Literature in English, British Isles Commons^™

Architectural Rhetoric In Shakespeare And Spenser, Jennifer C. Vaught

Research in Medieval and Early Modern Culture

Jennifer C. Vaught illustrates how architectural rhetoric in Shakespeare and Spenser provides a bridge between the human body and mind and the nonhuman world of stone and timber. The recurring figure of the body as a besieged castle in Shakespeare’s drama and Spenser’s allegory reveals that their works are mutually based on medieval architectural allegories exemplified by the morality play The Castle of Perseverance. Intertextual and analogous connections between the generically hybrid works of Shakespeare and Spenser demonstrate how they conceived of individuals not in isolation from the physical environment but in profound relation to it. This book approaches …

Shelley’S Frankenstein As A Book Of Love And Despair, Shun-Liang Chao

CLCWeb: Comparative Literature and Culture

Influenced by Enlightenment philosophes like Rousseau and Smith, Romantic writers, such as Coleridge and Percy Shelley, celebrate the sublime power of sympathetic love to merge the self and the other (be it human or inhuman) into a wondrous whole, thereby precluding the dangers of solitude and solipsism. Not all Romantic writers, however, share the same sanguine view of love. In Frankenstein, for instance, Mary Shelley offers an alternative to the optimistic perspective on the capacity of (mutual) sympathy. She shapes the novel into tales of bitter solitude, one caused by the lack of sympathetic understanding between Victor and nature, …

Recovering The Archive And Finding Forgiveness In Park’S The Truth Commissioner, Aleksandra Hajduczek

CLCWeb: Comparative Literature and Culture

In her article “Recovering the Archive and Finding Forgiveness in Park’s The Truth Commissioner,” the author utilizes Jacque Derrida's theories about the function of archivization and the “impossible madness” of pure forgiveness to examine how these issues are addressed in post peace process Troubles fiction, focusing specifically on David Park's 2008 novel The Truth Commissioner. Park's text provides a particularly relevant example of the tension that Derrida outlines between the need for an unconditional, pure, and "hyperbolic" forgiveness and the conditional, judicial forgiveness that he associates with the truth recovery process.

Furious: Myth, Gender, And The Origins Of Lady Macbeth, Emma King

Dissertations, Theses, and Capstone Projects

This thesis attempts to understand the fabulously complex and poisonously unsettling Lady Macbeth as a product of classical reception and intertextuality in early modern England. Whence comes her “undaunted mettle” (1.7.73)? Why is she, like the regicide she helps commit, such a “bloody piece of work” (2.3.108)? How does her ability to be “bloody, bold, and resolute” (4.1.81), as Macbeth is commanded to be, reflect canonical literary ideas, early modern or otherwise, regarding women, gender, and violence? Approaching texts in the literary canon as the result of transformation and reception, this research analyzes the ways in which Lady Macbeth’s gender, …

Preface To Ssl 45.1, Patrick Scott, Tony Jarrells

Studies in Scottish Literature

Brief update on recent and future issues; tribute to Lucie C. Roy (1925-2018); update in journal endowment and article download statistics.

The Meaning In The Music: Music And The Prose Of Chopin, Joyce, Baldwin And Egan, Colin Perry

Senior Theses

Kate Chopin, James Joyce, James Baldwin, and Jennifer Egan are collectively gifted in the art of prose, yet each author also experiments with music in their literary works. An analysis of Chopin's The Awakening, Joyce's "The Dead," Baldwin's "Sonny's Blues," and Egan's A Visit from the Goon Squad reveals a trend of authors utilizing music to enrich their texts and convey major themes.

A Journey Down The Rabbit Hole Of The Oed In Search Of The Meaning Of “Master” Elrond, Kristine Larsen

Journal of Tolkien Research

An editorial commentary on the use of the title “Master” to describe Elrond, with heavy reliance on the Oxford English Dictionary.

Black Women’S Bodies As The Site Of Malignity: Interrogating (Mis)Representations Of Black Women In 16th And 17th Century British Literature, Tonika Reed

English (MA) Theses

This thesis examines the often overlooked and consistently maligned African/black female figure in 16th and 17th Century literature. Drawing from historical contexts and feminist literary criticism, this thesis accentuates a culturally nuanced and intersectional feminist examination of specific texts from the period in question and the extent to which they inform or draw from racist rhetoric. The texts examined will include William Dunbar’s Ane Blak Moir, Ben Jonson’s Masque of Blackness and Masque of Beauty, and Shakespeare’s Othello.

Nailing Jell-O To A Tree, Jayson Lozier

Master of Arts in English Plan II Graduate Projects

This portfolio contains papers addressing writing instruction, women's studies, queer theory, and literary analysis. “Mr. L 2.0 or: How I Learned to Stop Worrying and Love English Composition” details the implementation of more effective techniques to teach writing in the secondary English classroom. “Educating Women in Afghanistan: Power, Revolution, and Rebellion” examines the feminist struggles around education and the efforts of the Afghan Institute of Learning to bring about change. “Out of the Closet and into the Classroom: Introducing Queer Reading Strategies to the Secondary English Classroom” examines the importance of queer theory and queer reading techniques in high school …

Unruly Matter: Masculine Consumption In English Restoration Literature, Shawn Watkins

Electronic Theses and Dissertations

Unruly Matter: Masculine Consumption in English Restoration Literature

Over the past several decades, material culture scholars working within the “Long 18^th Century” have identified how the figure of the woman consumer became an ideological nodal point that registered new enthusiasm for emerging economic dynamics (mercantilism, nascent capitalism, etc.) while also expressing masculine anxieties about consumerism and the role of consumable goods in English society. Although many scholars have noted that men functioned symbolically and ideologically as English society’s primary consumers of material goods in the later 17^th century, there is no scholarly work that aims to describe the …

Taming The Beast: Heathcliff As Dog In Wuthering Heights, Anna Cittadino

Theses and Dissertations

This paper examines the human/animal distinction in Wuthering Heights by Emily Brontë, focusing specifically on the animal within Heathcliff, and the way this animal undermines his ability to be human as a result of the violence and abandonment he endured in childhood.

Setting The Stage And Building Homes: Architecture Metaphors And Space In Donne's First Caroline Sermon, Alexander S. Laws

LSU New Orleans Theses and Dissertations

Through his use of "foundation" and "house" metaphors in his "First Sermon Preached to King Charles at St. James, 3 April 1625," John Donne discreetly presents his ideologies and principles before the new king, while simultaneously criticizing his contemporaries' misguided bickering over religio-political factions. This essay seeks to unpack the history surrounding, as well as the casuistical logic found within Donne's first sermon preached during the Caroline period, which both explicitly and implicitly addresses the foremost anxieties of the people of the changing age.

Fragmentary Memories: The Cultural Significance Of Famine Echoes In Dracula, Moira Hegarty

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

This Plan B thesis explores the questions: What echoes of the 1845 Potato famine exist in Dracula and how do those echoes impact our understanding of the famine’s cultural impact? Dracula has been studied extensively both as an important example of gothic Victorian literature and as a chance to reclaim a native Irish author from the British. By looking at Dracula through the lens of Ireland’s 1845 Potato famine some of the structural and narrative oddities resolve themselves, such as Stoker’s decision to introduce so many opposing images and ideas to create a sense of uncertainty and rob the reader …

The Scientific Romances Of Jules Verne And H.G. Wells: Imperialism Disguised As Progress In The Early Days Of Science Fiction, Timothy Ferris

Theses and Dissertations

Frequently in their respective oeuvres, Verne and Wells write in a rhetoric of conquest that almost always translates to discovering a more efficient means of taming wild, non-European environments. These goals extend not only to the lands that their protagonists explore, but also to human beings and other life that may populate them. Indeed, the underlying focus—the one that is masked behind the thrill and adventure of both Wells and Verne—is none other than the march of progress as understood by middle-class Europeans in the latter half of the nineteenth century. Progress can produce positivistic optimism, and it can also …

Jerusalem’S Song: William Blake As Forerunner To Jung’S Feminist Psychology, Trudy D. Eblen

Department of English: Dissertations, Theses, and Student Research

William Blake's final epic poem, The Song of Jerusalem, consists of two textual narratives: the verbal (let me call it the conscious state) and the visual (the unconscious). I primarily focus on the visual, where the eponymous heroine psychically matures along the trajectory of a Jungian process of individuation (somewhat similar to the ancient universal initiation rite of maturation, as most famously described by Joseph Campbell). Preceding in Blake's corpus is a succession of his other female poetic characters, who represent various stages of successful and failed individuation—Thel, Lyca, Oothoon, and Ahania; these culminate in Jerusalem, Blake’s apotheotic female. …

Anthology Of Medieval Literature, Christian Beck, John Raible, Sarah A. Norris, John Venecek, Lily Dubach, Penny Beile, Aimee Denoyelles

UCF Created OER Works

No abstract provided.

Intertextuality, Aesthetics, And The Digital: Rediscovering Chekhov In Early British Modernism, Sam Jacob

Modernist Short Story Project

Mark Halliday’s poem, “Chekhov,” published in 1992, raises a simple yet profound question regarding the Russian playwright and author, Anton Chekhov: What do we get from Chekhov? Considering the present article’s particular focus, Halliday’s query may be used to ask how Chekhov influenced early modernist writers (circa 1900-1930) from the British literary context. However, when considering the amount of scholarly work devoted to this question, the initial simplicity of Halliday’s inquiry evaporates, giving way to a breadth of complexity, nuance, and ambiguity. Such ambiguity has led scholars attempting to trace the intertextual convergence between Chekhov and the early modernist writers …

“While The World Lasted”: Eschatology In Tolkien’S 1930s Writings, Kristine Larsen

Journal of Tolkien Research

Abstract: this is a much-abridged version of a paper that was first delivered at the New York Tolkien Conference, Baruch College, New York City, NY, June 13, 2015.

Collaborative Dickens : Authorship And Victorian Christmas Periodicals, Melisa Klimaszewski

Ohio University Press Open Access Books

From 1850 to 1867, Charles Dickens produced special issues (called “numbers”) of his journals Household Words and All the Year Round, which were released shortly before Christmas each year. In Collaborative Dickens, Melisa Klimaszewski undertakes the first comprehensive study of these Christmas numbers. She argues for a revised understanding of Dickens as an editor who, rather than ceaselessly bullying his contributors, sometimes accommodated contrary views and depended upon multivocal narratives for his own success.

Klimaszewski uncovers connections among and between the stories in each Christmas collection. She thus reveals ongoing conversations between the works of Dickens and his collaborators on …

Darkness, Depression, And Descent In Anglo-Saxon England, Ruth Wehlau

Richard Rawlinson Center Series

This collection of essays examines the motifs of darkness, depression, and descent in both literal and figurative manifestations within a variety of Anglo-Saxon texts, including the Old English Consolation of Philosophy, Beowulf, Life of Saint Guthlac, the Junius manuscript, the Wonders of the East, and the Battle of Maldon. Essays deal with such topics as cosmic emptiness, descent into the grave, and recurrent grief. In their analyses, the essays reveal the breadth of this imagery in Anglo-Saxon literature as it is used to describe thought and emotion, as well as the limits to knowledge and …