The Thirty-Eighth George Eliot Memorial Lecture, 2009- A Loss For Words,
2010
University of Nebraska - Lincoln
The Thirty-Eighth George Eliot Memorial Lecture, 2009- A Loss For Words, Giles Foster
The George Eliot Review Online, ISSN: 2831-5375
A loss for words ... I am genuinely lost for words in my admiration of the novels but the title of today's talk is intended to dig a bit below the surface of simple enjoyment and highlight some of the differences - strengths and weaknesses - between novels and adaptations. What words alone can and can't do. What a film adaptation can achieve and omit. What a stage version can offer. And we should not forget other experiences of encountering books - a mother reading to children, a radio or audio tape reading.
A few years ago there was a …
Dreadful Sorry: Spots Of Passion And The Memory Of Being Human In Kaufman’S “Eternal Sunshine Of The Spotless Mind” And Pope’S ‘Eloisa To Abelard’,
2010
Sacred Heart University
Dreadful Sorry: Spots Of Passion And The Memory Of Being Human In Kaufman’S “Eternal Sunshine Of The Spotless Mind” And Pope’S ‘Eloisa To Abelard’, June-Ann Greeley
Philosophy, Theology and Religious Studies Faculty Publications
Memory is a journey of infinite possibility, a continuous passage through time and sense that offers each person an opportunity not merely to recall and to reflect on former occasions and previous experiences, but to reconsider and to reexamine the past as a guide, as instruction, for healthy individuation. Memory, then, can be understood to be the aggregate of experiential and emotional recollection that frames the essential ground in forming and realizing individual identity. Both Alexander Pope in his poem “Eloisa to Abelard” and Michel Gondry/Charlie Kaufman in the film “Eternal Sunshine of the Spotless Mind” offer portraits of individuals …
“She Brings Everything To A Grindstone”: Sympathy And The Paid Female Companion's Critical Work In David Copperfield,
2010
University of South Carolina - Beaufort
“She Brings Everything To A Grindstone”: Sympathy And The Paid Female Companion's Critical Work In David Copperfield, Lauren Hoffer
Faculty Publications
In David Copperfield, Charles Dickens employs Rosa Dartle, Mrs. Steerforth's paid female companion, as an agent of his narrative. The companion in Victorian literature is an ambiguous figure whose status as a genteel insider and outsider within the domestic circle makes her a unique vehicle for the disclosure of important information the narrative cannot otherwise convey. Companions in the nineteenth century were hired to provide company, amusement, and, most important, a sympathetic ear for their mistresses' confidences. But, as Dickens and other Victorian writers show, this purchased sympathy-for-hire can be corrupted and distorted to serve the companion's own selfish …
Front Matter,
2010
University of South Carolina Aiken
Front Matter, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Return Of Logos: Language And Meaning In Hamlet,
2010
Winthrop University Rock Hill, South Car olina
The Return Of Logos: Language And Meaning In Hamlet, James Funk
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Contents,
2010
University of South Carolina Aiken
Contents, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Revisions To Realist Representation In Far From The Madding Crowd And Heart Of Darkness.,
2010
The Open University Milton Keynes United Kingdom
Revisions To Realist Representation In Far From The Madding Crowd And Heart Of Darkness., Paul Robertson Stephens
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
John Milton And The Spirit Of Capitalism,
2010
University of Maryland College Park, Maryland
John Milton And The Spirit Of Capitalism, Eliot Davila
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Back Matter,
2010
University of South Carolina Aiken
Back Matter, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010,
2010
University of South Carolina
The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Interpretations Of Medievalism In The 19th Century: Keats, Tennyson And The Pre-Raphaelites,
2010
Claremont McKenna College
Interpretations Of Medievalism In The 19th Century: Keats, Tennyson And The Pre-Raphaelites, Shannon K. Wilsey
CMC Senior Theses
This thesis describes how different 19th century poets and artists depicted elements of the medieval in their artwork as a means to contradict the rapid progress and metropolitan build-up of the Industrial Revolution. The poets discussed are John Keats and Alfred, Lord Tennyson; the painters include William Holman Hunt and John William Waterhouse. Examples of the poems and corresponding Pre-Raphaelite depictions include The Eve of Saint Agnes, La Belle Dame Sans Merci and The Lady of Shalott.
Tragic Pleasure In Shakespeare's King Lear And Othello,
2010
Claremont McKenna College
Tragic Pleasure In Shakespeare's King Lear And Othello, Luella Fu
CMC Senior Theses
This thesis is an examination of reader or audience response to Shakespeare’s tragedies. Primarily, it identifies key pleasures that Shakespeare’s King Lear and Othello offer. The complementary nature of these two plays is such that the analysis of their various pleasures allows for an in-depth treatment of the topic and also reflects the diversity of emotional response elicited by Shakespeare’s tragedies. The kinds of pleasure addressed in this study are catharsis as explained by Aristotle, the delight of violent passion as advocated by DuBos, pleasure from details in the work, satisfaction from the coherence of the tragedy, and pleasure in …
Beckett's "Happy Days": Rewinding And Revolving Histories,
2010
East Tennessee State University
Beckett's "Happy Days": Rewinding And Revolving Histories, Katherine Weiss
ETSU Faculty Works
Excerpt: Beckett is keenly interested in ways individuals unsuccesfully atempt to disown their past. His explorations into this reflect his awareness of being a survivor of the Second World War.
The Tractarians' Sermons And Other Speeches,
2010
Marshall University
The Tractarians' Sermons And Other Speeches, Robert Ellison
English Faculty Research
This is the first chapter of A New History of the Sermon: The Nineteenth Century, a collection of essays I edited for Brill Academic Publishers. It provides an overview of the Tractarians' homiletic theory, and examines the various genres of their oratory: sermons (both "plain" and "university"), lectures, and episcopal charges.
Introduction To A New History Of The Sermon : The Nineteenth Century,
2010
Marshall University
Introduction To A New History Of The Sermon : The Nineteenth Century, Robert Ellison
English Faculty Research
This is the introduction to A New History of the Sermon:The Nineteenth Century, a collection of essays I edited for Brill Academic Publishers. It discusses the concept and history of "rhetorical criticism," and seeks to lay a foundation for the rhetorical study of the Anglo-American pulpit.
“Murdering An Aunt Or Two”: Textual Practice And Narrative Form In Virginia Woolf’S Metropolitan Market,
2010
Marshall University
“Murdering An Aunt Or Two”: Textual Practice And Narrative Form In Virginia Woolf’S Metropolitan Market, John K. Young
English Faculty Research
As evidence for the multiple connections between the commercial and intellectual freedoms provided by the Hogarth Press for its co-owner and leading author, consider a diary entry from September 1925:
How my hand writing goes down hill! Another sacrifice to the Hogarth Press. Yet what I owe the Hogarth Press is barely paid by the whole of my handwriting…I’m the only woman in England free to write what I like. The others must be thinking of series’ & editors. Yesterday I heard from Harcourt Brace that Mrs. D & C.R. are selling 148 & 73 weekly--Isn’t that a surprising rate …
Parallel Lives And Literary Legacies: Crusoe's Elder Brother And Defoe's Cavalier,
2010
Queens College
Parallel Lives And Literary Legacies: Crusoe's Elder Brother And Defoe's Cavalier, Andrea Walkden
Publications and Research
No abstract provided.
A Screen Of One's Own The Tpec And Feminist Technological Textuality In The 21st Century,
2010
University of Central Florida
A Screen Of One's Own The Tpec And Feminist Technological Textuality In The 21st Century, Amy J. Barnickel
Electronic Theses and Dissertations
In this dissertation, I analyze the 20th century text, A Room of One's Own, by Virginia Woolf (2005), and I engage with Woolf's concept of a woman's need for a room of her own in which she can be free to think for herself, study, write, or pursue other interests away from the oppression of patriarchal societal expectations and demands. Through library-based research, I identify four screens in Woolf's work through which she viewed and critiqued culture, and I use these screens to reconceptualize "a room of one's own" in 21st Century terms. I determine that the new "room" is …
Sisterhood Articulates A New Definition Of Moral Female Identity: Jane Austen's Adaptation Of The Eighteenth-Century Tradition,
2010
University of Central Florida
Sisterhood Articulates A New Definition Of Moral Female Identity: Jane Austen's Adaptation Of The Eighteenth-Century Tradition, Katherine Curtis
Electronic Theses and Dissertations
Writing at a moment of ideological crisis between individualism and hierarchical society, Jane Austen asserts a definition of moral behavior and female identity that mediates the two value systems. I argue that Austen most effectively articulates her belief in women's moral autonomy and social responsibility in her novels through her portrayal of sisterhood. Austen reshapes the stereotype of sisters and female friendships as dangerous found in her domestic novel predecessors. While recognizing women's social vulnerability, which endangers female friendship and turns it into a site of competition, Austen urges the morality of selflessly embracing sisterhood anyway. An Austen heroine must …
Uncommon Sense In Renaissance English Literature,
2010
Loyola University Chicago
Uncommon Sense In Renaissance English Literature, Eric Byville
Dissertations
My project explores the distinctive union of Senecan tragedy and Elizabethan satire in Renaissance English drama, particularly the works of John Marston and William Shakespeare. Unlike Ben Jonson, who incorporated both Senecan tragedy and Elizabethan satire in his drama but did so in different plays (Catiline, Every Man Out), Marston and Shakespeare combined the two traditions in one and the same play, such as the former's Antonio's Revenge (1600) and The Malcontent (c. 1603) and the latter's Troilus and Cressida (1601) and Timon of Athens (c. 1606). They recognized and exploited a deep compatibility between the two traditions, a compatibility …
