Acknowledgements/Image Credits,
2016
Western Michigan University
Acknowledgements/Image Credits, Molly Lynde-Recchia
Transference
No abstract provided.
Notes On Contributors,
2016
Western Michigan University
The Universe In Perspective, Commentator, And The Birth Of A Masterpiece By Yu Kwang-Chung,
2016
University of Washington - Seattle Campus
The Universe In Perspective, Commentator, And The Birth Of A Masterpiece By Yu Kwang-Chung, Hsinmei Lin
Transference
Translated from the Chinese by Hsinmei Lin.
A Community In The Open, An Autumnal Fossil, On Skeletons, And Orpheus At The Butcher Shop By Shiro Murano,
2016
Saga University Faculty of Medicine
A Community In The Open, An Autumnal Fossil, On Skeletons, And Orpheus At The Butcher Shop By Shiro Murano, Goro Takano
Transference
Translated from the Japanese by Goro Takano.
My Bones, Journey, And Winds Of Betrayal: On Artaud's Van Gogh By Yoko Mihashi,
2016
Western Michigan University
My Bones, Journey, And Winds Of Betrayal: On Artaud's Van Gogh By Yoko Mihashi
Transference
Translated from the Japanese by Steve Light.
Flared Skirt And The Healds By Arai Takako,
2016
The Australian National University
Flared Skirt And The Healds By Arai Takako, Carol Hayes Dr, Rina Kikuchi
Transference
Translated from the Japanese by Carol Hayes and Rina Kikuchi.
A Poet's Eye: Poems By Princess Shikishi,
2016
Kalamazoo College
A Poet's Eye: Poems By Princess Shikishi, Rose Bundy
Transference
Translated from the Japanese by Rose Bundy.
Whether You See Me Or Not By Tan Xiaojing,
2016
Southeast University, China
Whether You See Me Or Not By Tan Xiaojing, Jun Tang
Transference
Translated from the Chinese by Jun Tang.
I Am A Child Of The Sun By Fukushi Kōjirō,
2016
University of Chicago
I Am A Child Of The Sun By Fukushi Kōjirō, Joshua L. Solomon
Transference
Translated from the Japanese by Joshua Solomon.
Ennui By Abe Kōbō,
2016
University of Toronto, Centre for Comparative Literature
Ennui By Abe Kōbō, Darcy L. Gauthier
Transference
Translated from the Japanese by Darcy L. Gauthier.
Excerpt From A Pilgrimage To Sumiyoshi By Ashikaga Yoshiakira,
2016
University of Michigan - Ann Arbor
Excerpt From A Pilgrimage To Sumiyoshi By Ashikaga Yoshiakira, Kendra D. Strand
Transference
Translated from the Japanese by Kendra Strand.
Twelve Tanka On Scooters By Huang Minhuei,
2016
Tamkang University, Taiwan
Twelve Tanka On Scooters By Huang Minhuei, Dean A. Brink
Transference
Translated from the Japanese by Dean A. Brink.
Rainy Night In Linqing, Spring Rain, And Evening Meditations By Yao Nai,
2016
Independent Scholar
Rainy Night In Linqing, Spring Rain, And Evening Meditations By Yao Nai, Andrew Gudgel
Transference
Translated from the Chinese by Andrew Gudgel.
Foreword,
2016
Western Michigan University
Transference Vol. 3, Fall 2015,
2016
Western Michigan University
The Tree With Good Fruit Or Bad Fruit: An Evaluation Of The House Church Movement And The Three-Self Patriotic Movement In China,
2016
George Fox University
The Tree With Good Fruit Or Bad Fruit: An Evaluation Of The House Church Movement And The Three-Self Patriotic Movement In China, Jiying Song
Seminary Masters Theses
This thesis is a research on the Three-Self Patriotic Movement (TSPM) and the House Church Movement (HCM) in China. These two movements have produced two church systems in China: the Official Church and the Underground Church. With the method of ―China-centered,‖ I present Christianity as a world religion and explore its development in Chinese society. In chapter 1, I explain the motivation of this research and the methodology I utilize in my approach to Chinese church history. I give a general historical background in chapter 2 and divide the Chinese church history into five eras: the preparation for Christianity (before …
單音漢字與漢詩詩體之内聯性,
2016
嶺南大學
單音漢字與漢詩詩體之内聯性, Zhongqi Cai
嶺南學報 Lingnan Journal of Chinese Studies
本文首節對西方漢學界中盛行的漢字字形決定漢詩藝術的觀點提出質疑，後續六節則從分析漢字字音對漢詩藝術的影響入手，剥絲抽繭，一層層地尋繹漢詩詩體之内聯性。首先發現的是，漢字每個字的發音是單音節，而絶大多數字又是含有意義的詞或是能與其他字結合的語素，從而使漢詩發展出一種獨一無二的節奏。此節奏的特點是韻律節奏和意義節奏總體是合二爲一，但兩者之間又存有分離的張力。其次，我們又探察到漢詩節奏與句法密不可分的關係。就傳統句法而言，每種詩體獨特的節奏都決定該詩體組詞造句的主要語序以及可以有何種變動的可能。從現代語法學句法的角度來看，每種詩體獨特的節奏決定了該詩體可以承載何種主謂句式，在時空邏輯的框架呈現何種主客觀現象，同時又可以承載何種題評句，超越時空邏輯關係來並列意象和言語，藉以激發讀者的想象活動。最後，我們從句法演繹到章法、篇法，發現三者都是遵循同樣的組織原則。主謂句所遵循的是時空和因果相連的綫性組織原則，而此原則運用在章節和詩篇的層次之上，便構造出連貫一致的綫性章節和詩篇。同樣，題評句所遵循的是時空和因果斷裂的組織原則，而此原則運用在章節和詩篇的層次之上，便構造出各種不同的斷裂章節和詩篇結構。
需要强調的是，漢詩節奏、句法、結構之間的這種内聯不是靜止的關係，而是呈現不斷發展的動態。在近三千年的中國詩史中，爲了開拓新的詩境，詩人孜孜不倦地挖掘漢語自身演變（尤其是雙音化發展）所帶來的機會，借鑒不同的民間音樂曲調以及各類散文，不斷發展出音義皆流轉完美的新節奏，並創造出與之相應的新句式和新結構，爲新詩境的産生提供了所必須的語言空間。新節奏、句式、結構的同時産生通常標誌著一種新詩體的誕生。
早期五言詩中的聲調對立 : 三組詩歌作品的量化分析,
2016
美國紐約州立大學賓漢頓分校
早期五言詩中的聲調對立 : 三組詩歌作品的量化分析, Chenqing Song
嶺南學報 Lingnan Journal of Chinese Studies
基於對聲調排列的觀察，一些研究者，包括王力和徐青等，提出漢末魏晉的詩人就曾有過在五言詩中創造聲調對立效果的嘗試。爲了評估這些觀點是否正確，本文在研究過程中採用了量化分析的方法來對三組早期文人五言詩作品中的聲調對立進行分析。這三組作品分别爲《古詩十九首》，曹植的五言詩及謝靈運的五言詩。與以往研究的不同之處在於，本文將這些詩歌的資料置於豐富而具體的語言背景下進行分析詮釋。將這三組永明時期之前的詩歌中的聲調對立句的百分比與另外兩個比率進行了比較：其一，聲調對立五言句在同時期的散文文本中的百分比；其二，聲調對立在聲調隨機排列的情況下應出現的百分比。比較結果顯示，聲調對立是否存在於早期五言詩中的這一問題，並不能以簡單的“有”或“無”來進行作答。在這個歷史時期，聲調對立現象處於一個複雜的過渡階段。與其説它源於爲達到某種特定創作效果的有意識處理，不如將其看作是一種憑藉直覺所做的創作行爲。
從五古的敘述節奏看杜甫"詩中有文"的創變,
2016
北京大學中國語言文學系
從五古的敘述節奏看杜甫"詩中有文"的創變, Xiaoyin Ge
嶺南學報 Lingnan Journal of Chinese Studies
杜甫在初盛唐五言普遍受宋齊體調影響的背景下，解決了使中長篇五古恢復漢魏古調的問題，因而是唐代五古繼陳子昂之後的又一重大轉關。但杜甫並非簡單地從形式格調模擬漢魏，也不是像盛唐詩人那樣通過規避近體聲律來創作古詩，而是在追溯漢魏古詩創作原理的基礎上，從當代生活語言中提煉新的五古節奏。在化用漢魏式的比興、句法和章法的同時，他更注重學習漢魏古詩善於概括人情之常的特徵，並且深入發掘五古以單行散句敘述的潛力，加大連貫敘述的密度和句段節奏的緊湊感，探索了在詩歌中展開敘述的多種表現方式，從而形成了“詩中有文”的重要特色。且杜甫既使五言古詩本來便於敘述的特長在中長篇中得到最大程度的發揮，又通過抒情節奏的主導嚴格把握了詩與文的基本界線。杜詩之所以能成爲“詩史”，五古的這一重要創變也爲其提供了體制的極大便利。
《詩經》疊音詞的語音象徵,
2016
Lingnan University
《詩經》疊音詞的語音象徵, Jonathan Smith, Zhihui Zhong
嶺南學報 Lingnan Journal of Chinese Studies
本文研究《詩經》（Book of Odes）———一部最早在兩千多年前以古代漢語吟誦的詩歌總集———的語音特性。《詩經》留給我們的只有文本形式，這些詩的許多表達功能注定是無法恢復的。然而，下面兩個原因卻給了我們一些希望。一是越來越精細的古代漢語語音———現代漢語語音的起源———重構。我所以能進行這項研究，完全是因爲在這個領域的學者的努力。二是基於語言學的一般原則：構成人類語言基礎的認知過程在歷史發展中是保持不變的。在這篇論文中，我認爲在古代漢語詞彙的特定範疇中是普遍存在語音象徵詞（sound symbolic）的：完全相同的重複，用現代漢語表達是“疊音詞”（duplicated-syllable words）。但這個説法只有建立在對現代語言聲義關係的平行觀察中才有意義。這種還有生命力的、能啟發讀者對古代漢語詩歌進行更精細地鑒賞的語音象徵就在我們身邊———包括現在還在使用的古代漢語詞彙。
