

Code^Shift: A Collaboratory For Data Equity, Community Impact, And Social Healing, Srividya Ramasubramanian

Media Studies - All Scholarship

CODE^SHIFT is a multidisciplinary “collaboratory” research space that focuses on data justice by humanizing data for storytelling, community impact, and social healing. Its goal is to address social inequalities (especially relating to race, gender, ethnicity, and indigeneity) using data, media, technology, art, and storytelling. Our activities include community-building, curriculum development, and collaborative research projects, especially focused on critical media literacies, arts-based interventions, and digital storytelling. The four main principles that guide our practice and theorizing are: collaboration, purposiveness or intentionality, actionorientation, and equity-mindedness. We see data justice as crucial to every stage: from identifying pressing social needs, to forming partnership …

Feminist Stories: Then And Now, Brooke Kelly

FUSION

This short essay explores the connections between themes in Charlotte Perkins Gilman's 1892 short story "The Yellow Wallpaper" and the 2024 film, Immaculate, specifically focusing on each story's affect on feminism.

The essay was originally written in response to a discussion post where students were asked to pick one American literary text and one piece of contemporary media that addressed the same issues/character types/ plot/ideas, etc. of today.

Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart

Journal of Religion & Film

Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …

The Theological Power Of Film, Irena Sever Globan

Journal of Religion & Film

This is a book review of James Lorenz, The Theological Power of Film (New York: Routledge, 2024).

A Labor Of Love: Wall-E'S Redemption, Rosamund M. Gammie

Journal of Religion & Film

Inaugurated into the Criterion Collection in 2022 this paper re-examines some of the initial responses to the 2008 Disney-Pixar animated film, WALL-E. The movie received a mixed reception, largely celebrated (but occasionally viewed as “too leftist” by others) for its environmental, anti-capitalist message by many public critics, yet disparaged or dismissed as being superficially empty, shallow, and hollow in academic circles. Labor has been the focus of some academic criticism of the film, particularly as it relates to commoditisation, but this paper recontextualises labor not with capitalism, but with love. By viewing the film through the dynamic of labor and …

A Hidden Life On The Way Of The Cross: Terrence Malick And The Cultivation Of Character, William S. Skiles

Journal of Religion & Film

Terrence Malick’s film A Hidden Life depicts the resistance of the Austrian farmer Franz Jägerstätter against the Nazi regime and its demands that he serve Nazi war aims and swear an oath of loyalty to Adolf Hitler. Unlike other resistance films set in Nazi Germany or the Greater German Reich, which depict resistors conspiring to overthrow the regime or actively working toward its downfall, A Hidden Life presents a man’s simple and emphatic “No” to the Nazi regime and its ideology. The film does not simply show how Jägerstätter said “No,” but reveals how he was able to say “No” …

The Shrouds, Elijah Siegler

Journal of Religion & Film

This is a film review of The Shrouds (2024), directed by David Cronenberg.

Conclave, William L. Blizek

Journal of Religion & Film

This is a film review of Conclave (2024), directed by Edward Berger.

Inside Out 2, Bertha A. Manninen Ph.D.

Journal of Religion & Film

This is a film review of Inside Out 2 (2024), directed by Kelsey Mann.

The Wicker Man, Laurel Zwissler

Journal of Religion & Film

This is a book review of Steve A. Wiggins, The Wicker Man (Liverpool: Auteur, 2023)

The Pandemic Skip And The Power Of Nostalgia: Why Gen Z Is Drawn To Animated Kids Shows, Haley Bergen

English Student Publications

The early 2010s produced animated kids shows such as Gravity Falls, Adventure Time, Steven Universe, and The Legend of Korra, which drew Generation Z because of elements like family, friendship, and self-introspection. This connection is strengthened by the Pandemic Skip Phenomenon: a time where young adult’s mental growth was stunted during COVID-19, leading to this generation looking for comfort in these nostalgic animated series’ to assist the transition into adulthood.

“Plenty Of Heart And Plenty Of Hope”: An Analysis Of Social And Historical Implications In Post-Wwii Western Musical Films, Katelyn N. Lister

Selected Honors Theses

World War II had a profound and significant impact on American life and culture. Hollywood and film production was one area that was notably different after the war with themes and settings that promoted patriotism and American values being seen more frequently. Film lends itself to analysis due to its recorded and preserved nature that allows audiences today to view the same thing that audiences in the early 1950s were seeing, albeit with a different worldview. Western movies made in the late 1940s and early 1950s perfectly encapsulate the feelings of most Americans during the postwar period. Additionally, a new …

Painting Stories And Filming Change, Coralynn V. Davis

Faculty Contributions to Books

Mithila Art has helped illuminate various aspects of the relationship between gendered Maithil social roles and Maithil women’s narratives in connection with a feminist participatory action research project conducted primarily in 2016-2017 in and around the northern Bihari town of Madhubani. While participatory action research philosophically and methodologically attends to process as much as product, Mithila Art played a role in the process and product of making a documentary film and in our capacity to understand and communicate with varied audiences about shifting Maithil gender norms. The research and filmic project provided insight into the complex relationship among the stories …

Sports For Gender Equality, Michelle Salmeron, Julia Mott, Eliza Cash

SPARK Symposium Presentations

Recent studies show that participating in sports leads to lower levels of anxiety, depression, and hyperactivity in children while also fostering higher self-esteem (Tahira, 2023). In Mexico, 67% of girls are inactive (Provoking Sport, 2023). However, there has been little direct research conducted in Mexico to illustrate and exemplify the benefits of sports for girls and women. Additionally, there are few role models for them to look up to who share their cultural background, as most examples come from other countries. This creates a cycle that hinders cultural and societal growth, as well as creates a barrier to sports participation. …

Pathos, Spring 2025, Portland State University. Student Publications Board

Pathos

Editor: Adriana Stanzione

“You’Re Getting A Little Big For This”: Fat Characters In Disney Animated Films, Grace Brenner

Thinking Matters Symposium

How do Disney animated films depict fat characters?

Trespassers Of Space: Rewriting Female Narratives In Mexican Cinema, Andrea Ruvalcaba

Undergraduate Theses in Art History

How have Mexican cultural figures such as Maria Novaro and Adela Sequeyo made space for themselves in the male-dominated film realm? How and why have these women dared to become “contrabandistas,” or trespassers, in a social fabric defined and governed by men? The same questions apply to the world of Mexican cinema — more specifically Mexican Feminist cinema. Throughout these pages, I will explore how the film Los Pasos de Ana (1991), by the Mexican filmmaker Marysa Sistach, integrates women’s perspectives into Mexican film culture to counteract the neutralization of powerful female representations played out across various facets of Mexican …

Nps-1, Johanna G. Ziegler

Honors Thesis

NPS-1 is a biopic/political thriller feature-length screenplay that follows the true story of Stephen Mather, a public relations whiz and self-made millionaire who dedicated his fortune to lobbying for the creation of the National Park Service, eventually becoming its first director. Navigating political obstacles on the path to establishing the NPS, Mather struggles to conceal his history with manic depression as his erratic behavior becomes an increasing threat to the success of his campaign. Alongside his reliable but in-the-dark assistant Horace Albright, Mather navigates the ethical minefield that comes with park policymaking: can a push for road development, or border …

Teaching Video Composition And Digital Rhetoric In The Youtube Era: Analysis And Research Of Academic Video Essays In The College Composition Classroom, Carmen Ollila

All NMU Master's Theses

As video-based communication has gained popularity across sites like YouTube, it is essential to represent this type of rhetorical communication within the college composition classroom. Using video and filmmaking to communicate information in the classroom is not new, as academics have explored such media as aids to writing since the 1970s, following the popularity of news broadcasting in the 1950s. In the 21st Century, teaching students video composition and digital rhetoric in an era where a platform such as YouTube has made it easier to share information to a large audience. The freshman college composition classroom should provide the tools …

Stop Looking Away: On The Zone Of Interest And Palestine, Trevor J. Matteson

Augustana Center for the Study of Ethics Essay Contest

Jonathan Glazer’s The Zone of Interest is a radical interrogation of complicity, silence, and the carefully curated distance that enables atrocity to unfold in full view. Through a cinematic language defined by absence - of violence, of sentimentality, of conventional storytelling - Glazer collapses the walls between the viewer and the horror we are trained to ignore. The film’s haunting sound design, unflinching cinematography, and alienating formal strategies construct a domestic world nestled against a genocide, daring us to recognize our own proximity to suffering. By situating the Hoss family’s banal cruelty alongside the ongoing genocide in Gaza, the essay …