Literature in English, British Isles Commons^™

The Persistence Of Narrative: Archetypal And Thematic Parallelism In Milton And Shelley, Douglas Stephens Iv

Other Undergraduate Scholarship

The literary connections between Mary Shelley’s Frankenstein and John Milton’s Paradise Lost are relatively obvious to anyone familiar with both works. Less obvious is the fact that an astonishing number of character roles and thematic components translate directly between the two works. The characters of Frankenstein continually switch in and out of these clearly archetypal roles, but careful study reveals that the underlying parallels hold true throughout. The question at hand is whether the parallelism evident in the relationship between the books is a result of thematic referentialism or if there is a deeper historical and mythopoeic significance. That these …

Nothing More Delicious: Food As Temptation In Children's Literature, Mary A. Stephens

College of Graduate Studies: Theses & Dissertations

Although many critics and theorists, including Roland Barthes, have discussed food in literature, little attention has been paid to the food-as-temptation story in children’s literature. In Lewis Carroll’s Alice’s Adventures in Wonderland, C.S. Lewis’ The Lion, the Witch, and the Wardrobe, Roald Dahl’s Charlie and the Chocolate Factory, and Neil Gaiman’s Coraline food is used as temptation for child protagonists, a tool to lure them into doing evil deeds or being generally mischievous. Some characters, like Alice, act as the tempters as well as the tempted, while others, like Edmund, wait passively for rescue. Coraline breaks this …

Sexual Iconoclasm In Early Modern Drama, Lynnette Macomber

Honors Theses and Capstones

My thesis examines the relationship between sexuality and the destruction of images – iconoclasm – in the context of post-Reformation English theatre by analyzing three plays: Shakespeare’s Titus Andronicus, Middleton and Rowley’s The Changeling, and Aphra Behn’s The Rover. I argue that the idea of sexual iconoclasm is not only present in these plays but also contributes to the discussion of the religious and sociopolitical contexts (and perhaps commentary) of these plays and early modern theatre in general. So what exactly is sexual iconoclasm? In short, it describes the destruction of sexual images, and by sexual images I …

Narrating Literary Transnationalism In Zake Smith And Dave Eggers, Nelson Shake

College of Graduate Studies: Theses & Dissertations

This work argues for a greater reception of transnationalism in literary studies. Though the steady rise of transnationalism has already been studied in many areas of academia, literary studies has only begun to pay attention to it, and scholars appear to remain largely rooted in postcolonial or nationalistic thought. Refusing to read current texts through the lens of transnationalism hinders the literary academy's relevancy since creative writers today are addressing changes to the national structure in their fictive works. This study suggests why a new theoretical construct is needed to understand those texts, and it uses two representative examples: Zadie …

Brian Friel’S Modern Irish Drama: Writing The Past, Present, & Future, Brian F. Mccabe

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

Postcolonial and historicized readings of Irish literatures describe the evils of colonialism, and the ways it has distorted nationhood and nation-building to serve the ends of greedy empires. But, what happens to a nation or nations in the vacuum after a major colonial power abandons the colony or is driven out? [excerpt]

Fifty Years Of ‘The Barracks’, Eamon Maher

Articles

John McGahern’s first novel, The Barracks , was published 50 years ago, thus marking the arrival of one of Ireland’s most significant writers of the latter half of the20th century. The following year, 1964, saw the book awarded the prestigious Macauley Fellowship, which allowed McGahern to avail of a one-year sabbatical from his teaching duties in Scoil Eoin Baiste in Clontarf.

Magistra Doctissima: Essays In Honor Of Bonnie Wheeler, Dorsey Armstrong, Ann W. Astell, Howell Chickering

Festschriften, Occasional Papers, and Lectures

The editors of this volume use its title to honor Bonnie Wheeler for her many scholarly achievements and to celebrate her wide-ranging contributions to medieval studies in the United States. There are sections on Old and Middle English Literature, Arthuriana Then and Now, Joan of Arc Then and Now, Nuns and Spirituality, and Royal Women. As the editors note in the introduction, the volume "confirms Bonnie's commitment to the multidisciplinary study of the Middle Ages" and affirms her conviction "that the medieval and the modern are best viewed not as 'the past' and 'the present' but as interpenetrative categories."

Pusey's Sermons At St. Saviour's, Leeds, Robert Ellison

English Faculty Research

"E . B. Pusey as a Preacher." It would not be surprising to find such a phrase as the title of a nineteenth-century work. Authors in both Britain and America used it in books and articles about numerous ministers, literary figures, the Apostle Paul, and even Jesus himself.¹ Edward Bouverie Pusey, in fact, was the subject of one such piece: a review of Sermons for the Church's Seasons from Advent to Trinity, published in the Spectator on 11 August 1883.

Such a scope would, however, be too broad for a scholarly study in the twenty-first century. Pusey's canon …

Monstrosity, Karen N. Wohlgemuth

Department of English: Dissertations, Theses, and Student Research

The Early Gothic Period of English Literature was widely scrutinized for its sensationalism. This thesis explores the value of the genre by offering an alternative view of the monster typically portrayed. A close textual analysis of The Mysteries of Udolpho, The Monk, and Frankenstein prove that the real monster is society, and more importantly ourselves. While this thesis dissects the innate characteristics of humankind in the novels, the author hopes that the readers will recognize the same themes in contemporary society. As students of the learned world, we all can acknowledge that Gothic fiction can teach us more …

Orts 74, 2013, The George Macdonald Society

Orts: The George MacDonald Society Newsletter

The George MacDonald Society will be hosting a conference from lunchtime Wednesday 13 August to Friday 15 August 2014 at C.S. Lewis' own College, Magdalen, in Oxford. The provisional title is Re-­‐ Imagining the Inklings: the Victorian Roots of Modern Fantasy, and will be chaired by Professor Stephen Prickett our Chairman.

Historical Butches: Lesbian Experience And Masculinity In Bryher's Historical Fiction, Haley M. Fedor

Theses, Dissertations and Capstones

This project analyzes three of Bryher's historical novels, while also providing background on the shadowy figure of Bryher herself. Looking at Gate to the Sea, Roman Wall, and Ruan, each serves to represent lesbianism in a variety of coded or metaphorical ways. Various geographical locations or landscapes serve to either represent or depict homosexual desire, and also construct queer spaces for characters to traverse. Limited scholarship exists on any of Bryher's works, particularly that which looks at lesbian sexuality. The genre Bryher writes in allows for a cross-writing of lesbian characters, or gendering lesbian characters as male, and displays awareness …

The Interplay Of Authorial Control And Readerly Judgments In Ian Mcewan's Atonement, Marissa Danaé Nelson

Theses, Dissertations and Capstones

Mainly focusing on postmodern literary theory, I will analyze Ian McEwan’s Atonement and suggest how it becomes a simulacrum due to the protagonist, Briony Tallis taking control of authorship from McEwan and expressing how she is the author of the text. Because Briony negates an important aspect of the novel, hyperreality occurs. This thesis will look at the role McEwan plays as author of Atonement, how main characters Robbie and Cecelia take part within this fictional world and how they become aware of an authorial presence within their lives, how Briony takes ultimate control of the pen and appoints herself …

“The Delight Of Our Earlier Days”: Character, Narrative, And The Village School, Patrick C. Fleming

Faculty Publications

No abstract provided.

Dear Christopher, Abby Shelley

Common Reading Essay Contest Winners

Second Place

Wisdom From A Lost Friend To A New Friend, Veronica Murphy

Common Reading Essay Contest Winners

Third Place

The Caustic Pen Is Mightiest: A Tradition Of Female Satire In The Novels Of Jane Austen, Ivy Compton-Burnett, And Muriel Spark, Jaclyn Andrea Reed

Electronic Theses and Dissertations

Female satirists have long been treated by critics as anomalies within an androcentric genre because of the reticence to acknowledge women's right to express aggression through their writing. In Pride and Prejudice (1813), A House and Its Head (1935), and The Girls of Slender Means (1963), Jane Austen (1775-1817), Ivy Compton-Burnett (1884-1969), and Muriel Spark (1918-2006) all combine elements of realism and satire within the vehicle of the domestic novel to target institutions of their patriarchal societies, including marriage and family dynamics, as well as the evolving conceptions of domesticity and femininity, with a subtle feminism. These female satirists illuminate …

Review Of "Of Love And War" By Judy Hayden, Karen Gevirtz

Department of English Publications

No abstract provided.

Acting, Integrity, And Gender In Coriolanus, Kent Lehnhof

English Faculty Articles and Research

Shakespeare's Coriolanus... anticipates and corroborates modern-day analyses emphasizing the sociopolitical dimensions and determinants of antitheatrical discourse. In the present essay, I would like to shift my focus from questions of class/status to questions of sex/gender, endeavoring to trace the links between Coriolanus’s antiperformative zeal and his ultra-masculine identity. For though it is true that Coriolanus opposes the dissimulation of others on political grounds (i.e., it creates social confusion), what causes him to reject play-acting in his own person is the sexualized fear that it will unman him (i.e., turn him into a squeaking virgin or crying boy). In this manner, …

Dialogue, Selection, Subversion: Three Approaches To Teaching Women Writers, Karen Gevirtz, Martha Bowden, Jonathan Sadow

Department of English Publications

No abstract provided.

The Counterfeit Child, Steven Bruhm

Data and Test Instruments

No abstract provided.