The Power Of Image: Medieval Debate On Icon And Its Theoretical Value,
2016
Theoretical Studies in Literature and Art
The Power Of Image: Medieval Debate On Icon And Its Theoretical Value, Qiong Wu
Theoretical Studies in Literature and Art
The debate on icon was an important event in the theological and visual cultural field in the Western Medieval era, and it exerted a profound influence on Western visual culture. This paper examines the theological and cultural context of the debate, and with a focus on the relationship between invisibility and visibility, the paper discusses the paradoxical value of representation and its effects on visual cultural field.
On Auscultation,
2016
Theoretical Studies in Literature and Art
On Auscultation, Xiuyan Fu
Theoretical Studies in Literature and Art
The absence of auscultation, listening for precise judgement, in the perceptual experience entails the phenomenon of the employment of eyes for ears in the present "era of pictorial-reading." Listening has been entrusted with the power to resist the increasingly noisy self-talking in modern life. The earliest literary activity in mankind history is story-telling through listening, and due to the absence of auscultation, some important information only available to listening has been unrevealed from literary works. The paper argues that to re-read literary works from the perspective of listening facilitates to offset the perceptual imbalance caused by visual hegemony.
On The Aesthetic Significance Of Kant's Concept Of Schema,
2016
Theoretical Studies in Literature and Art
On The Aesthetic Significance Of Kant's Concept Of Schema, Hongbin Su
Theoretical Studies in Literature and Art
Schema is an important concept in Kant's philosophy, but Kant delimited it to the territory of epistemology. This paper argues that schema is also an important aesthetic concept. Schema is grasped through intuitive activities, and it follows that schema has certain aesthetic value. Schema is an object of aesthetic activity, but most often it also participates indirectly in aesthetic activities as the source of artistic images. The homogeneity between cognitive schema and aesthetic schema shows the homology of cognitive activities and aesthetic activities.
On The Significance Of "Bone" And The Unique Connotation Of Liu Xie's Concept Of "Wind And Bone",
2016
Theoretical Studies in Literature and Art
On The Significance Of "Bone" And The Unique Connotation Of Liu Xie's Concept Of "Wind And Bone", Aibin Yao
Theoretical Studies in Literature and Art
In the structure of life, "bone" is positioned between the inside and the outside of life structure, taking the special position of the inner side of the outside and the outer side of the inside. In The Literary Mind and the Carving of Dragons, Liu Xie's concept of "wind and bone" is composed with multiple combinations of analogies of bone to analog different forms of the overall structure of writing. Main types include the following. First, "bone and flesh-skin (or hair)" is used to refer to the duality of "intent (concept) and words (language)," with "bone" indicating the concept of …
Qian Gurong In Literary Criticism From 1949 To 1966,
2016
Theoretical Studies in Literature and Art
Qian Gurong In Literary Criticism From 1949 To 1966, Jianjun Xu
Theoretical Studies in Literature and Art
The first seventeen years from the establishment of P. R. China to the Cultural Revolution (1949 to 1966) is a special period for literary survival. In this period, the constraints and restraints of politics on literature co-exist with literature's rebellion against and escape from politics, which are intertwined with the dialogue and communication between the "integrated" literary norms and the heterogenic literary criticism. Under this historical context, Qian Gurong went through three important stages in his life, namely, the anxiety of political identity, the return to literary identity, and the adherence to "humanistic study." In each stage, Qian Gurong managed …
Reflections On The Literariness In The Post-Theoretic Era: The Dispersion Of Meta-Narration And The Plight Of Essentialist Poetics,
2016
Theoretical Studies in Literature and Art
Reflections On The Literariness In The Post-Theoretic Era: The Dispersion Of Meta-Narration And The Plight Of Essentialist Poetics, Yanfeng Li
Theoretical Studies in Literature and Art
In the context of the dispersion of meta-narrative and the break-up in modernity, the paradigm of essentialist thinking faces the increasing crisis of representation of knowledge. The history of "big theory" is coming to an end, and the "post-theory" emerges as a new paradigm of discourse and system of knowledge. Post-theory takes on an anti-essentialist, non-centralist, pluralistic and historized standpoint of knowledge to reconstruct the validity of legitimacy, opposing rigid essentialism, logocentrism and the logic of totality and identification. With the advent of post-theory, the discourse paradigm of essentialist literariness and the essentialist poetics are faced with the question over …
The Audience Awareness In The Self-Annotations Among Mid-Tang Poets Such As Bai Juyi And Yuan Zhen,
2016
Theoretical Studies in Literature and Art
The Audience Awareness In The Self-Annotations Among Mid-Tang Poets Such As Bai Juyi And Yuan Zhen, Zhiyue Yu
Theoretical Studies in Literature and Art
In Mid-Tang dynasty, self-annotations to poems were frequently practiced in Bai Juyi (772—846), Yuan Zhen (779—831) and other poets. This act as an extension of literary creation became an important means to assist their poetic expression, and it showed strong audience awareness. This act was especially practiced when poets edited their works for an expected interpretation of their works in later reading. Bai Juyi and Yuan Zhen's desire to be memorized by later generations appeared to be stronger than other poets of their age. Bai Juyi assumed a relatively lower expectation of his readers, so he made many annotations to …
The Distinction Of Han And Wei Dynasty's Poetry And Its Poetic Significance,
2016
Theoretical Studies in Literature and Art
The Distinction Of Han And Wei Dynasty's Poetry And Its Poetic Significance, Honglin Wang
Theoretical Studies in Literature and Art
Poetry critics from the Ming and Qing dynasties explored the different features of the Han and Wei poetries, which resulted in the distinction between the poetries of the Han and Wei dynasties. Their explorations also indicated that the stylistic principles of poetry began to take shape. Wang Shizhen first claimed that Cao Zhi's achievements were lower than Cao Cao's, while Hu Yinglin examined the differences between the Han poetry and the Wei dynasty poetry, maintaining that Han poetry was unadorned and elegantly simple while Wei poetry was embellished with rhetorical strategies. These claims about Han and Wei poetry influenced the …
The Function Of Generalization In Art History: Understanding Art Across Traditions,
2016
Theoretical Studies in Literature and Art
The Function Of Generalization In Art History: Understanding Art Across Traditions, Davies David
Theoretical Studies in Literature and Art
The paper considers how one might assess the adequacy of art-historical accounts that exemplify what Michael Baxandall terms the 'inferential criticism' of paintings, where the latter is an instance of what Wollheim called 'criticism as retrieval'. The problem is to reconcile the interpretive nature of such accounts, and their claims to provide us with trans-cultural and trans-historical understandings, with more general 'scientific' constraints on explanation. I draw a parallel with a problem in interpretive ethnography considered by Clifford Geertz, and sketch the latter's claim that the former involves 'generalising within cases' rather than 'generalising across cases'. I offer a 'pragmatic' …
Wen Yiduo's Translation And The Formation Of Metrical Poetics,
2016
Theoretical Studies in Literature and Art
Wen Yiduo's Translation And The Formation Of Metrical Poetics, Liming Chen
Theoretical Studies in Literature and Art
Wen Yiduo translated English poems with different metrical forms, and consciously applied English metrical poetics in his poetry writing and the theoretical configuration of new Chinese poetry, as an attempt to resist the prevailing poetic trends during the May 4th New Poetry movement predominantly spoken vernacular in nature and to promote the modern Chinese poetics with contemporary metrics and prosody. Through an examination of Wen Yiduo's long neglected translation of Byron's "Isles of Greece," the paper demonstrates his metrical poetics was constructed in and by his practice of translation and creative writing. The paper argues that Wen's practice helped to …
On The Stylistic Construction Of Wang Guowei's History Of Traditional Opera In The Song And Yuan Dynasties,
2016
Theoretical Studies in Literature and Art
On The Stylistic Construction Of Wang Guowei's History Of Traditional Opera In The Song And Yuan Dynasties, Yanlin Xu
Theoretical Studies in Literature and Art
Wang Guowei's pioneering work History of Traditional Opera in the Song and Yuan Dynasties is both a theoretical summarization of his studies on opera and a systematic exposition of his stylistic thoughts. Influenced by Western studies and inherited from Chinese academic tradition, the book reviews the classification, naming, features, origins of this genre and the debasing social attitude to it, and proceeds to highlight the genre with a strong consciousness of stylistics. It delineates the evolution of Chinese opera from the perspective of stylistics, and proposes that Chinese opera has integrated features of patterns, observable stylistic development from narrative to …
Reflections On The Post-Modernist Concept Of Literary History In A New Literary History Of America,
2016
Theoretical Studies in Literature and Art
Reflections On The Post-Modernist Concept Of Literary History In A New Literary History Of America, Song Li
Theoretical Studies in Literature and Art
Greil Marcus and Werner Sollers' New Literary History of America from Harvard University Press sets a new paradigm for literary history writing in the aspects of style, organization and methodology. It has the following major features. First, it holds a literary view of culture vision. Therefore, the connotation of literature is expanded greatly and the boundary between literature and culture is blurred. Secondly, it embodies the principle of dedifferentiation in post-modernism culture. Thirdly, it advocates a constructional view on literary history. Fourthly, it disassembles the meta-narrative of an ontological history and emphasizes on the micro-narrative of history transection. Lastly, it …
Singularities Of The Three-Body Problem, Or Chinese Logic In The Era Of Science Fiction Globalization,
2016
Theoretical Studies in Literature and Art
Singularities Of The Three-Body Problem, Or Chinese Logic In The Era Of Science Fiction Globalization, Jun Zeng
Theoretical Studies in Literature and Art
This paper aims to analyze the singularity event of why Liu Cixin's Three-body Problem can single-handedly upgrade Chinese science fiction literature to the world prominence in the era of science fiction globalization. The paper argues that the scientific imagination in The Three-body Problem starts at the scientific frontier of "singularity" and expands on the spectacle of singularity. In The Three-body Problem, the essentialism of identity politics is transcended, which allows for the conceptualization of internal diversity of the post-human and the establishment of a cosmetic sociology on the principle of the dark forest. Therefore, it is possible for an analysis …
The Clash Of Civilizations And The Culture Self-Consciousness: Science Fiction And Social Reality In The Three-Body Problem,
2016
Theoretical Studies in Literature and Art
The Clash Of Civilizations And The Culture Self-Consciousness: Science Fiction And Social Reality In The Three-Body Problem, Qi Chen
Theoretical Studies in Literature and Art
From the perspective of the relation between science fiction and social reality, the core question of Liu Cixin's The Three-Body Problem Trilogy is the clash of civilizations between human and Trisolaran, which causes the future possibility of the end of human history. The narrative perspectives of the trilogy are the intelligentsia narrative of Wang Miao (Book I), the heroic narrative of Luo Ji (Book II), and the narrative of "the last man" of Cheng Xin (Book III). If the future civilization of the human beings is likely to encounter the cosmic catastrophe caused by the clash of civilizations between human …
Unfinished Subject: Empathy And Subject-Construction In Do Androids Dream Of Electric Sheep？,
2016
Theoretical Studies in Literature and Art
Unfinished Subject: Empathy And Subject-Construction In Do Androids Dream Of Electric Sheep？, Simeng Miao
Theoretical Studies in Literature and Art
Philip K. Dick's novel Do Androids Dream of Electric Sheep? not only invites us to think about the problems of androids' identity, but also forces people into rethinking the existence of ourselves. As the subject, a man recognizing himself is firstly concerned with "identification/distinction." In the constructed world of the novel, the core of identification/distinction lies in the identification between a human being and an android. Empathy plays an important role in subject construction, which indicates that the subject can grasp others through bodily experience to achieve self-construction. However, it is merely imaginary to grasp the subjectivity of others through …
A New Discussion On Kuang Zhouyi's Ci-Poetry Criticism,
2016
Theoretical Studies in Literature and Art
A New Discussion On Kuang Zhouyi's Ci-Poetry Criticism, Keqiang Sun
Theoretical Studies in Literature and Art
Some new findings about Kuang Zhouyi's critical materials on ci-poetry enable us to review and re-evaluate Kuang's theoretical contribution to ci-poetry criticism which include his explorations into the ci-poetry in the Southern and Northern Song Dynasties and his theoretical explanation of the concept of "big." The paper claims that Kuang should be given full justice as an important ci-poetry scholar in the late Qing dynasty.
Aesthetics In Cross-Cultural Perspective,
2016
Theoretical Studies in Literature and Art
Aesthetics In Cross-Cultural Perspective, Davies Stephen
Theoretical Studies in Literature and Art
In this paper I attempt reconcile two apparently opposed views: artworks are embedded in culturally relative art-historical contexts and cannot be fully understood without an awareness of these contexts, yet artworks trade in themes that are universally and perennially of human interest, such as war and peace, and shape these to cater to shared, biologically based perceptual systems. The first explains some of the difficulties we face in understanding and appreciating art cross-culturally. The second indicates why, nevertheless, a degree of cross-cultural artistic appreciation is possible. As well, our grasp of the challenges and possibilities of the media from which …
An Exploration Into The Logics Of Language Construction During The May Fourth Period,
2016
Theoretical Studies in Literature and Art
An Exploration Into The Logics Of Language Construction During The May Fourth Period, Wei Deng
Theoretical Studies in Literature and Art
In his History of National Language Movement, Li Jinxi discussed the process of language construction in the May 4th period with a focus on the pronunciation while putting the vernacular movement into his narrative of the national language movement history. On the other hand, Hu Shi paid high attention to written language and tried to construct the national language with "vernacular literature," hoping to use "a literature of national language" to create "a national language of literature." Hu Shi's endeavor showed the general logic of language construction during the May Fourth period, that is, to construct a modern national language …
Deconstructing Utopian Imagination: The Allegory Of Solaris And Others,
2016
Theoretical Studies in Literature and Art
Deconstructing Utopian Imagination: The Allegory Of Solaris And Others, Dan Chen
Theoretical Studies in Literature and Art
Utopia is a socio-economic sub-genre of science fiction. The question of how to imagine a utopia is actually an issue of how to write out the image of a utopia. In Stanislaw Lem's Solaris, there is a formal strategy of "double inscription," which turns the limitation of utopian genre into allegory and critical merits. Thus, it is possible to refute it from the inside of its anthropocentric totality and to divert the interpretation into the field of political ethics. As a result, the surface binary opposition between self and the other is nullified, and the imagination of a zero-degree Utopia, …
Event-Truth And Literary Criticism: On Badiou's Reading Beckett,
2016
Theoretical Studies in Literature and Art
Event-Truth And Literary Criticism: On Badiou's Reading Beckett, Cheng Tan
Theoretical Studies in Literature and Art
Alain Badiou rejects the conventional idea that Samuel Beckett was a playwright associated with the Theatre of the Absurd. He points out that, in Beckett's writing, there is ideological transfer from "solipsism" to "event." As has been shown in Beckett's later works, he devoted himself to his reflection about "event," thus creating a text of "truth." Badiou, through his idea of Inaesthetics, attempts to understand Beckett in Beckett's own way. From the inherent ideological structure of the text, Badiou constructs critical concepts for the text, and consequently makes the truth of text appear in the form of concepts. He succeeds …
