Introduction: Hugh Macdiarmid At 100,
2024
Edinburgh Napier University
Introduction: Hugh Macdiarmid At 100, Scott Lyall
Studies in Scottish Literature
Explains the background for this special issue, Hugh MacDiarmid at 100, in the Scottish Revival Network’s conference in August 2022, which marked the centenary of Hugh MacDiarmid’s first appearance in print under that name in The Scottish Chapbook in August 1922, and then, before summarizing the themes of each essay, discusses ways in which MacDiarmid’s legacy and reputation have become central to the Scottish literary canon but somewhat marginal to canonical modernism,
The Ghost Of John Nisbet: Hugh Macdiarmid’S First Published Work,
2024
University of Glasgow
The Ghost Of John Nisbet: Hugh Macdiarmid’S First Published Work, Alan Riach
Studies in Scottish Literature
Discusses the first published item, a short play, signed with the name 'Hugh M'acDiamid', and sets in its biographical and historical context just after the First World War and in the literary context of 1922 and international modernism, in 1922, viewing it as 'an encapsulation of its moment, and most importantly as an elegiac tribute to a friend,' arguing that 'Performing "Nisbet" as a play intimates the drama of fractured modernist selfhood implicit in the written text,' and concluding that it should be seen 'in the whole national context of Scotland finding a way towards a reconstruction of itself, a …
‘To “Meddle Wi’ The Thistle”’: C. M. Grieve’S Scottish Chapbook, The Little Magazine, And The Dilemmas Of Scottish Modernism,
2024
Edinburgh Napier University
‘To “Meddle Wi’ The Thistle”’: C. M. Grieve’S Scottish Chapbook, The Little Magazine, And The Dilemmas Of Scottish Modernism, Scott Lyall
Studies in Scottish Literature
Examines C. M. Grieve’s (Hugh MacDiarmid’s) most important journal enterprise, The Scottish Chapbook, which critics have assumed marks the beginning of a modernist Scottish renaissance. Against this view, this article argues that the range of contributions to the Chapbook were generally not modernist in their formal characteristics, many recalling the Victorian or fin-de-siècle periods. While the Chapbook’s brief lifespan (1922–23) was typical for modernist little magazines, the dilemmas encountered by Grieve’s periodical – restricted finances, lack of avant-garde contributors – are explained here as a side-effect of ‘localist modernism’, a concept defined by Eric B. White.
Chitterin’ Lichts: Text And Intertext In Sangschaw And Penny Wheep,
2024
University of Aberdeen
Chitterin’ Lichts: Text And Intertext In Sangschaw And Penny Wheep, Patrick Crotty
Studies in Scottish Literature
The essay takes a new look at an old subject, the role of dictionaries in Hugh MacDiarmid’s so-called ‘early lyrics’. While demonstrating that the poet’s exploration of the lexicographical remains of Scots was more thorough-going and systematic than previous accounts have suggested, it positions his recourse to dictionaries in the intertextual habit that links the lyrics both to the English sonnets and prose sketches of the young Christopher Grieve and the encyclopaedic long poems to which MacDiarmid turned after abandoning Scots in the 1930s. The article attends in particular to the wide-angle allusiveness of Sangschaw and Penny Wheep, arguing that …
Linguistic Islands: Archipelagic Perspectives In Hugh Macdiarmid’S ‘Vision Of World Language’,
2024
University of Glasgow
Linguistic Islands: Archipelagic Perspectives In Hugh Macdiarmid’S ‘Vision Of World Language’, Fiona Paterson
Studies in Scottish Literature
Examines the impact of an archipelagic perspective upon Hugh MacDiarmid’s ‘vision of world language’ as set forth in the 1955 poem In Memoriam James Joyce. Informed by his travels to Scottish islands, documented in The Islands of Scotland (1939), and his engagements with Norn in Shetland, MacDiarmid’s vision is both expansive and particular, characterised by its decentralised plurality, and driven by an attempt to capture both simultaneity and progressivism.
‘No Further From The “Centre Of Things”’: Peripheral Citation In Hugh Macdiarmid’S In Memoriam James Joyce,
2024
Edinburgh Napier University
‘No Further From The “Centre Of Things”’: Peripheral Citation In Hugh Macdiarmid’S In Memoriam James Joyce, James Benstead
Studies in Scottish Literature
Examines Hugh MacDiarmid’s “citational poetics” – that is, his practice of selecting material from a wide range of pre-existing texts, before transforming that material and then combining it in his own work, often without attribution – and shows how reading MacDiarmid’s long 1955 poem In Memoriam James Joyce with reference to this practice places that text within the lineage of “provincial modernism” identified by Robert Crawford.
Provincialising Macdiarmid: Decolonisation And Scottish Literary History,
2024
University of Edinburgh
Provincialising Macdiarmid: Decolonisation And Scottish Literary History, Alex Thomson
Studies in Scottish Literature
Examines the development of MacDiarmid's aesthetic and political views, in light of decolonial theory and criticism, as showing the 'inexorable and exigent doubling of Scotland with Empire', arguing that though MacDiarmid has been central to the construction of a postcolonial Scottish literary history, free from historical anxiety, a decolonial approach unsettles the narrative of Scotttish exceptionalism and challenges the political romanticism associated with the aesthetic construction of the national, endorsed by MacDiarmid and continued by recent cultural and literary histories [Ed.] .
The Real Christopher: Sleights Of Text And Mind Behind The Persona Of Hugh Macdiarmid,
2024
University of South Carolina
The Real Christopher: Sleights Of Text And Mind Behind The Persona Of Hugh Macdiarmid, Alexander Linklater
Studies in Scottish Literature
Argues that it was the persona of Hugh MacDiarmid, as much as his poetry, which brought about the Scottish Literary Renaissance of the 1920s, but that behind the extravagant personality lay an obscure biographical puzzle. Christopher Murray Grieve possessed little personal resemblance to his pseudonymous self and even less interest in what motivated him to create such an antagonist. In this essay, the author of a new life of MacDiarmid explores how the dominant figure of 20th century Scottish literature composed himself out of found texts, psychological misdirection and confected autobiography.
Introduction: Denis Saurat On ‘“The Scottish Renaissance” Group’,
2024
Edinburgh Napier University
Introduction: Denis Saurat On ‘“The Scottish Renaissance” Group’, Scott Lyall
Studies in Scottish Literature
Provides the biographical context and publication history for Denis Saurat’s essay ‘Le groupe de “la Renaissance Écossaise”’, which included Saurat’s French translation of some MacDiarmid poems, describes the essay’s importance in the history of the Scottish Literary Renaissance, explains some shortcomings in Saurat’s perspectives on the ‘renaissance’ and MacDiarmid’s work.
Denis Saurat’S ‘The Scottish Renaissance Group’ / ‘Le Groupe De “La Renaissance Écossaise”’: An English Translation,
2024
University of the Highlands and Islands
Denis Saurat’S ‘The Scottish Renaissance Group’ / ‘Le Groupe De “La Renaissance Écossaise”’: An English Translation, Paul Malgrati
Studies in Scottish Literature
Presents an annotated translation of Denis Saurat's 'Le Groupe de la Renaissance Écossaise' (1924), a seminal piece in the history of Scottish modernism, hitherto inaccessible in English, that introduced the works of both Christopher Murray Grieve and Hugh MacDiarmid (considered as two different entities) to the international literary scene.
Notes On Contributors,
2024
University of South Carolina
Notes On Contributors
Studies in Scottish Literature
Brief biographical notes on contributors to Hugh MacDiarmid at 100 (SSL 49.1)
Macdiarmid The Spaceman: Extraterrestrial Space In Hugh Macdiarmid’S Poetry From Sangschaw To A Drunk Man Looks At The Thistle,
2024
University of Oxford
Macdiarmid The Spaceman: Extraterrestrial Space In Hugh Macdiarmid’S Poetry From Sangschaw To A Drunk Man Looks At The Thistle, Michael H. Whitworth
Studies in Scottish Literature
Looking at Hugh MacDiarmid’s Sangschaw (1925), Penny Wheep (1926), and A Drunk Man Looks at the Thistle (1926), this article considers MacDiarmid’s use of science, particularly astronomy, in the 1920s. It traces known and possible sources for his scientific knowledge in books and periodicals, especially The New Age. It examines the image of light travelling through space, found in popular astronomy works by Felix Eberty and Camille Flammarion. It also compares his conception of the earth as a moving object in space with that found in poems by Thomas Hardy.
The Divided Self: Internal Conflict In Literature, Philosophy, Psychology, And Neuroscience,
2024
CUNY Graduate Center
The Divided Self: Internal Conflict In Literature, Philosophy, Psychology, And Neuroscience, Yulia Greyman
Dissertations, Theses, and Capstone Projects
This thematic project examines the notion of self-division, particularly in terms of the conflict between cognition and metacognition, across the fields of philosophy, psychology, and, most recently, the cognitive and neurosciences. The project offers a historic overview of models of self-division, as well as analyses of the various problems presented in theoretical models to date. This work explores how self-division has been depicted in the literary works of Edgar Allan Poe, Don DeLillo, and Mary Shelley. It examines the ways in which artistic renderings alternately assimilate, resist, and/or critique dominant philosophical, psychological, and scientific discourses about the self and its …
Of Method: A Propaedeutic To Coleridge's Prose Works,
2024
CUNY Graduate Center
Of Method: A Propaedeutic To Coleridge's Prose Works, Michael A. Granger
Dissertations, Theses, and Capstone Projects
Coleridge’s prose works, published and unpublished, demonstrate a thorough and critical testing and understanding of British and German philosophical responses to skepticism and the ability of philosophy to progress by maintaining a double-minded and conflicted suture of both the practical or imaginative eclipse of knowledge and theorizing the hypothetical epistemological absolute that explains the relativity of facticity. Any inadequate method of inquiry stagnates within attempting a purely figurative or purely demonstrative solution to skepticism. Thus, the appropriate way to approach Coleridge’s understanding of philosophy is the struggle to make inquiry adequate though progression. Coleridge’s methodological impulse originates explicitly in a …
'Since No Expressions Do': Queer Tools For Studying Literature,
2024
CUNY Graduate Center
'Since No Expressions Do': Queer Tools For Studying Literature, Filipa G. Calado
Dissertations, Theses, and Capstone Projects
This dissertation explores how digital methods and tools for studying text engage with queer literature. I critique digital methods and tools by posing computation, where textual data is cleaned and structured for electronic processing, against the complexity of queer subjecthood and affects expressed in textual style, form, and voice. While tools like quantitative text analysis, for example, transform, and necessarily reduce, qualitative elements of gender and sexuality into numerical data such as word frequencies or concordances, I argue that this reduction opens up possibilities for interpreting the formal qualities of queer literature. Just as digital formats transform and manipulate text …
Ghostlight,
2024
University of Kent at Canterbury - U.K.
Ghostlight, Christopher R. Deacy
Journal of Religion & Film
This is a film review of Ghostlight (2024), directed by Kelly O'Sullivan.
“This Wonderful Machine”: How Should We Teach Humanities Texts Like Gulliver’S Travels In The Time Of Chatgpt?,
2024
Saint Joseph's University
“This Wonderful Machine”: How Should We Teach Humanities Texts Like Gulliver’S Travels In The Time Of Chatgpt?, Richard J. Haslam
Critical Humanities
The quoted phrase in the essay title comes from a passage in Jonathan Swift's Gulliver’s Travels in which a Grand Academy of Lagado professor demonstrates a “wonderful Machine” that can generate scores of books “without the least Assistance from Genius or Study.” The essay explore the challenge for teaching classic humanities texts like Gulliver that the (perhaps not so) “wonderful Machine” called ChatGPT poses. Student Owen Terry’s Chronicle essay (May 12, 2023) identifies two crucial aspects of that challenge: “We don’t fully lean into AI and teach how to best use it, and we don’t fully prohibit it to keep …
Pedro Mexía And The Politics Of Translation In The Early Modern World,
2024
Murray State University
Pedro Mexía And The Politics Of Translation In The Early Modern World, Erin Fairweather, Robert Fritz
Posters-at-the-Capitol
Spanish humanist Pedro Mexía (1497-1551) wrote two highly influential texts in the sixteenth century, the Silva de varia lección (1540) and the Historia imperial y cesárea (1545), which were, notably, written in Spanish, a vernacular language, as opposed to Latin, the academic language of the age. As these books presented previously inaccessible scientific and historical knowledge to the common person, they were soon translated into several languages, achieving widespread fame and influence. However, the texts have been mostly forgotten and have seen little study in recent times. Nevertheless, the Silva and the Historia can help us better understand the politics …
The Ring Cycle: Journeying Through The Language Of Tolkien’S Third Age With Corpus Linguistics,
2024
University of Sheffield
The Ring Cycle: Journeying Through The Language Of Tolkien’S Third Age With Corpus Linguistics, Michael Livesey
Journal of Tolkien Research
This article explores the journey taken by the One Ring across J.R.R. Tolkien’s Third Age writings. It employs a digital humanities approach to analyse linguistic patterns in Tolkien’s use of the word ring, across The Hobbit and The Lord of the Rings. Specifically, the article employs corpus linguistic methods to track shifts in the quantities and qualities of the Ring’s appearance across these texts. It uses techniques of keyness and collocation analysis to trace transformations in these quantities/qualities, including: a) the Ring’s transition from a central to a peripheral place in the Third Age’s narrative arc; and b) …
What Does It Mean To Talk About Tolkien And Diversity? A Look Within And Without The Legendarium,
2024
Ramapo College of New Jersey
What Does It Mean To Talk About Tolkien And Diversity? A Look Within And Without The Legendarium, Yvette Kisor
Journal of Tolkien Research
“What Does It Mean to Talk about Tolkien and Diversity? A Look within and without the Legendarium” considers racial diversity by focusing on the structure of Tolkien’s universe, both how it is modelled on ancient and medieval concepts like the Great Chain of Being and the Declining Ages of Man, but also remakes those models. In addition, it considers responses to racial structures perceived in Tolkien’s work.
