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Introduction To A New History Of The Sermon : The Nineteenth Century, Robert Ellison 2010 Marshall University

Introduction To A New History Of The Sermon : The Nineteenth Century, Robert Ellison

English Faculty Research

This is the introduction to A New History of the Sermon:The Nineteenth Century, a collection of essays I edited for Brill Academic Publishers. It discusses the concept and history of "rhetorical criticism," and seeks to lay a foundation for the rhetorical study of the Anglo-American pulpit.


“Murdering An Aunt Or Two”: Textual Practice And Narrative Form In Virginia Woolf’S Metropolitan Market, John K. Young 2010 Marshall University

“Murdering An Aunt Or Two”: Textual Practice And Narrative Form In Virginia Woolf’S Metropolitan Market, John K. Young

English Faculty Research

As evidence for the multiple connections between the commercial and intellectual freedoms provided by the Hogarth Press for its co-owner and leading author, consider a diary entry from September 1925:

How my hand writing goes down hill! Another sacrifice to the Hogarth Press. Yet what I owe the Hogarth Press is barely paid by the whole of my handwriting…I’m the only woman in England free to write what I like. The others must be thinking of series’ & editors. Yesterday I heard from Harcourt Brace that Mrs. D & C.R. are selling 148 & 73 weekly--Isn’t that a surprising rate …


Parallel Lives And Literary Legacies: Crusoe's Elder Brother And Defoe's Cavalier, Andrea Walkden 2010 Queens College

Parallel Lives And Literary Legacies: Crusoe's Elder Brother And Defoe's Cavalier, Andrea Walkden

Publications and Research

No abstract provided.


The Return Of Logos: Language And Meaning In Hamlet, James Funk 2010 Winthrop University Rock Hill, South Car olina

The Return Of Logos: Language And Meaning In Hamlet, James Funk

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


John Milton And The Spirit Of Capitalism, Eliot Davila 2010 University of Maryland College Park, Maryland

John Milton And The Spirit Of Capitalism, Eliot Davila

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


Revisions To Realist Representation In Far From The Madding Crowd And Heart Of Darkness., Paul Robertson Stephens 2010 The Open University Milton Keynes United Kingdom

Revisions To Realist Representation In Far From The Madding Crowd And Heart Of Darkness., Paul Robertson Stephens

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


Contents, Tom Mack, Ph.D. 2010 University of South Carolina Aiken

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010, 2010 University of South Carolina

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


Front Matter, Tom Mack, Ph.D. 2010 University of South Carolina Aiken

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


Back Matter, Tom Mack, Ph.D. 2010 University of South Carolina Aiken

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


A Screen Of One's Own The Tpec And Feminist Technological Textuality In The 21st Century, Amy J. Barnickel 2010 University of Central Florida

A Screen Of One's Own The Tpec And Feminist Technological Textuality In The 21st Century, Amy J. Barnickel

Electronic Theses and Dissertations

In this dissertation, I analyze the 20th century text, A Room of One's Own, by Virginia Woolf (2005), and I engage with Woolf's concept of a woman's need for a room of her own in which she can be free to think for herself, study, write, or pursue other interests away from the oppression of patriarchal societal expectations and demands. Through library-based research, I identify four screens in Woolf's work through which she viewed and critiqued culture, and I use these screens to reconceptualize "a room of one's own" in 21st Century terms. I determine that the new "room" is …


Sisterhood Articulates A New Definition Of Moral Female Identity: Jane Austen's Adaptation Of The Eighteenth-Century Tradition, Katherine Curtis 2010 University of Central Florida

Sisterhood Articulates A New Definition Of Moral Female Identity: Jane Austen's Adaptation Of The Eighteenth-Century Tradition, Katherine Curtis

Electronic Theses and Dissertations

Writing at a moment of ideological crisis between individualism and hierarchical society, Jane Austen asserts a definition of moral behavior and female identity that mediates the two value systems. I argue that Austen most effectively articulates her belief in women's moral autonomy and social responsibility in her novels through her portrayal of sisterhood. Austen reshapes the stereotype of sisters and female friendships as dangerous found in her domestic novel predecessors. While recognizing women's social vulnerability, which endangers female friendship and turns it into a site of competition, Austen urges the morality of selflessly embracing sisterhood anyway. An Austen heroine must …


That Glorious Fire It Kindled: Extremes Of (Un)Righteous Sexuality In Books I And Iii Of Spenser's Faerie Queene, S. Erin McLean 2010 Andrews University

That Glorious Fire It Kindled: Extremes Of (Un)Righteous Sexuality In Books I And Iii Of Spenser's Faerie Queene, S. Erin Mclean

Honors Theses

Edmund Spenser's epic romance, The Faerie Queene (1590, 1596), claims to glorify Queen Elizabeth I, but the author hides an underlying critique of the queen throughout the poem. At the same time that Spenser openly praises the English monarch, he also reveals the faults and contradictions present in her image through how he presents the main characters in the story. In Faerie Queene, Spenser establishes a sexuality spectrum that features the lechery of Redcrosse Knight and the hypersensitive purity of Britomart; this demonstrates the various extremes of immoral sexuality. Studying both these characters reveals that the success of each knight's …


Uncommon Sense In Renaissance English Literature, Eric Byville 2010 Loyola University Chicago

Uncommon Sense In Renaissance English Literature, Eric Byville

Dissertations

My project explores the distinctive union of Senecan tragedy and Elizabethan satire in Renaissance English drama, particularly the works of John Marston and William Shakespeare. Unlike Ben Jonson, who incorporated both Senecan tragedy and Elizabethan satire in his drama but did so in different plays (Catiline, Every Man Out), Marston and Shakespeare combined the two traditions in one and the same play, such as the former's Antonio's Revenge (1600) and The Malcontent (c. 1603) and the latter's Troilus and Cressida (1601) and Timon of Athens (c. 1606). They recognized and exploited a deep compatibility between the two traditions, a compatibility …


Your Change Is Still Behind: Futurity In Early Modern Literature, Tripthi Pillai 2010 Loyola University Chicago

Your Change Is Still Behind: Futurity In Early Modern Literature, Tripthi Pillai

Dissertations

A study of Renaissance literature's engagement with temporality, my project is a critical evaluation of the concept of early modern futurity, of which I propose three categories: "Material futurity"; "Biological futurity"; and "Political futurity." In the moments that I identify in texts composed during the Tudor and early Stuart reigns in England, I demonstrate that the future--as an idea--structures individuals' actions and ruptures social formations. Futurity, which I define as a play of multiple desires that exist simultaneously within our present beings, is a volatile agent of imagination in early modern literature. Futurity collides with the cultural sites of memory …


Contrast And Didacticism In The Novels Of Jane Austen, Brittany Morgan Woodhams 2010 Edith Cowan University

Contrast And Didacticism In The Novels Of Jane Austen, Brittany Morgan Woodhams

Theses : Honours

The first aim of this thesis is to explore Jane Austen's use of contrast in terms of characterisation. The second is to look at how contrast becomes a tool of didacticism, both for the characters within the novels and for readers of the novels. This study encompasses Austen's six completed novels and traces the development of the techniques she used to evoke contrast. Austen used contrast in a variety of ways. Primarily it was used to construct and illuminate characters, but Austen also used it to introduce characters into the narrative, to compare two or more characters, and to structure …


Repressive Bodies, Transgressive Bodies : Dracula And The Feminine, Sharon Kostopoulos 2010 Edith Cowan University

Repressive Bodies, Transgressive Bodies : Dracula And The Feminine, Sharon Kostopoulos

Theses : Honours

Dracula has long been associated with the repressive qualities of Victorian society and the oppression of the emerging New Woman. However, taking into account that the novel is part of the gothic genre, a genre which endeavours to infringe the social boundaries in any given era, this thesis will demonstrate an equally visible and potent transgressive feminine element playing out in Dracula. Using Michel Foucault's idea of discourse to show how subjects are generated, the novel can be seen as facilitating both productive and repressive ideas of femininity. Power, as it operates through discourse, tends to produce its own resistance, …


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