Open Access. Powered by Scholars. Published by Universities.®

Literature in English, North America Commons

Open Access. Powered by Scholars. Published by Universities.®

4,119 Full-Text Articles 3,302 Authors 5,220,999 Downloads 213 Institutions

All Articles in Literature in English, North America

Faceted Search

4,119 full-text articles. Page 48 of 114.

Introduction: Sex And The (Motor) City: Ecologies Of Middlesex, Kaitlin Blanchard, Catriona Sandilands 2018 McMaster University

Introduction: Sex And The (Motor) City: Ecologies Of Middlesex, Kaitlin Blanchard, Catriona Sandilands

The Goose

This special cluster consists of twelve short essays, originally presented in two linked roundtables at the Association for the Study of Literature and Environment (ASLE) conference in Detroit in June 2017, examining Jeffrey Eugenides' 2002 Pulitzer Prize-winning novel, Middlesex. Through the novel, these papers explore the historical, intersectional, and ecological understandings of Detroit, exposing an exceptional—indeed, epic—range of social ecologies, concerned with everything from intersex and multispecies bio/geopolitics to transnational economies, to the aesthetics of architecture and decay. Focused on a very particular novel, written about a very particular city and experience of it, these papers bring to light and …


Where The Weather Comes From, Morgan Vanek 2018 University of Calgary

Where The Weather Comes From, Morgan Vanek

The Goose

When Andreas Malm observed that “not even the weather belongs fully to the moment,” he was looking forward from 2016, considering the cumulative impact of present emissions on “generations not yet born.” The reverse is also true: present storms have their origins in past consumption. Up to this point, though, analysis of how human activity will intensify future weather has focused on change in a limited set of quantifiable conditions, like precipitation and temperature – and in this respect, too, the weather of the present is the weather of the past. Both this set of variables and its status as …


Embodied Ecologies And Metafictional Musings: The Limits Of Writing Intersex In Middlesex, Christopher Breu 2018 Illinois State University

Embodied Ecologies And Metafictional Musings: The Limits Of Writing Intersex In Middlesex, Christopher Breu

The Goose

Breu critiques the limits of the intersex narrative of Middlesex and advocates for a non-reductive, materialist, and “muddled” approach to understanding sex and gender.


Sea Squad, Liam Geary Baulch 2018 Goldsmiths, University of London

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.


Poems From The Arctic Circle, Diana Woodcock 2018 Virginia Commonwealth University in Qatar

Poems From The Arctic Circle, Diana Woodcock

The Goose

Poetry by Diana Woodcock.


Four Poems, Tanis MacDonald 2018 Wilfrid Laurier University

Four Poems, Tanis Macdonald

The Goose

Poetry by Tanis MacDonald.


Julia Randall Papers, Beth S. Harris, Megan Stolz 2018 Hollins University

Julia Randall Papers, Beth S. Harris, Megan Stolz

Finding Aids: Guides to the Collections

This collection has manuscripts, teaching papers, and correspondence of poet Julia Randall. The correspondence include letters to or from colleagues, alumnae, and friends.


Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess 2018 CUNY Graduate Center

Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess

Dissertations, Theses, and Capstone Projects

Resonant Texts: the Politics of Nineteenth-Century African American Music and Print Culture, investigates musical sound as a discursive tool African American writers and activists deployed to contest enslavement before the Civil War and claim citizenship after Emancipation. Traditionally, scholars have debated the degree to which nineteenth-century African American music constituted evidence of black culture and marked a persistent African orality that still abides within African American textual production. While these trends inform this project, my inquiry focuses on the ways that writers placed elements of musical sound—such as rhythm, melody, choral singing, and harmony—at the center of their …


Literary Analysis Paper [Composition], Lauren Navarro 2018 CUNY La Guardia Community College

Literary Analysis Paper [Composition], Lauren Navarro

Open Educational Resources

This ENG 102 assignment was developed in the context of CTL sponsored Learning Matters Mini-grant awarded to the English Department. The primary purpose was to assist full-time and part-time faculty in the Department with revising ENG 102 course materials to align with the Inquiry and Problem Solving (IPS) Core Competency and Written Communication Ability. This goal was achieved through several workshops, a programmatic benchmark reading, and a two-phase departmental review process that prepared assignments to be submitted to the Learning Matters Assignment Library. The mini-grant has been invaluable in helping to bring both full-time and adjunct faculty into departmental conversations …


Auguries By Clea Roberts, Kate Braid 2018 Wilfrid Laurier University

Auguries By Clea Roberts, Kate Braid

The Goose

Review of Clea Roberts' Auguries.


The Unpardonable Reader, Ariel Berry 2018 Western Michigan University

The Unpardonable Reader, Ariel Berry

The Hilltop Review

Hawthorne’s prefaces to his romances, though largely ignored as a composite body of work, contain key insights into reading his fiction. Each preface is a sort of instruction manual directed toward the reader. He expects empathy from his readers and openness to his version of magical realism. A study of Hawthorne’s concept of the “Unpardonable Sin” as presented in “Ethan Brand” reveals that these reading instructions warn against a similar crime, that of a cold lack of empathy and tendency toward disbelief. On a much smaller scale, then, it becomes clear that a reader who does not follow Hawthorne’s instructions …


Welcome To The Anthropocene By Alice Major, gillian harding-russell 2018 University of Saskatchewan

Welcome To The Anthropocene By Alice Major, Gillian Harding-Russell

The Goose

Review of Alice Major's Welcome to the Anthropocene.


The History Of Bees By Maja Lunde, Kirsten Schuhmacher 2018 University of Victoria

The History Of Bees By Maja Lunde, Kirsten Schuhmacher

The Goose

Book review of Maja Lunde's The History of Bees.


Thinking Continental: Writing The Planet One Place At A Time By Tom Lynch, Susan Naramore Maher, Drucilla Wall, And O. Alan Weltzien, Cory Willard 2018 University of Nebraska-Lincoln

Thinking Continental: Writing The Planet One Place At A Time By Tom Lynch, Susan Naramore Maher, Drucilla Wall, And O. Alan Weltzien, Cory Willard

The Goose

Review of Thinking Continental: Writing the Planet One Place at a Time by Tom Lynch, Susan Naramore Maher, Drucilla Wall, and O. Alan Weltzien, eds.


Reading Alice Dunbar-Nelson Through The Eyes Of A Creole, Patrice E. Jones 2018 The University of New Orleans

Reading Alice Dunbar-Nelson Through The Eyes Of A Creole, Patrice E. Jones

LSU New Orleans Theses and Dissertations

Abstract Over the last fifty years scholars have worked to recover the work of late nineteenth, early twentieth-century writer Alice Dunbar-Nelson. Many scholars have acknowledged the impact of New Orleans culture and history in her writing as well as attempted peel back the layers of her stories in order to understand her commentary on structures of race, class, and gender in nineteenth-century New Orleans. This hybrid paper, both creative and academic, subjective and objective, is a reading of her work through the Creole lens. Reading Alice Dunbar-Nelson through a Creole lens illuminates the radical nature of her work which has …


Tar Swan By David Martin, Melanie Dennis Unrau 2018 University of Manitoba

Tar Swan By David Martin, Melanie Dennis Unrau

The Goose

Review of David Martin's Tar Swan.


Perma/Culture: Imagining Alternatives In An Age Of Crisis By Molly Wallace And David Carruthers, Bryant Scott 2018 University of Miami

Perma/Culture: Imagining Alternatives In An Age Of Crisis By Molly Wallace And David Carruthers, Bryant Scott

The Goose

Review of Molly Wallace and David Carruthers' Perma/Culture: Imagining Alternatives in an Age of Crisis.


Rain Shadow By Nicholas Bradley And Cloud Physics By Karen Enns, Kelly Shepherd 2018 Northern Alberta Institute of Technology

Rain Shadow By Nicholas Bradley And Cloud Physics By Karen Enns, Kelly Shepherd

The Goose

Review of Nicholas Bradley's Rain Shadow and Karen Enns' Cloud Physics.


No Tv For Woodpeckers By Gary Barwin, If Pressed By Andrew Mcewan, And Ecology Without Culture: Aesthetics For A Toxic World By Christine L. Marran, Michael D. Sloane 2018 Fanshawe College of Applied Arts and Technology

No Tv For Woodpeckers By Gary Barwin, If Pressed By Andrew Mcewan, And Ecology Without Culture: Aesthetics For A Toxic World By Christine L. Marran, Michael D. Sloane

The Goose

Review of Gary Barwin's No TV for Woodpeckers, Andrew McEwan's If Pressed, and Christine L. Marran's Ecology without Culture: Aesthetics for a Toxic World.


Refusing To Be Made Whole: Disability In Contemporary Black Women's Writing, Anna Hinton 2018 Southern Methodist University

Refusing To Be Made Whole: Disability In Contemporary Black Women's Writing, Anna Hinton

English Theses and Dissertations

My dissertation argues that disability profoundly shapes the thematic and aesthetic choices of black women writing in the post-Brown era, despite arguments that suggest the contrary. For instance, Gayl Jone’s Corregidora is told from the first-person perspective of a black woman diagnosed as insane and incarcerated in a psychiatric prison for murder. The use of the first-person results in what I argue, building on Michael Berube’s work, is a disabled text. Moreover, a through the protagonist’s story, a stark critique of misogynoir and ableism emerges. Thus, while taking seriously disability studies scholars’ arguments that African American writers and activists …


Digital Commons powered by bepress