Kerouac And Burroughs In Tangier,
2016
School of Visual Arts
Kerouac And Burroughs In Tangier, Regina Weinreich
CLCWeb: Comparative Literature and Culture
In her article "Kerouac and Burroughs in Tangier" Regina Weinreich discusses the two authors' and their friends' lives in Tangier. Given Burroughs's need for collaboration as a significant part of his method of weriting, Kerouac's more solitary approach to writing, and taking into account unpublished journals and new scholarship on this subject, Weinreich explores their time together in Tangier in order to shed some light on the two writers in an "interzone" of their processes of creation.
The Road Trip As Artistic Formation In Defeo's Work,
2016
University of Agder
The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren
CLCWeb: Comparative Literature and Culture
In her article "The Road Trip as Artistic Formation in DeFeo's Work" Frida Forsgren discusses previously unpublished photographic material documenting Jay DeFeo's road trip in Europe and North Africa in the 1950s. Forsgren argues that the Beat road trip is by no means an exclusively masculine enterprise and quest: DeFeo's journey helped open the door to her emancipation as a female artist and propelled her artistic development. Moreover, the global experience represented by the trip helped shape her local Beat milieu upon her return to San Francisco. While European, Medieval, Italian Renaissance, and Hebrew influences in DeFeo's oeuvre have been …
Politics Of Feminist Revision In Di Prima's Loba,
2016
University of Nicosia
Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay
CLCWeb: Comparative Literature and Culture
In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …
Fashion And Female Beat Identity In The Writing Of Jones, Johnson, And Di Prima,
2016
Independent Scholar
Fashion And Female Beat Identity In The Writing Of Jones, Johnson, And Di Prima, Raven J. See
CLCWeb: Comparative Literature and Culture
In her article "Fashion and Female Beat Identity in the Writing of di Prima, Johnson, and Jones" Raven J. See discusses how the women writers of the Beat Generation have become iconically defined by their fashion choices. Clothing and accessories offer Beat women a means to construct and express their identity and Diane di Prima, Joyce Johnson, and Hettie Jones write about fashion in their narratives of self-creation. Like their male contemporaries, Beat women make style choices that allow them to reject mainstream culture and identify within Beat subculture. However, these women write about their decisions to accept or reject …
Race, Gender, And The Beats In Tan Magazine's "I Was A Victim Of The Beat Generation",
2016
Independent Scholar
Race, Gender, And The Beats In Tan Magazine's "I Was A Victim Of The Beat Generation", Chelsea M. Stripe
CLCWeb: Comparative Literature and Culture
In her article "Race, Gender, and the Beats in Tan Magazine's 'I Was a Victim of the Beat Generation'" Chelsea Stripe discusses the "true to life" story of Sara Howard, a single African American mother who becomes pregnant by a white Beat and struggles to raise their child alone. On the one hand, "I Was a Victim of the Beat Generation" emphasizes the exploitative character of Beats' affinity for African American culture and of their attitudes toward women. Further, Howard's story critiques the social fluidity that Beat privilege allows. On the other hand, the story articulates conservative US-American middle class …
Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi,
2016
Brunel University
Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi, Richard English
CLCWeb: Comparative Literature and Culture
In his article "Theories of Opiate Addiction in the Early Works of Burroughs and Trocchi" Richard English discusses William S. Burroughs's and Alexander Trocchi's representations of opiate addiction with special reference to their early writings. English examines the concept of homo heroin that can be attributed to Burroughs and lists and expounds its qualities. Among these are: immorality, criminality, mono-objectuality, self- and other-indifference, and, most importantly, the radical physical transformation into a new species, which Burroughs extends in Naked Lunch. English shows how homo heroin relates to Trocchi's conception of a heroin addict, which serves to illustrate that homo …
How Burroughs Plays With The Brain, Or Ritornellos As A Means To Produce Déjà-Vu,
2016
University of A Coruña
How Burroughs Plays With The Brain, Or Ritornellos As A Means To Produce Déjà-Vu, Antonio José Bonome
CLCWeb: Comparative Literature and Culture
In his article "How Burroughs Plays with the Brain, or Ritornellos as a Means to Produce Déjà-Vu" Antonio José Bonome discusses how the recurrence and significance of one of William S. Burroughs's most potent refrains, "dim jerky faraway," was inspired by its source text, Paul Bowles's second novel Let It Come Down (1952), where Tangiers-Interzone fuels the unwholesome descent of a US-American expatriate not unlike Bowles or Burroughs himself. "Dim jerky faraway" was used by Burroughs during more than two decades in different contexts, and its textual variations have sparked a mélange of colors, sounds, smells, and feelings oscillating in …
Selected Bibliography For The Study Of The Beat Generation,
2016
Keele University
Selected Bibliography For The Study Of The Beat Generation, Oliver Harris, Polina Mackay
CLCWeb: Comparative Literature and Culture
No abstract provided.
Who Really Said What? Mobile Historical Situated Documentary As Liminal Learning Space,
2016
Rochester Institute of Technology
Who Really Said What? Mobile Historical Situated Documentary As Liminal Learning Space, Owen Gottlieb
Articles
This article explores the complexities and affordances of historical representation that arose in the process of designing a mobile augmented reality video game for teaching history. The process suggests opportunities to push the historical documentary form in new ways. Specifically, the article addresses the shifting liminal space between historical fiction narrative, and historical interactive documentary narrative. What happens when primary sources, available for examination are placed inside of a historically inspired narrative, one that hews closely to the events, but creates drama through dialogues between player and historical figure? In this relatively new field of interactive historical situated documentary, how …
Documenting Internationalism: The Instituto Cubano Del Arte E Industria Cinematográficos As A Cultural Extension Of Cuban Foreign Policy,
2016
CUNY Hunter College
Documenting Internationalism: The Instituto Cubano Del Arte E Industria Cinematográficos As A Cultural Extension Of Cuban Foreign Policy, Vella V. Voynova
Theses and Dissertations
This thesis examines the connection between the Instituto Cubano del Arte e Industria Cinematográficos and the Cuban Revolution's internationalism and argues that it made ICAIC documentarians, their methods of production, and their documentary films a valuable asset to Cuban foreign policy in the 1960s and 1970s.
Ya Me Voy (I’M Leaving Now),
2016
CUNY Hunter College
Ya Me Voy (I’M Leaving Now), Lindsey Cordero Camp
Theses and Dissertations
Ya Me Voy (I’m Leaving Now) is 54-minute documentary about Felipe, an undocumented Mexican living in Brooklyn who struggles over whether to return home to Mexico. Felipe plans to reunite with his family in Mexico and reconnect with his youngest son, César, who was just 8 months old when Felipe left. When he discovers his oldest son has a serious debt with the bank, however, he is forced to postpone his return in order to help his son pay off the debt. Felipe feels lonely, disappointed and betrayed by his family until one day an unexpected love affair makes him …
Hidden Museum: A Behind-The-Scenes Tour For Contemporary Audiences,
2016
University of San Francisco
Hidden Museum: A Behind-The-Scenes Tour For Contemporary Audiences, Michael B. Glazier
Master's Projects and Capstones
The mystery of what lies behind a museum’s closed doors has intrigued visitors and perpetuated museum mythology for decades. Whether it’s peeking into collections storage, or being guided through rooms off the exhibition floor, visitors want unique access to museum collections. This Master’s Capstone project investigates the topic of behind-the-scenes tours within museums, asks what they look like today, and how they will develop in the future. Using this research I have created a project proposal to film a behind-the-scenes tour that will solve questions of public visibility and collection access for a San Francisco area history museum. A successful …
The Post Banishment Films Of Jafar Panahi,
2016
christopherinoa
The Post Banishment Films Of Jafar Panahi, Christopher L. Inoa
Capstones
https://medium.com/@ChristopherInoa/the-post-banishment-films-of-jafar-panahi-b039b44c810b#.xcvqp7z07
Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction,
2016
University of Southern Mississippi
Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction, Kara Marie Manning
Dissertations
In the broadest sense, this project is about nineteenth-century narrative texts and optical toys, or those devices that were originally created to demonstrate scientific knowledge related to vision but that would also become popular for home and public consumption. I argue that nineteenth-century British writers borrowed and adapted the visual effects of such toys, making fiction as participatory as the toys themselves in the development of image culture and the viewing practices that would become necessary for the production and dissemination of cinema in the early twentieth century. Narrative fiction, then, should be considered along with the other precursors of …
Part Of This World: A Personal Exploration Of Media And Queer Identity,
2016
Dominican University of California
Part Of This World: A Personal Exploration Of Media And Queer Identity, Emilee Harrison
Dissertations, Masters Theses, Capstones, and Culminating Projects
This paper is a mix of research and personal narrative exploring the impact of television, film, and online media on identity formation. I look specifically at my own identity as a queer person and how it has been shaped by what I have seen and experienced as a young queer and as an educator. Topics discussed include homophobia in the classroom and workplace, the impact of social media on youth development and identity formation, and our changing culture as queer visibility increases. This piece is primarily a personal reflection that runs from early childhood to adulthood. It addresses social interactions …
Crime And Culture : A Thematic Reading Of Sherlock Holmes And His Adaptations.,
2016
University of Louisville
Crime And Culture : A Thematic Reading Of Sherlock Holmes And His Adaptations., Britney Broyles
Electronic Theses and Dissertations
This dissertation focuses on the adaptation of Arthur Conan Doyle’s Sherlock Holmes character and stories into the television shows Sherlock and Elementary on air today. The project will consider three central questions: 1) Why is this Victorian detective hero still popular in the twenty-first century and what has remained constant and still resonates with modern audiences? 2) Both television shows transport Holmes in time by setting their narratives in the present day; therefore, what has been changed in this process of adaptation? 3) How do these changes represent shifts in our cultural thinking about important aspects of humanistic inquiry? The …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création,
2016
Chapman University
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
The Nature Of God: Perceptions Of God With Exposure To Nature And Natural Events,
2016
Indiana State University
The Nature Of God: Perceptions Of God With Exposure To Nature And Natural Events, Holly Ann Kolberg
All-Inclusive List of Electronic Theses and Dissertations
Research studies have shown that the sense of awe evoked by natural settings may be associated with transcendental thinking about God. Similarly, other researchers have suggested that people attribute events to God when they cannot develop a sufficient naturalistic explanation for a phenomenon. People appear to prefer attributing events to a benevolent God but will modify their beliefs to assume that God is punitive if event outcomes do not appear to favor their well-being or religious attributions do not accommodate a situation. In the current study, the goal was to evaluate how exposure to photographs of different environments influenced beliefs …
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland,
2016
Saint Patrick's College
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided for the introduction.
Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec,
2016
National University of Ireland Galway
Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King
CLCWeb: Comparative Literature and Culture
In "Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec" Jason King examines recent community theater productions about the Irish Famine migration to Québec in 1847. King explores community-based and national ideas of performance and the role of remembrance in shaping and transmitting the diasporic identities of Québec's Irish cultural minority. While most of the plays re-enact French-Canadian adoptions of Famine orphans as spectacles of Irish integration in Québec, David Fennario's Joe Beef: (A History of Pointe Saint Charles) (1984, published 1991) rehearses the history of the Canadian/Québec nation in terms of recurrent labor exploitation epitomized …
