Literature in English, North America Commons^™

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Illegitimacy And The Power Of The Mother In The Lais Of Marie De France, Claudia Mccarron

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Reflecting Identity Through Glass Windows In Charles Dickens’S Tom Tiddler’S Ground, Ryder Seamons

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Earth And The Portrait: A Comparison Of Dostoevsky’S Alyosha Karamazov And Prince Myshkin, Callaghan Mcdonough

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

When Life Imitates Art: Aestheticism In The Importance Of Being Earnest, Drake Deornellis

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Looking Through, At, And Beyond In Thelma And Louise, Mercer Greenwald

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 21 Fall 2019, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Borrowing Time: The Classical Tradition In The Poetic Thoeries Of T. S. Eliot And Ezra Pound, Nicholas Odom

Honors Undergraduate Theses

T. S. Eliot and Ezra Pound are two of the most prominent figures of Anglo-American modernist poetry, both having played central roles in the development of a distinct poetic style and atmosphere in the early 20^th century by means of their publishing and editing the work of other poets as well as publishing their own poetry. However, Eliot and Pound have an interest in the classical world that is not clearly shared with the majority of other modernist poets, and this interest distinguishes the sense of "modernism" that Eliot and Pound promoted from that of other major modernists like …

"Solace For [The] Very Soul": The Role Of Trees Within The American Short-Story Cycle, Breanna B. Harris

College of Graduate Studies: Theses & Dissertations

Over the last couple of centuries, the American short-story genre became characterized by its observations of life and human nature—specifically by using scenes of nature to highlight characters’ development and the underlying theme. While much critical attention has been given to the role of nature in the American short-story cycle, very little consideration has been given to the purpose of trees and their specific breeds within the genre. This project focuses on three distinct pedagogical approaches to analyzing trees in three short-story cycles. Deleuze and Guattari’s theory of the rhizome and Freud’s theory of dream-thoughts are applied to Mary Wilkins …

Wandersoul Of The South: Situating 20th Century Alabama Poet Clement Wood In A Literary Tradition, Skye Rozario

Honors Program Theses

The following is a literary study on 20th century Alabama poet Clement Wood. As a writer, Wood lived and worked mainly in Alabama and New York, and was greatly involved and connected to the literary movements Modernism, the Southern Renaissance, and American Romanticism. He published many poems, short stories, and criticism in a variety of literary magazines, wrote his own columns, and edited journals as well. Though Wood was heavily involved in this community, his work is under-researched on the whole. Wood’s poetry attests to his mastery of rhyme and form and mainly focuses on the value of nature in …

The Embodiment Of Theory In Maggie Nelson's The Argonauts, Julie A. Ficks

Dissertations and Theses

The purpose of this research is to explore how Maggie Nelson, in her groundbreaking memoir The Argonauts (2015), works to bring critical theory (primarily queer and feminist theory) out of the academy and into the realm of the personal, rendering theory as tangible and embodied in a real-world setting. Through this unique exchange, Nelson radically reinstates norms relating to gender, sexuality, motherhood and relationships.

Suffering And The Black Female Narrative In The Twentieth Century, Aquilah Jourdain

Dissertations and Theses

Adventure, romance, and happiness are not large parts of the stories Black women tell. If we had to name ten mainstream literary novels released in the last 50 years that featured Black women central to the plot — and included the aforementioned themes — we would be hard-pressed to find them. Though there are real life accounts of love, joy, and adventure in the lives of Black women, why do we see these life experiences documented sparingly? In the stories written by andforBlack women, where can Black female readers find joy in their history and culture without elements of grave …

Revolution, Reform, And Class Conflict In Rebecca Harding Davis’S Life In The Iron-Mills, Thomas Collins

Dissertations and Theses

Life in the Iron-Mills (1861) by Rebecca Harding Davis is a very early example of American fiction that depicts the living and working conditions in a mill town. Although the novella advocates for workers, it does not accurately depict contemporaneous working-class culture. Davis depicts workers as isolated and helpless in the face of the forces that oppress them rather than giving voice to the workers’ movement of her time. Although Davis depicts workers in a debased state, the text’s narrator holds out hope of the “Dawn,” suggesting a revolutionary movement. Because the narrator offers no interpretation regarding how the working …

Emily Dickinson's Echology: A Listener's Reconceptualization Of Citizenship, Consciousness, And The World, Beth Ann Staley

Graduate Theses, Dissertations, and Problem Reports (ETD)

What I call Emily Dickinson’s “echology” combines the terms “echo” and “ecology” to understand how Dickinson’s work echoes – and is an echo – of the world and how, consequently, her work resides not just in her handwritten documents and their publication in various editions but in an ecology that’s tied to the earth that hosted her, the air that faced her, and the sea kept her listening. To assess the critical value of Dickinson’s echology, this dissertation begins by apprehending how the story of the echo is a story about sound masking, specifically about how the echo that is …

Material Disease: Agency And Illness In Early American Literature, Mariah Crilley

Graduate Theses, Dissertations, and Problem Reports (ETD)

Material Disease: Agency and Illness in Early American Literature argues that diseases shaped bodies of literature. Drawing on new materialism, disability studies, and the medical humanities, this dissertation argues that diseases were material and literary agents that transformed not only individual bodies and lives but also cultures, history, and even literature. In each chapter, I explore how one disease impacted a particular genre or paradigm: syphilis and the natural history, smallpox and the body politic, yellow fever and the novel, dysentery and sensibility, and malaria and narratives of Western expansion. By emphasizing disease’s material and literary agency, by conjoining the …

Afterlives Of Indigenous Archives, Ivy Schweitzer, Gordon Henry Jr

Dartmouth Scholarship

Afterlives of Indigenous Archives offers a compelling critique of Western archives and their use in the development of “digital humanities.” The essays collected here present the work of an international and interdisciplinary group of indigenous scholars; researchers in the field of indigenous studies and early American studies; and librarians, curators, activists, and storytellers. The contributors examine various digital projects and outline their relevance to the lives and interests of tribal people and communities, along with the transformative power that access to online materials affords. The authors aim to empower native people to re-envision the Western archive as a site of …

The Mountains At The End Of The World: Subcultural Appropriations Of Appalachia And The Hillbilly Image, 1990-2010, Paul L. Robertson

Theses and Dissertations

There is an aversion within the field of Appalachian Studies to addressing the cultural formulations of the Appalachian/hillbilly/mountaineer as an icon of aggressive resistance. The aversion is understandable, as for far too long images of the irrationally and savagely violent mountaineer were integral to the most gross popular culture stereotypes of Appalachia. Media consumers often take pleasure or comfort in these images, which usually occur in a reactionary context with the hillbilly as either a type of nationally necessary savage OR as an unregenerate barbarian against whom a national civilization will triumph and benefit by the struggle.

I bookend my …

[Review Of The Book Looking For Lorraine: The Radiant And Radical Life Of Lorraine Hansberry, By I. Perry], Kaa Vonia Hinton

Teaching & Learning Faculty Publications

[Introduction] Chicago, Illinois, native, Lorraine Hansberry wrote the highly acclaimed A Raisin in the Sun (1959), the first play produced on Broadway by a Black woman. The play's title is inspired by one of poet Langston Hughes's poems, "Harlem," and focuses on a Black American family with dreams of buying a home in a white neighborhood in segregated Chicago. A Raisin in the Sun is taught widely in high schools and colleges in America, and most of us who are aware of Hansberry know about the critical success of her play, but do we know much more than that about …