Literature in English, British Isles Commons^™

"Not What They Have Chapter And Verse For:" On Judgments, Assumptions, And Expectations In Austen And Eliot, Piper Dutton

Departmental Honors Projects

The nineteenth century left lasting impacts on our contemporary world, from political and economic developments to social and philosophical ones, and this extends to literature in the development of the novel as a major form. Jane Austen and George Eliot played integral roles in this maturation of the novel, as well as what Elizabeth Sabiston calls “the emerging female text and voice,” and thus both they and their art form merit continued reading and discussion (3). Novels are tools of social norms and revolution, and in the nineteenth century functioned as tools of the author in teaching their morals, worldviews, …

Fun With Palamon And Arcite: Rationale And Strategies For Teaching The Two Noble Kinsmen As The Culmination Of The Shakespearean Canon, Joanne E. Gates

Presentations, Proceedings & Performances

Hardly noticed in the reception of Harold Bloom's Shakespeare: The Invention of the Human several years ago was his hint that not The Tempest but The Two Noble Kinsmen makes an appropriate final accomplishment. On one level, the play is merely a stage adaptation of Chaucer's The Knight's Tale, with a rather crude couple of subplots thrown in, perhaps to please the commoners. In an undergraduate forum, I am less inclined to evaluate Fletcher's contribution as distinct from Shakespeare, but I do think the play important for how it is representative of many of the co-authored English Renaissance plays …

Men Who Conquered & The Women Who Mov'd Them, Nikita Chinamanthur

Scripps Senior Theses

Considering John Dryden’s Aureng-Zebe and Christopher Marlowe’s Tamburlaine the Great, this thesis examines how drama shaped popular ideas of the Indian subcontinent in Renaissance England. This thesis engages in a comparative analysis of formal choices such as doubling, tripling, and etymology to assess the efficacy of two incomplete portrayals of South Asia configured as women.

Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell

Interdisciplinary Journal of Leadership Studies

The question of literature’s utility in relation to the “real world” has been asked since at least the time of Plato. This essay examines an extreme instance of this problem by investigating two works, Giovanni Boccaccio’s Decameron (1349-1353) and Emily St. John Mandel’s Station Eleven (2016), that argue for the value of art in the midst of catastrophe. Boccaccio’s collection of 100 tales, written in the context of the Black Plague, and Mandel’s post-apocalyptic novel about a world devastated by a killer flu, overlap and diverge in instructive ways in making their cases for the important role of literature in …

Samuel Beckett's Theory Of Repetition, Kennedy Carpenter

Online Theses and Dissertations

The thesis explores playwright, Samuel Beckett, and his use of repetition within four of his plays. The way in which repetition is discussed and shown in his plays displays Beckett’s own theories about repetition such as the futility and meaningless of life that repetition brings about, how repetition causes stagnation, repetition is something people are both trapped in and willing go towards for comfort, and the only way to break out of repetition is by involving others in one’s life. After literary analysis of repetition in Beckett’s works, his theories are then applied to Beckett’s personal life as a director …

Psychoactive Revolution And Transnational Networks, Menglu Gao

English and Literary Arts: Faculty Scholarship

The connection and clash between Asia and the Anglophone world were, in part, facilitated by what David T. Courtwright calls the “psychoactive revolution,” a process in which hunger, the need for food, was replaced by desire and addiction in the modern world. Networks between these regions deepened and proliferated as stimulants and sedatives such as tea, opium, and coffee became increasingly accessible and popular around the globe.

Culture/Capital A Speculative Consideration Of James Joyce's Ulysses, Audrey Del Grosso

West Chester University Master’s Theses

This thesis explores how a speculative consideration of James Joyce’s novel Ulysses that combines postcolonial and Marxist and theoretical perspectives can challenge traditional critical approaches that are dogmatically one-sided. Three episodes of the work are analyzed to demonstrate the relationship between culture and economics, which aligns with the above-mentioned theoretical approaches.

The selected episodes -- “Telemachus” (episode 1), “Nestor” (episode 2), and “Scylla and Charybdis” (episode 9) -- focus on Stephen Dedalus and provide the opportunity to consider the manifestation of colonialism and imperialism in his various relationships.

Adopting a speculative approach anchored in the Hegelian-influenced philosophy of Gillian Rose, …

Remixing The Canon: Shakespeare, Popular Culture, And The Undergraduate Editor, Andie Silva

Publications and Research

This essay explores the benefits and challenges of using digital editing as a platform for social knowledge production. First, I discuss the underlying impetus for the project, my choice of Scalar as a digital platform, and a number of specific assignments designed to develop skills toward the final edition. Next, I analyze examples from student work, considering the larger implications of students’ annotation choices and the thematic focus each of them chose for their acts. Finally, I outline some of the potential pitfalls of this course. My aim is to privilege students’ discovery, negotiation, and ownership of ideas. As a …

Uncovering Ophelia: The Reclamation Of Women's Madness Through Feminist Disability Studies, Amy Crawford

Electronic Theses and Dissertations, 2020-2023

In his essay "The Philosophy of Composition," Edgar Allan Poe proclaims that "the death of a beautiful woman is unquestionably the most poetical topic in the world," and this sentiment remains curiously persistent within the literary world. Artists have looked towards their beautiful muses for centuries as a source of inspiration and introspection, and the faces that these muses wear were often swooning, longing, or even dead. Nineteenth-century British aesthetics solidified a gendered ideology that remains prevalent to this day; in particular, one subculture of Victorian aesthetics that emerged during this period was the Cult of Ophelia: a collection of …

"She Had A Bok To Print, And It Was Her Own Case": Elizabeth Cellier's Malice Defeated As A Critical Contribution To 17th-Century Political Discourse And Postwar Pamphlet Culture, Serena Desai

Honors Theses

Born in London, England during the 1640s-- the peak of the English Civil War-- Elizabeth Cellier was no stranger to political and religious conflict. Rumors flooded the seventeenth-century newsstands: not only was King Charles II a Catholic-apologist who favored the tiny "Jesuitical" faction over the Protestant majority, but he refused to allow Parliament to check his monarchical power. By 1680, the legislature was actively attempting to disrupt his line of succession by preventing the heir presumptive, the Duke of York, from ascending the throne. Ignited by this Exclusion Crisis, several known Protestant "tricksters"--Thomas Dangerfield, William Bedloe, and Israel Tonge, and …

The Terrors Of Everyday Life: The Gothic Novel As A Woman's Conduct Guide To Survival, 1791-1817, Jessica Berg

Electronic Theses and Dissertations

The Gothic is often associated with the fantastical, with people and events that only take place within our darkest nightmares. In my thesis, I explore how, in the hands of Ann Radcliffe and Jane Austen, the Gothic exposes the hidden dangers of reality perpetuated by conduct literature. Within conduct manuals, thousands of regulations direct women’s behaviors and identify the perfect woman as one who exists passively within the safety of the domestic sphere. Radcliffe’s The Romance of the Forest (1791) and Austen’s Northanger Abbey (1817) engage in subterfuge against eighteenth-century conduct literature and expose the realities of the domestic sphere: …

Gawain, Women, And The Hunts: How The Body Influences Human-Animal Relationships In Sir Gawain And The Green Knight, Meghan Gavis

The Criterion

In the narrative poem, Sir Gawain and the Green Knight, women and animals appear, on the surface, to function in a quintessential medieval sense — as physical objects to bolster Sir Gawain’s chivalric image. However, the dynamics between women, animals, and Gawain in this text challenge the human hierarchy presented by other medieval standards. By reading the ritualized hunts as devolving in honorable attention to the animal body and mapping their language onto the Lady’s temptations in Gawain’s bedroom, a feminine reclamation of the body appears. Though Gawain undercuts the Lady and Morgan by reducing them to physical presences, …

18th Century Theater And The Legitimacy Of The Lower Classes, Nina Masin-Moyer

The Criterion

18th century theater developed alongside the expanding role of the lower and middle classes. George Lillo’s working-class tragedy The London Merchant and John Gay’s comedic satire The Beggar’s Opera exemplify how both drama and comedy can bring awareness and legitimacy to the struggles of working-class people. The London Merchant uses cultural references and religious language to elevate the struggles of its titular merchant’s apprentice whereas The Beggar’s Opera uses language of honor and nobility to draw parallels between the criminal underground and high society, both in service of using the medium of theater to acknowledge the middle and lower classes’ …

Women, Writing, And Storytelling In Medieval England And The Canterbury Tales, Sadie O'Conor

The Criterion

For a woman to succeed in an academic sphere, it is never enough for her to be clever-- she must be brilliant. “The Second Nun’s Tale” in Chaucer’s The Canterbury Tales explores the metaphorical brilliance (in sexual purity, intelligence, and faith) of St. Cecilia. The tale is also a mechanism for the Second Nun to advocate for her own vocation of “holy work,” for the sake of the learned religious women who preserved such writings. The themes of her tale are quite different from those espoused by the Wife of Bath, but the Wife also argues to have her voice …

Femininity As Disability In Sylvia Plath's The Bell Jar., Shae Kirkus, Monika Shehi Herr

University of South Carolina Upstate Student Research Journal

Disability studies is often associated with the treatment of people with physical disabilities, which are defined as features of non-normative human bodies. However, analyzed through the lens of the classical idea of the ideal body, which was first and foremost male, femininity itself is also atypical and therefore confines women to the realm of being disabled.

Sylvia Plath’s autobiographical novel The Bell Jar shows how the feminine is a disability in and of itself. As Plath’s main character and narrator, Esther Greenwood, spirals into her own madness, her condition is only worsened by societal reactions to her declining mental health. …

"Wearing A Mask To Each Other": Masculinity & The Public Eye In Victorian Sensation Fiction, Shannon Branfield

Theses and Dissertations--English

Sensation fiction, as a genre, offers a field to explore the ways in which ideologies of masculinity are negotiated, contested, and enforced. The Victorian man has no respite from social surveillance; the public is always watching, always evaluating the performance. As these sensation fiction novels build on each other, a portrait of male claustrophobia in response to unceasing surveillance is revealed. The pressure this constant scrutiny puts on Victorian men is immense and sensation novels derive many thrilling plot twists from the dramatic lengths men to which men must go to protect themselves from this gaze. These habits persist even …

Deforming The Knight: Gawain's Descent Into Monstrosity In Sir Gawain And The Green Knight, Hannah Held

Electronic Theses and Dissertations

Sir Gawain has always been marked as a victim in the well-known poem Sir Gawain and the Green Knight, but he is much more than that. Standing with the knights of the Round Table, he seems to be the perfect example of what chivalry should look like, especially with an adherence to the common religious beliefs. However, when put into the context of the manuscript in which it was found, Gawain seems to stand as an allegorical figure of the do-not’s of feudal and religious chivalry. Using the lens of Monster Theory via Jeffrey Jerome Cohen and David Williams, I …

Virginia Woolf And The Consolations Of Abstraction, Ella Murdock Gardner

Scripps Senior Theses

Woolf believed that there are “two spheres: the novel; and life,” and her “great difficulty is the usual one—how to adjust the two worlds” (A Writer’s Diary 203, 208). But with this “great difficulty” comes great possibility; by pointing to the separation of these two spheres within and throughout her works, Woolf finds ways to create meaning from this border. Even as Woolf’s novels deal with the tragic restrictions of social conventions, the insurmountable barriers to communication and intimacy, the petty insignificance of human life and death within the context of an uncaring universe, the abstraction of both their …

Intimacy, Unity, And Shared Consciousness In The Novels Of Virginia Woolf, Meghan Rose Condas

Scripps Senior Theses

In the novels of Virginia Woolf, the difficulties of deep intimacy are troubled by the limitations of language and the fear of shame and vulnerability. What can characters express, and do words have the ability to appropriately describe their feelings of love and desire? Mrs. Dalloway, To the Lighthouse, and The Waves grapple with the penetrability of the mind and the potential for shared thought between characters. In Mrs. Dalloway, Woolf utilizes Clarissa and her relationship with men to highlight how eroticism and affection are inhibited by shame. To evade the anxieties of articulating romantic feelings and …

Feminine Performance In The Taming Of The Shrew: Final Speech And Missing Soliloquy, Laura Kolb

Publications and Research

No abstract provided.