Queer Studies Commons^™

Sabar Bonda (Cactus Pears), Sheila Nayar

Journal of Religion & Film

This is a film review of Sabar Bonda (Cactus Pears) (2025), directed by Rohan Parashuram Kanawade.

The Material Folklore Of Occult Zines, Jacqueline G. Coffey

Dissertations, Theses, and Capstone Projects

This capstone is a paper on and catalog of contemporary occult zines. Through the collecting, arranging, and analyzing of about one hundred zines, I stipulate that these zines draw from the rich and rebellious histories of both the occult and zines. With the dominating influence of multi-industry corporations on our lives, these often independently produced and handmade texts are evidence of the mystical and mysterious forces with which we still grapple. Not only do zines showcase the breadth of spiritual possibility, they can also be used to integrate new metaphysical awareness into mundane reality.

The catalog is also intended to …

Deuce Redemption: Grindhouse Cinema, Moral Panic, And Urban Renewal, Robert Brenner

Dissertations, Theses, and Capstone Projects

If you consult standard histories of the “redevelopment” of 42^nd Street between Seventh and Eighth Avenue, AKA “the Deuce,” you will read that it was filled with nothing but criminals and pornographers, that decent people avoided it at all costs, and the only way the block could be “saved” was by seizing it via eminent domain, evicting all the current tenants, and replacing them with Disney and its fellow entertainment corporations.

The purpose of this thesis is to offer a more nuanced alternative to these standard histories. I will argue that the Deuce was a lower-class, multiracial, queer entertainment …

Plainclothes, Chris Deacy

Journal of Religion & Film

This is a film review of Plainclothes (2024), directed by Carmen Emmi.

Queen's Pride: A Queer Reading Of Star Wars Character Padmé Amidala, Madeleine Loewen

Mythopoeic Society Seminar Proceedings

Ever since Luke Skywalker and Han Solo first appeared onscreen together in 1977, LGBTQ+ Star Wars fans have harnessed the power of queer reading to write themselves back into a galaxy far, far away, despite Lucasfilm’s long-term disapproval of such practices. Nonetheless, there exists little scholarly literature on queerness in the franchise, and even less on the potentially sapphic characters. Queen Padmé Amidala, first introduced onscreen in Episode I: The Phantom Menace, proves a surprising—but no less salient—queer figure in Star Wars. From her intimate relationships with her handmaidens, to her experimentation with gender performativity, to her quiet yet …

Trans Inequity, Intersectional Ritual, And Jewish Tikkun Olam (Healing Of The World), Valerie Estelle Frankel

Mythopoeic Society Seminar Proceedings

As Jewish science fiction expands into twenty-first-century questions of identity, some authors explore the trans experience and build bridges towards intersectionality. Ritual and tradition become popular subjects. In the post-apocalyptic Fragments of the Brooklyn Talmud by Andrew Ramer, diverse rabbis create new prayers and practices. A Half-Built Garden by Ruthanna Emrys offers protagonists from a diverse commune who welcome aliens and rise up against the corporations. Bogi Takács’ short story “Three Partitions” questions where to segregate the shapeshifting Adira, and how the Orthodox space colony can change. Several of these stories ask how comfortable Jewish protagonists are with alien rituals …

Towards An Ethos Of Discussing In-Corporeal Gender In Fantasy Literature: Part I—A 'Feminine' Eldil And A 'Masculine' Vala, Luke Shelton

Mythopoeic Society Seminar Proceedings

Over the course of the COVID-19 pandemic, many people engaged with others on social media in ways that they had not before. During this time, many new interpretive communities arose. In one of these conversations, the way that fans interpreted Tolkien’s description of the physical characteristics of the Valar resonated with a passage in C.S. Lewis’s Perelandra (the second book of his Space Trilogy) where the narrator describes the physical manifestation of Perelandra and Malacandra. In this paper I perform a close read of the two passages, to examine the textual meaning, to see what interpretive room there is in …

The Mariner (And His Wife): Rethinking Aldarion's (A)Sexuality, Rory M. Queripel

Mythopoeic Society Seminar Proceedings

“Aldarion and Erendis” (Unfinished Tales) is a rare example in Tolkien’s work of a marriage gone severely awry. Many readings of the tale apportion blame to Aldarion, who is seen as “unwilling” to make the marriage work, and cruel and unfeeling towards Erendis, who herself is characterised as resentful and unaccepting. However, these readings rely on an assumption of a cisheteronormative and, more importantly, allosexual relationship between the couple. This paper proposes an alternate view of Aldarion and his role in the story, suggesting the possibility that he is asexual and/or aromantic (i.e., he does not experience sexual …

Myth, Murder, And Mayhem: Discerning The ‘Other’ In Our Flag Means Death, Sara Brown

Mythopoeic Society Seminar Proceedings

Although the television series Our Flag Means Death presents on the surface as a romantic comedy, it is enhanced by mythic elements that infuse the narrative with a clear sense of the fantastic. Here, the pirates exist in a Secondary World that openly draws upon the Primary (both in terms of historiography and legend); hence 18th-century piracy and British colonialism can interact seamlessly with human-to-animal-transformations (paying homage to the Greek myth of Ceyx and Alcyone) without seeming either disconcerting or anomalous – all co-exist comfortably in Faerie. OFMD both inverts and deconstructs mythopoeia; the Primary World myths of the Gentleman …

Gen Z Sexual And Gender Fluidity In Us Scripted Television, Traci B. Abbott

English and Media Studies Faculty Publications

This essay addresses the rise in sexual and gender-fluid characters in scripted US television targeting the Gen Z audience (born 1997–2012), based on their moniker as the “queerest” generation, with over 20% of younger US and international respondents identifying as LGBTQ in polls, the majority as sexually fluid (bi/pansexual) or non-binary (genderfluid/genderqueer). By analyzing six series (2019–2023) marketed as “authentically” Gen Z, I argue this shift invests in Gen Z’s “hip” attitude towards such fluidity the same way Caldwell argues that 1990’s diversification of the televisual audience produced a “programming agenda…that cultivates and rewards distinction in ethnic, racial, and class …

Prophets Instead Of Priests: Diagonal Orientations & Coming-Of-Age Queerness In Jane Eyre And Oranges Are Not The Only Fruit, Emily G. Flanders

Honors Theses

This project asserts that the moment in which a girl leaves the trajectory of the expected in favor of the unknown in order to pursue her discovery of self is when her coming-of-age narrative becomes queer. This is demonstrated through Jane in Jane Eyre by Charlotte Brontë and Jeanette in Oranges Are Not the Only Fruit by Jeanette Winterson. Jane and Jeannette’s respective coming-of-age narratives–that is, them creating their fully embodied selves, the girl they believe and know themselves to be–happen off the expected life path in the liminal, in-between, undefined space of the queer oblique. There are moments …

Equity And Representation In Video Games: An Analysis Of Attitudes Toward Queer In-Game Romance And Sexuality Across Diverse Populations, Jai Yerbich

All Graduate Theses, Dissertations, and Other Capstone Projects

Despite studies showing that women play video games at close to, if not the same rates as men, there still lies a sexist belief that games are only for men, and no one else. In 2004, the Developers Software Association reported that games catered primarily to men’s sexuality, using advertising attempts to lure in players by catering to that sexuality and portraying women in their games to appeal to them. In recent years, with the release of massively popular role-playing games (RPGs) such as Baldur’s Gate 3 and Dragon Age: The Veilguard, gamers have complained that games are now “too …

Glossed Over, Rebecca Oh

Theses and Dissertations

Glossed Over is a collection of interdisciplinary artworks exploring my Korean-American diasporic identity and how gender, queerness, religion, neurodivergence, and internet culture intersect within that experience. Through a blend of painting, woodworking, and sculpture, this installation carries the various elements of undefinable 한 (pronounced: han), a concept I attempt to define and contextualize in the Introduction and throughout this thesis. Each artwork operates through coded language, metaphor, and partial disclosure, offering space for the othered to find recognition through subtle cues and signifiers. Through Glossed Over and this thesis, I scratch the surface of my journey in reconciling generational trauma …

No Hope?: Queer Negativity, Afropessimism, And The Limits Of Futurity, Colton Barton

Theses and Dissertations--English

Since their inceptions, black and queer studies have sought to articulate the positions of “black” and “queer” within American social life—often converging on the goal of liberation. This thesis examines the intersection of two “negative” theoretical frameworks—Afropessimism and anti-social queer theory (or “queer negativity”)—to interrogate both the limits and generative potential of radical negativity. Though emerging from distinct intellectual traditions, these frameworks conceptualize blackness and queerness as constitutive negations—gaps within the dominant social order that render those so marked inassimilable to normative notions of humanity. While the convergences of these theories can be illuminating, their shared pessimism risks obscuring alternative …

Lust, Labor, & Legitimacy: Visibility And Precarity In Platformed Sex Work, Sable J. Augustyn

Theses and Dissertations--Geography

This thesis examines the labor of platformed sex workers, positioning their experiences as a site for understanding the entanglement of multiple intersecting economies. Through qualitative interviews, it explores how sex workers navigate platform infrastructures, manage audience engagement, and contend with visibility as both an economic necessity and a site of risk. Drawing on theories of emotional labor, visibility labor, and platform governance, the project highlights how sex work on digital platforms is shaped by overlapping systems of economic extraction, technological constraint, and cultural regulation. Platformed sex work emerges here as a layered and context-specific practice—embedded within creator ecologies, attraction economies, …

Yaoi Lesbians: Media, Identity, And Desire, Olivia Marquardt

Theses and Dissertations--Linguistics

Media consumption reflects aspects of identity while also assisting in identity formation (Koller, 2008; Zemmels, 2012; Wu, 2006). This thesis examines the phenomenon of lesbians who engage with men-loving-men (MLM) media. The practice seems odd due to the contrast of lesbians desiring women for their social, platonic, romantic, and sexual relationships, but this thesis finds that repeated consumption of media that display men and their desires can index lesbianism. This practice helps lesbians construct their identities through three processes of indexicality: indexical disjuncture, indexical bleaching, and indexical denial (Barrett & Hall, 2024). Through a discourse analysis of five semi-constructed interviews …

Queer Life In Nineteenth-Century America: A Historical Literature Review, Vivian Wright

SURF Posters 2025

In recent political discourses, queerness has often been treated as a modern phenomenon, and many people tend to think of queerness as a twentieth-century invention. Historians, however, have shown this to be false; an extensive amount of historical work details the lives of those who did not conform to sexual or gender norms in nineteenth-century America. This review surveys such works, analyzing nearly twenty different works spanning the course of nearly fifty years. By examining these works chronologically, the development of the field of queer history can be understood in the context of social and political developments occurring in the …

Feminist Digital Center: Building An Online Hub For Undergraduate Feminist Scholarship, Julie Shayne, Tessa Denton, Denise Hattwig

Journal of Feminist Scholarship

This paper is about The Feminist Digital Center (FDC). We begin by briefly theoretically situating our project in discussions of feminist and open pedagogy, high impact practices, and digital scholarship. Next, we discuss how the FDC came to be, institutionally and digitally, with particular emphasis on the assignments students did to fill the site. We close with why the site matters. We hope readers will attempt some version of this project at your institutions and find value in the model we share.

Fangs And Phantasms: Vampire Fiction's Role In Shaping Victorian Gender And Sexual Ideals, Michele White

All Master's Theses

This thesis examines how Christabel (1816), Carmilla (1872), and Dracula (1897), three quintessential texts in the vampire literary genre, speak to the Victorian proliferation of sexual and gender discourses. These texts use the metaphor of the vampire to contradict and sustain 19th-century regulatory dialogues encompassing sexuality, gender, and desire. By investigating these vampire narratives by means of theories of sexuality and gender enumerated in Michel Foucault's The History of Sexuality and Judith Butler's Gender Trouble, such as the ideas of “biopower” and “gender performativity,” I contend that these works do more than simply reproduce contemporary outlooks. Instead, these Gothic …

Voices To Faces: The Midnight Cowboy’S Picaresque Journey, Dave Patterson

Anthós

John Schlesinger’s 1969 film, Midnight Cowboy, tells the story of Joe Buck, a Texan who dreams of working as a hustler in New York. Schlesinger’s resulting tale follows the framework of the picaresque, wherein a naive rube ventures to the big city to pursue a better life and exposes societal ills along the way. In this article, Patterson reveals how Joe Buck’s internal tension derives from his materialism, symbolized as disembodied voices, and his devaluing of human connection and empathy, symbolized as faces. The voices from his radio’s advertisements and game shows reinforce his flawed assumptions about life. A midpoint …