Lisbeth Salander Lost In Translation - An Exploration Of The English Version Of The Girl With The Dragon Tattoo, Kajsa Paludan

LSU New Orleans Theses and Dissertations

Abstract

This thesis sets out to explore the cultural differences between Sweden and the United States by examining the substantial changes made to Men Who Hate Women, including the change in the book’s title in English to The Girl With The Dragon Tattoo. My thesis focuses in particular on changes in the depiction of the female protagonist: Lisbeth Salander. Unfortunately we do not have access to translator Steven T. Murray’s original translation, though we know that the English publisher and rights holder Christopher MacLehose chose to enhance Larsson’s work in order to make the novel more interesting for English-speaking …

Gothic Sense And Sensibility, Stephanie Abigail Taylor

The Kabod

It is well known that Jane Austen's Northanger Abbey is a parody of the Gothic genre, and this paper supports that reading. However, this paper analyzes the novel through the use of Austen’s identification of the terms “sense” and “sensibility” that she constructs in Sense and Sensibility to explain specifically how and why Austen parodies Gothic novels that were all the fashion in her day.

Birth By Sleep: An Immersive Adventure Through Wonderland, Edd Bass

Student Scholar Symposium Abstracts and Posters

When Lewis Carroll wrote down Alice’s Adventure in Wonderland he never expected it to become a worldwide sensation. His work has gained a following as psychoanalysis has allowed people to dive deeper into Alice’s dream world. Many books and movies based on the Alice books have been released, such as Sucker Punch. On a seemingly unrelated topic, a company called Punchdrunk has created an immersive theatre piece known as Sleep No More in which the audience runs around a “hotel” following different actors and trying to unveil the story unfolding. Immersive Theatre allows for the audience to be swallowed up …

Glass Slippers, Fairy Dust, And Feminist Ethics: Perrault And Barrie’S Influence On J.K. Rowling’S Independent Heroine, Gennesis Roman

English 502: Research Methods

My essay delves into J.K. Rowling's character of Hermione Granger. Hermione is a feminist character that seems to have been created with influence from Charles Perrault's "Cinderella" and J.M. Barrie's "Peter Pan". This essay details the similarities between Cinderella, Wendy Darling, and Hermione Granger, all while proving Rowling's feminist leaning when creating Hermione.

Was Jonathan Harker Wearing A Red Hood?, A. Nicole Ferrell

English 502: Research Methods

An icon of Gothic literature and forerunner of vampire lore, Dracula is credited as being inspired by Stoker’s nightmare after eating a particularly rich crab dinner. It’s also evident that he was influenced by other British invasion tales, LeFanu’s tale “Carmilla,” and The Woman in White. However, no work is evident as of yet about the possibility of Dracula being influenced by fairy tales, specifically “Little Red Riding Hood” in structure, themes, and characters.

This essay will be considering Dracula’s background, why Stoker wrote it and its Victorian influences. Then I will examine Bettelheim’s fairy tale structure as …

The Queer And The Bodily: Explorations Of Power In Women's Visionary Writing In The Book Of Margery Kempe 2014, Jayne Emerson Stacconi

Master's Theses

The provocative Book of Margery Kempe is a seminal text in the history of female authorship. Claiming to be the first written autobiography, The Book serves as a literary representation of womanhood during the late fourteenth to the fifteenth centuries when Margery was writing, and also speaks to circulating medieval discourses of religion, pilgrimage, and sexuality. Participating in medieval women’s visionary writing as a genre, Margery’s visionary power is a tool by which she is able to emancipate herself from the limiting roles of wife and mother. Additionally, by working within the conventions of visionary writing, Margery is able to …

How Effective Superintendents Select And Develop Principals, Rob Willman

All-Inclusive List of Electronic Theses and Dissertations

The purpose of this qualitative study was to determine how effective superintendents select and develop principals. Through this qualitative study, the perceptions of four superintendents explored several areas: a) the process by which principals are selected which includes qualities desired, interviewing, education, and internal versus external candidates and b) the professional development that takes place after the principal has been selected. The superintendents in the study were located in the state of Indiana and met the study criteria outlined in Chapter 3. The topics of related literature reviewed included the characteristics of instructional leaders, succession management and studies of professional …

An Examination Of Principals In Effective High-Poverty Middle Schools With High Achievement, Rhonda J. Mull

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Was Gawain A Gamer?, Gus Forester

Undergraduate Honors Theses

Describes a theory of gaming inspired primarily by Jean Baudrillard’s claim that gaming is characterized by a “passion for rules.” Key elements of the theory include that games are an attempt to create a new reality, that games create a space for individuality even in an otherwise homogenized world, and that pain and happiness are not diametrically opposed concepts to the gamer. The theory also emphasizes the importance of the player’s meeting with the “superplayer,” the player’s own constructed ideal that he tries to imitate within the game world. This theory of gaming is then applied to the 14^{th …}

Culture In Crisis: The English Novel In The Late Twentieth Century, Michael F. Harper

Scripps Faculty Books

Culture in Crisis begins with political and social history at the moment of the election of Margaret Thatcher. Many saw in this event the dissolution of the ideal of the liberal State once believed to be shared by both the Left and the Right. Ranging widely over such writers as Anthony Powell, John LeCarre, Samuel Selvon, Salman Rushdie, and Margaret Drabble, Harper examines various responses to this “crisis” which he shows to have roots in a pernicious ideal of “Englishness” going back many generations. With considerable skill and a masterful grasp of books and ideas, he presents the novel as …

Extremes Of Gender And Power: Sycorax’S Absence In Shakespeare’S The Tempest, Brittney Blystone

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

When Words Defile Things: Homoerotic Desire And Extreme Depictions Of Masculinity In Shakespeare’S Coriolanus And, Aaron Hubbard

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Jean-François Ducis: Re-Creating Shakespeare For An Eighteenth-Century Audience, Amy Drake

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

A Hot Mess: Knowing Juliet Through Accidental Encounters In Popular Culture, Kirk Hendershott-Kraetzer

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Helena And “The Rarest Argument Of Wonder”: All’S Well That Ends Well And The Romance Genre, Byron Nelson

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Front Matter, Hillary Nunn

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Lexical Dichotomy And Ethics In Macbeth, Lindsey Simon-Jones

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

“How This World Is Given To Lying!”: Orson Welles’S Deconstruction Of Historiographies In Chimes At Midnight, Jeffrey Wayne Yeager

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Tortured Calculations: Body Economies In Shakespeare’S Cultures Of Honor, Brandon E. Polite

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

The Dangers Of Playing House: Celia's Subversive Role In As You Like It, Allison Grant

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.