Virginia Woolf And British Russophilia,
2012
University of Minnesota Morris
Virginia Woolf And British Russophilia, Michael Lackey
English Publications
Roberta Rubenstein convincingly demonstrates that England was infatuated with all things Russian between the years 1912 and 1922. These were some of the most formative years in the development of Woolf ’s writing and thinking, and consequently, Rubenstein argues that prominent Russian writers heavily influenced Woolf the writer and Woolf the critic. Given the degree to which Russian writers influenced Woolf in particular and England more generally, Rubenstein suggests that the Russian influence had a decisive impact in determining the shape of British Modernism.
Writers And Critics At The Dinner Table: Tristram Shandy As Conversational Model,
2012
College of Saint Benedict/Saint John's University
Writers And Critics At The Dinner Table: Tristram Shandy As Conversational Model, Cynthia N. Malone
English Faculty Publications
No abstract provided.
William Fulford, “The Set,” And The Oxford And Cambridge Magazine,
2012
Rollins College
William Fulford, “The Set,” And The Oxford And Cambridge Magazine, Patrick C. Fleming
Faculty Publications
The Oxford and Cambridge Magazine is familiar to Victorian scholars largely because its contributors included William Morris and Edward Burne-Jones (the most famous members of the set that produced the magazine) and because Dante Gabriel Rossetti published several poems there. For the magazine’s first readers, however, its most important feature was not the identity of individual contributors but the fact that it was produced by college students. The magazine was a group project, produced not just by Morris and Burne-Jones but by their whole set. Morris’s and Burne-Jones’s contributions are well-known, and their biographies never fail to mention the magazine …
The Arrest Of Caleb Williams: Unnatural Crime, Constructive Violence, And Overwhelming Terror In Late Eighteenth-Century England,
2012
Cleveland State University
The Arrest Of Caleb Williams: Unnatural Crime, Constructive Violence, And Overwhelming Terror In Late Eighteenth-Century England, Gary Dyer
English Faculty Publications
In the later eighteenth century, the twelve justices of the supreme English common law courts ruled repeatedly that blackmailing a man by threatening to accuse him of sodomitical practices constituted the capital offense of robbery; the judges focused on the overwhelming terror they claimed was unique to this threat. This legal doctrine is a covert presence in William Godwin's novel Caleb Williams (1794). Ferdinando Falkland, fearing that his secret is about to be revealed by Caleb, accuses him of having 'robbed' him, and even though Falkland's secret is literally murder, the mutual persecution and mutual terrorizing that ensue evoke the …
Self-Assurance And Literature,
2012
Illinois Mathematics and Science Academy
Self-Assurance And Literature, Stephanie Wang '14
2012 Fall Semester
Recognizing our faults and failures is no voluntary task. We are cautious, almost reluctant, to do so as those shortcomings cast a shadow over the ideal lives we would like to have. Our inability to confront our problems leads us to follow the lives of characters in books and stories whose flaws are apparent to us – characters who struggle valiantly against or fall miserably to the challenges they face. From the epic Beowulf, where the god-like hero Beowulf fights glorious battles, to Chaucer’s The Canterbury Tales, where common folk embark on a pilgrimage, we are fascinated by …
Reputation: A Destructive Force,
2012
Illinois Mathematics and Science Academy
Reputation: A Destructive Force, Srisha Kotlo '14
2012 Fall Semester
In Shakespeare’s play As You Like It, a soldier “[seeks] the bubble reputation even in the cannon’s mouth” (“Shakespeare”). Shakespeare portrays reputation as a bubble because just as bubbles are fragile and can pop at any moment, a man’s reputation is delicate and can be lost in an instant. Reputation and prestige are highly valued by characters in many stories and plays. In Shakespeare’s Othello, Cassio and Othello strive to preserve notable reputations while Iago intends to use reputation as a tool for manipulation, and as the play unfolds they get exceedingly desperate to defend their reputations. This …
Fear And Loathing In Nineteenth-Century England: Monsters, Freaks, And Deformities And Their Influence On Romantic And Victorian Society,
2012
Seton Hall University
Fear And Loathing In Nineteenth-Century England: Monsters, Freaks, And Deformities And Their Influence On Romantic And Victorian Society, Valerie Falk
Seton Hall University Dissertations and Theses (ETDs)
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Aesthetics And Ideology In Felicia Hemans's The Forest Sanctuary: A Biocultural Perspective,
2012
University of New Orleans
Aesthetics And Ideology In Felicia Hemans's The Forest Sanctuary: A Biocultural Perspective, Nancy Easterlin
English Faculty Publications
No abstract provided.
On Sir Charles Bell’S The Hand, 1833,
2012
University of Nebraska-Lincoln
On Sir Charles Bell’S The Hand, 1833, Peter J. Capuano
Department of English: Faculty Publications
This essay explores the cultural context in which Sir Charles Bell’s 1833 Bridgewater Treatise was published by focusing on the work as a culmination of his deep religious faith, his Edinburgh anatomical training, and his occupation as a surgeon at the Leeds Infirmary. It argues that The Handwas not merely an extension of Paleyan natural theology but also an important response to the era’s struggle with the grim physical reality of the supersession of manual labor by automatic manufacture.
Significant Themes In 19th-Century Literature,
2012
University of Nebraska-Lincoln
Significant Themes In 19th-Century Literature, Matthew L. Jockers, David Mimno
Department of English: Faculty Publications
External factors such as author gender, author nationality, and date of publication affect both the choice of literary themes in novels and the expression of those themes, but the extent of this association is difficult to quantify. In this work, we apply statistical methods to identify and extract hundreds of "topics" from a corpus of 3,346 works of 19th-century British, Irish, and American fiction. We use these topics as a measurable, data-driven proxy for literary themes. External factors may predict fluctuations in the use of themes and the individual word choices within themes. We use topics to measure the evidence …
Performing Literacy: How Women Read The World In The Late Eighteenth-Century British Novel,
2012
University of Arkansas, Fayetteville
Performing Literacy: How Women Read The World In The Late Eighteenth-Century British Novel, Amy Hodges
Graduate Theses and Dissertations
This dissertation explores the intersection of sensibility, Social identity, and literacy practices among representations of women readers in four late eighteenth-century British novels. Through an analysis of the authors' use of identity constructs which shaped and were shaped by reading practices, this study documents the rise of Social identity formation as mutually constitutive with the history of reading. The first chapter reveals how Charlotte Lennox's The Female Quixote uses Arabella's follies as education for readers about the corresponding processes of reading their society and reading novels. The second chapter argues that Frances Burney's Evelina considers women's ability to read others …
G. Ross Roy: A Tribute,
2012
University of Glasgow
G. Ross Roy: A Tribute, Kenneth G. Simpson
Studies in Scottish Literature
Tribute to G. Ross Roy (1924-2013), as scholar of Robert Burns, editor of the Burns letters, and founder of the scholarly journal .Studies in Scottish Literature.
Burns's Two Memorials To Fergusson,
2012
Florida Atlantic University
Burns's Two Memorials To Fergusson, Carol M. Mcguirk
Studies in Scottish Literature
Discusses the relation between the Scottish poet Robert Burns and one of his most important precursors Robert Fergusson, describing Burns's efforts to raise a memorial on Fergusson's grave and the ways in which Burns's first book, Poems chiefly in the Scottish Dialect (Kilmarnock, 1786) was also a memorial to Fergusson.
Robert Burns As Dramatic Poet,
2012
University of Edinburgh
Robert Burns As Dramatic Poet, R. D. S. Jack
Studies in Scottish Literature
Discusses Burns's skill in creating dramatic voice in his poetry, and what can be learned about the poems in their performance. Examples include "My luve is like a red, red rose," "John Anderson, my jo," "Robert Burns's March to Bannockburn," and "Tam o' Shanter."
"Tongues Turned Inside Out": The Reception Of "Tam O' Shanter",
2012
University of Glasgow
"Tongues Turned Inside Out": The Reception Of "Tam O' Shanter", Gerard Carruthers
Studies in Scottish Literature
Examines the dramatic poem "Tam o' Shanter", by Robert Burns, with especial focus on the significance of the lines that Alexander Fraser Tytler had criticized when Burns sent him a proof copy of the poem, and that Burns subsequently omitted.
"Epistolary Performances": Burns And The Arts Of The Letter,
2012
University of Glasgow
"Epistolary Performances": Burns And The Arts Of The Letter, Kenneth G. Simpson
Studies in Scottish Literature
The letters written by the Scottish poet Robert Burns (1759-17960 show a self-conscious writer, who relished the craft of letter-writing and the role-playing that it allowed him. Examines letters that Burns wrote to Dr. John Moore, Margaret Chalmers, and others, and suggests a kinship between Burns as letter-writer and the letters and novels of Laurence Sterne.
"O My Luve's Like A Red, Red Rose": Does Burns's Melody Really Matter,
2012
University of Glasgow
"O My Luve's Like A Red, Red Rose": Does Burns's Melody Really Matter, Kirsteen Mccue
Studies in Scottish Literature
Examines the musical sources and later published settings for Robert Burns's song "O, my luve is like a red, red rose," with particular focus on Niel Gow's setting "Major Graham's Strathspey."
Back To Burns,
2012
University of Edinburgh
Back To Burns, Fred Freeman
Studies in Scottish Literature
Argues that the published settings of the songs written and collected by the Scottish poet Robert Burns (1759-1796), especially the settings in George Thomson's series A Select Collection of Original Scottish Airs, conceal Burns's original intentions, and traces this to anti-Scottish critical prejudice that had driven the genuine folk tradition underground.
On Editing The Merry Muses,
2012
University of Glasgow
On Editing The Merry Muses, Valentina Bold
Studies in Scottish Literature
Discusses the sources and issues in reediting the late 18th century Scottish song collection, The Merry Muses of Caledonia (1799), in connection the 50th anniversary of the first modern scholarly edition, edited by Sydney Goodsir Smith, James Barke, and J. Delancey Ferguson in 1959.
"The Poor Man's Friend In Need": Baird, Burns And Miller,
2012
University of Dundee
"The Poor Man's Friend In Need": Baird, Burns And Miller, David Robb
Studies in Scottish Literature
Surveys the career of the Rev. George Baird (1761-1840), principal of the University of Edinburgh and minister of Edinburgh's High Kirk, assessing Baird's edition of the poems of Michael Bruce (1796), tracing his early encounter with the Scottish poet Robert Burns and his later connection with the self-educated Scottish writer and geologist Hugh Miller, and describing his efforts to relieve destitution and improve education in the west and north of Scotland and his extensive travels on behalf of the General Assembly's Highlands and Islands Committee.
