English Language and Literature Commons^™

A Clean Slate, Meghan E. O'Grady

The Mercury

No abstract provided.

Ashes, Matthew Haines

The Mercury

No abstract provided.

Your Life As A Minority At Gettysburg College, Margaret J. Johnson

The Mercury

No abstract provided.

A Painful "Yet To Be", Joshua R. Granberry

The Mercury

No abstract provided.

Impossible Storyworlds And The (Unnatural) Narrative Of Arthur Gordon Pym, Mitchell C. Lilly

Theses, Dissertations and Capstones

The following thesis defends reading Edgar Allan Poe’s The Narrative of Arthur Gordon Pym as an early example of an “unnatural narrative” in American literature. Adapting unnatural narrative theory, a recent area of study in narratology developed to analyze the existence of unnatural storyworlds, minds, and acts of narration prevalent in postmodern fiction, this thesis analyzes the unnatural dynamics at play in Pym’s storyworld and storytelling that do not comply with what the reader knows is otherwise physically, logically, or humanly impossible in the physical world. Legitimating Poe’s novel as a work of unnatural narrative coincides with arguing how the …

Reading Austen's Lady Susan As Tory Secret History, Rachel K. Carnell

English Faculty Publications

No abstract provided.

The 15-Minute Short Story, Margaret T. Cain

The Short Story

This assignment requires students to write an introduction to a “pretend” anthology of short stories. Given at the beginning of the short story unit so as to focus their reading, the prompt directs them to examine several introductions to anthologies in the library in order to see what it is that anthologizers talk about; to determine the principle on which to choose stories; to find the right voice; and to critique three stories from the faux anthology to demonstrate their aptness for the collection as well as the students’ own understanding of the characteristics of good short story writing.

Introducing The Anthology, Margaret T. Cain

The Short Story

This assignment requires students to write an introduction to a “pretend” anthology of short stories. Given at the beginning of the short story unit so as to focus their reading, the prompt directs them to examine several introductions to anthologies in the library in order to see what it is that anthologizers talk about; to determine the principle on which to choose stories; to find the right voice; and to critique three stories from the faux anthology to demonstrate their aptness for the collection as well as the students’ own understanding of the characteristics of good short story writing.

Romancing The Stone Age: John Updike's "Wife-Wooing" And The Naturally Occurring Nuclear Family, Sue Norton

Articles

No abstract provided.

Theatre Of The Mind: Hardy The Dynasts And The Question Of Form, Suzanne J. Flynn

English Faculty Publications

This essay analyzes Hardy’s rarely discussed epic-drama, The Dynasts, especially in relation to trends in the early twentieth-century drama. Hardy’s work is a hybrid of epic, drama, and lyric and was, at the time, thought to be unstageable.

George Eliot's Brazilian Critical Fortune And The Case Of Romola, Jaqueline Bohn Donada

The George Eliot Review Online, ISSN: 2831-5375

I would like to begin this paper with a comment by Professor Felicia Bonaparte about George Eliot's novels. In an introductory reflection, she once observed that

We have found nothing yet that Eliot did not deliberately put in her novels; [ ... ]. Indeed, the fact is we have not yet read in these novels all that Eliot wrote. We have not yet, for example, looked carefully at what Eliot had to say about women in society. Eliot was a great feminist, and her novels, although they never stoop to mere propaganda, urge a relentless war against the conditions by …

'And Her Wings Fall From Her And She Drops To The Ground': Reading Eliot's Mr Casaubon Through Benjamin Jowett's Phaedrus, Royce Best

The George Eliot Review Online, ISSN: 2831-5375

In the scene describing Casaubon 's pathetic mental state prior to his heart attack in Chapter XXIX of Middlemarch, the narrator makes an enigmatic reference: 'Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control'.' It seems odd to conclude this powerful passage, long read as a telling example of the hazards of over-study without meaningful application, with a reference to ancient Greek drama. Yet, perhaps not enough attention has been given to the indebtedness …

Review Of Heathen And Outcast: Scenes In The Life Of George Eliot, Robert Muscutt

The George Eliot Review Online, ISSN: 2831-5375

This fictionalized version of George Eliot's life between 1841 and 1854 takes as its starting point Edith Simcox's account of visiting the Midlands after the novelist's death and collecting material for a biography which, in the end, was never written. Thus the first section of four chapters is titled 'From Conversations with Maria Lewis' and is written in the latter 's voice, while the second section of two chapters follows the same pattern and is narrated by Charles Bray. The Simcox framework of posthumous interviews falters in the final section of eight chapters since here the narration is taken over …

The Two Felixes: Narrational Irony And The Questions Of Radicalism In Felix Holt And 'Address To Working Men, By Felix Holt', Helen Kingstone

The George Eliot Review Online, ISSN: 2831-5375

In this characterization of Dorothea by the narrator of Middlemarch (1871-2), the 'Great' Reform Act of 1832 is posited as a dividing line between two phases of history, so distinct as to have separate spheres of interest and judgements of normality. George Eliot flatters her mid-Victorian reader by insinuating that only the 'modem' mind of their shared present could understand the zeal of a humanistic 'exalted enthusiasm' that took its source of energy from within. In this passage, therefore, 'reform' seems to be the key to historical, social and personal change. The issue of reform - of society, of institution …

Review Of George Eliot In Society: Travels Abroad And Sundays At The Priory, Kathleen Mccormack

The George Eliot Review Online, ISSN: 2831-5375

This is a welcome and wholly worthwhile extension of the author's George Eliot's English Travels: Composite Characters and Coded Communication (2005), a densely written and stimulating examination of places and people in Eliot's life which have some resonance, in varying degrees of coding, from the seemingly casual to the subtly integrated, in her published work. McCormack there defined three categories of place identification. These range from 'absolute certainties' through 'pretty good cases' to 'alluring, probable, but irretrievably speculative suppositions', categories certainly applicable to herpresent study, in which her dedication and saturation in George Eliot, the works, the life, and a …

The Golden Gates Are Passed, Robert Muscutt

The George Eliot Review Online, ISSN: 2831-5375

There have always been attempts not just to conceal knowledge of George Eliot's life but also to manipulate it into conformity with a preconceived profile. In the Preface to his edition of The George Eliot Letters in nine volumes, Gordon Haight revealed that those pages of her Journal from immediately after her father's death in 1849 until shortly before she went to Weimar with Lewes in 1854 were tom out and presumably destroyed, probably by Cross. Charles Lewes, George Eliot's main literary executor, also seems to have destroyed nine of his father 's journals, the first volume extant beginning in …

'The Antigone And Its Moral': George Eliot's Antigonean Considerations, Kathryn Brigger Kruger

The George Eliot Review Online, ISSN: 2831-5375

As early as 1856 with the publication of the essay, 'The Antigone and Its Moral' ,1 George Eliot turned her literary attention to the Sophoclean figure of Antigone. Scholars such as Gerhard Joseph' and David Moldstad' have enumerated Eliot's multiple references to Antigone, and they have argued that Eliot makes Antigone a relevant figure for '"modern" life' (Joseph, 27) and an example of 'the continuity of man's elemental self, concerned in all ages with similar needs and problems, though moral codes have come and gone' (Moldstad, 531). Where Joseph traces the specific Antigone references in Eliot's fiction - especially in …

Review Of Reading For Our Time: 'Adam Bede' And 'Middlemarch' Revisited, J. Hillis Miller

The George Eliot Review Online, ISSN: 2831-5375

As his sub-title indicates, J. Hillis Miller is returning in his latest book to the study of George Eliot, bringing to bear on Adam Bede and Middlemarch the insight and erudition acquired in a long and distinguished career as a scholar and critic. He pursues a similar line to his wellknown articles from the 1970s on 'Narrative and History' and 'Optic and Semiotic in Middlemarch', subjecting that novel to a close and tenacious deconstructive reading that brings out the sophisticated self-qualifying nature of George Eliot's fiction. This is preceded by a shorter discussion of Adam Bede which shows how its …

Japanese Branch Report- 2012, Shinsuke Hori

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 1 December 2012, the Sixteenth Annual Convention of the George Eliot Fellowship of Japan was held at Kansai University of Foreign Studies.

The morning session started with an opening address by Chizuko Watari (Kansai University of Foreign Studies). Three papers were presented in the morning session. The first two were commented upon by Midori Niino (Kobe University of Foreign Studies) and the third by Masayuki Kato (Kobe University).

The first speaker was Ayako Tani (Fukuoka University), whose subject was 'The Idea of a Double in Daniel Deronda: Grandcourt's Death and Gwendolen's Rebirth'. Grandcourt's death has been often criticized …

The Forty-First George Eliot Memorial Lecture, 2012- Romola's Artists, Leonee Ormond

The George Eliot Review Online, ISSN: 2831-5375

2012-2013 marks the one hundred and fiftieth birthday of Romola. Originally published in the Comhill Magazine from July 1862 to August 1863, it later appeared in a three volume edition in 1863. An illustrated edition followed in 1865.

George Eliot had begun work on the novel in 1861, when she was forty-one. She had recently published Silas Mamer, and The Mill on the Floss, preceded by Adam Bede, had come out not long before that. The genesis of Romola came in May 1860 when George Eliot and George Henry Lewes spent two weeks in Florence. Lewes noted that, …