Young People's Literature Of Algerian Immigration In France,
2016
University of Caen Normandie
Young People's Literature Of Algerian Immigration In France, Anne Schneider
CLCWeb: Comparative Literature and Culture
In her article "Young People's Literature of Algerian Immigration in France" Anne Schneider discusses questions of language, hybridity, and heritage in some works for young people published in France about Algeria and/or Algerian-French identity, by Leïla Sebbar, Jean-Paul Nozière, Azouz Begag, and Michel Piquemal. She argues for the need for an intercultural education at primary school that uses literature about immigration to highlight questions of place, belonging, exile and language. Schneider's focus is on Begag's Un train pour chez nous (2001) and Piquemal's Mon miel, ma douceur (2004). These texts use linguistic hybridity and an emphasis on common human experiences …
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland,
2016
Saint Patrick's College
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided.
The God-Camera Of Theology And Memory In Terrence Malick’S The Tree Of Life,
2016
Waterloo Lutheran Seminary
The God-Camera Of Theology And Memory In Terrence Malick’S The Tree Of Life, Sherry Coman
Consensus
Terrence Malick’s film The Tree of Life presents a personal and emotionally-laden memory play that is visually and symbolically “framed” by theological and biblical contexts that are both explicit and implicit. This paper explores how the film’s constantly moving camera and elliptical editing help to establish a trope for depicting how God moves in the lives of the characters. Through non-traditional film production and presentation techniques, Malick manifests a theme of “God as ultimate artist” who participates with us in the restoration of what is broken, and who makes “all things new”.
Media Literacy As Mindful Practice For Democratic Education. A Response To “Transaction Circles With Digital Texts As A Foundation For Democratic Practices”,
2016
Appalachian State University
Media Literacy As Mindful Practice For Democratic Education. A Response To “Transaction Circles With Digital Texts As A Foundation For Democratic Practices”, Theresa Redmond
Democracy & Education
This essay is a response to Brown’s (2015) article describing her strategy of transaction circles as a student-centered, culturally responsive, and democratic literacy practice. In my response, I provide further evidence from the field of media literacy education (MLE) that serves to enhance Brown’s argument for using transaction circles in order to promote democratic discourse, specifically augmenting her ideas by connecting the purposes and processes of transaction circles with key implications of media literacy pedagogy. I invite Brown to consider how her concept of transaction circles may be extended in three ways: (a) through acknowledging the indispensable role of the …
Greatness From Small Beginnings: Amy Hennig And The Women Of The Uncharted Series,
2016
Murray State University
Greatness From Small Beginnings: Amy Hennig And The Women Of The Uncharted Series, Rachel Wood
Posters-at-the-Capitol
“Greatness from Small Beginnings: Amy Hennig and the Women of the Uncharted series,” Rachel Wood, Faculty Mentor Andy Black, English & Philosophy Department
Amy Hennig, creative director and writer for the Uncharted video game series, has had a great impact on the world of interactive storytelling, namely with her portrayal of female characters in the action-adventure genre. During her time at Sony-owned developer Naughty Dog, Hennig encouraged gamers and developers alike to redefine the genre through in-depth storytelling and well-rounded characters. This paper explored how these female characters, while unique in their backgrounds and roles within the games’ plots, represent …
The Consequences Of Narrative,
2016
Humboldt State University
The Consequences Of Narrative, Kylie Mosbacher
IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt
No abstract provided.
Machinima And Copyright Law,
2016
University of Georgia School of Law
Machinima And Copyright Law, Matthew Brett Freedman
Journal of Intellectual Property Law
No abstract provided.
Digital Photography And The Internet, Rethinking Privacy Law,
2016
University of Georgia School of Law
Digital Photography And The Internet, Rethinking Privacy Law, Jim Barr Coleman
Journal of Intellectual Property Law
No abstract provided.
“It’S Not A Fucking Book, It’S A Weapon!”: Authority, Power, And Mediation In The Book Of Eli,
2016
University of Denver
“It’S Not A Fucking Book, It’S A Weapon!”: Authority, Power, And Mediation In The Book Of Eli, Seth M. Walker
Journal of Religion & Film
The mediation of religious narratives through sacred texts is intimately bound to the power relations involved in their transmission and maintenance. Those who possess such mediated messages and control their access and interpretation have historically held privileged positions of authority, especially when those positions are not easily contested. The 2010 film The Book of Eli uniquely engages these elements by placing the alleged last copy of the King James Version of the Christian Bible at the forefront of a clash between different individuals in a post-nuclear wasteland. This paper, drawing on Max Weber’s notion of “charisma,” and scholars addressing religion, …
Art And Rebellion In Medea And Pleasantville,
2016
Ursinus College
Art And Rebellion In Medea And Pleasantville, Annika Phillips
CIE Essay Writing Contest
No abstract provided.
Preservation First? Re-Viewing Film Digitization,
2016
University of Richmond
Preservation First? Re-Viewing Film Digitization, Lauren Tilton
Rhetoric and Communication Studies Faculty Publications
This article addresses the politics of film digitization by arguing that we should reconsider archival and preservation "best practices" that require film restoration. Instead, it advocates for digitizing films "as is," which, in turn, captures the film's current materiality (i.e., fading, scratches, and other facets that reveal age, wear, and use). Using the work of Luis Vale, one of the youth filmmakers from New York City's Lower East Side's Young Filmmaker Foundation's Film Club, as a case study, the article points to the importance of archiving and saving these youth films as part of a growing movement to look beyond …
Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour,
2016
Kennesaw State University
Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper
The Kennesaw Journal of Undergraduate Research
This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. Furthermore, it examines the characteristics of both transnational and national identities and how they are represented in film. In an increasingly globalized world, it is important to distinguish these two types of identity and consider how these individuals interact with today’s society; thus, this essay asks readers to think about the influence that the commingling of transnational and national identities has on the modern world.
The Colonial Remix: Power And Language In Colonial And Digital Spaces,
2016
University of Connecticut - Storrs
The Colonial Remix: Power And Language In Colonial And Digital Spaces, Susana Aho
The Quiet Corner Interdisciplinary Journal
This paper maps the similarities between colonial and digital media histories, as well as the repercussions these similarities might have on constructions of power and language in a digital age. The colonial encounter in sixteenth century led to the eventual displacement of indigenous pictographic forms by Western alphabetic ones. However, the first years of encounter are also marked by experimentation in which these two forms were combined in unique ways, creating hybrid reading and writing methods. Similarly, digital platforms are able to combine previously separate media (photography, film, 3D animation, print design, maps, etc) in the same files and environments, …
Digital Gaming And Tolkien, 1976-2015,
2016
La Trobe University
Digital Gaming And Tolkien, 1976-2015, Helen Young
Journal of Tolkien Research
‘Tolkien’ the cultural phenomenon is far bigger than J. R. R. Tolkien the author, or even J. R. R. Tolkien the author-and-oeuvre. When Christopher Tolkien asserted in 2012 that his father’s legacy has been rendered monstrous he blamed its fate on the gross depredations of commercialization generally and the Warner Bros’ franchise in particular. Explorations of – and encomiums on – the afterlives of Tolkien’s novels generally focus on the impact of Peter Jackson’s films. The forces which have shaped contemporary ‘Tolkien’ are not only commercial however; fans also ‘do things’ with Tolkien’s writings. The drive to make …
Playing With The History Of Middle Earth: Board Games, Transmedia Storytelling, And The Lord Of The Rings,
2016
Deakin University
Playing With The History Of Middle Earth: Board Games, Transmedia Storytelling, And The Lord Of The Rings, Adam Brown, Deb Waterhouse-Watson
Journal of Tolkien Research
Contemporary cases of transmedia storytelling have thrown many conventional understandings of ‘adaptation’ into disarray. The resurgence of tabletop game culture has thus far played a significant role in this, though scholars have largely neglected the subject, particularly in terms of how transmedia relationships reconfigure the meaning(s) shaped by and through games by players. This paper addresses this phenomenon through a close analysis of two board games based on The Lord of the Rings, in which the (re)construction of the story-world of the source text(s) impacts strongly on ‘conventional’ modes of narrative and identification. Governed by the adoption of various …
"The Effort To Translate": Fan Film Culture And The Works Of J.R.R. Tolkien,
2016
Cleveland State University
"The Effort To Translate": Fan Film Culture And The Works Of J.R.R. Tolkien, Maria Alberto
Journal of Tolkien Research
In his 1940 preface “On Translating Beowulf,” J.R.R. Tolkien contends that “The effort to translate, or to improve a translation, is valuable, not so much for the version it produces, as for the understanding of the original which it awakes” (53). Though made with a specific literary tradition in mind, Tolkien’s assertion about the value of translation bears re-visitation in light of circumstances where the terminology has shifted. Specifically, Tolkien’s own work has since become the myth undergoing translation, and in popular parlance, translation itself has changed from simply describing the transference of a text between languages to now include …
Authorizing Tolkien: Control, Adaptation, And Dissemination Of J.R.R. Tolkien's Works,
2016
Texas A&M University-Commerce
Authorizing Tolkien: Control, Adaptation, And Dissemination Of J.R.R. Tolkien's Works, Robin A. Reid, Michael D. Elam
Journal of Tolkien Research
This article is the introduction to the special theme issue consisting of four essays on Authorizing Tolkien. Reid and Elam discuss medieval and postmodern theories of adaptation and interpretation and introduce the essays in the issue.
Circus As Idée Fixe And Hunger,
2016
University of München
Circus As Idée Fixe And Hunger, Anna-Sophie Jürgens
CLCWeb: Comparative Literature and Culture
In her article "Circus as idée fixe and Hunger" Anna-Sophie Jürgens discusses circus fiction in which characters often display extreme, intense psychological traits. They are for example irascible, pyromaniac, sadistic, or megalomaniac. Particularly striking are protagonists with alternative psychological attitudes in fictional circus texts of the twentieth century such as Franz Kafka's hunger artist, Michael Raleigh's ringmaster Lewis Tully or Richard Schmitt's aerialist Garry, who can be seen as incubators of circus-related idées fixes. These literary circus characters develop fixations on circus that manifest themselves as a physical sensation of desiring circus like food, in other words: in circus …
Animals In Irish Literature And Culture Edited By Kathryn Kirkpatrick And Borbála Faragó,
2016
Université du Québec à Montréal
Animals In Irish Literature And Culture Edited By Kathryn Kirkpatrick And Borbála Faragó, Geneviève Pigeon
The Goose
Review of Kathryn Kirkpatrick and Borbála Faragó's Animals in Irish Literature and Culture.
Grand: A Short Film,
2016
University of New Orleans
Grand: A Short Film, Joshua R. Pereira
LSU New Orleans Theses and Dissertations
In this paper I will describe the creative process throughout the making of my short film thesis GRAND. I will describe this in three parts: pre-production, wherein I will detail developing the concept, writing the script, and funding/preparing for production; production, wherein I will detail the set construction, visual planning, and the day-to-day operations on set; and post-production, wherein I will detail the editing of the film and the composition of the score. All of this will be framed in reference to the proposed theme of the film, and I will conclude by evaluating whether or not the finished short …
