Literature in English, British Isles Commons^™

The Literary Gestalt Of The Restaurant Review, Anke Klitzing

European Journal of Food Drink and Society

The restaurant review is a quintessential form of gastronomic writing, but it has rarely been studied in terms of its literary form. This paper investigates the literary gestalt of restaurant reviews through a gastrocritical reading of two reviews by the Irish restaurant critic Helen Lucy Burke. It concludes that restaurant reviews typically include mimesis and evocative descriptions, a meal plot, inherent tension due to the performance character of the restaurant meal and incorporation anxiety, and a combination of phenomenological and ethnographic reporting. These literary features serve to make reviews an accurate and reliable account of the reviewer’s immersive experience, to …

Stomach And Womb: Early Modern Recipes For The Perinatal Woman, Grace E. Beacham

English Theses - Archive

Stomach and Womb examines the recipes from early modern obstetrical treatises and midwifery manuals, revealing an ontology of parturiency that winds through the concurrent Shakespearean plays, Twelfth Night and The Winter’s Tale. Gynecological and obstetrical texts from the era detail how pregnant women were to order themselves after conception with utmost concern for their diet, governing the outputs of their bodies by managing the inputs, the foods they ingested before, during, and after pregnancy and childbirth. Further, the associated images of the stomach and the womb during this time present an essential link between foodways and a construct of …

The Mystification Of Gender Affirmation: Galathea, Gender, And Fantasy, Jubilee W. Finnegan

International Journal of Undergraduate Research and Creative Activities

John Lyly's Galatea centers the role that gender expression plays in both communal interactions and interpersonal relationships. I argue that the way in which Galatea and Phillida present themselves within the play parallels the modern interpretation of transgender theory as outlined by Judith Butler. The actions that the two take are in service of manufacturing the kind of gender expression that breaks from conventional norms. While still rooted within fundamentalist dynamics, Lyly breaks free of bioessentialist understandings of gender in favor of a more liberating approach.

“The Direful Spectacle Of The Wrack”: Teaching Against Colonialism Through Shipwrecks And Shakespeare, Sara A. Rich

Journal of the National Collegiate Honors Council Online Archive

It has become increasingly apparent that anti-colonial and anti-racist pedagogies are necessary in higher education classrooms, and honors education as an experimental zone is an ideal place to test ideas that can be taken into the wider university community. Honors professors epitomize the teacher-scholar model, and this paper presents a six-year trajectory of anti-colonial pedagogy coupled with original interdisciplinary research in the social sciences, arts, and humanities. Bringing canonical Shakespeare into conversation with historical shipwrecks and their aftermath, students learn how The Tempest was written at a pivotal point in history, coincidentally situated in the same year as the earliest …

"Lord, What Fools These Mortals Be:" Ambiguity In Shakespeare's Romeo And Juliet And A Midsummer Night's Dream, Hannah Murphy

Scripps Senior Theses

My thesis is focused on how and why ambiguity/double meanings within the language of Shakespeare plays occurs, and how this can be adapted into a ballet format as there is no verbal component. As well as why this aspect of the plays is so vital to the portrayal of the characters that to remove it would be to severely reduce the impact of the story. It focuses specifically on the plays and ballets of A Midsummer Night's Dream and Romeo and Juliet, with the NYC Ballet versions of both as a reference.

Madness As Response To Inherent Cultural Conflicts In Anglophone Fiction From 1700 To 2020, Anna Klambauer

Comparative Woman

Madness in literature has a long and colourful history. While its representation varies significantly in different literary periods, madness is nonetheless a consistent theme responding to inherent conflicts of civilisation. Thus, in the eighteenth-century novel, madness is subdued and forced to express itself in the language of rationality, while in the nineteenth century the theme becomes increasingly subversive. In the form of the madwoman trope (Gilbert and Gubar 1979), madness is simultaneously a reaction to restrictive patriarchal norms, and a frame in which the gender conflicts of the time can be safely and effectively played out. In the twentieth century, …

“To Happily Lay The Foundation Of Patriotism In One Single Englishman”: Women, History Texts, And The Construction Of English National Identity, 1820-1870, Katrina Denman

CGU Theses & Dissertations

Existing historiography on nationalist pedagogy in nineteenth century England has not focused on women as major contributors to this process through their authorship of historical texts. This dissertation argues that school history texts authored by women in Romantic and Victorian England imbued an intentional brand of English national identity based on Protestant moralism in their readers. It specifically focuses on conversational histories, or texts structured around historical description followed by prescribed “conversations” between teacher and listener, which both anticipated potential questions from young readers and provided a scripted narrative for answering them in a way that fit the larger didactic …

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Editor's Preface, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Self-Consciousness And Alienation In Pirandello's One, No One, And One Hundred Thousand, Francesco Satta

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Colonial Body-Logic In George Orwell's Burnese Days: A Contrapuntal Critique, Riley Mays

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Swashbuckling Politicians, Silas Fier

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Wilfred Owen And Shell Shock: The Initial Sympathetic Understanding Of Ptsd, Rachel Eubanks

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Submission Guidelines, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 26, 2024, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Fetishized Portraits In Victorian Literature, Rachel Smith

Theses

No abstract provided.

Gender Wobbles But It Don’T Fall Down: Feste And The Instability Of Gender In Twelfth Night, Evangeline Thurston Wilder

International Journal of Undergraduate Research and Creative Activities

Shakespeare’s Twelfth Night appears to some readers as a conservative story of gender-bending, in which all is made “right” in the end. The central character, Viola, disguises herself as Cesario in order to survive. In the final scenes of the play, this character reveals herself to have been a woman all along, and immediately enters a cis-heterosexual marriage with the Duke Orsino. To other readers, the play appears to be an early depiction of what we might now call transmasculinity. In this view, the central character is not just dressing up as a man to survive; he really is Cesario. …

Madwomen In Attics, Madwomen In Tombs Feminist Counterparts In Jane Eyre And Dracula, Bethany Howard

Theses

Charlotte Brontë’s early Victorian novel Jane Eyre (1847) enjoys a steady history of feminist interpretations. Sandra Gilbert and Susan Gubar’s The Madwoman in the Attic (1979) is perhaps the best-known. Andrew Weiler sees Jane Eyre as a feminist Christian bildungsroman, and Micael Clarke finds the “feminist ethic” in the Grimms’ “Cinderella” tale in Jane Eyre (708).

However, Bram Stoker’s late Victorian novel Dracula (1897) has generated more varied responses, ranging from ambivalence, as noted by Carol Senf, to highly feminist, to highly anti-feminist. Feminist readings include that of Stephanie Demetrakopoulos, who remarks, “Stoker’s attempt at feminism in this novel is …

The Nebulous Binaries Of C.S. Lewis' Till We Have Faces, Amantia Menalla

Honors Undergraduate Theses

Much of C.S. Lewis’ novel Till We Have Faces can be examined through one of two binaries. The tension between rationality, or reason, and spirituality, or religion, is one of the core facets of both the text and its main character, Orual. Orual feels the pull of both ideas and thus spends most of the novel in a nebulous space between them. This tension is further complicated by the space between the feminine and the masculine which she also inhabits. By covering her face and body, Orual de-emphasizes her feminine identity and takes on a masculine role, dressing as a …