Literature in English, British Isles Commons^™

Application Of The Image Analysis For Archival Discovery Team’S First- Generation Methods And Software To The Burney Collection Of British Newspapers, Elizabeth Lorang, Leen-Kiat Soh, Chulwoo Pack, Yi Liu, Delaram Rahimighazikalayeh, John O'Brien

CDRH Grant Reports

The current study, “Application of the Image Analysis for Archival Discovery Team’s First- Generation Methods and Software to the Burney Collection of British Newspapers,” is the first test of our approaches—methods and software—to a different newspaper corpus, specifically the 17th and 18 Century Burney Newspapers Collection. This study stands as the first complete attempt at applying Aida’s software and methods to non-Chronicling America newspapers, as a step toward understanding the potential of our approaches across digitized historic newspapers. In taking this step, our goals were (1) to test how well the software and a classifier model developed on Chronicling America …

Radical Empowerment And Evolution In Fay Weldon’S Menippean Satire: The Life And Loves Of A She-Devil (1983), Jackson A. Rivera

Electronic Theses and Dissertations

This master’s thesis explores Fay Weldon’s implementation of Menippean satire in her 1983 novel, The Life and Loves of a She-Devil. The present discussion argues Weldon utilizes this specific satiric mode within her novel in order to convey a story of radical female empowerment and evolution that critiques gendered stereotypes of marriage and female roles in society. To make this argument, this thesis applies satire theory, most prominently Mikhail Bakhtin’s ideas about Menippean satire, as well as marriage and family psychology, to Weldon’s characterization of wives, husbands, and mistresses throughout the novel. Through this discussion, Rivera demonstrates the effectiveness of …

Demonic Pedagogy And The Teaching Saint: Voice, Body, And Place In Cynewulf's Juliana, Christina M. Heckman

Medieval Feminist Forum: A Journal of Gender and Sexuality

In Cynewulf’s Old English poem Juliana, the saint frames her encounters with her adversaries as pedagogical confrontations, refusing the lessons they attempt to “teach” her and ultimately adopting the identity of a teacher herself. These confrontations depend on three key tropes in the poem: Juliana’s voice, as a material manifestation of language deployed by the saint; her body, both as living body and as relic; and place, especially the place of the saint’s martyrdom and/or burial. Viewed through theories of material feminism, these tropes reveal diverse forms of agency in the poem, as both human and non-human agents make …

“A Drunken Cunt Hath No Porter”: Medieval Histories Of Intoxication And Consent, Carissa M. Harris

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay traces medieval representations of intoxication and consent and links them to contemporary cases, including Brock Turner’s 2016 rape trial and the 2017 slew of lawsuits filed against Baylor University. Through an examination of medieval texts from a range of genres, including the Biblical stories of Lot and Noah, the Digby Mary Magdalene play, proverbs, Geoffrey Chaucer’s Wife of Bath’s Prologue, the 1292 legal case of Isabella Plomet, and Robert Mannyng’s Handlyng Synne, this essay explores past views of gender, perpetrators, culpability, alcohol, and consent. It argues that victim-blaming those who have been assaulted while intoxicated has …

"'Who’S There?' 'Nay, Answer Me. Stand And Unfold Yourself' : Attending To Students In Diversified Settings", Naomi C. Liebler

Department of English Faculty Scholarship and Creative Works

Teaching Shakespeare at secondary or undergraduate university levels is remarkably variegated. Students bring their lives and experiences to their understanding, making it an unpredictably rich experience, regardless of the “level” of the class. I aim to tap into what they already know to enable them to find a path for them to forge their own connections. I want them to own what they read, to make it their own.

Science, Poetry, And Defining Life In The Romantic Era: “Life! What Is Life?”, Michelle E. Trantham

Department of English: Dissertations, Theses, and Student Research

What defines humanity? Is it the soul? The body? In the early nineteenth century, these questions were not purely philosophical. Science, religion, politics, and literature were changing rapidly, and the question of “What is Life?” was central to the public and private pursuit of knowledge. One way to track the evolution of the question through the Romantic period is to look at the work of Dr. John Hunter, the originator of ‘vitalism’, which was the subject in the infamous the Lawrence-Abernethy debates. The question of life, and the nature of life, permeated the literary, scientific, and cultural spheres, influencing Romanticism …

"Devoted To Influenza": An Analysis Of English And Nigerian Archival And Literary Depictions Of The 1918-1919 Influenza Pandemic, Kendra Klein

All NMU Master's Theses

This project examines how the 1918-1919 influenza pandemic is discussed in memoirs, letters, and fiction. I focus on both British and Nigerian sources to compare how different areas of the world portray the cultural significance of this disease. In the first chapter, I analyze two unpublished archival texts: the letters of Dorothy Sutton (1918), a nurse during World War I and the memoir of Private H.J. Youngman (1969). Both sources, housed in the collections of the Imperial War Museum in London, describe the symptoms and scope of the influenza pandemic. The chapter also looks at Virginia Woolf’s novel, Mrs. Dalloway …

Divided Loyalties: Family And Consent To Marriage In Late Middle English Literature, 1300–1500, Jennifer R. Alberghini

Dissertations, Theses, and Capstone Projects

Studies of marriage and family can help us learn how medieval women lived. This dissertation focuses on “consent theory,” which explains the medieval definition of marriage. According to the Church, a marriage was made valid by the couple’s consent, not outside pressures. This theory, as we might expect, conflicted with practice: children—daughters especially—were expected to be obedient to their parents and marry approved partners.

Medieval England’s legal system came down on both sides of the issue. Rape accusations were made by parents who disapproved of their daughter’s choices, and court cases evaluated the validity of a marriage made without parental …

Queer Pregnancy In Shakespeare's Plays, Alicia Page Andrzejewski

Dissertations, Theses, and Capstone Projects

Bringing together queer and feminist theory, this dissertation examines Shakespeare’s representations of pregnancy divorced from their promised duration and promised end, revealing that the pregnant body is not wholly symbolic of futurity, chastity, or even heterosexual desire. In queer readings of Shakespeare’s plays and in the methodological debates that inform them, the pregnant body has been conspicuously absent, despite being often subsumed into definitions of heteronormativity and procreative reproduction. In feminist work on Shakespeare’s pregnant characters, scholars largely conflate pregnancy with maternity instead of considering the ways in which these women might engage in non-heterosexual forms of intimacy and eroticism. …

Revolutionary Joy: Affect, Expression, And Community In Milton's England, Stephen Spencer

Dissertations, Theses, and Capstone Projects

To express joy in revolutionary England was deeply paradoxical. English Protestants frequently described the experience as indescribable, owing more to the agency of God’s grace than the subject’s will. And yet, the public expression of joy was considered a Christian duty, an important means of affirming and galvanizing community. In Revolutionary Joy: Affect, Expression, and Community in Milton’s England, I argue that the constitutive paradox of Protestant joy renders its expression a potent form of political speech amidst mid-seventeenth century transformations to the English church, monarchy, and parliament. In an era where apocalyptic expectation put pressure on affective experience …

Introspections Into Rational Fanatics And Thoughtful Deceivers: Examining The Use Of Memoirs In The Works Of James Hogg And Charles Brockden Brown, Tucker Foster

Electronic Theses and Dissertations

The memoir as a specific and unique literary genre has only recently been broached for in-depth critical study, with two major, book-length examinations of the genre appearing in the past decade. While the genre has been around in various formats with various conventions for as long as humans have written, only the memoir boom of the late twentieth and early twenty-first-century called for a more sophisticated look at the genre. This thesis will use these recent observations on the memoir as a genre to shed new light on two classics of gothic literature: Charles Brockden Brown’s 1798 novel Wieland and …

Reading The Readers : Analyses Of Shakespearean And Cervantine Characters As (Dys)Functional Readers., Erin Shannon O'Reilly

Electronic Theses and Dissertations

This dissertation analyzes how the protagonists of Don Quixote and The Tempest perform the act of reading. It explores how the authors create interpretive communities within their works and bring them into conflict in order to foreground the dysfunctionality of particular types of reading. While functional readers are capable of reading among and beyond diverse interpretive communities, dysfunctional readers operate within a single community to the exclusion of other possible interpretations. Chapter One examines Cervantes’s creation of multiple interpretive communities within the first six chapters of Don Quixote, and how Don Quixote acts as dysfunctional reader through his inability …

On The Variations Of 'Occupatio' In "Richard Ii", William Kelly Reeder

Graduate Theses and Dissertations

Recent scholarship of Shakespeare’s Richard II has been interested in or preoccupied with its historical relations. Particularly the plays association with the Essex Rising of 1601, and the censorship of the deposition scene, both of which seem to resonate for history with Elizabeth’s enigmatic comment expressing her identification with Shakespeare’s portrayal of Richard II.

This paper proposes to resolve the question of the play’s censorship by interpreting the deposition scene as a dramatization of transubstantiation, perhaps triggering Elizabethan censors.

Transubstantiation is the doctrine by which the Catholic Church interprets the Eucharist using the distinction between substance and accidens (eternal and …

The Dangerous Women Of The Long Eighteenth Century: Exploring The Female Characters In Love In Excess, Roxana, And A Simple Story, Jillian Bailey

Electronic Theses and Dissertations

The Long Eighteenth Century was a period in which change was constant and proceeding the Restoration Era; this sense of change continued throughout the era. Charles II created an era in which women were allowed on the theatre stage, and his mistresses accompanied him to court; Charles II set the stage for the proto-feminist ideas of the eighteenth century that would manifest themselves in Eliza Haywood’s Love in Excess, Daniel Defoe’s Roxana, and Elizabeth Inchbald’s A Simple Story. These novels showcase the enlightenment of women and some of their male contemporaries and the beginning struggles of female …

Monstrous Mobility In Dr. Jekyll And Mr. Hyde And Dracula, Autumn Danielle Weese

Graduate Theses and Dissertations

This thesis explores Late Victorian Gothic texts that are central to theories on monstrosity in terms of mobility by examining Dr. Jekyll and Mr. Hyde and Dracula. The goal of this project is to survey the ways in which two exemplary monsters, Mr. Hyde and Count Dracula, promote mobility for others and themselves as an inherent part of their monstrosity. The variety of this mobility is demonstrated by examples showing how monsters move and encourage movement in ways that are social and transformative as well as physical. Because social mobility is essential to these movements, this study also considers the …

“A Woman’S Story”: Lady Macbeth And Performing Femininity In The Early 1600s – Late 1900s, Phyllis Lebert

Graduate Theses and Dissertations

This paper uses gender studies to understand the themes of gender performance further, and more specifically, femininity, in Shakespeare’s Macbeth. It also explores the many ways feminine gender performance has changed as society has changed. Thus, proving gender is performative rather than innate. It does this by examining first the text within the context of Elizabethan society. Moreover, by examining three pivotal performances of Lady Macbeth through history within the context of their social structures as well. The three performances are that of Sarah Siddons in the Late 18th Century, Ellen Terry in the 19th Century, and Judy Dench in …

Feeling Clumsy, Feeling Alien: Gender And Affect In Victorian Sensation Fiction, Gracie Mae Bain

Graduate Theses and Dissertations

“Feeling Clumsy, Feeling Alien: Gender and Affect in Victorian Sensation Fiction” explores the interactions between the shock of reading sensation fiction and the affective potential of the genre using Sara Ahmed’s definition of the killjoy and the affect alien. The sensation genre, as explained in its name, is potentially useful when thinking about affective ties in the Victorian period. The first chapter, “Tracing Sensations: Finding and Following the Killjoy” explores the affective footwork that readers of sensation fiction are asked to perform in their sympathetic process with the female villains and fallen heroines. Affective tools employed by sensational fiction create …

Losing Faith: Emily Brontë'S Revolutionized Religion, Emily Renee Holmes

Graduate Theses and Dissertations

“Losing Faith: Emily Brontë’s Revolutionized Religion” discusses the role of religion in her novel Wuthering Heights and her poems set in the mythical world of Gondal. Through close readings of both her prose and poetry, this paper seeks to understand the relationship between the dark, vindictive nature of Brontë’s characters and their hopeful ending. The first chapter, Here’s The Situation, discusses the situation as set up by the novel, focusing specifically on Catherine and Heathcliff. I discuss the violence and codependence of their relationship, their Gondal predecessors, their fascination with each other as well as their torment when apart, and …

"We Are Strangers In This Life": Theology, Liminality, And The Exiled In Anglo-Saxon Literature, Nathan John Haydon

Graduate Theses and Dissertations

In “‘We Are Strangers in this Life’: Theology, Liminality, and the Exiled in Anglo-Saxon Literature,” I analyze the theme of exile in the theological literature of the Anglo-Saxon era as a way of conveying the spiritual condition of eschatological separation. The anthropological theory of liminality will be applied in this dissertation as a way of contextualizing the existence of the exiled, and the multiple ways in which exile is enacted. The intervention of the theory of liminality in this dissertation offers a methodology and vocabulary for assessing what exile means in terms of a spiritual identity, how it operates in …

Folklore-In-The-Making: Analyzing Shakespeare's The Tempest And Adaptations As Folklore, Heather Talbot

Student Works

This paper explores the similarities between folklore and Shakespeare's play,The Tempest. Not only is The Tempest an example of a folkloric story, this paper looks at how this play calls to attention the importance of story and the need for story to adapt in order to survive. Folklore is an oral tradition that is living, or continually adapting. Shakespeare's plays, while written are also performances which can be adapted through interpretations and by adapting to new genres. It is this adaptability which allows Shakespeare's works to continue to thrive and it is this adaptability which will determine how …