Literature in English, British Isles Commons^™

Contributors

The Journal of Wyndham Lewis Studies

No abstract provided.

Editorial, Jo Cottrell, Louise Kane

The Journal of Wyndham Lewis Studies

No abstract provided.

"Neutrality—That Was Anathema": The Critique Of Ideology In The Revenge For Love, Joseph Owen

The Journal of Wyndham Lewis Studies

No abstract provided.

Wyndham Lewis's "Most Active Colleague": William Harcourt's 1917 Diary, Jim Beach, Rod Rosenquist

The Journal of Wyndham Lewis Studies

No abstract provided.

Wyndham Lewis, Time And Western Man By Paul Edwards, Alexander Alfred Scott

The Journal of Wyndham Lewis Studies

Book Review

Wyndham Lewis, Time and Western Man, edited by Paul Edwards (Oxford University Press, 2023), 592pp. £190.00 (Hbk)

Wyndham Lewis And British Art Rock: A Practicological Modernism By Thomas Keller, David A. Wragg

The Journal of Wyndham Lewis Studies

Book Review

Thomas Keller, Wyndham Lewis and British Art Rock: a Practicological Modernism. (Narr Francke Attempto Verlag, 2024), 328pp. £54.00 (Hbk)

The Grotesque Modernist Body: Gothic Horror And Carnival Satire In Art And Writing By David Cruickshank, Benjamin Bruce

The Journal of Wyndham Lewis Studies

Book Review

David Cruickshank, The Grotesque Modernist Body: Gothic Horror and Carnival Satire in Art and Writing (Palgrave Macmillan, 2024), 276pp. £99.00 (Hbk)

David Shackleton, British Modernism And The Antropocene: Experiments With Time, Alberto Andrés Calvo

The Journal of Wyndham Lewis Studies

Book Review

David Shackleton,  British Modernism and the Anthropocene: Experiments with Time (Oxford University Press, 2023), 226pp. £65.00 (Hbk)

Modernist Parody: Imitation, Origination, And Experimentation In Early Twentieth-Century Literature By Sarah Davison, Cooper Casale

The Journal of Wyndham Lewis Studies

Book Review

Sarah Davison, Modernist Parody: Imitation, Origination, and Experimentation in Early Twentieth-Century Literature (Oxford University Press, 2023), 300pp. £78.00 (Hbk)

Beyond Duality: The Doppelganger And The Multiplicity Of Identity In Oscar Wilde's The Picture Of Dorian Gray, Alyssa Roberts

Theses, Dissertations and Culminating Projects

This paper argues that Oscar Wilde uses The Picture of Dorian Gray to transform the Gothic doppelganger from a symbol of moral duality into a site of multiplicity that exposes the instability of identity. Earlier iterations of the double–ranging from mythic traditions to nineteenth-century texts—such as The Strange Case of Dr. Jekyll and Mr. Hyde—tend to structure the self through binary opposition. Wilde, however, reconfigures the double as an accumulative and dynamic process. This paper analyzes how Wilde disrupts the rigidity of Victorian binaries and society’s investment in duality through the portrait’s accumulation of the consequences of Dorian’s actions as …

The Outsider And The Enemy: Colin Wilson On Wyndham Lewis, Luke Gilfedder

The Journal of Wyndham Lewis Studies

No abstract provided.

Volume 12, 2024/2025, Full Issue

The Journal of Wyndham Lewis Studies

No abstract provided.

Time And The Small Man: Lewis's Early Democratic Tendencies, Alexander Alfred Scott

The Journal of Wyndham Lewis Studies

No abstract provided.

In Praise Of Antony's Folly: The Triumph Of Foolishness In Shakespeare's Antony And Cleopatra, Michael Anthony Rombola

Theses, Dissertations and Culminating Projects

Antony and Cleopatra has long been regarded as a play about shame. Underlying this reading there have been several assumptions, namely that Antony's shame is justified and that Cleopatra's influence is destructive. These beliefs are rooted largely in the historical treatment of Cleopatra, particularly that of Plutarch, who advanced the view that the Queen of Egypt destroyed a formerly great man. In this paper, I argue that the opposite is true: that Shakespeare's Cleopatra, far from destroying Antony, actually helps to liberate him from the tyranny of Roman expectation. In the course of my analysis, I examine two competing sets …

Investigating The "Party Consciousness": Gender Normativity & Affect In Woolf’S Party Scenes In “To The Lighthouse” & “Mrs. Dalloway”, Chelsea Goodman

English

In 1925, Virginia Woolf wrote in her diary, “…I should like to investigate the party consciousness…where people secrete an envelope which connects them and protects them from others, like myself, who am outside the envelope” (DIII 13). Woolf’s metaphor of the “envelope” reflects how parties have the potential to be places of community and, conversely, of alienation. In literary criticism, Woolf’s parties are often simplified and read as sites of communion. I argue that instead of a suspension of normativity across all characters, which one might expect in a party scene, Woolf’s domestic party scenes solidify, reflect, and enforce …

Great War Modernists: D.H. Lawrence, H.D., And Richard Aldington By Lee M. Jenkins, Buxi Duan

The Journal of Wyndham Lewis Studies

Book Review

Lee M. Jenkins, Great War Modernists: D. H. Lawrence, H. D., and Richard Aldington (Bloomsbury, 2024), 200pp. £85.00 (Hbk)

“Before Your Honour?”: Divine Morality And Women Reclaiming Power In Ben Jonson’S Volpone And William Shakespeare’S Measure For Measure, Delilah G. Fleming

Theses and Dissertations

This thesis explores how the female protagonists in Shakespeare’s Measure for Measure and Jonson’s Volpone navigate and combat corrupting patriarchal forces through moral religious speech. In both plays, the male characters have allowed false gods and hypocrisy to dictate and justify their corrupt behavior. By engaging with the historical significance of early modern female rhetoric this thesis examines Jonson’s Celia and Shakespeare’s Isabella, and how they operate in the interest of godly virtue rather than blind obedience to patriarchal figure heads.  Volpone’s Celia is a character largely neglected in the canon, and whose speech emphasizes the relationship between female agency …

The Monsters We Make: Confronting Repression And Failure In Mary Shelley’S Frankenstein, Ben Wilenski

Theses and Dissertations

This thesis builds upon psychoanalysis and Shelley’s biographical accounts to claim that, rather than creating fear through physical monstrosity, Frankenstein’s horror emerges from the return of repressed parental and social failures. While the novel never excuses its violence, it contextualizes the creature’s acts in ways that demand readers to confront complicity, neglect, and social shortcomings. The following section discusses general horror theory with a focus on notions of abjection and the synthesis of contrasting images and concepts. A baseline understanding of fear will be formed and referred to in each following segment. After establishing a basic understanding of horror vocabulary, …

“One Object Yields Both Grief And Joy”: Death In Elizabeth Cary’S The Tragedy Of Mariam (1613), Valeria Suprunova

Theses and Dissertations

This thesis argues that the dialog between early ancient Roman and early modern English traditions of death and dying helps illuminate the complex relationship between tyranny and death in Elizabeth Cary’s The Tragedy of Mariam (1613) and that death is an inextricable and dynamic element of the text.

Lewis Carroll’S Curious Creatures: Examining Carroll’S Use Of Animal Characters Within The Context Of His Life And Victorian Era England, Nima M. Faunce

Honors Program: Senior Projects (Public)

Lewis Carroll’s Alice’s Adventures in Wonderland (1865) has maintained a wide readership since its publication, but many aspects of Carroll’s original intentions and inspirations are lost on modern readers. By examining his animal characters through the lens of his personal life and Victorian England, a deeper understanding of his novel is uncovered. Some of his characters directly reflect individuals from his real life, such as the Liddell family, while other characters provide a window into Victorian beliefs and practices. This paper investigates each of Carroll’s animal characters in order of appearance and determines possible points of inspiration from his personal …